Tulalip Welcomes Inaugural Jr NBA Native American Youth Camp

Source: NBA 

 

TULALIP, Washington and PINE RIDGE, South Dakota, July.1, 2016 – The Jr. NBA next week tips off the first of two summer camps focused on engaging Native American youth.  As part of the NBA’s youth basketball participation program for boys and girls ages 6-14, Jr. NBA camps are set for July 8-10 in Tulalip, Washington, and from July 29-31 on the Pine Ridge Reservation in South Dakota.

The camps are designed to teach the game’s fundamental skills and core values at this grassroots level to help grow and improve the youth basketball experience for players, coaches and parents.

NBA legend Detlef Schrempf and Spencer Hawes of the Charlotte Hornets – both alumni of the University of Washington – will headline the Jr. NBA camps at the Tulalip Boys and Girls Club about an hour north of Seattle.  Sacramento Kings head coach David Joerger, who began his professional coaching career in the Dakotas, will work with youngsters at Jr. NBA camps hosted by the Red Cloud Indian School on the Pine Ridge Reservation outside of Rapid City.

“The Jr. NBA is always looking to engage different communities that love basketball,” said David Krichavsky, the NBA’s vice president of youth basketball development.  “Working with Tulalip and Pine Ridge provides us a unique opportunity to connect with our young fans and their coaches alongside some of the NBA’s best ambassadors.”

“Our Native community loves Basketball and the NBA,” said National Indian Athletic Association Basketball Hall of Famer Marlin Fryberg Jr., a longtime Tulalip Tribal Council member currently serving as executive director for the Tulalip Tribes Boys & Girls Club.  “The Jr. NBA camps acknowledge our Native American passion for the game and will help make NBA fans for life while teaching basketball’s important values.”

“Skills like teamwork, passion, accountability and responsibility are at the core of these communities and the core of our game,” said Brooks Meek, NBA vice president of International Basketball Operations and 1994 graduate of Washington’s Marysville-Pilchuck High School.  “I am especially excited to help bring the NBA to my home community, having grown up with so many friends from Tulalip.  We are very fortunate to work with such committed partners as we bring our League to these passionate fans.”

“As a young basketball player on the reservation, the values of the game helped me succeed in the classroom and in life,” said Christian McGhee, a 2008 graduate of Red Cloud and the school’s current athletic director. “Bringing the Jr. NBA to Pine Ridge is a dream come true and will expose a large number of our boys and girls to the lessons only basketball can teach.”

The Jr. NBA will reach five million youth in the U.S. and Canada over the next two years through a series of basketball clinics, skills challenges and tournaments.  As part of this effort, the NBA has developed a Jr. NBA partnership network that includes youth basketball programs of all NBA, WNBA and NBA Development League teams, elementary and middle schools, military installations and longstanding community partners, including Boys & Girls Clubs of America, Jewish Community Centers of North America, National Association of Police Athletic Leagues, National Recreation and Park Association, National Wheelchair Basketball Association, Special Olympics, and YMCA of the USA.

 

 

For additional information on the Tulalip camp, contact Marlin Fryberg at the Tulalip Boys & Girls Club: mfryberg@bgcsc.org

Native films ‘Mekko’ and ‘Before the Streets’ premiere at Seattle Film Festival

Siff-Mekko poster art

 

By Micheal Rios, Tulalip News

 

The Seattle International Film Festival (SIFF), the largest and most highly attended film festival in the United States, had a massive lineup in its 42nd annual 25-day run from May 19 through June 12. This year SIFF screened 421 films representing 85 countries: 181 features, 75 documentaries, 8 archival films, and 153 shorts. The films included 54 World premieres and 27 U.S. premieres.

Among those hundreds of films, two (Mekko and Before the Streets) were made with North American indigenous issues central to their theme. Prior to their Seattle premieres, SIFF publicists and media relations staff reached out to local tribal media about covering the films and meeting the directors for potential publications. According to festival publicist Sophia Perez, the staff of Tulalip News were the only tribal media who responded to the SIFF invitation.

 

Mekko director Sterlin Harjo (Seminole/Creek) at his film’s SIFF premiere.
Mekko director Sterlin Harjo (Seminole/Creek) at his film’s SIFF premiere. Photo/Micheal Rios, Tulalip News

 

Mekko is the product of director/writer Sterlin Harjo who is a member of the Seminole nation with Muskogee heritage. Born and raised in the small town of Holdenville, Oklahoma, Sterlin studied film and art at the University of Oklahoma. Sterlin is a founding member of the Native American comedy troupe, the 1491s, whose bold stylings have garnered millions of views on YouTube.

Mekko is a film that explores the rarely seen slice of life about marginalized homeless Native Americans. Mekko is an uncompromising thriller set against the streets of Tulsa, Oklahoma wherein a Muscogee Native is released from prison and falls in with the homeless “street chiefs” at the edge of the city, struggling to find shelter, hope, and redemption among the local Native population.

“People walk past or drive past the homeless all the time and never think about where they came from and how they ended up where they are. In making this film I wanted to humanize the Native homeless population in Tulsa while giving them a voice,” says Director Sterlin. In writing the film Sterlin spent a lot of time among the Native homeless population in order to ensure his story line was an accurate portrayal of their struggle. “While doing my research I was also recruiting them to be in my film. They were very open to the idea and I could tell how excited they were to have someone tell a story about them.

“For those you watch the film, I hope they come to realize that we are all just a few decisions away from ending up on the streets,” adds Sterlin. “Whether it’s through alcohol or drugs or anything else that alienates you from your family, once you lose that support it’s easy to end up on the streets.”

 

Siff-Mekko_2
Award winning film and television actor Zahn McClarnon plays the character Bill in Mekko. Photo courtesy of Sterlin Harjo.

