Category: News

Hibulb to feature MMIWP exhibit this summer

By Kalvin Valdillez, Tulalip News

A powerful and highly regarded traveling exhibit will make its final stop at the Hibulb Cultural Center gallery this summer. Touring for the past couple years, Portraits in RED has brought attention to the ongoing Missing and Murdered Indigenous Women/Persons (MMIWP) crisis happening in America by featuring the paintings of Métis Nation artist, Nayana LaFond, at several museums across the nation. 

Portraits in RED was initially set for its last viewing at a museum in Oregon, but after hearing how close LaFond’s works were to Tulalip, HCC reached out in hopes of bringing the exhibit here. LaFond started this project in 2020 during the pandemic and has painted close to 50 portraits of Indigenous women and men who were murdered or are still missing, their families and friends, as well as athletes, actors, and activists who have raised awareness for the cause.

Her artwork is a strong visual representation of the MMIWP movement and showcases each subject in black and white. The sole color on each canvas is red, which highlights a handprint painted across their face, which has become the national symbol for the movement and signifies that people are taking a stand for those who were silenced by the epidemic. 

Over recent years, the movement has gained a bit of momentum throughout the country which resulted in May 5th becoming the National MMIWP Awareness Day. However, even with this progress, the epidemic continues to affect Tribal nations at an alarming rate. Currently, Indian Country is standing with the Apache Nation after news broke out of the murder and dismemberment of Emily Pike, a teenager whose body was found in trash bags last month. Not surprisingly, the coverage and reporting of this story has been minimal and the case has not received major headlines or garnered much support and outrage of Americans, like in similar cases of white females who have gone missing, such as Gabby Petito. 

The epidemic has hit Tulalip hard as well. At the 2024 MMIWP gathering, it was revealed that 12 of the Tribes’ membership fell victim to this crisis: Cecil Lacy Jr., Anthony Kitsap Sam, Bridgette Simpson, Nina Mae Dell, Kyle Van Jones-Tran, Sophia Solomon, Hayleigh Jo McGhie, Jessica Christian Jones, Andrew M.L. Fryberg, Gina Blatchford, Jolene Leanne Flores, and Mary Davis Johnson. Last summer, a documentary titled Missing from Fire Trail Road was featured at film festivals across the country. The documentary was about the sudden disappearance of Mary Davis Johnson and her family’s quest for answers. If you have yet to see Missing from Fire Trail Road, it is currently streaming on Hulu. 

HCC is planning to debut Portraits in RED at the end of June and will feature the exhibit through August. If you are reading this and your family has been impacted by the MMIWP crisis, the cultural center is asking that you take part in this exhibit and share your story to help raise awareness about your loved one’s case. As always, the HCC will incorporate local history and interactive displays. Those who visit the exhibit will get the chance to write a personal message to MMIWP victims on a dedicated wall of the gallery. 

Said HCC Senior Curator, Emilie Miller, “I think with the documentary coming out, it started that conversation and put it on the forefront of a lot of people’s minds. With the exhibit being so close in Oregon, I think it all coincided and worked out really well to bring it here and bring even more awareness to it. We’ve seen more cases that have come out in the United States just recently. It’s still an ongoing problem. It’s still something that hasn’t been dealt with, and who knows what’s going to happen with the current administration, and so we just want to keep it on the forefront of people’s minds.”

Read more about Portraits in RED in the following HCC official press release. To share your story or for more information, please contact the museum at (360) 716-2600.

Hibulb Cultural Center Media Release

“Portraits in RED” by Nayana LaFond is a deeply personal and impactful art project that sheds light on the ongoing epidemic of Missing and Murdered Indigenous Peoples (MMIP). This crisis disproportionately affects Indigenous communities across North America, with Indigenous women and girls being particularly vulnerable. Indigenous people are more than twice as likely to experience violent crime compared to non-Indigenous people, and Indigenous women and girls are especially at risk, being murdered or going missing at much higher rates than women from other demographics. For example, in the U.S., the National Crime Information Center reported over 5,700 cases of missing Indigenous women in 2016, though the actual number is believed to be much higher due to unreported or misclassified cases. The epidemic continues to be a significant issue, with ongoing calls for systemic change in how law enforcement and government agencies address the crisis.

