It’s For the Kids! Annual auction raises nearly $600,000 for Tulalip Boys & Girls Club

By Micheal Rios, Tulalip News

A short-lived heat wave hit Snohomish County last weekend. Temperatures touched 80° on Saturday, May 11, resulting in many people either staying inside to avoid the sun rays or actively searching for a fun Spring-time experience. Some six-hundred Snohomish County residents weren’t burdened by such trivial things because fortunately they had already RSVP’d to the always exciting and memorable, not to mentioned well air-conditioned, 26th Annual Boys & Girls Club Auction.

Hosted within the Tulalip Resort Casino’s Orca Ballroom, the signature fundraising event of the season was all about giving gracious donors and committed community members an opportunity to paint a brighter future for Tulalip’s children.

“Many of us have spent unlimited hours at our local Boys & Girls Club participating in sports and learning activities while others remember our local club as a safe place to be surrounded by friends and staff members we trusted,” stated auction chairwoman Marci Fryberg. Marci also serves her Tribe as President of Tulalip Gaming Operation. “Our personal experiences have led to a life-long commitment to an organization that had a positive influence in our lives growing up, and now it is our responsibility to carry that commitment forward.

“Our theme, Woven through Generations, highlights Tulalip’s commitment to family and how our communities work collectively to safeguard the future of the next seven generations. We are honored to celebrate 26 years of fulfilling our mission of promoting health, social, and educational development of our kids. Our club cares for hundreds of kids daily. Magic happens here, as our kids strive to achieve higher levels of learning and personal growth while creating special friendships and bonds that last a lifetime.”

Silent auction items ranged from handmade jewelry and custom clothing to laser-etched mini tumblers and autographed sports memorabilia.

 ‘The Club’, as it’s affectionately been dubbed by two generations worth of Tulalip youth who attend daily, is a safe place where kids can just be kids. While there, they are routinely exposed to nutrient-dense, healthy food choices, learn useful skills that can be put to work at home or in the classroom, and create an abundance of happy memories that can be remembered later in life.

An example of sovereignty in action, the Club is the first-of-its-kind to be built on tribal land in Washington State. Established over twenty-five years ago, 2024 marks nearly three decades worth of commitment to the community. Through before and after school programs, our reservation’s club aims to help the next generation improve their lives by building a positive self-esteem, developing core values, and adapting critical skills during their foundational periods of growth.

“What an amazing evening to be together with all of you for our signature event that supports the Tulalip Boys and Girls Club,” said Tulalip Chairwoman Teri Gobin to the hundreds in attendance. “The funds raised from this one event truly makes a huge impact on the lives of so many of our kids. We have so many leaders who grew up as club kids and now are professionals working in management positions at both our casinos, Quil Ceda Village, and in many departments of our tribal government. That’s a significant impact the Boys & Girls Club has had on our people.”

Michelle Myles poses with daughter Jacynta as she holds a custom paddle depicting the Seal Hunting Brothers that was auctioned off

Serving as a model for those working to improve the lives of young people in Tulalip and the surrounding communities, our Club is the primary beneficiary of the annual spring time auction. With each auction building off the success of the previous years, the Club has not only been able to sustain services, but also develop and complete much needed campus expansions that add additional learning and activity space. 

Funds raised from the annual actions are dedicated for capital improvement, not operating costs. Previous auction funds have paid for a state-of-the-art music studio, a multi-media room with twenty-plus computers, several transportation vehicles, roof repairs, and even a 4,000-square-foot technology-filled extension to better accommodate an ever-growing teenager membership. This teen center has been invaluable since its creation. In uncertain times, local teenagers are able to depend on access to this tech-loaded space to meet their computer-driven demands as 21st century students.

Grandma Diane and Club Director Shawn Sanchey say their goodbyes to the French Bulldog pup before the auction begins.

“It’s so funny looking back because I didn’t realize how much the Club meant to me as a kid, but really it was everything,” shared Club Director, Shawn Sanchey. The 28-year-old homegrown Tulalip citizen has come full circle after he himself grew up a Club kid. Now, he manages the same facility so many kids depend on every day. “It’s amazing being able to witness these kids learn and grow in the same way staff once did for me. It really is unique how dedicated our staff are to the community’s youth.”

Embodying his staff’s unique dedication to the community is the legendary Diane Prouty. She’s been safeguarding Tulalip’s club kids for 24 and a half years. She learns every single kid’s name who is a club regular and takes to heart their emotional and physical well-being as if they were her own grandkids. It’s no wonder then that she’s been lovingly referred to as Grandma Diane by thousands of kids at this point. A title she proudly owns.  

“All nine of my actual grandkids attended the club, and when they were here they’d of course call me grandma so eventually the other kids did, too. I thought it was just the cutest thing. I had no idea twenty-four years later that would become my de facto name, but I love it because it’s the kids who gave it to me,” explained Diane as she assisted checking in auction guests. “Every year, at this auction, I see former club kids all grown up, who have started families of their own and have kids who attend the club today. Ross and Krisan Fryberg were both club kids. Now, they are married and have had multiple kids attend the club, just like they once did.”

Ross Fryberg Sr. and Ross Fryberg Jr. take center stage with a handmade drum they donated to the live auction.

Ross Fryberg Sr. donated a beautiful, handcrafted drum to the live auction. It was brought to center stage by his son, Ross Jr., where it fetched a handsome sum to support a facility both Sr. and Jr. have cultivated many memories.  

In total, there were an estimated 600 generous individuals in attendance for this year’s 26th annual auction. Most of these attendees have never been inside Tulalip’s reservation-based B&GC Club. However, the uplifting faces of Club kids were ever-present on marketing materials and projected onto several giant screens bordering the Orca Ballroom. There were also a number of teenagers who volunteered during the auction to help generate support by sharing their wonderful presence and beaming smiles.

That is Amaya Hernandez (16) and Ella Roller (15) with Spark Fastpitch deliver a special live auction item – a French Bulldog puppy. 

One such teenager was 16-year-old Amaya Hernandez who, during the live auction, was one of the lucky few to roam the ballroom while holding a very special item – a French Bulldog puppy – that generated all kinds of buzz. When auctioneer Mark Schenfeld announced it was bidding time for the adorable pup, amass of bidding cards immediately filled the air. The eventual winner received the French Bulldog hand delivered by Amaya and her Snohomish Spark teammate, Ella Roller. 

When the 26th annual action finally came to an end, close to $600,000 was raised between the silent and live auction proceedings. Notably, a generous $25,000 of that impressive sum was raised by U.S. Bank’s Smokey Point branch. The bank staff embraced the celebratory atmosphere and combined their powers to claim top spot in the event concluding dessert dash.

U.S. Bank’s Smokey Point location in Arlington raised a whopping $25,000 during the Dessert Dash!

“At the end of the day, this auction is really about building relationships with the community and continuing to build upon the strong foundation of support we have with the Tulalip Tribes, Snohomish County, and the Tulalip Resort Casino,” said Terry Freeman, special event specialist for the Boys & Girls Clubs of Snohomish County. “For twenty plus years now, our goal has remained the same – to create more and more partnerships off the reservation to achieve our goals on reservation. Thanks to our Tulalip leadership team and the leadership teams of so many amazing businesses in Snohomish County, we continue to meet and exceed this goal.”