 

 

Mekko paints the portrait of a homeless Native American parolee in Tulsa. As he struggles to find his way in the outside world after two decades behind bars, the titular Mekko discovers a chaotic yet occasionally profound and beautiful community of impoverished natives which now includes Bunnie, one of his old carousing buddies from his wilder youth. Though Mekko finds some peace in this society that exists on the fringes of our modern world, he also uncovers a darkness that threatens to destroy it from within. After a tragic series of events, Mekko dedicates himself to a quest for revenge which he believes will cleanse the sickness from this collective of marginalized individuals and perhaps atone for the sins that landed him in jail so many years ago.

 

 

BeforeTheStreets_Recto_70x100_CMJN_PRINT

 

Making its United States premiere, Before the Streets is a gripping and spiritual film set among the Atikamekw communities of Quebec, Canada. Featuring an indigenous cast speaking in their native tongue, it’s a redemptive story of a young man who returns to his Native traditions after a robbery ends in tragedy.

The lead character, young Shawnouk kills a man during a robbery and flees into the forest. Deciding to return to his Atikamekw village in Quebec, he tries to return to his everyday life, but is haunted by his past. Covering gritty, everyday issues of Native life on reservations from hunger and poverty to less talked about social issues of teen suicide and struggling family dynamics, Shawnouk must overcome his despair and redeem himself using traditional cleansing rituals.

Before the Streets celebrates a revival of the Native culture and its traditions, as embodied by the very actors who participated in the film. The first dramatic feature shot in the native language of Atikamekw, the film boasts a cast composed almost entirely of non-professionals living and working in the villages where the film was shot. The story takes place in Manawan, while a forest fire closes in on the nearby village of Wemotaci.

 

Director, producer and writer Chloe Leriche set out to highlight First Nations resilience and how it manifests itself.
Director, producer and writer Chloe Leriche set out to highlight First Nations resilience and how it manifests itself. Photo/Micheal Rios, Tulalip News

 

First-time feature director Chloe Leriche made Before the Streets with the collaboration of Quebec’s three Atikamekw communities, in drawing on all the vitality they embody. By following the pacing of her non-professional actors, she created a distinct style that goes beyond notions of the North American indie genre and recent media reports on the dismal conditions in Canada’s Native communities.

“I was working for Wapikoni Mobile, a project that involved traveling to Native communities in a trailer equipped with video cameras and editing tables. The idea was to encourage young people to express themselves through cinema,” says Director Chloe of how the inspiration for her film came about. “The first time I went to Obedjiwan, an Atikamekw community in northern Mauricie, I met a young man in the street and suggested he make a documentary on whatever subject he wanted. We went to look for two of his friends to hold the camera and record sound. I told his friends to ask him questions, and we filmed in different places around the village. Speaking to the camera, he talked about friends and relatives of his who had taken their own lives. The longer we shot, the longer the list of names grew. It was harrowing. After that, of the different scripts I was developing, Before the Streets forced itself on me like a scream. I felt compelled to make it, it became a necessity. The project grabbed hold of me and wouldn’t let go.

 

Lead character Shawnouk undergoes traditional cleansing ceremonies in order to move forward with his life.
Lead character Shawnouk undergoes traditional cleansing ceremonies in order to move forward with his life. Image courtesy of Chloe Leriche

 

I spent a lot of time in different native communities. I visited Obedjiwan several times; in all I must have spent six months there,” continues Chloe. “I took part in many traditional ceremonies and pow wows, I lived with different families and made many friends. I also did research and read about the Native concept of restorative justice. I attended councils of elders, where village elders meet to discuss different issues and question solutions. In my film, the resolution, with the return to tradition, grew out of these exchanges.”

We know that there is a large group of people in America that are going unnoticed and often, unappreciated. Filmmakers like Sterlin and Chloe, bringing Native films to the table, are allowing their audience to be exposed to Native culture and see that the marginalized have something important to say. While installing themselves in a genre often thought reserved only for the rich and upper-class, whether it’s Native filmmakers breaking out onto the circuit or just films in general portraying Native life in today’s modern times, the presentation of Native films is a significant shock to the system. They help to shed an accurate light on so many Native issues, like homelessness and teen suicide on reservations, commonly hidden in the shadows.

 

 

Contact Micheal Rios, mrios@tulaliptribes-nsn.gov

Lushootseed: Preserving a legacy, teaching a new generation

Lushtooseed-1

 

by Micheal Rios, Tulalip News 

The “7th generation” principle imbedded in Native culture says that in every decision, be it personal, governmental or corporate, we must consider how it will affect our descendants seven generations into the future. Long before environmentalists got us thinking about “carbon footprints” and “sustainability”, indigenous peoples lived in balance with the world around them. But then hundreds of years of colonization happened that nearly drove our population to extinction. Yet, still we remain.

Then came the decades and decades of federal policy aimed at forced assimilation for the remaining Native population who were confined to reservations. Policy after policy required children to be removed from their homes and communities, and enrolled in boarding schools where many were punished or beaten for speaking their Native languages. As a result, generations of Native people either never learned their language or lost their fluency in it. Thus, many links to traditional culture and knowledge were broken. Still we remain.

 

Lushtooseed-8

 

From the ashes of the colonial fire that ravished our people, we endured even though much was lost. The language of our region, Lushootseed, once spoken by thousands of Coast Salish people in Washington State clings to life by the small number of people dedicated to preserving it. Lushootseed’s territory extends from north of present-day Mount Vernon to south of Olympia.