Through a series of painted portraits, LaFond commemorates the lives of Indigenous individuals and families affected by this violence, offering a medium for remembrance, healing, and advocacy. The project, which has never profited from the artwork, focuses on returning the portraits to families in its final phase, allowing them to choose whether the artwork is kept, donated to institutions, or sold to raise funds for the families or a related charity.

“Portraits in RED” serves not only as a memorial but also as a call to action, drawing attention to the systemic violence and erasure faced by Indigenous communities while creating space for healing and solidarity. Through LaFond’s work, the exhibit offers a profound reminder of the resilience and importance of those whose stories have too often been overlooked.

Walter Moses’ cedar clappers part of General Council gift giving

By Wade Sheldon; photos courtesy of Walter Moses 

As the 2025 Annual General Counsel Meeting countdown intensifies, a pivotal moment is on the horizon. There is an opportunity to elect two vital members for the Board of Directors (BOD). This meeting and election present a crucial chance for the tribal community to unite and express their views, ensuring that every voice counts, navigating challenges ahead, and selecting visionary leaders to uplift and inspire the community.

On April 12 at the Tulalip Resort Casino, the Tulalip Tribes will gather to determine who will join the leaders on the BOD. To enhance the experience, early arrivals who cast their votes will receive a gift box containing six unique items, carefully curated by the BOD and provided by tribal businesses. 

We are excited to introduce culture bearer, Walter Moses in this segment of our six-part series. Walter has prepared unique gifts for this event—yellow cedar clappers that he has intricately carved and embellished with his art. These clappers symbolize sovereignty and the ability of Tulalip and other tribes to create and provide from the land. 

Crafting 1,200 cedar clappers for the gift boxes, Walter utilized skills he developed from a young age. He learned to carve at age 11, studying under his father, the renowned Culture Bearer Kelly Moses. Walter states, “What I like most about creating is that it keeps me busy. I was taught as an artist that if you are good with your hands, you must always keep them busy. It makes me feel good, and knowing I can preserve the culture also makes me happy. It also relieves stress and is beneficial for creativity.”

He offers a wide range of artwork, from jewelry like earrings and bracelets to carved paddles and masks, as well as t-shirts, hats, sweatshirts, and sublimation prints. His designs have been featured in events such as Tulalip Youth Services Orange Shirt Day. He also has art installations at Starbucks in Seattle’s U-Village. In response to whether he has ever received an order this large, Walter remarked, “I’d say this is the largest order I have ever had. I didn’t think it would be this much, but I am always up for the challenge. I am using a killer whale and salmon design on yellow cedar.”

For those interested in purchasing his art, Walter said, “I usually vend during the holidays, and that is mainly how you can find me. I will also be at the Hibulb vending on March 29.” Walter said, “I’m thankful that the tribe has taken an interest in local artists, and for orders this large, it’s awesome. I like how they are reaching out and supporting us.”

The BOD selected six Tulalip artists and entrepreneurs to create handcrafted items for the gift boxes, highlighting their talent and cultural heritage. This initiative honors tradition and encourages future generations to preserve and share their artistry. 


A night of comedy and celebration at Problem Gambling Awareness dinner 

By Kalvin Valdillez, Tulalip News

A Saturday night soiree brought together over 200 community members at Tulalip Resort Casino’s Orca Ballroom on March 15. Held on an annual basis, the Problem Gambling Awareness Month Dinner unites people in the name of healing while promoting recovery and celebrating individuals who attained sobriety from their gambling addiction. 

Over the years, the gathering has evolved into an elegant event where the people spiffy up and enjoy dinner and a comedy show, all while learning about the dangers of habitual gaming. In its infancy, the dinner garnered around 50 participants and was held in the halls of the Hibulb Cultural Center. The fact that the event has quadrupled in attendance speaks volumes of the positive impact that the Tulalip Problem Gambling has made on the reservation, as more and more people are seeking aid, and the local recovery community continues to grow. 

For the past decade, the Tulalip Problem Gambling program has actively participated in a nationwide initiative known as National Problem Gambling Awareness Month. Taking place every March, during the season of bracket clashing known as March Madness, the Problem Gambling program raises awareness about the compulsive gambling disease by hosting fun, engaging, informative, and impactful gatherings in the community throughout the awareness month.

The perilous and often silent habit affects the Native American community at a much higher rate than other ethnicities. A 2019 study by the National Institute on Alcohol and Related Conditions showed that 2.3% of the Indigenous population in America are battling a gambling addiction. 