Thanks to everyone who contributed and gave generously, the 26th annual action was a major success. The generosity and heartfelt support received each year from sponsors and volunteers is overwhelming. As in years past, all funds raised will ensure our local Boys & Girls Club continues to provide quality, growth-focused programs in a fun, safe and positive environment for kids.

 Can You Dig It? Tulalip Natural Resources helps community grow together with a garden workshop 

 By Kalvin Valdillez, Tulalip News

In the heart of the spring season, the Tulalip Tribes Natural Resources department put together a successful event dedicated to a popular springtime hobby, though many would argue that gardening is a way of life, in both the literal and figurative sense. 

Natural Resources opened the garden workshop to include all residents of Tulalip. On the morning of May 11, close to 60 community members showed up at the Tulalip Admin Building to really dig into the art of gardening and learn about the many benefits that plants have to offer, while cultivating new skills and knowledge along the way. 

“I have always loved gardening and working in the yard. To me, it’s relaxing. Even pulling weeds, I just really enjoy it,” shared community member and home gardener, Catherine Key. “I decided to come when I saw the flyer and all the subjects looked interesting. I just think it’s really cool that the Tribe did this.”

The garden workshop featured three presentations that focused on several aspects of gardening. Valerie Streeter, Tulalip Natural Resources Stormwater planner, opened the three-hour event with a presentation titled, Go with the Flow, that informed the people about watersheds, rainwater collection, and natural yard care. Local Horticultural Inspirer, Seth Smith, led an informational presentation dedicated to growing a garden for sustenance, which included a Q&A where people absorbed any and all insight that Seth had to share.  

Said Seth, “Today I talked about subtropical plants, citruses, fig trees, pomegranates, any unique plant that’s not apple trees or pear trees that we’re all familiar with. I wanted people to think outside the box, open their mind and inspiration to achieve things that people would rather you not succeed at. [Gardening] allows you to free your mind of negativity on the day to day. It allows you to have your own space, and I think that’ll allow you to clear your mind of work, family drama, vehicle issues, and allow you to just focus on yourself.”

The Tulalip Health Clinic Diabetes Program presented a detailed lesson on the medicinal usages of plants, while also touching on the native plants of this region, essential gardening tools, and the special connection to the natural world that we experience as Indigenous people

Tulalip Diabetes Educator, Veronica ‘Roni’ Leahy explained, “Plants were here before people, we think of them as our first teachers. The more you’re around them, the more you feel connected. Think of them as friends that you get to see once a year. Enjoy your time with them, go and be out with nature. I brought two plants that are representing us today; Camus is a native plant and you’re on tribal lands. Sacred plant, sacred land. And iris, which we planted at the Tulalip Health Clinic, it represents the community, this group of people who were able to come out and learn today.”

Along with Roni was Herbalist, Leslie Lekos, who explained the step-by-step process of creating tinctures from plant extracts, that could be used as home remedies to help treat a variety of ailments such as nausea and muscle soreness. Leslie has numerous tinctures and sprays for sale in her Etsy store, Wild Root Botanicals. She also teaches hands-on classes throughout the year including Foundations of Herbalism and Wild Foods: Resiliency Through Connection, more details can be found on her website. Following the presentation, both Roni and Leslie held live demonstrations on transplanting and creating tinctures. 

The event ended with a raffle drawing and a plant giveaway, in which people received primroses, elderberries, planter boxes, and compost. 

“The turnout was great. It did turn out really cool today,” exclaimed Melissa Gobin, Tulalip Natural Resources Environmental and Education Coordinator. “At the Earth Day planning meetings, that started in January, a lot of people were talking about sustainability for food and growing our own foods, along with rain gardens. Val (Streeter) has a grant through the EPA, and she has money to put on workshops to talk about rain gardens. I met with Seth and he’s a garden guru, and also with Roni because she’s amazing with gardens and we’ve been learning so much from her, and Leslie too. So, we just wanted to get all these people together to inform the community and give them some inspiration to get out and garden.” 

She continued, “On May 22, we’re going to be at Quil Ceda Elementary and we’re going to have Farmer Frog there to help us put plants in the ground. It’s going to be a Plant 101 course on how to put them in, the dos and don’ts, and we’ll be going over a lot of the basics because it’s Family Day at the elementary. And hopefully in the future we’ll have more of these classes. I also want to start a gardening group, something where people can get together to plant, seed exchange. Earth Day is every day and we’re going to have a bunch of stuff going on now. I’m just so glad there were so many people that came out and enjoyed it and seemed so engaged.”

Equipped with invaluable gardening game, new plants, and tools, the people were eager to get back home to enjoy the sunny weather and get lost in their personal gardens. 

Following the garden workshop, community member, Tracy Owens, shared, “I got the flyer in the mail and I’m really into gardening. I wanted to see if I was going to learn something new and share different ideas. Ever since we bought our property here on Tulalip, we’ve expanded something new every year to our garden. We have herbs, we have vegetables, we have flowers. I just love it. Today I enjoyed learning about different plants and just listening to people talk about gardening and seeing their love that they have for plants too. You can see that plants make people happy.”

Reflections from Gathering of Nations

By Micheal Rios, Tulalip News

The Gathering of Nations, known as the largest powwow in the United States, is more than a cultural celebration – it’s a thriving hub of triumph that showcases tradition and a fierce determination to honor our ancestors.

Of course, there is a constant emission of celebratory vibes as thousands of culture bearers from across Native America come together to witness the highest echelon of powwow performances. From tiny tot to golden age, Native men and women from all across the four directions take to the arena floor to proudly dance like their forebearers. From fancy shawl to jingle dress and traditional, to fancy dance, grass dance and the always captivating chicken dance, 2,200+ dancers radiated generations worth of resistance to colonial assimilation over the three-day Gathering.

There are entire families who view Gathering as an annual rite of passage that demonstrates their commitment to each other and to those who came before them. Like the Yarholar clan from Sac & Fox Nation. Father Cortney learned to fancy feather dance from his grandfather and has since taught his 14-year-old son and 9-year-old daughter how to carry on the fancy feather legacy.  

“The fancy feather dance has been a part of our family tradition for generations. How it’s been explained to me was we had a grandfather, way back there in the family tree, who went through ceremony and was given a dance. He was told to take care of it and teach his children who would teach their children, so on and so forth,” recalled Cortney Yarholar. “With each passing generation, the older ones taught the younger ones not just the dance, but the lessons that come with it; how to hold yourself in and out of the arena, how to take care of the body and spirt, and how to embrace the good medicine that comes from it.

“It’s a gift from Creator that was given to my family a long time ago and continues to be a source of strength and unity, especially for the relationship between my son and I. It’s so special to be able to travel and share these experiences with him. Even the simplest of things, like helping him put on his regalia and braiding his hair, these are special moments we get to share. Each time, I’m reminded of when I was his age and my uncles helped me paint up. There are times when I watch my son and I remember being a little one dancing and looking over to see how proud my grandfather was as he watched me. He was 90-something at the time and couldn’t dance any more, but he’d sit there and tap his cane to match my rhythm. The harder I danced, the harder he tapped that cane while having this huge smile. So, for me, dancing fancy feather is a spiritual connection that links the past to the present.”

In the present, the youngest generation continues to lead in their own way. Often in such subtle ways that their offerings may be overlooked by those not paying great attention. Tiny in stature but immense in power are those little ones who carry on culture and tradition without even knowing it.