Recent decades have seen a cultural resurgence in Puget Sound tribal communities, including carving, weaving, canoe making, and efforts to revitalize Lushootseed. New tribal museums and long houses have been constructed, and events such as the annual Canoe Journey involve hundreds of participants and thousands of spectators.

Today, on the Tulalip reservation, few elders remain who learned Lushootseed as a first language. In fact, Lushootseed Department Manager Michelle Balagot says there may be only 30-40 tribal members who can speak Lushootseed with some degree of conversational skill. She adds that although that number is incredibly low, the department is working hard to make sure that the language survives, and the next few years will be critical if the language is to be revitalized to the point that children become and remain fluent speakers.

The biggest advancement in preserving and revitalizing Lushootseed amongst Tulalip tribal members has been building an essential staff of Lushootseed teachers whose love for their language and culture can easily permeate through the young minds and spirits of our most precious resource, our children.

 

Lushtooseed-2

 

This past school year the Lushootseed Department had full access to teach our ancestral language to the kindergarten classes and one 1st grade class at Quil Ceda Tulalip Elementary School. It was the return back to a curriculum that had been paused in 2011 when the old Tulalip Elementary was closed.

“We have noticed an increase in student engagement when students have the chance to learn the language that connects them to their heritage. It certainly makes education more meaningful for our students,” says Cory Taylor, Quil Ceda Tulalip Elementary Principal. “While the Lushootseed program serves many Native students, it also benefits non-Natives, too. These students have the unique opportunity to develop skills to be culturally responsive. These skills will be beneficial throughout their lives. As students learn about other cultures and languages they are more likely to honor diversity and appreciate cultural awareness.”

Lushootseed language teachers Maria Martin and Nikki St. Onge, known respectfully as Miss Maria and Ms. Nikki to their students, were selected to initiate the language revival at the elementary. They taught three classes individually and one “immersion” class jointly, for a grand total of seven classes.

For Miss Maria and Ms. Nikki, it was an opportunity to perpetuate the many Lushootseed stories and phrases they learned as children, and build upon the legacy of those who came before them.

“My year teaching at Tulalip Quil Ceda was wonderful. I didn’t get a chance to learn Lushootseed in school after I left the Montessori, so being able to go back to the school I attended as a child and teach Lushootseed is amazing,” said Miss Maria. “This means we are growing as a language department and spreading our culture in places we weren’t able to before. Growing up I had a yearning to know and learn my culture, but it wasn’t offered in the schools. For the students that are enrolled in Tulalip or surrounding tribes, Lushootseed is their language, and my hope is they’ll be filled with the same kind of pride I have to know the words of our ancestors.”

“I really enjoyed teaching at Tulalip Quil Ceda. I am very grateful to have the opportunity to work with some of my students, since they were babies when I worked at the child care center in 2011. Then again at Montessori when I first started in the Lushootseed department in 2012, and now moving up with them to kindergarten,” marvels Ms. Nikki. “Not a lot of people get the opportunity to have this experience. It’s really rewarding to watch them grow and develop their own personalities and characteristics, and also teach them such an important part of our culture.

 

 

“Growing up at my Grandma Rachel’s house, I was exposed to Lushootseed a little bit with words or phrases like: x̌ʷubiləxʷ (be quiet), gʷəƛ̕əlad (stop it, behave), spuʔ (fart/blow wind), ʔaləxʷ k̓ʷid (what time is it?), hədʔiw (come in), č̓ut̕əp̓ (flea), sp̓əc̓ (feces), sqigʷəc (deer), yəx̌ʷəlaʔ (eagle), sqʷəbayʔ (dog), and pišpiš (cat). I was always interested in learning to speak Lushootseed, but it was never offered in school. When I saw the job advertisement within the Lushootseed Department I was excited. I have always wanted to learn Lushootseed and I love working with kids, so it was a perfect opportunity for me to grow as a person and to give back to the Tribe and community.”

Both Miss Maria and Ms. Nikki having taught Lushootseed at the Tulalip Montessori meant a strong familiarity and trust with their Tulalip students in their kindergarten classes at the elementary. All of their former students remembered them and were very excited to have them as Lushootseed teachers again. The excitement was shared by both teachers as they were able to create their own curriculum and teaching plans for students they knew very well. They knew what teaching methods would work and wouldn’t work with their students already.

Throughout the school year the students learned to play games, some of their favorites being təs-təs  (matching game), ɬiʔɬdahəb (fishing), stab kʷi ʔəsx̌ʷil̕ (what’s missing?), xʷiʔ gʷadsx̌ək̓ʷud (don’t turn over), ʔuc̓əlalikʷ čəd (I win/bingo), go fish, and tic-tac-know. Students completed daily work sheets that taught them how to read and write in Lushootseed while reinforcing many of the vocabulary words they learned at Montessori and the new Early Learning Academy.

Some of their favorite songs they learned are: ʔi čəxʷ syaʔyaʔ (hello friend), kʷədačiʔb čəɬ syaʔyaʔ (ring around the rosy), huyʔ syaʔyaʔ (good bye friend), ʔə tə tib, ʔulub miʔman pišpišpiš (ten little kittens), šəqild st̕ilib (respect song), sʔacus sʔilalubid (head, shoulders), baqʷuʔ stubs (Frosty the Snowman), and waq̓waq̓ st̕ilib (frog song). The students were able to hear stories that were translated into Lushootseed and traditional stories such as “tsiʔəʔ bəšč̓ad” (Lady Louse), “tsi sxʷəyuq̓ʷ” (The Basket Lady), and “Clamming with Lizzie.” They learned to count up to 25 and were exposed to 30 and 40. They have also learned verbs, farm animals, woodland animals, body parts, clothing and so much more.