Though heavily focused on problem gambling, the event also celebrates those who are in active recovery for alcohol and substance abuse. Many of those individuals show up to support their loved ones who are recovering from a gambling addiction, only to find out that they also get the chance to celebrate their own hard work of getting clean. No matter the vice, it’s just as important to receive love as it is to show love to others. 

The event opened with a traditional prayer and story by Natosha Gobin, Thomas Williams, and their daughter, Lizzie Mae. This year, two individuals shared their personal testimonies at the dinner, Jeff and Joanne. Each spoke of how their gambling addiction abruptly took over their lives, and the strain it consequently put on their friends and family. They talked about hitting rock bottom, Jeff’s happened when he was denied a kidney transplant, and that moment for Joanne occurred when she was facing assault charges. Both Jeff and Joanne were given a second chance and were presented with the option to attend counseling for compulsive gambling, to turn their situations around. Thanks to the Tulalip Problem Gambling program, Jeff and Joanne were able to start their journey to recovery; Jeff received his transplant and Joanne’s charges were dropped. After they each shared their story, the Tulalip Youth Council blanketed them with Eighth Generation wool blankets for their accomplishments, and also for bravely speaking about the challenges they faced and how they overcame. 

In Native America, part of the healing journey is laughter. It is one of the best medicines, no doubt. And to be surrounded by the hearty chuckles of uncles and the cackling laughter of aunties is a healing experience in itself. Which is why the Problem Gambling Program is sure to enlist hilarious acts year after year. 

At this year’s dinner, Native Comedian, Vaughn Eaglebear served as the event emcee. While keeping the schedule on a smooth run, Vaughn got a few jokes in and even asked the house drum, the 206 singers, to join in while he sang John Wayne’s Teeth, a song he famously wrote for the movie Smoke Signals. 

The keynote speaker was JR Redwater. JR is an OG in NDN comedy and was one of the first Indigenous Stand Ups to achieve national acclaim. JR’s 45-minute set was rated R for rezzy and raunchy as he had the crowd in stitches with his Native humor, a specific brand of comedy that many tribal members can relate to. 

The evening concluded with what has now become a yearly tradition at the Problem Gambling Awareness Dinner – the recovery countdown. Vaughn started the countdown at 50 years clean. He asked each person in active recovery to stand when he called out the amount years of sobriety they attained. More than 50 people proudly stood and were cheered on during the recovery countdown, an inspiring, heartwarming, and beautiful sight to see.

Following another successful event, the Tulalip Problem Gambling program coordinator, Sarah Sense Wilson, shared, “This year felt spectacular. Electricity was in the air. I think that having the combination of Vaughn, and his comedy routine buddy JR, flowed really well. We had such good attendance. The Tulalip recovery community has been growing and growing. This event isn’t just well attended because of the speakers, it’s well attended because there is a movement of recovery happening in Tulalip. It’s amazing. And I am proud to be, in some small way, a part of that movement. Tonight, we also had people from Lummi, Swinomish, the Everett Recovery Café here joining together and celebrating recovery. Without the support from the team at Tulalip Family Services, and the Tribal Council, this wouldn’t happen. I give big credit to all of them for making this possible.”

If you or someone you love is suffering from a gambling addiction, please contact (360) 716-4304. Below, you will find more information about the compulsive gambling disorder, submitted by Sarah Sense Wilson.

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Problem Gambling Awareness

By Sarah Sense Wilson

Informed decisions make you a winner. Healthy choices ensure your wellbeing and strengthens your family and community. Our future depends on the choices you make today.

Types of Gambling

  • Video Game Betting/Skins or Treasure Troves
  • Slahal/Stick games
  • Sports Betting
  • Bingo
  • Scratch Tickets
  • 50/50
  • Dice
  • Internet Gambling
  • Raffles

Gambling Facts

  • Our Problem Gambling Program is about reclaiming health, wellness, and relationships.
  • Tulalip Problem Gambling Program is free treatment, referrals, counseling, groups, and family therapy.
  • Tulalip Tribes Problem Gambling Program is comprehensive, culturally responsive and designed to be tailored for each person seeking support.
  • Problem Gambling is also referred to as Gambling Disorder, Compulsive Gambling, Addictive Gambling, and Pathological Gambling, or People experiencing Gambling Problems.
  • Data: 1-3% of Washingtonians are classified as Problem Gamblers.
  • We could fill the Seahawks Stadium (Lumen Field) to capacity 4x to fit all problem gamblers in our state.
  • Up to 92% of problem gamblers experience suicidal ideation, and up to 40% attempt suicide.
  • Sadly, only one 1-in-10 problem gamblers seek professional help.