Such is the case with a remarkable 2-year-old named Roderick Walker (Seminole). He’s been immersed in the powwow circuit since the womb, with both his parents being acclaimed dancers. So much so that he’s created his own type of powwow dance. A resounding remix that represents his Seminole, Navajo, and Sac & Fox heritage

“Basically, he learned from all his family. His cousins, aunts and uncles, and grandparents are all dancers,” shared Roderick’s mom, Darrica. “He’s taken a little bit from everyone and created an all-around style all his own. It’s a little bit fancy, little bit southern, little bit traditional, and then a little bit whatever comes to him in the moment. 

“We’ve travelled all around Indian Country and into Canada, too, for powwows and ceremonies,” she added. “We’ve never had to tell him to dance. As soon as he was standing and heard the music or heard the drum, he was dancing. He just loves it. I’m so excited to see him continue to grow and represent for his people wherever he dances.”

Young Roderick’s one-of-a-kind dance style earned him the title of #1 tiny tot boy upon the conclusion of Gathering of Nations.

Among the tens of thousands of Native Americans who journeyed to Gathering, one particular powwow princess stood out. That was Quinault’s Violette Capoeman. Dawning a cedar cap and cedar skirt, while wearing an assortment of shell necklaces harvested from the Salish Sea, she was regarded as the only Coast Salish contestant vying for the coveted crown of Miss Indian World.

In traditional Pueblo territory, deep in dessert terrain and amongst so many tribal citizens from the Great Plains, the 18-year-old Violette was far from the familiarity of towering evergreen trees and endless blue sea.

“This entire experience has been a culture shock,” she admitted. “But we’re all relatives and interconnected by a larger sense of culture that allows us to befriend one another and share our personal stories and ceremony experiences. Over the past few days, I’ve really enjoyed being able to learn from my fellow princesses about their tribes’ customs. They’ve shared so much with me and I’m been fortunate to be able to share with them, too. There’s been so questions about my cedar regalia because they aren’t use to seeing it like we are back home.

“Looking back at my time here in New Mexico, I’ve built so many friendships in such a short amount of time with people from all over the country. That’s really the beautiful thing at the heart of our Native American culture, that ability to connect.” 

Violette’s traditional Lushootseed name translates to Where Thunder Dropped Whale. Befitting, since her growth and development on the powwow circuit gave her confidence, the internal thunder, if you will, to be dropped into Gathering of Nations and stand proud as the only Coast Salish princess; a symbolic whale in pueblo territory.

“It’s been a transformative experience, and I’m just so happy to be the representative for costal nations,” added Violette.

The sentiments expressed by Cortney, Darrica, and Violette give credence to the crucial role Gathering of Nations plays in sharing the many nuances of Native American powwow dance, music, regalia, and other contemporary cultural expressions, like those offered by 2-year-old Roderick. It’s both a hub of triumph and a platform of preservation for traditional practices that are very much alive, continuing to evolve, and remain as vibrant as the photographs accompanying this article.

Bringing  the competition at the  Annual Canoe Races

By Wade Sheldon, Tulalip News

Over the May 4th weekend, the chilly and wet weather couldn’t dampen the spirits of diverse and determined canoe pullers. Hailing from various tribes across Canada, Washington, and Oregon, they gathered at Tulalip Bay to compete in Tulalip’s 2024 Annual Canoe Races. With more than 70 talented contestants from different tribes putting their skills to the test, the air was thick with anticipation, enthusiasm, and tension. Competitors were determined to leave it all on the water and earn a chance to claim the coveted trophy and cash prizes that awaited the champions.

The races were a testament to strength and teamwork. The excitement was palpable as contestants paddled out and lined up between the buoy and the line judge, eagerly awaiting the sound of the horn. The atmosphere was charged with the sea’s smell and the waves crashing against the shore. It was a breathtaking sight as the massive wooden vessels would take a few pulls to gain momentum. Still, once everyone was in sync, they would gracefully glide through the water towards precisely placed buoys throughout the bay until crossing the finish line, with the cheers of the spectators echoing in their ears.

“I have been in canoe races for 30 years,” Nooksack’s Russell Roberts said. “I love seeing everyone coming out and working together. Also, getting all the youth out here to participate is a blessing. That’s why me and my brother’s canoes are made up of kids. It means a lot to have these races. My grandfather is the one who got the family started. He’s been gone for quite a few years now, and we hope we can continue his legacy for my kids and, hopefully, my grandkids.

This year’s Tulalip canoe races saw more youth participants than adults, indicating a growth in the sport’s ability to bridge traditional practices with changing times. With four different age groups to participate in, kids of all ages were able to embrace the elements and try their might on the bay.

11-year-old Kora from Nooksack said, “I have been participating for five years. You have to make sacrifices to be able to participate in the races. It takes a lot of time and dedication to get good, keep up, and even win. My favorite part of this weekend was being on the water with my cousins. I say for all the new people who want to try it out, have fun, and be ready for anything.”

The water offered many challenges, each presenting an opportunity for personal growth. Lavarian Webster, a 19-year-old from Cultus Lake, Chilliwack, BC, seized these opportunities, participating in over ten races. His journey is a testament to the transformative power of these races, as he harnessed his skills and pushed his limits.

“My favorite part about this weekend has been getting back out to the races and hanging out with everybody,” Webster said. “This is my third season of racing, and I feel like I got off to a good start. Keeping the canoes alive and on the water is important to the native people. Having an event like this gives people from different villages a chance to get involved with one another. It was a great weekend, and I’m glad I got to be a part of it.”
Despite the cloudy and sunless weather, the competitors persevered and showed their tenacity in canoe racing. The determination and passion demonstrated by the competitors were truly inspiring. It reminded us that even when faced with adverse conditions, we can still achieve greatness if we keep pushing forward. As Russell Roberts said, “It’s just what we do!”

As the final echoes of paddles cutting through water fade into the distance, the 2024 Annual Canoe Races at Tulalip Bay leave behind more than just the thrill of competition. They serve as a reminder of the resilience, unity, and cultural pride shared among Indigenous communities across the region. Beyond the trophy and prizes, the true victory lies in the bonds forged, the traditions upheld, and the memories created on the waters of Tulalip Bay. 

Say Their Names: Tulalip observes National MMIWP Awareness Day

By Kalvin Valdillez, Tulalip News

On the evening of May 3, hundreds of Tulalip citizens and members from nearby tribes convened at the Gathering Hall for the 2nd Annual MMIWP Awareness Day event. Designed to bring attention to the MMIWP epidemic, as well as uplift those families who have been affected by the crisis, the MMIWP gathering at Tulalip is a rollercoaster of emotions that is equal parts heartbreaking and healing. 

“The number of MMIP grows so much every year at Tulalip and across the land. The duty of spreading awareness on this matter falls on every one of us,” said Anita Matta, Tulalip Police Department Program Manager, and lead organizer of the MMIWP gathering. “I would like to share a few statistics: in Washington State, Native people make up 1.6% of the population, but make up 17% of missing people in the State. And as for violence against Indigenous women and girls, 4 out 5 of our women have experienced violence and 55.5% have been physically abused by their intimate partners. And 40% of sex trafficking victims are Native American and Alaskan Indian women.”