As the year progressed and the Lushootseed curriculum continued to evolve, so did the students. They developed such a good working knowledge with certain phrases and words that it became common place to hear the young students speaking Lushootseed even when Miss Maria and Ms. Nikki weren’t around.

Lushtooseed-3

 

Lushtooseed-7

 

“It’s difficult to put into words because it’s such an amazing experience to witness, this ownership of language and seeing themselves reflected in their school. It feels like this belongs to them between the drumming, the dancing and morning messages, then coming into class and starting our day with Lushootseed,” stated Mrs. Poyner, Kindergarten teacher and host to the immersion class taught by both Lushootseed teachers. “Having both Miss Maria and Ms. Nikki in the class at the same time I’ve really noticed the students are picking up the language much more quickly. They are using it in other parts of the day, like when we’re teaching math they’ll start counting in Lushootseed instead of English. When we’re doing letters of the alphabet and brainstorming words that start with a specific letter they’ll come up with Lushootseed words. When we are learning new stories with animals in it they’ll call the animals by their Lushootseed name. It’s so exciting to see them apply what they’ve learned into other pieces of their day.”

The teachers are even hearing numerous stories about their students using Lushootseed at home with their parents.

“I have heard stories of the students going home and singing the songs they learned in class and using their Lushootseed words,” says Miss Maria. “Running into parents of my students and hearing that they are reinforcing their Lushootseed at home makes my heart glow.”

Ms. Nikki echoes the sentiment, “Hearing from parents and teachers that students are reinforcing Lushootseed outside of their time spent with me in classroom is probably the most rewarding feeling. It means the students are not just learning a curriculum, they are learning a language, their language.”

Being able to demonstrate what you’ve learned is the basis of knowledge, and the young students using Lushootseed when the teachers aren’t around is proof positive the internal flame to connect with our culture and ancestors through language is being rekindled. It’s all part of an essential process to carry on our ancestors’ legacy by keeping the language alive. Because seven generations from now, we want Lushootseed to be the common language of all Tulalip people, like it was for our ancestors.

 

Lushtooseed-4

 

 

Contact Micheal Rios: trios@tulaliptribes-nsn.gov

Poll shows Tulalip overwhelmingly in favor of term Indian, split on Redskin

By Micheal Rios, Tulalip News 

A few days ago the Washington Post, a daily newspaper widely circulated in Washington D.C., published their findings of a poll supposedly showing that Native Americans don’t care that much about the term ‘Redskin’. In fact, the Washington Poll found that an overwhelming 90% of Native Americans weren’t at all bothered by the term. Following their publishing of the poll, news outlets across the country picked it up and ran with it. All the sports related networks, TV shows, talk radio and on-line media were quick to have “Native Americans don’t care about term Redskin” as a major talking point.

Here’s the thing though and it’s a biggie…the Washington Post poll was grossly inaccurate in its methodology. So much so that as a fellow media outlet and news organization, we are embarrassed for them.

“Accuracy is the foundation of good journalism. However, the methodology used to conduct [the Washington Post] poll was fundamentally flawed and as a result, its data set and all conclusions reached are inherently inaccurate and misleading,” stated the Native American Journalist Society in their response to the poll. “The reporting fails to pass the test of accurate and ethical reporting in an example of creating the news rather than simply reporting it.”

The poll was severely flawed on two fronts. First, it relied completely on self-identified Native American respondents in its sampling. So individuals would be asked if they are Native American or not. Then they would be asked if they did claim to be Native, if they were enrolled in a tribe. No research or fact gathering was done to verify whether a respondent was indeed Native or if they were actually enrolled. Secondly, the vast majority of respondents to the poll lived nowhere near a tribal reservation, let alone actually lived on one.

So the Washington Post polled individuals who did not live on or near a reservation and who self-identified as being Native American with no kind of process in place to determine if these people were actually, you know, Native American. Terrible, terrible methodology which led to wide-spread inaccurate reporting in the mainstream media. We can’t begin to assume what every Native American in the country thinks about the word Redskin, but we can figure out what Tulalip thinks about it. While on the subject we also wondered how our people felt about the word Indian. So we did our own poll.

Here’s our methodology. With a quick stop to the Tulalip Admin. Building, Senior Center, Youth Services, Hibulb Cultural Center, Heritage High School, and a few places in between we were able to poll 110 Tulalip citizens. That’s 110 tribal members who are firmly connected to the reservations through residence, school, and work. Of the 110 it was a seemingly 50/50 split of males vs. females, while ages ranged from high school student to tribal elder. It’s interesting to note that every single person polled responded in-person to the polling staff member; no one refused or abstained from questioning.

You may be wondering how a poll of only 110 Tulalip citizens can be indicative of the entire Tulalip Tribe. Well, basically that’s how surveys and polls of nearly any nature work. For example, in the Washington Post poll they used 504 so-called Native people to represent the 5.4 Million Native American population. Here, we are using 110 Tulalips to statistically represent the 2,845 adult members of the Tulalip Tribe.

The polling consisted of two straight-forward questions; 1. Do you find the word Indian offensive? 2. Do you find the word Redskin offensive? Accepted responses were ‘yes’, ‘no’, or ‘depends on the context’. The following is our results.

 

 

A whopping 83% of Tulalip citizens said they are not offended by the word Indian, while only 9% said they were offended, and the remaining 8% said it depends on the context.

Now, for the as-of-late, media driven buzz word Redskin: 46% of Tulalip citizens said they are offended by it, 37% said they were not offended by it, and the remaining 16% said it depends on the context. The results were quite mixed, but definitely a far cray from the 90% the Washington Post found to be not bothered by the term. Interesting to note that of the 16% who said it depends on the context, almost everyone said that the context is whether or not a Native or non-Native person was using it.