Problem Gambling Help: Helpline 1-800-547-6133

Chef Pyet DeSpain represents for Native America on Tournament of Champions

By Kalvin Valdillez; photos courtesy of Pyet DeSpain

The season of the brackets is upon us. And though many are filling out their brackets with NCAA basketball teams for March Madness, Food Network viewers are inputting the names of 32 highly respected chefs on theirs. Now in its sixth season, the hour-long reality cooking contest known as the Tournament of Champions brings together both seasoned vets and up and coming chefs for a thrilling and entertaining single-elimination battle. 

Not only are the chefs competiting against each other, but they are also up against the ‘randomizer’, which is a wheel that determines the protein, produce, equipment, style, ingredient, and time of their cook. The chefs must incorporate each aspect of the randomizer into their plate or else they face disqualification. The dishes are then subject to a blind judging process, where their food is placed in front of a panel of top tier chefs who do not know whose meal they are judging. The competitors must watch the judging process from their trailers and are called back to the stage once the results are in. The winner advances in the bracket until only one chef remains victorious and is awarded a cash prize, bragging rights, and the highly coveted TOC championship belt.

Split into four divisions, 24 well-known chefs were invited to the tournament and were seeded based on their accolades and accomplishments in the culinary world. The remaining eight spots had to be earned in the qualifier round, where 16 rising stars duked it out and put their all on a plate in hopes of advancing to the big dance. Among these 16 competitors was none other than Chef Stephanie ‘Pyet’ DeSpain of the Prairie Band Potawatomi Nation. 

If you aren’t familiar with her game, Chef Pyet won the very first season of Gordon Ramsay’s Next Level Chef competition in 2022. Throughout Next Level Chef she incorporated her Native American and Mexican heritage into each dish she put forward. And by doing so, she brought some Indigenous teachings, knowledge, and history into living rooms all across the country. 

Since winning Next Level Chef, Pyet has expanded her Los Angeles-based business, Pyet’s Plate, and has been named one of the Top 25 private chefs by Entrepreneur Magazine. In addition to offering her services as a private chef and catering at high-profile events, she also takes time to teach cooking classes and utilizes her platform to inspire Native youth throughout the nation. This is something she is very passionate about. In fact, she was the keynote speaker at 2022 UNITY conference in Minneapolis. 

Hoping to inspire the next generation at the conference, Pyet shared “Remember that it’s okay to be your true authentic self. It’s okay to show the world you’re brown and proud. It’s okay to take a risk. Even if it might look scary, you never know where it leads you. Most importantly, it’s so crucial that you don’t forget your roots and you don’t forget your ways. Every day from this point forward, when you wake up, I want to challenge you to ask yourself, ‘who do I want to be?’. Not just in the future, but who do you want to be today. Do you want to be the best daughter? The best brother or sister? Do you want to be the best version of yourself? Really think about it because that’s what’s called setting an intention. When you start showing up as your best self every single day, and you’re brown and proud, things will start falling into place for you.” 

This was Chef Pyet’s second year participating in the qualifying round. After she didn’t make the cut last year, she was determined to come back stronger than ever. And judging by the focus and energy she brought this year; she is not playing around and is gunning for the championship belt. She faced-off against Chef Ashleigh Shanti, who is a James Beard finalist and was named one of ‘16 Black Chefs Changing Food in America’ by the New York Times in 2019. In this round the randomizer called for a dish that consisted of ground beef, cherry tomatoes, and a peppery profile. She also had to incorporate the use of a spiralizer and had only 28 minutes to cook. In the end, Pyet’s Persian-inspired koobideh beat out Chef Ashleigh’s Salisbury steak by a margin of seven points. 

After winning her qualifying round, TOC host and creator Guy Fieri said, “You wanted the tournament. This is your shot! You just won. Congratulations Chef DeSpain.” 

Now in the main bracket, she must continue to bring her A-game as she goes head-to-head against some of the biggest names in the industry, including two Seattle-based restauranters, Shota Nakajima and Kaleena Bliss. 