Nationally, May 5 is dedicated to raising awareness about the Missing and Murdered Indigenous Women and Persons epidemic that continues to plague Native America. Every day, more and more of our relatives are reported missing, and thousands of individuals have yet to be found. Additionally, the rate at which Native people are murdered in the US is higher than any other ethnicity. And it’s important to remember, that with any statistics gathered while dealing with the MMIWP epidemic, the true numbers may never be known as many cases and incidents are either underreported, misreported, or left unresolved. 

Though still in its infancy stage, the MMIWP Awareness Day event has been met with great reception from the community, and has done an amazing job of paying tribute to those Tulalip members who have been reported missing or who have been murdered and are no longer with us. A recurring theme and important piece to this event is based around the phrase ‘SAY THEIR NAMES’, which has been featured on the back of the event t-shirts at each of the awareness gatherings thus far. 

Upon stepping into the entryway of the Gathering Hall, attendees were handed red t-shirts and the Tulalip Youth Council were also passing out candles for the candlelight vigil. Directly behind them was a large poster, where the youth invited the people to write down the names of their loved ones or a message to the victims of the MMIWP epidemic. 

Twelve Tulalip tribal members, who are missing or were murdered, were recognized during the Friday night gathering. Their selfies and family photos were highlighted in a slideshow, that was casted on several large projector screens, and it continuously played on a loop throughout the entire evening. Their portraits were also featured beside red dresses, a national symbol that helps bring attention to the MMIWP crisis, all throughout the Gathering Hall. And keeping true to Tulalip’s MMIWP slogan, we’re going to pay our respect and say their names here as well; Cecil Lacy Jr., Anthony Kitsap Sam, Bridgette Simpson, Mary Davis Johnson, Nina Mae Dell, Kyle Van Jones-Tran, Sophia Solomon, Hayleigh Jo McGhie, Jessica Christian Jones, Andrew M.L. Fryberg, Gina Blatchford, and Jolene Leanne Flores. 

While the people settled in and shared a meal together, members of the Tulalip Board of Directors offered a few words to kick-off the event. 

Said Theresa Sheldon, “I’m so grateful that we can come together and actually be honest and open and talk about what MMIWP means to us. We wear them on our shirts, and we post on social media who we lost. We say their names, so they’re not forgotten. We say their names, so they know they were loved and cared about.”

Added Chairwoman, Teri Gobin, “My heart goes out to those who are still missing, the families whose hearts are broken, and all of those families who have suffered from the loss of a loved one. I know that by having these events, by saying their names, by being here together, we honor those who are missing or were murdered. Keep a warm place in your heart for them and always remember their names. They were our members, they were our family, they were our community. We will always be here to try to do whatever we can to honor them and tell the families how much we love them; how much we appreciate them. And we’ll pray for those to come home and those who are still suffering, we just love them.”

Other guest speakers that evening included the Tulalip Chief of Police, members of the Tulalip Bay Fire Department, Lena Hammons who is on the National Board for Human Trafficking and Domestic Violence, as well as the team who helped organize the event, which consisted of both government employees and community members. The Tulalip Legacy of Healing and Child Advocacy Center were in attendance, providing information about the services they offer, as was the recently established Crisis Response Team. 

“I am here to ask all of you to start working toward prevention. Educate yourself. If you or someone you know is in a DV relationship, reach out for help,” urged Lena. “The Tribe has a lot of resources. TPD takes it very seriously. The Child Advocacy Center and the Legacy of Healing take it very seriously, you just have to reach out. We can save each other. We can protect each other. Let’s take care of each other and please, let’s love each other.”

There wasn’t a dry eye in the Gathering Hall when it came time for families to share the stories of either the disappearance or murder of their loved ones. Through heavy sobs, the mothers and fathers who spoke on the mic, pleaded for the parents in the building to tell their kids they love them on a daily basis. And they advised everyone in the hall to step-in and step-up if they notice their loved one has become involved in an abusive and unhealthy relationship. Whether looking for the whereabouts of their lost family member or seeking justice for those who were murdered, each family asked for the community’s support and help in bringing closure to the families.  

Nona Davis, sister of Mary Davis Johnson, shared, “I would just like to say that we appreciate everybody who is here today. We ask that you please tell anybody and everybody about our sister, Mary Davis Johnson, who has disappeared. All we want is her to be back. I want her back. Our family wants her back. And with everything that we been through, it’s been a struggle – but tonight I can say that we’ve all been through this together, because everybody that is gathered here today is going through the same thing we’re going through. And we support everybody here, and all we want in return is the same from everybody else, the support to help us find our sister.”

Tribal members Sarah Hart and Monie Ordonia were honored and recognized for their efforts in bringing attention to the epidemic. The week leading up to National MMIWP Awareness Day, Sarah and Monie dedicated their time to help raise awareness for the MMIWP crisis by placing red dresses and red shirts in highly visible areas throughout the reservation. As mentioned earlier, red dresses have become the national symbol to help raise awareness for the Missing and Murdered Indigenous Women and Persons epidemic. Each dress is hung upright to give the illusion that someone is wearing it, but the woman whom it belongs to is missing. Sarah and Monie painted the names of those Tribal members who fell victim to the epidemic on each article of clothing that they hung up this year. 

While they were in the process of conducting this work, Sarah took to Facebook and said, “In 2020, I knew I wanted to bring awareness for our communities, for our brothers and sisters. I started hanging up red dresses, and my first year I did it alone. My second year, I put the call out asking if anyone wanted to come with. Monie showed up bright and early to meet me and we have been doing this every year together since. We pray, smudge, and do this with the best intentions and love in our hearts. It’s not for the clout. It’s not about likes. It’s not about being boastful. It’s about awareness.”

Sarah and Monie then invited all the women in attendance up to the floor, and together they created a beautiful and powerful moment as they sang the Women’s Warrior song. On the last verse, they all put their fist in the air to send strength and honor those lives lost and those souls who are still missing. 

Following the event, Monie shared, “Thank you all who came over to the Tulalip Gathering Hall for our MMIWP Awareness Day event. It was a very emotional evening. I pray that we were able to honor those loved ones we have lost, who are either missing or murdered. I hope in some ways we could be part of the medicine that brings healing to the survivors who are still affected by the loss of their loved ones.”

Josh Fryberg, the event’s emcee, called for a moment of silence for the victims of the epidemic and their families. He then asked the families to gather at the center of the floor so that the singers and dancers could offer their prayers and medicine byway of traditional drumbeats. Antone George (Lummi) was in attendance to lead the drummers with the impactful MMIW song, which he composed and contain the lyrics: Every day and every night, I pray, pray for you. I love and miss you.  Sister, come home. 

The night concluded with a coastal jam as the crowd formed a circle to witness the dancers and singers pour their hearts out on the floor, in dedication of their lost or murdered loved ones. 

Tulalip tribal member, Cary Williams, stated, “I’m in support here today for my family, our Tribe, in solidarity of all the families affected. Personally, I am affected. One of my best friends from high school is currently missing right now. It affects all communities. These prayers are something we can do on our part to uplift those relatives who are missing, to call out to their spirit and call them home, here to us. And for the relatives who are gone, who are not with us any longer, this is a time for us to let our emotions go, on this floor. And this is the best way we can be possible – in our culture, active in our lifeways here in Tulalip. Today, it really uplifts my heart to lay it out on the floor and walk out of this place much lighter than when I walked in. And to be able to put my best friends name on that poster was healing for me that I didn’t know I needed.”