Interpretation of the results is an entirely different discussion. People can talk about political correctness, media narratives, and social science theories on linguistics and imaging for days on end. That’s not what we are doing at this time. Instead, we just wanted to show what an accurate polling representation of Tulalip citizens would illustrate in regards to the level of offensiveness of two words, Indian and Redskin, on the Tulalip Reservation.

 

 

Contact Micheal Rios, mrios@tulalipnews-nsn.gov

Understanding and legitimizing how indigenous children learn

Dr Stephanie Fryberg spoke about building on the strengths of Native students at her lecture held in Kane Hall, on the UW campus. Photo/Micheal Rios
Dr Stephanie Fryberg spoke about building on the strengths of Native students at her lecture held in Kane Hall, on the UW campus.
Photo/Micheal Rios

 

Article/photo by Micheal Rios, Tulalip News 

The way we learn is shaped by our culture. For indigenous children, there is often a mismatch between their culture and the classroom. This has been a long held belief in the Native community. For Tulalip tribal member and associate professor Stephanie Fryberg, Ph.D., she had the unique access to resources and methodology necessary to examine how indigenous children’s approach to learning and how the teaching model of their educators can coalesce to create a more supportive academic environment. Dr. Fryberg shared her findings during a lecture held at the University of Washington on Wednesday, April 20.

Dr. Fryberg’s lecture was part of the Connecting the Dots Between Research and Community series, where a UW Psychology professor partners with a visiting colleague to tell the story of how their research is addressing some of society’s biggest challenges. Presented by the UW Department of Psychology and the UWAA, this event was free and open to the public. In attendance to support their fellow Tulalip tribal member were Senator John McCoy, General Manager Misty Napeahi, and Board of Director Glen Gobin.

Dr. Fryberg’s lecture was titled Using Cultural Models to Build on the Strengths of Native Students. The description is as follows: Individuals are a product of the culture they inhabit, and also play an important role in creating and adapting to that culture. For many indigenous students, the culture of educational institutions in the U.S. reflects a set of ideas and practices about what it means to be a “good” student, the purpose of education and the nature of the relationship between teachers and students. This results in a cultural mismatch between indigenous students’ model of self and the model prevalent in mainstream educational contexts.

A central theme to the lecture was an examination of the “struggling Native student” narrative. We’ve all heard about this narrative and probably seen the statistics that are often used to defend it. Taking it up another notch, we’ve also heard that even when Native students do manage to graduate high school, they are not adequately prepared to achieve success in higher education. Dr. Fryberg attributes this narrative to being one of a cultural context and to alleviate the narrative we must reframe the idea altogether.

“We are going to reframe this idea of the struggling Native student by looking at it through a bigger picture, which we in my field refer to as the cultural cycle,” stated Dr. Fryberg. “The culture cycle reminds us that to truly alleviate the achievement gap we have to start by looking at every piece of the culture cycle. So when we think about a child in a classroom, it isn’t just about the child and the teacher, it’s about so much more. It’s about the ideas that stand behind why children go to school, it’s the ideas that lead to the development of the school, or that set the stage for what we see as the ‘good’ or ‘right’ way to be a student.

“Within that we setup institutions. We have schools and we have the media, but we also have classrooms and we have micro-cultures within classrooms, in which teachers play a role. So we get to this level of the interaction that’s between the student and the teacher, but sometimes what our field has shown is that interaction is not just between us in relationship, it’s between us and representational space. It is the idea the teacher has about me, as a student, that allows that space between us to shape the interaction and ultimately, for young children, to shape their development and the outcomes that we see.”

Within the cultural cycle it is critical to be aware of two distinct cultural models of self, the independent model and the interdependent model, that play major roles in how the shaping of interactions between student and teacher effect student development and achievement outcomes.

The independent model of self is based on an understanding of self as independent from others and the social context. “Good” actions promote separation from others and individual self-expression. The independent model of self is best seen in the U.S. mainstream, where context is driven by a set of cultural norms, values and beliefs that center the individual as independent and separate from others. It is a unique cultural model that most of the world does not engage in.

In many parts of the world that notion to separate yourself from others is not only unheard of, but would be seen as unhealthy. A much more common model is the interdependent model of self that is based on an understanding of self as interdependent with others and the social context. “Good” actions promote connection to others and attention to others’ preferences. Most people and cultures in the world, specifically outside of the U.S., engage in this more interdependent model. It’s important to recognize that Native culture is inherently within the interdependent model, but because we are within the U.S. our actions, values, and norms are constantly scrutinized by the mainstream independent model.

Now, you may be wondering how all these concepts and social psychology terms tie-in with Native students, their teachers and academic success. It does all come together.

By recognizing Native students’ engagement in the interdependent model of self, but that in large part their teachers and schools adhere to the independent model of self, we can then understand how the prevailing education system is not setup for Native student to succeed. However, there are courses of action to change this, which Dr. Fryberg and her team demonstrated at Quil Ceda Tulalip Elementary from 2011-2014.

Using the culture cycle to enhance academic performance by Native students alleviates the “struggling Native student” narrative by requiring culturally-grounded interventions that focus on all levels of the cultural cycle. This work is achieved by building schools that reflect and foster a diversity of viable ways of being; creating an immersion environment (e.g., morning welcome assembly, growth mindset, purposefully placing posters/images on walls); creating “matches” by helping Native students build identities that maximize potential while also providing them with a culturally-safe educational atmosphere; and by valuing old identities and scaffolding new identities.