Said Chef Pyet, “You don’t see a lot of Native American chefs in cooking competitions – I might be the only one and that’s a big deal. I don’t work in a restaurant; I’m a private chef. That is the one thing that can be a little bit of a disadvantage. A lot of these other chefs got years and years of restaurant work under their belt, but Pyet is here and she’s staying in the tournament, she’s staying in the bracket.”

Her biggest challenge of the competition may perhaps come in the first round where she will take on a frequent TOC finalist and well-established chef, Jet Tila. 

On an Instagram post she stated, “Going toe-to-toe with the legendary Jet Tila was not on my bingo card for 2025 life events, but here we are!”

Chef Pyet will make her first appearance on Tournament of Champions this Sunday, March 16. The show airs at 8:00 p.m. on the Food Network channel. You can stream the episode on Max or Hulu the day after it airs, beginning at midnight on March 17. Be sure to tune in to cheer on Chef Pyet as she continues to represent for Native America on the biggest stage in culinary competitions. 

“I feel amazing. I’m very happy. I’m very excited,” she expressed. “I’m here for all the young Native people that aspire to be chefs, I’m here to fight for them.”

Heritage Hawks show out at State. Make history with 4th place finish

By Micheal Rios, photos courtesy Willy Enick and Deyamonta Diaz

Four games in four days. Under the bright lights of Spokane Arena. For a chance at bucket-getting glory. That was the mission for the (19-4) Tulalip Heritage Hawks boys basketball team who journeyed to Spokane, Washington for the much-heralded WIAA State Tournament.

After an exhilarating (15-1) regular season, 2nd place finish at District’s, and a 3rd place finish at Tri-District’s, the Hawks winning ways earned them a ticket to State. They were slotted as the tournament’s #6 seed.

Wednesday, March 5

In Spokane, Tulalip’s first opponent was #14 Summit Classical Christian. They boys previously played and defeated Summit, 66-53, in the Tri-District Tournament. That familiarity with a previously vanquished foe injected additional confidence into an already confident squad. The Hawks jumped out to an early 19-11 1st quarter lead thanks to a well-balanced scoring attack. Each member of the starting lineup scored a basket by the end of the opening quarter. 

Their tenacity didn’t let up. The Hawks flew away with a 70-51 win. This particular game was a great example of ball movement and scoring distribution, exemplified by the well-rounded scoring attack.  Davien 19 points, Davis 14 points, J.J. 13 points, Ziggy 12 points and Amare 8 points.

Thursday, March 6

The following afternoon, Tulalip faced off with #4 DeSales Catholic out of Walla Walla. Entering the game with a whopping (24-2) record, DeSales proved they were every bit as good as their 24 wins said they were.

Heritage held tough in the 1st quarter, where they only trailed by 3 points, 13-16, after eight minutes of play. But over the course of the 2nd and 3rd quarters, DeSales continued to outscore and outexecute the Hawks. Entering the 4th quarter, Tulalip trailed 38-54.

The 3-ball wasn’t falling for any Hawk outside of Davien, who made 3 of them, and made it impossible to rally enough points for a proper comeback attempt. The Hawks wings got clipped to the tune of a 51-68 loss. Davien led all scorers with 29 points and Ziggy chipped in 10 points.

Friday, March 7

Tulalip was left with no other choice but to shake off the previous day’s loss with the quickness because they had an early day tip-off with #7 Moses Lake Christian. Embodying the shooter’s mindset to the fullest was sophomore Amare Hatch. He went scoreless vs. DeSales, but in a matter of minutes he made she he got into the scorer’s book this game. Amare drained back-to-back 3-pointers that helped ignite his team’s early offense. Heritage took a 19-11 lead after one quarter of play.

Moses Lake wasn’t going to go away without a fight thought. They came back with a 2nd quarter onslaught that caught Tulalip off guard. Heritage trailed 26-29 at halftime.

In the 2nd half, it was a pair of sophomore sensations, J.J. Gray and Ziggy Myles-Gilford, who caught fire when their team needed them most. Both boys combined to score 32 of their team’s 41 2nd half points and helped propel their Hawks to a 67-54 win.

J.J. led the Hawks in scoring with 25 points, while Davien added 17 points and Ziggy 13 points. The fight and determination by the Hawks to continue their postseason journey is exemplified by a dominant 4th quarter in which they nearly scored twice as many points as Moses Lake. 

The must-have win elevated the Hawks into the 4th place game. 