If you would like to learn more about the MMIW epidemic, please visit www.NativeHope.org for more information. And if you have any information regarding those Tribal members who are missing, please contact TPD at (360) 716-9911.

“This was healing for me, especially after what happened with my cousin Jenzele,” expressed Youth Council member, Arielle Valencia. “It just felt really nice being here and to heal in a way of decolonization. It really proves how healing our culture is and how far we have come.”

When asked what the key takeaway is for the youth she said, “Learn your culture, be able to respect others, and be on the lookout for other people. You may not know the person, but you’re related. You’re related to everyone on the rez no matter what. Blood or not. Be connected to them.”

Upcoming events & activities at Tulalip

By Kalvin Valdillez, Tulalip News

Summer is right around the corner! As the weather warms up and the kiddos prepare for their last stretch of school for the year, one can’t help but look ahead at all the exciting, engaging, and educational events that are on the horizon at Tulalip.  

Tulalip is known for planning an entertaining summer each year, which always includes a healthy dose of imparting cultural knowledge to the next generations. For tribal members, summertime events and activities are often based around the act of exercising your treaty rights and flexing your tribe’s sovereignty through harvesting cedar, huckleberries, and salmon, as well as selling federally legal fireworks at Boom City. 

With several events scheduled to happen over the next two months, it might be easy to overlook and ultimately miss out on any number of the upcoming gatherings. For this reason, we compiled a list of some of the major happenings taking place at Tulalip throughout May and June. So, make sure to bookmark this story and input these following dates into your digital calendar!

Culture Night Every Tuesday – 5:30 p.m. at the Kenny Moses Building 

Come join the community for a night of jamming and regalia crafting! This is a great gathering to help introduce the kiddos and newbies alike to the cultural way of life. Songs and dances are practiced at a slower pace, ensuring that the youngins learn every step and chant, so they will be ready to perform at game speed when the time comes. 

This year, the community is focused on making color matching regalia items that include shawls and vests, so they can proudly represent Tulalip at all the upcoming cultural events taking place this summer.

Canoe PracticeEvery Wednesday – 5:30 p.m. at the Tulalip Marina

Build up your endurance for this year’s pull to Puyallup for the youth canoe journey! Although the paddle to Ahousaht was canceled, the epic and fan favorite event will continue with a journey for tribal youth throughout the region. 

Not participating in the canoe journey? Come on out anyway and enjoy that powerful connection to the Salish Sea, that is a unique spiritual experience for coastal tribal members. And who knows, there may be an opportunity for you to navigate the traditional waterways this summer. In years past, when the Canoe Journey was canceled during the pandemic, the Tribe organized a pull to Lopez Island for a camping trip. Similarly, the recovery community often plans a recovery camp out at Lopez, that is sure to include a canoe pull through the local waters.

Salmon Ceremony PracticeEvery Thursday – 5:30 p.m. at the Tulalip Gathering Hall

Learn about the importance of the Tribe’s annual Salmon Ceremony and the story of its revival that occurred in the seventies. Salmon Ceremony practice is special to witness because this a space where Tribal leaders and elders pass down teachings to the next generation in real time. There are nearly a dozen songs and dances that the Tribe rehearses each practice, which of course is all in preparation for welcoming and honoring the first king salmon of the year. 

Salmon Ceremony is set for June 1 at 10:30 a.m.

War Canoe RacesHappening this weekend (5/4 & 5/5) – All Day at Tulalip Bay

A thrilling occurrence for both competitors and spectators alike, the Salish-wide canoe racing event will make an early appearance at Tulalip Bay this year. In fact, if you are reading this fresh out your mailbox, get yourself over to the teen center campus to catch a good view of the races! 

Over a hundred racers take part every year and hit the waters at full speed, making laps from the Tulalip longhouse to Hermosa beach and back again. Designed with swiftness in mind, the war canoes are sleek and narrower than traditional cedar dugouts. Racers train year-round in hopes of bringing home the first-place trophy for the Tulalip Bay circuit. This year there will be single, double, six-man, and eleven-man races throughout the weekend. 

Memorial Day5/27 – 10 a.m. service at Priest Point Cemetery, 11 a.m. service at Mission Beach Cemetery

In observation of Memorial Day, the Tulalip Tribes holds two services every year, as many of the Tribe’s membership enlisted and proudly served in the US military. The community gathers at both the Priest Point and Mission Beach cemeteries to honor and remember those fallen soldiers who paid the ultimate sacrifice while protecting this Nation’s freedom. 

The Tribe also takes time to thank the Tribal veterans, Gold Star Mothers, as well as any current active-duty members of the military for their service. At the end of each ceremony, the Tribe pays tribute to the fallen soldiers with a 21-Gun Salute by the Tulalip Honor Guard, as the names of those who served and are no longer with us are read aloud during roll call. 

Tulalip’s Annual Stick Games TournamentWeekend of May 31 – all day at the Tulalip Amphitheater

The Tulalip Amphitheater has become the official home for the Tribes annual stick games tournament. Natives from all across North America journey to the Tulalip rez to try their luck at the traditional game that has been practiced amongst Northwest tribes and First Nation bands for thousands of years. Numerous teams participate every year at Tulalip and play for a chance to win cash prizes. 

This year’s total payout is $50,000 and the grand prize is $25,000. There will also dozens of vendors at the tournament selling the likes of Indian tacos, snow cones, smoked salmon, kettle corn, as well as Native-designed clothing, blankets, and jewelry.

Salmon CeremonyJune 1 – 10:30 a.m. at the Tulalip Longhouse

Once a year, during the first weekend of June, Tulalip members gather at the Tribe’s longhouse to honor and pay tribute to big chief yubəč, the king salmon. For generations, the salmon have provided delicious nourishment for the people. And to show their respect, Tulalip holds an annual Salmon Ceremony celebration at the start of each fishing season to welcome the first king salmon of the year. 

Celebrated since the beginning of time, the traditional ceremony was once outlawed during the assimilation era. In the mid-70’s, the ceremony was revived by Harriette Shelton Dover and a number of Tulalip elders. The gathering also serves as a way to bless the local fisherman as they prepare for a season on the water. 

Powerful songs, stories and dances are shared as the first salmon of the season is escorted onto the shore of Tulalip Bay. After the people offer a blessing, through song, prayer, and dance, the salmon is prepared, served, and enjoyed by the entire community together. The remains are sent back to the Salish Sea, so that yubəč can return to his village and tell the salmon people how well he was treated by the community of Tulalip. And in turn, the salmon will continue to run through the waterways of Tulalip Bay and serve as sustenance for the Tribe throughout the summer.

Boom CityMid-June – July 4th at Boom City site

The Northwest pyrotechnic capital will officially be open for a two-week period this June! Tulalip entrepreneurs will set up their vibrant and creatively designed stands at the lot located behind the Tulalip Resort Casino approximately around the weekend of June 21.

As always, the stand owners will have innumerable types of fireworks available for purchase including cakes, firecrackers, bottle rockets, sparklers, Roman candles, fountains, smoke bombs, pop-its, and many more. Boom City also offers a designated area for people to enjoy their fireworks safely and legally. Several food vendors will be stationed at Boom City as well, serving up treats such as Hawaiian shaved ice, frybread and tacos.