In the study done at Quil Ceda Tulalip Elementary from 2011-2014 by Dr. Fryberg and her team, with the inclusion of the previously listed methods and intervention, the results were staggeringly in favor of increased Native student achievement. Kindergarten and 1st graders led the district in oral reading fluency; 95% of Kindergarten and 80% of 1st graders were proficient or above benchmark in reading.  Using measures of academic progress in literacy and math for grades 3-5, 60% made more than one year’s growth and at least half of these students made 1.5 to 2 years growth. Best of all, the school met state annual measurable objectives in every category.

It’s important to note that having teachers who are aware of their own biases towards the independent model of self and willing to retrain and reframe their teaching methods to suit their Native students is central to overall success as well. It’s a cycle of understanding and legitimizing the learning and cultural model of Native children that leads to them making greater strides in academic development and achievement. When this occurs not only do the expected outcomes of the students and their teacher benefit greatly, but the entire community as well.

 

 

 

Contact Micheal Rios, mrios@tulaliptribes-nsn.gov

 

 

 

On the T.R.A.I.L. to diabetes prevention

Trails_BGC_1

 

by Micheal Rios, Tulalip News 

On the evening of Thursday, April 14, Tulalip Boys & Girls Club held an open registration for its very own T.R.A.I.L. healthy choices program. Its mission? To teach children the necessary steps to prevent diabetes and pre-diabetes.

“We are super excited to offer the community a very special hands-on practical prevention program for the kids at the Boys & Girls Club,” stated Veronica “Roni” Leahy, Tulalip Diabetes Care and Prevention Program Coordinator. “This is the first time a large scale collaboration between health clinic staff and the Trails Program staff has occurred. Together, we are offering diabetes prevention education delivered in a cooking class format with nutrition education geared towards kids!”

From 1990 to 2009 the incidence of type 2 diabetes in Native American/Alaska Native youth increased by 110%, according to the Indian Health Service (IHS). Type 2 diabetes has been reported in Native American youth as young as four years of age, and IHS also reports that mortality rates for diabetes are 1.6 times higher for Native Americans compared to the U.S. general population.*

 

Trails_BGC_4

 

In 2003, the National Congress of American Indians (NCAI), IHS, Boys & Girls Clubs of America (BGCA), and Nike, Inc., initiated a prevention program aimed at reducing the onset of type 2 diabetes among Native youth. The program – On the T.R.A.I.L. (Together Raising Awareness for Indian Life) to Diabetes Prevention – is an innovative combination of physical, educational, and nutritional activities.

T.R.A.I.L. is a 12 chapter program that provides youth with a comprehensive understanding of healthy lifestyles in order to prevent type 2 diabetes. The program is presented with four themes: About Me, My Health, & Being Part of a Team; Healthy Eating; Making Smart Food Choices and My Healthy Community.

Woven throughout the program are self-esteem and prevention activities utilized by BGCA, including contributions from national evidence-based programs such as SMART Moves. Club members draw from Native traditions and history to learn about nutrition, food choices, media influences and the impact of type 2 diabetes.

 

Trails_BGC_2_front

 

The program also emphasizes the importance of teamwork and community service. Participants apply decision-making and goal setting skills in the physical activity challenges, and engage in service projects to improve healthy lifestyles in their communities. Community and family members participate in activities with the elementary-aged club members. These motivate members to achieve their goals and promote physical activity. The club sites are implementing the SPARK Physical Education and Nike Let Me Play programs to foster club-wide participation in fun physical activities and games for 60 minutes every day.

T.R.A.I.L. is currently funded at 55 participating club sites located in 18 states. Each of the Native Boys & Girls Club sites received the following to implement the T.R.A.I.L. program:

  • A grant to fund program operations, including a part-time staff person and program training for one year.
  • Evaluated program curriculum, training, and on-going technical assistance.
  •  Access to the SPARK Afterschool Physical Activity Program.

Each club member who registered to participate in the T.R.A.I.L. program received a box of fresh food from Klesick Farms and Haggen Grocery store, and their choice of an apple tree or blueberry bush. These boxes were valued at approximately $50.00 per box.

“The kids will learn how to grow, harvest and preserve fruit, berries & vegetables and we will use them in the meals we prepare together. Plus, they will personalize and develop their own cookbooks with the recipes,” added Roni. “Our collaborative prevention team looks forward to working with your kids and sharing our knowledge and skills with them.”

The T.R.A.I.L. program will hold sessions Wednesdays and Thursdays from 5:00 p.m. – 6:00 p.m. and Fridays from 3:00 p.m. – 4:00 p.m. in the Boys & Girls Club community room.

 

BGCA-TRAILMap-Diabetes-2015-2016

 

 

*source: https://www.naclubs.org

 

Contact Micheal Rios, mrios@tulaliptribes-nsn.gov 

Indigenous Futures: Fine art and stories, one comic at a time

Noel Franklin, cartoonist, print maker, poet, fundraiser, activist.Photo Courtesy of Noel Franklin.
Noel Franklin, cartoonist, print maker, poet, fundraiser, activist.
Photo Courtesy of Noel Franklin.

 

 

By Micheal Rios, Tulalip News 

 

Recently, the Seattle Art Museum presented PechaKucha Seattle volume 63, titled Indigenous Futures. PechaKuchas are informal and fun gatherings where creative people get together and present their ideas, works, thoughts – just about anything, really – in fun, relaxed spaces that foster an environment of learning and understanding. It would be easy to think PechaKuchas are all about the presenters and their presentation, but there is something deeper and a more important subtext to each of these events. They are all about togetherness, about coming together as a community to reveal and celebrate the richness and dimension contained within each one of us. They are about fostering a community through encouragement, friendship and celebration.

The origins of PechaKucha Nights stem from Tokyo, Japan and have since gone global; they are now happening in over 700 cities around the world. What made PechaKucha Night Seattle volume 63 so special was that it was comprised of all Native artists, writers, producers, performers, and activists presenting on their areas of expertise and exploring the realm of Native ingenuity in all its forms, hence the name Indigenous Futures.