Saturday, March 8

Tulalip’s favorite team of Rez ballers rose shortly after a sunrise for their final game of the ’24-’25 season. Tipping off promptly at 9:30am with a matchup with #3 Willapa Valley was no problem for a team full of young legs and a supply of seemingly endless energy.

It’s important to note that Heritage lost to Willapa Valley just eight days earlier, 53-66, in Chehalis. With that loss still fresh in their minds, the Hawks were primed for a classic get-back game.

In the 1st quarter, all five starters scored a basket. Coming off the bench, junior Tokala Black Tomahawk got in on the scoring spree as well to help his team jump out to a 20-15 lead. Both teams scored exactly 12 points in the 2nd quarter. This gave Heritage a 32-27 halftime advantage.

Forward Ziggy Myles-Gilford put on a show in the 3rd quarter while gobbling up rebounds and powering his way to the bucket for big time layups. Heritage’s defense put the clamps on all would-be scorers, playing some of their best discipled defense of the season. Willapa Valley only mustered a measly 6 points in the 3rd quarter, while the Hawks were soaring at their accustomed tempo and scored 18 points. At the end of three, Tulalip held a commanding 50-33 lead.

With their defense remaining locked in, Tulalip quelled any notion of a Willapa Valley comeback. While welcomed chants of “Tulalip Power!” rained down upon them, the boys were all smiles as they basked in a 64-46 victory. They capped off a truly memorable (22-5) season with a 4th place clinching performance to be proud of. Ziggy led all scorers with 17 points, J.J. 14 points, Davien 11 points and Davis 10 points.

After the tournament’s conclusion, junior guard Davien Parks was awarded one of the five coveted spots on the All-Tournament team.

“Our four days at state this year was great for my boys,” reflected head coach Shawn Sanchey. “We had fun out there doing our thing, gaining experience and going to battle in the Spokane Arena. Our team represented well and earned their hardware. We took home fourth place, which lands the second best placing in school history!

  “It was tough not reaching the goal of winning it all, but we adjusted to the circumstances and set a new goal,” he continued. “It’s a great feeling that they buckled down to take care of business and bring home the 4th place trophy. This State experience builds character for us and deepens the motivation to do what it takes to reach that final goal next year. We plan to get a busy off-season summer schedule doing trainings, weight lifting, leagues and tournaments to help elevate our program and take it to the next level.”

For those devout Heritage fans already looking forward to next year, all the Hawks core players are expected to return, including all 5 starters. With a full State experience now under their belts and another year of program building for the Heritage coaching staff, expectations in 2026 will be even higher for a soaring group of Hawks who etched their names into school history with a 4th place trophy.

Recovery is possible, no one has to walk the path alone

Lonni Long (left) and Israel Scott Rehaume (right)

By Wade Sheldon, Tulalip News

Wellbriety is a transformative program dedicated to supporting Native communities in their journey toward addiction recovery. Integrating cultural traditions and holistic practices fosters reconnection among individuals and their communities, providing a nurturing environment that promotes healing beyond traditional twelve-step frameworks. The program emphasizes balance and harmony through methods like the medicine wheel, allowing participants to acknowledge their progress and manage their urges as they strive for a brighter future.

On February 20, Wellbriety hosted its third annual dinner at the Tulalip Dining Hall. Around 50 attendees celebrated this ongoing journey. The event highlighted the profound impacts of addiction on Native communities and the strides being made toward liberation. 

As many Native communities have faced the painful legacies of addiction, Wellbriety has emerged as a beacon of hope. Its efforts, revitalized in 2023 in collaboration with Tulalip’s Family Services and Problem Gambling Program, assist individuals in finding the Red Road to recovery. During the dinner, Robin Johnson, a Chemical Dependency Professional, and Katy Berry, a Substance Use Disorder Professional from Tulalip Behavioral Health, facilitated a space for attendees to share their personal stories, illustrating how culture can serve as powerful medicine in reclaiming lives from despair. 

The evening underscored that hope and healing are possible, even in the face of daunting challenges, reinforcing the importance of community and cultural identity in the recovery journey. Attendees recounted their distinct paths to sobriety—or should we say, Wellbriety. The journey looks different for each participant. 

Israel (Scott) Rehaume, a Yakima Native with 13 years of sobriety, faced a difficult upbringing that led to destructive adult behaviors. After encountering the law, he realized the need for change. 