Fatherhood Café coming to Tulalip May 22

By Kalvin Valdillez, Tulalip News

Help spread the word! A four-hour event, dedicated to empowering Tulalip fathers, and other tribal dads, will be held at the TELA gym on Wednesday May 22. Known as the Fatherhood Community Café, the event is organized by the Washington Fatherhood Council and has been held in various counties in our state over the past few years. 

Tulalip will be one of the few, if not the first, Washington State tribe the council has collaborated with. The departments that are involved in planning the event, which is officially dubbed ‘Dad Allies Community Café’ for the Tulalip stop, include Family Haven, TELA, and Housing. In addition to the abundance of resources and information that will be available at the community café, the departments incorporated time for some culture and is inviting fathers to bring their drums for a mini coastal jam. 

According to research by the National Fatherhood Initiative, 1 in 5 children live without a father in the home unit within Washington State. The same study showed that 30% of single parents in our state are dads. 

Said Dieter Jacobs, Child Support Program Administrator at Washington State Department of Social and Health Services, “Research shows that when fathers are engaged, the children do better, and we need to support that. Dads bring something different to the table in that fatherhood role. We need to support fathers – we need to support the whole family. With the café, we want to get providers at the table to chat with the dads. We want them to talk about local happenings as well as things like child support, court, access to education, and for those incarcerated– how to support them while they’re in jail and how do we continue that when they come out. But it’s important we get them talking about what’s working, what’s not working, and what would work. Just sharing info and giving them an opportunity to ask questions. And dad allies are invited too – in laws, girlfriends.”

Dieter, who is also a member of the Washington Fatherhood Council, explained that the council is advocating for local fathers statewide by raising awareness, assisting in policy changes to be more inclusive for dads in state programs and schools, and also through a number of activities that include an annual fatherhood summit, a workshop series, and the fatherhood cafés.  

Space is limited, so if you are interested in attending the Dad Allies Community Café, please sign-up at https://www.eventbrite.com/e/fathers-matter-a-community-conversation-with-tulalip-tribal-dads-tickets-850985940857. The event begins at 10 a.m. and runs until 2 p.m. Fathers who choose to participate in the café will receive a gift card incentive for their time. Childcare will also be offered during the day of the event, so dads can take their time and learn about a number of topics such as housing, employment, and fatherhood services. 

A free lunch will be catered by local Hawaiian restaurant, Taste of Aloha. And there will plenty of chances to win an assortment of prizes by participating in a basketball shooting contest, a cornhole contest, and a raffle. 

“We want to make sure our fathers have support and can come together and build a core group, build community, and have space to move forward in a good way,” expressed Sasha Smith, Family Haven’s Youth and Family Support Coordinator. “We want to help give them tools to feel more successful and to engage in services, culture, community, and help them be the dad that they want to be. We hear you, Indigenous dads. We’re here for you, we want to support you. Make sure you sign up and come break bread with us.” 

A Gathering of Nations 

By Micheal Rios, Tulalip News

Thousands of tribal representatives from the north’s frozen tundra, the south’s dessert pueblos, the west’s coastal villages, and the east’s endless plains came together on common ground in Albuquerque, New Mexico. There, the diverse representation of Native America’s thriving cultures formed an unbreakable bond that was made even stronger by the additions of Māori citizens from New Zealand and Aztec descendants from the heart of Mexico. Living up to its name, this was a true Gathering of Nations.

“As we begin the fourth decade of the Gathering of Nations, I am so pleased to welcome you all here to the 41st annual Gathering of Nations Powwow. Whether this is your first time attending or you are an old-timer who attended every year, the excitement is always ultra-high,” stated Derek Mathews, Gathering of Nations founder. “When we look back over the past decades and as we look to the future, the concept has always been and will continue to be to produce an event where Native people can come together to celebrate and share culture.

“Considered the most prominent and popular Native American event in North America, Gathering will once again host tens of thousands of people and more than 750 tribes from throughout the United States, Canada, and around the world. The three-day festival will include more than 3,000 traditional singers and dancers, as well as hundreds of Native artisans, crafters and traders displaying and selling their amazing work.”

In its 41st rendition, New Mexico’s Tingley Coliseum was home to the three-day Gathering of Nations that took place over the final weekend in April. Widely regarded as ‘North America’s largest powwow’, the near 12,000-seat Coliseum reached maximum capacity during both Friday and Saturday nights’ much-anticipated, evening Grand Entry’s.

It’s no exaggeration that Native American culture bearers of all ages journeyed from across the four directions to attend Gathering of Nations. There was a group of four elders from the Passamaquoddy Tribe of Indian Township, Maine who dawned immaculate deer skin, buckskins.

“This is the first-time members of our Tribe have attended Gathering of Nations,” said Passamaquoddy elder Mary Creighton. “It’s such an honor to be here. At my age (81) I didn’t really plan on dancing, but being here and feeling the energy created from all our beautiful people being together, I felt compelled to dance. It’s quite the feeling, let me tell you, but I’m so glad that I did. Together, we’ve kept our culture going.”

From an even higher Earth latitude journeyed a jingle dress group from northern Manitoba, Canada. Hailing all the way from Opaskwayak Cree Nation was Savanna Sayese and her group of young Cree woman who glimmered spectacularly under the Coliseum’s stage lighting.

“This has always been a dream for us to attend Gathering of Nations,” explained Savanna. “The girls have been fundraising for 7-months straight and raised about $30,000 to make their dream a reality. It took so much commitment and sacrifice from these girls in order to fund this 14-day road trip. Now that we’re here, I’ve witnessed their confidence soar by putting on their regalia and being able to dance with so many Indigenous jingle dress dancers. It’s so powerful to see the healing of our people and for these girls in particular because they dance not just for themselves, but for each other and for their people back home.”

The Manitoba girls group ranged in age from 12- to 16-years-old. For some of them it was their first time in the United States, while for all of them it was their very first-time dancing competitively. Together they form Naneway Iskew, which translates to ‘Cree Women’ in their traditional language.

“I love being in my regalia because when I’m in it I feel pretty,” beamed one of the teenage Naneway Iskew dancers.

“It’s all about healing,” added another. “When we wear our regalia and get to dance, we feel connected to our roots, to our ancestors.”

Outside the Coliseum seemed to be just as busy as inside, with thousands more perusing a gigantic Trader’s Market that showcased several hundred vendors who specialized in a wide range of unique handmade jewelry, art, clothing, and other highly sought-after goods popular within the powwow circuit. Plus, at any given time, there were multiple roaming performances happening on the Tingley Coliseum grounds that would stop individuals, couples, and entire families in their tracks; leaving them captivated in carefully composed cultural performances.

Within the intersection of indigeneity and cultural exchange, one could hear the celebration chants of life triumphing over death via a Māori Haka dance, feel the thunderous beats resonating from an Aztec Huehuetl (log drum) while vibrant plumed headdresses danced in unison, and see Apache Crown Dancers invoking the mountain spirits to provide a sense of renewal and healing to the gathering. 

Found at this intersection, emitting a warrior’s spirit all her own, was Master Sgt. Shannon Myhre and her fellow tribal liaisons from the Indigenous Nations Equality Team (I.N.E.T.). This team is a specialized department of the Air Force that provides advocacy on behalf of Native American Airmen.