 

comic 3

 

“If we are going to talk about Indigenous Culture, then we have to talk about representing ourselves. It is important for Native Americans to take over that part of representation. I do that through my comics.”

 

Noel Franklin is many things; a cartoonist, a print maker, a poet, a fundraiser and an activist. She worked with the United Indians of All Tribes Foundations, a foundation to serve as a focal point for the renewal and regeneration of Native Americans in the Greater Seattle area and beyond, to include the Northwest Native Canoe Center in the Lake Union Park masterplan. The Canoe Center will be an active cultural center where hands-on experiences teach visitors about Native American life while supporting the ongoing vibrancy of canoe culture traditions for present and future generations.

Noel’s comics have been published in more than five countries, and she is the first female artist to win the Emerald City Comic Con ‘I Heart Comics Art’ award. Noel’s current day job is at Fred Hutchinson Cancer Research Center.

“My father’s family is Eastern Band Cherokee and my mother’s family is from Scotland,” explains Noel. “My father joined the military like many male Native Americans, not too many options out there when you don’t have an education. I got to enjoy the poverty and intergenerational PTSD that so many of us are familiar with. As a youth I moved around so much because of the military that I was unable to really know my grandparents who spoke the Cherokee language and really lived their culture.”

Because of her father’s military career, Noel was constantly on the move from city to city. She was unable to make roots in any one location and felt isolated from her Native heritage. Her internal angst and loneliness would manifest itself on her canvas of choice, varying from paper for drawing and painting to stone-cold metal used for art welding.

“I art welded my way to a fine arts degree from Western Washington University,” says Noel. “Back then, in 1994, I didn’t think I knew who I was, but when I look back at my art I was painting and welding figures of crows, beetles and trees. I was talking to nature even though I didn’t know how to talk to nature. How did I know how to be Native when I was denied the ability? I continued to make art that reflected my pain of not knowing my own history and also the violence that came by growing up in a family that had multiple generations of post-traumatic stress disorder. However, I started learning about my Native culture and celebrating it as I learned.”

 

Comic 1

 

As she dedicated herself to learning about her Native heritage and the culture she was denied as a youth, Noel began to see the world differently. She looked at the world of art and representation through the eyes of a Native woman. She became self-conscious of a key theme that is prominent in the Native American resurgence; the misinterpretations of Native values and identity that act as continued colonization over Native peoples.

“So why do I now represent my culture through comics? Do you remember Peter Pan? I used to think I liked that movie, but as I grew older and learned of my heritage something changed,” recalls Noel. “I watched Peter Pan as an adult and was beyond offended at the ‘What Made the Red Man Red’ scene. I had to rethink a lot of things. If we are going to talk about Indigenous Culture, then we have to talk about representing ourselves. It is important for Native Americans to take over that part of representation. I do that through my comics.”

 

comic 4

 

Noel attributes her unique style, building dark and light shapes from densely knotted lines, to her experience with stone lithography.  She also feels that gutters between panels keep the viewer from total immersion in the world she invents in her stories.  In addition to creating Gone Girl Comics, she is a regular contributor to inkart.org and has multiple journal and anthology publications. Presently, Noel is working towards creating her first graphic novel.

“Page four of a story called Seagulls Screaming is about how Native American culture is present and visible in Seattle,” said Noel. “Native American culture is not going anywhere. You might recognize the totem pole from Victor Steinbrueck Park, located just on the outside of Pike Place Market.

“If I can leave you with anything at all it’s this: we can shape the physical Seattle, but until we shape our own lives by owning our own representation and telling our own stories, which will strengthen not only ourselves but others, we’re going to end up with ‘Why Is the Red Man Red’ for the rest of our lives. I don’t know about you, but I’m not interested in that at all.”

 

comic 5

Coach from England teaching tennis to Pine Ridge students

By Associated Press

PINE RIDGE (AP) — A longtime tennis coach in England has been offering free tennis classes on the Pine Ridge Indian Reservation.

Leigh Owen, 50, has been visiting Pine Ridge regularly since 1997 and has been enamored with the people and their culture since he was an 8-year-old boy, when he asked his mom to write to the U.S. Bureau of Indian Affairs, he told the Rapid City Journal.

“I don’t know exactly why,” Owen said by phone, “but I was interested in the Native-American culture since childhood.”

Owen began coaching at Red Cloud Indian School in February, spending one day a week at the school. Although Red Cloud does not have a formal tennis court, the school’s gym is perfect for what Owen calls “mini-tennis,” allowing his students to work on technique.

“The kids really liked it,” he said.

Patrick Welch, a physical education teacher at Red Cloud Elementary and assistant athletic director at the middle school, said Owen is doing an amazing job. Welch said kids on the reservation know basketball, football and cross country running, but tennis was foreign to them.

“Leigh got the kids interested; he grabbed their attention right off the bat,” Welch said.

Owen said the United States Tennis Association has been generous in providing equipment for the fledgling tennis players.

Tony Stingley, director of training and outreach for USTA’s northern district, estimated that the organization has donated more than $1,200 worth of equipment.

Owen said he is determined to turn the reservation he loves into a mecca for the sport he loves, and he and Welch are thinking big. They want to renovate some outdoor courts for what could become a tennis center.

Owen is back in Liverpool but will return to the United States in early September.

EPA Causes Massive Waste Spill, Hurting Navajo Nation

 animas river

By Daniel Davis, Townhall.com

Durango, Colorado declared a state of emergency yesterday after the EPA accidentally contaminated a local river with 3 million gallons of waste. The Animas River has turned orange, and residents living along its banks have been warned to avoid it.