“I.N.E.T. was formed to lift barriers, provide career pathways for our Indigenous Airmen, and give our shared culture representation at important events, like Gathering of Nations,” said Master Sgt. Myhre whose homelands are in Shiprock, New Mexico on the Navajo Nation Reservation. “It’s so amazing to be here and be embraced as another branch of our proud warrior culture being shared. I love the intention behind I.N.E.T. and the fact we’re allowed to wear our medallions and jewelry in uniform at events so that everyone can see that we are here and proud of where we come from. As a unit, we are taking advantage of what we can to honor our ancestors and military veterans who came before us.” 

Put simply, Gathering of Nations is much more than just another powwow. It’s a shared culmination of cultural determination, strength, and community unique to the Indigenous peoples across North America. It’s a pivotal gathering point of Indigenous people that provides a revered space to share stories, transmit the many forms of traditional dance, and, best of all, strengthens a sense of solidarity across state, country, and even continental borders. It’s a gathering, yes, but even more so it’s a celebration. A celebration of a shared cultural identity.

Art Festival empowers youth artists

By Micheal Rios, Tulalip News

Creatively inclined Native American students of the Marysville School District wandered through a makeshift art gala that was the Don Hatch Youth Complex on Thursday, April 18 for an always eye-captivating Art Festival. Accompanied by their families, friends and educators, emerging artists ranging from 1st to 12th grade wowed Festival visitors and judges with a variety of imaginative creations that centered around a shared Tulalip culture expressed via a variety of modern-day mediums.

“Our annual Art Festival is an opportunity for each Native student within the District to express themselves in a unique and creative way,” explained positive youth development lead advocate, Deyamonta Diaz. “All the work that goes on behind the scenes to make this event possible, it’s like an all-hands-on-deck effort, is so worth it for our community to witness the pride and joy every student puts into their art. 

“Each year our expectations are surpassed because we receive hundreds and hundreds of submissions,” he added. “For me, I look forward to seeing what new ways our kids find to express their Native culture or even developing their own way to retell a traditional story. There’s always something new and eye-catching that they come up with.”

For more than two decades now, Tulalip Tribes has partnered with Marysville School District to dedicate an evening to the art scene embraced by so many emerging artists from Tulalip and the surrounding area within the District. The Art Festival gives fledgling creatives an opportunity to show off their awe-inspiring talents to the community, while also getting a chance to take home a coveted 1st, 2nd or 3rd place ribbon. Plus, all the bragging rights that come with them.

Catherine Velazquez (16), Gabe Joseph (13), and Tehya Robinson (9) each showcased their inner artist across various mediums and earned multiple ribbons at this year’s Art Festival. 

Such was the case with 9-year-old Tehya Robinson. She radiated pure joy while leading cousins and classmates to her five ribbon winning submissions. Then there was 13-year-old Gabe Joseph who beamed with pride as he posed for a picture with his 3rd place winning beaded earrings and 2nd place winning photograph.

“The photograph I took was from a family vacation to California. I was standing on the balcony and thought the view was so cool that I needed to take a picture to remember it. The sun was just right and seeing the dock and palm trees just made me feel peaceful and relaxed,” shared the St. Michael’s 8th grader. “My aunt taught me to make beaded earrings and so I thought I’d make some purple ones to give to a friend’s mom. Now, she’ll be happy to know they are award winning earrings.”

Tehya, Gabe, and their fellow student culture bearers were able to win 1st, 2nd or 3rd place, plus honorable mention, in a variety of artistic mediums. Categories included culture, drawing, painting, writing, mixed media, sculpture, digital art, and pure heart. The top four from each grade and category received a ceremonial ribbon recognizing their talents and a monetary prize.

“It’s always amazing to see just how talented our Native students are. The new ideas and concepts they come up with every year continue to surprise us judges,” shared Festival judge Doug Salinas while admiring the middle school painting section. “I think every kid has the capability to be an artist because their imagination has no limits.”

Like in years past, this year’s Festival received hundreds of submissions, with the most popular category by far being painting. There were dozens of artists who showed off their diverse talents by submitting artwork in as many categories as they could. There are also artists who continue to evolve their artwork and challenge themselves each year to claim one of those coveted ribbons in different categories.

Tenth grader Catherine Velazquez is in the midst of quite the dynastic run, having won multiple ribbons since she first started participating in the Festival as an elementary-aged student. At 16-years-old now, she’s collected more ribbons than she can remember, but admits to looking forward to the Festival each year because of the opportunity to create new pieces and, yeah, collect some walking around money for her efforts.  

“This past winter, I was at snow retreat in the mountains, it was night, the ground was completely covered in snow, and the moon casting this stunning red light. The moment was perfect for a picture. That photo won me 1st place this year,” said the Grace Academy 10th grader. She added ribbons from Digital Media, Mixed Media, Drawing, and Writing to her already large ribbon collection from past Festivals. “I love coming year each year and looking at all the art everyone does. Just walking around and admiring pieces that are my favorite inspires me to try new concepts and styles.”

This year’s art fest gala again offered several interactive tables, each led by an established adult artist. Representing possible career paths for the children to aspire to, or simply to have the young ones recognize art doesn’t have to stop when student life does. Tony Hatch, Tillie Jones, Ty Juvinel, and others did their best to engage Festival visitors and impart their cultural know-how through friendly, hands-on instruction.

Pure heart icon Sean-Paul Mace was on-site with his very own table to display his LEGO Star Wars collection. He dazzled with his depths of dark side knowledge and could even tell you which cinematic scenes his figures could be found in. 

Interwoven through many of the thought-provoking youth creations were both subtle and not so subtle tie-ins to ongoing social awareness campaigns, human rights issues and demands for a sustainable future. From artistic renditions on the Missing and Murdered Indigenous Women’s crisis, to declarations of Native-inspired rally cries like ‘Water Is Life’ and ‘Protect the Salmon’, to even rather imaginative way to represent heritage through a Fabergé egg.

Fifth grader Lillianna Hope was gracious enough to break down the various elements of her heritage egg. “I chose copper as the equator line because is the closest color to yellow and yellow represents happiness. I chose to the eternal line because evil spirits will look at them and memorized by them and it will trap the evil spirit and it will stay in there forever. I did yellow dots because they represent happy memories. I chose the brown, yellow, and black swirls because I think it is pretty.”

Whether it was from reading written words or interpreting the depths of color and images on display from the inspiring artists, a message being conveyed loud and clear is that yes, in fact, the youngest among us are paying attention to current events and understand how their culture is viewed, both locally and nationally. More importantly, their art demonstrates they are capable of channeling their traditional teachings and spiritual strength into pure artistry.

“When our kids create artwork for this event they are able to mix in elements of their personality, culture, family values, and what matters to them as individuals. It’s really incredible to see how even when there are twenty entries of the same type, each is different and unique in its own way because they reflect the artist who created it,” reflected Courtney Jefferson, Positive Youth Development Manager.

“Witnessing our kids get inspired from cultural pillars and advocacy movements is nice to see because that means they are learning about these foundational teachings while in school and retaining the information,” she added. “This proves how powerful it is to educate our people about our shared culture. Especially for the elementary-aged children. It’s so important they learn about the legacy of those who came before us and made it possible for us to thrive today.”