The accident began Wednesday last week when EPA workers accidentally leaked a local mine, releasing concentrated minerals into a stream. The mine had been abandoned for about 10 years, and ground water had accumulated inside it. EPA workers were there to clean up the mine. Now, the mine is leaking at 500 gallons per minute. It still hasn’t been contained, though workers are treating the nearby ponds where the minerals are leaking.

The EPA has tested the polluted water and reports arsenic levels at 300 times the normal level, and lead levels at 3,500 times the normal level. Both arsenic and lead pose significant dangers to humans when highly concentrated. The local sheriff has warned local residents to stay away from the river. The contaminants move along the river fairly quickly, they will not completely pass until the mine leak is plugged.

Many people who live along the Animas River depend on private wells for their water, but those are now threatened by the river’s pollution. The EPA is sending materials to these residents so that they can test their well water for cleanness.

The water pollution has flowed straight into the territory of the Navajo Nation, a semi-autonomous reservation Native American reservation spanning parts of northern Arizona, New Mexico, and southern Utah. The spill is already threatening the livelihoods of many Navajo residents, and the nation has declared its own state of emergency. It even looks to be preparing for a lawsuit against the EPA — the Navajo Nation Commission on Emergency Management has directed the tribe’s Attorney General to assemble a legal team to address the grievances of local residents:

 

Navajo Nation Council Speaker LoRenzo Bates told the Daily Times that residents were concerned about drinking water safety, river access, water for livestock and crops, and the possibility of compensation for failed crops. With irrigation canals shut off, many farmers are concerned about their next step, Bates said.

“If these farmers don’t get water in the next week, they’ll lose their crops,” he said.

 

The plume of orange waste has already reached three states, and is expected to reach a fourth by Wednesday. As USA Today reports:

 

Mustard-colored water flowed this week into Cement Creek, a tributary that runs through Silverton [Colorado] and into the Animas River. In New Mexico, the plume of pollution entered Aztec early Saturday morning and Farmington later that morning. Officials said they expected it to reach the Utah border on Monday and Lake Powell, in Arizona, late Wednesday.

 

New Mexico Gov. Susana Martinez toured the damage in Farmington, NM over the weekend. She was stunned by the disaster:

 

“The magnitude of it, you can’t even describe it,” she said, CNN affiliate KRQE reported. “It’s like when I flew over the fires, your mind sees something it’s not ready or adjusted to see.”

 

Equally stunning was the EPA’s slow response in notifying states of the disaster. New Mexico officials got their first word of the disaster from Native American officials. By the time they heard from EPA officials, it was 24 hours after the spill had begun. Gov. Martinez commented:

 

“It’s completely irresponsible for the EPA not to have informed New Mexico immediately.”

South Dakota tribe returning $25,000 donation from Washington NFL team

By Kevin Burbach, Associated Press

SIOUX FALLS, S.D. (AP) – A Native American tribe from South Dakota will return a $25,000 donation from a charitable arm of the NFL’s Washington team, saying the team name is “derogatory and inappropriate.”

The tribal council of the Cheyenne River Sioux Tribe voted Wednesday to return the check, which was issued last month by the team’s Original Americans Foundation to the tribe’s rodeo association.

“A lot of those in our community are opposed to accepting money from the R*dsk*ns, which to us is a racist organization; the term is derogatory and inappropriate,” said Ryman LeBeau, the tribe’s vice chairman and a councilman. “Their fans make a mockery of Indian culture, and that’s just wrong.”

The foundation was created in March 2014 by team owner Dan Snyder following intensifying calls by Native Americans and other groups for the team to do away with its name. The team has maintained that it is meant to honor Native Americans, though a federal judge in June ordered the team’s trademark registration be cancelled, saying there is ample evidence that the name may be perceived as disparaging. However, that ruling does not preclude the team from using the word.

It wasn’t immediately known how many tribes have received donations from the foundation, but team spokesman Maury Lane said the majority of tribes are happy to accept such help and typically put the money toward improving things like transportation, education and football camps.

“The Original American foundation has been working with more than 50 federally recognized tribes, spending millions of dollars on more than 250 projects on tribal lands,” Lane said. “Our mission remains to improve the quality of life on these lands without interfering with tribal governance.”

The Cheyenne Sioux’s fair and rodeo board had passed a motion to allow Tribal Chairman Harold Frazier to seek money from the foundation but hadn’t brought the check to council until this week, LeBeau said, adding that Frazier has met personally with Snyder and the charitable arm.

Included in the motion voted on this week is language that bans Frazier from “unsanctioned communication” with the team or any group or person associated with it. Messages left at Frazier’s office were not immediately returned.

LeBeau, who says the central South Dakota tribe has areas he feels need improvement, doesn’t think it’s right to accept money from an organization that many feel doesn’t support them.

“It just feels like they want to buy us off and keep us quiet,” he said, noting that he knew of only a few people in the approximately 16,000-member tribe supported accepting the check.

Lane maintained that the vast majority the foundation’s donations are well-received.

“This is definitely an anomaly,” he said.

Earlier this year, the Paiute Indian Tribe of Utah ousted a tribal chairwoman who was involved with the Original Americans Foundation for misconduct and ethical violations after accepting gifts of an autographed football and a trip to Washington, D.C., to attend a game in 2014.

The foundation also donated two vans to the tribe, which ex-chairwoman Gari Lafferty has said are used to transport children and elders. Lafferty has disputed the tribe’s allegations.

In South Dakota, LeBeau said the issue is preventing from the tribe from tackling larger issues like drug and alcohol abuse and suicides.

“This is just a (distraction) from working on the bigger solutions that will help our communities with the issues that are really affecting us, he said.”