Without a doubt, the 2024 Native American Art Festival showcased a wide-range of artistic skills among our Tulalip youth. Confirming, yet again, what inspiring imaginations these artists are capable of creating when empowered to express themselves wholeheartedly and authentically, without judgement. Well, unless that judging comes with a shiny ribbon. Then it’s cool.

IndigipopX 2024 was a SMASH!

By Kalvin Valdillez, Tulalip News

Once upon a time in the 80’s, a giant wearing a sailor’s cap terrorized the streets of New York while wearing a bright smile on his face. In the classic 1984 Ghostbusters scene, people are seen abandoning their cars and running away from his path of destruction. 40 years later, the sight of the Stay Puft Marshmallow Man caused nothing but excitement as hundreds rushed toward the 30ft inflatable monster throughout the weekend of April 12, for their first photo-op at the 2024 IndigiPopX conference. 

Now, that’s something you don’t see every day, but luckily for Indiginerds across the nation, this event does happen once a year. Back in 2016, this gathering of comic book and Indigenous pop culture fans made its debut in Albuquerque, New Mexico. Since then, it has grown and has become a space for Natives, in all creative mediums, to share in each other’s love for the geek culture and fandom. 

Formally known as Indigenous Comicon (ICON), the 3-day festival officially became IndigiPopX in 2019. Shortly after, the event found a permanent home at the First Americans Museum, in Oklahoma City, which features a large convention area with two theaters and plenty of space to host multiple workshops, panels, and live demonstrations throughout the weekend.

What makes IndigiPopX more exciting is they bring in accomplished creatives to share the tricks of their trade to help empower and inspire young and upcoming artists, writers, musicians, actors, social media influencers, and more. This year’s special guests included writers such as Shane Hawk, Johnnie Jae, Jim Terry, and F. Anthony Falcon. As well as several cast members from both Reservation Dogs and Echo. 

Author and Comic Book Writer, F. Anthony Falcon, shared his secret 5-step formula for writing fiction. With a packed classroom, he had each person in attendance write a summary of their very own story starting with 1. The protagonist 2. The antagonist 3. Their supporting characters 4. The journey and 5. A strong entity to open or close.  By the end of the class, each writer had carved out a detailed idea for a story, and many were impressed to see their wildest imaginations come to life on paper. 

Said Falcon, “To take part in this event and be able to share, it makes my heart happy. It makes me proud to know that I’m doing my little part to ensure that stories are being told and that our people feel valued. And it’s important that people understand – don’t let your voice go unnoticed, you’re special, you’re strong, and you do have it in you. If you want to be a writer, and you have a story to tell, by all means tell it. The goal of every Indigenous writer should be to elevate where they come from and their people, because that’s what you’re supposed to do. Don’t be afraid. Put that pen to paper or do it on your computer. Even if you’re only writing a couple sentences a night, you’re making progress and just know you’re valued, you’re important and your stories need to be heard.”

Also in attendance was an independent multi-media company that is making soundwaves here in the Pacific Northwest. Rising Sons Media, based out of Seattle, was started by the Esquivel brothers, Sade and Deyo (Kanien’keha:ke), who specialize in illustration, beadwork, and music production. Both Sade and Deyo hosted workshops throughout the weekend; Sade shared about his work that has been featured in video games and comic books, and Deyo hosted an interactive music production demonstration where he made a beat with those in attendance of his class. Through Rising Sons Media, Deyo has collaborated with other Native artists throughout our region. And recently, he produced and released an album by Tacoma Indigenous songstress, Akaya the Alien.

Following the workshop, Deyo shared, “One great thing about IndigiPopX is that we have so many Native people doing all these different things in art, music, film, VR, AI stuff, robotics. That’s a great thing to show the youth, all the different things that we can do and the different avenues that are there for us to be creative, and to tell our own stories – our cultural stories, our history, and our future. It’s not just about the past, the traditional ways the traditional songs, it’s about where do we go from here? How do we as modern people identify what is cultural for ourselves and for our future generations? And so that’s what I love about being here at IPX and teaching classes to the youth. Just to show that this is what you can do. You can do the art that you want, and it is Indigenous. Even if it’s hip-hop or it’s country, it’s Indigenous because it comes from you.”

A major highlight for IndigiPopX goers is checking out all the artwork, clothing, jewelry, board games, stickers, and books that are on sale. What makes this special is the people get the chance to chat with the various creators and vendors, and more often than not, they leave with an autograph in addition to their purchase. 

Comic book writer and First Nations artist, Alina Pete, made the trip to OKC from Vancouver, B.C. Amongst her jewelry and amazing Pokémon art prints, Alina had a number of her own comic books for sale. During the IndigiPopX weekend, the Native comic book community lost one of the founders of the Indiginerd culture, Jeffrey Veregge, who was known for bringing Coast Salish formline to the masses through his work with Marvel. While taking a moment to reflect on Jeffrey’s impact to the Native geek world, Alina shared that her book actually contains one of his last stories, By the light of the Moon.

“The main thing that I’m here promoting is my book, Woman in the Woods and other North American stories, which is a comic anthology by Iron Circus Comics,” said Alina. “It’s got a variety of stories in it from different Native groups around the USA and Canada. One of the stories in here is by an Indigenous comic artist we just lost this weekend, Jeffrey Veregge. He wrote it and he was slated to illustrate it, and he got sick during the course of it. So, his partner actually had to go onto his computer and find the script so that we could try and find someone to draw it and get it in the book, because we really wanted to include it in the book. And this was before – we didn’t know how serious it was yet. We thought he’ll recover, we’ll get his story in there, and he’ll go on to make so many more things. And it ended up being, I think, the last thing he worked on. I hope we made him proud.”

She continued, “I was just talking with a bunch of other friends who are also Indigenous comic artists who are here at the event. And we were saying how, most the time, when we were at comic book shows, we feel like we’re the only ones in the building. And so, we kind of have to explain what is Indigenous comics, and why are you doing it, and why is it important as an Indigenous person to do comics? And here, everyone just gets it. Everyone is like, yes, of course, Indigenous representation is really important. And that’s why we’re here, we just feel really loved and supported being here. But also, everyone gets what we’re trying to do, and why it’s so important to see yourself represented on the page of a comic book.”

After a fun and geeked out weekend, IndigiPopX 2024 closed out with a cosplay contest in which nearly 30 participants showcased their tailoring skills on costumes that ranged in characters from Star Wars all the way to a Werewolf tribal chairman. Immediately after the contest winners were awarded their prizes, the cosplayers lined up for a parade around the First Americans Museum, before everyone said their goodbyes til next years conference. 

Indigenous artist and Cosplayer, Adam Youngbear, expressed, “I think it’s really awesome, just to have the opportunity to share my art, share my culture, but also see everybody else’s coming in, see the folks that are from up north or out west. So, I really think it’s awesome to get a blend of all the Native nerds together. I participated in the costume contest; I was a tribal council-wolfman. Last year, I was a Native ninja turtle and I got second place. My daughter won; she beat me last year. But it’s always fun to put a costume on and put a Native spin on it. It’s important to see that Native representation. We’re not only looking at movies and shows anymore, but we’re also seeing us in comics and gaming out. It’s really awesome to see that, the little kid in us is loving every second of it.”