For many, overcoming addiction is not just about abstinence; it’s about transformation and purpose. Israel reflects on his arduous journey with a determination to change. He aims to be the role model he always needed as a child. Rehaume shared, “It’s been a long road since my addiction started, and today, I strive to be the person I wish I had been then. Alcohol and drugs are slow suicide.” 

His addiction began at six, bringing drinks to his father and his friends. “I thought my dad was a superhero, and that’s where it all began. I was allowed to drink at twelve, which eventually fueled my addiction with violence. We would get drunk and fight. Soon, I was drinking at school and was expelled at seventeen. I was living a hectic life filled with meth, and while it felt normal, it wasn’t.”

His turning point came after being shot in a drive-by. He also faced consequences for breaking and entering, which led to his first treatment sentence. During this time, he stayed clean for eight months before relapsing. Rehaume would finally achieve sobriety after being caught with a firearm and sentenced to prison. “When I got out, I didn’t let anything interfere with my sobriety. When I had my son, I wanted to ensure he was raised right,” Rehaume recounted.
He stressed, “I do everything I can to help the community because I spent so much time peer-pressuring people into dope; now it’s time to peer-pressure them into getting clean.” 

Rehaume encouraged community support, saying, “If you get enough people to lean on, then you won’t fall.” He believes that “sobriety and wellness are key.”  

Lonni Long also shared her journey, revealing, “When I was 18, I knew I was an alcoholic. I thought I was going to die but didn’t want to do anything to change it.”

Lonni’s childhood was tumultuous, marked by the loss of her mother at ten and living with relatives. She recalled, “Growing up, I had to live with my relatives. From ages 8 to 12, I faced a lot of abuse, both sexually and emotionally. I started acting out at 13 to 14, drinking, smoking, and getting involved with gangs. 

Despite attempts at recovery at ages 16 and 18, Lonni struggled with addiction, reflecting, “At first, it would work. I knew I wanted to do better, but alcohol made me feel happy.” At age 17, her sister’s sudden and tragic death plunged her into more profound grief, where she noted, “I became selfish and self-centered. That’s when I started using drugs. I began smoking meth and continued for 15 years straight.” 

Lonni’s life spiraled into chaos: “I lost track of the constructs of time. Time didn’t mean anything to me.” After multiple DUIs and a period of not trusting anyone, she discovered she was pregnant. “I couldn’t change my life for myself. When my baby was born, it was like magic. He made me want to be better and to be clean and sober, which I never thought I could be.” After nine years of sobriety, Lonni emphasized, “This is just the beginning.”

Victor Garcia

Victor Garcia, a member of the Upper Skagit Tribe, reflected on his journey, saying, “It’s crazy to be coming to events and meetings. A year ago, I was in a dark place. I didn’t have anyone in my corner. It wasn’t until I met the people of Tulalip that I felt actual kindness and love. A few elders would tell me they had prayed and lit a candle for me. They would say they were thinking of me and praying for me. That was an encouraging thing to hear.”

It took a while for Garcia to find his footing as he struggled with active addiction for 12 years. However, he found positivity at the Wellbriety meetings, which he described as a source of great strength. “There’s a lot of good medicine,” he explained. Garcia noted how he saw people who were once on the streets with him, now doing better. He appreciates the program’s many supportive resources, stating that they equip participants with essential tools for maintaining sobriety.  

The event closed with a powerful reminder of the strength found in unity with a countdown of sober time. Together, attendees celebrated an impressive collective total of 177.8 years of sobriety. Stories of hardship and healing echoed a shared truth: recovery is possible, and no one has to walk the path alone.
For those seeking support, Wellbriety offers weekly meetings at the Tulalip Dining Hall every Friday at noon, with additional sessions at Behavioral Health Services.
The next opportunity to connect is the annual Problem Gambling Awareness Community Dinner on March 15. Those interested in attending can RSVP at (360) 716-4400.

Salish Art Designs X Starbucks Collaboration

By Kalvin Valdillez, Tulalip News

Located in the heart of the U Village shopping center is a coffee spot that has withstood the test of time. Originally opening its doors in 1972, this shop has seen many businesses come and go as the U Village has gradually grown into the high-end retail mecca that it is known as today. Nowadays, you’d be hard-pressed to not find a Starbucks within a 5-mile radius of any given location. But back then, this was the only Starbucks in the entire world, aside from the flagship store in Pike Place Market, which opened 60 years prior in 1912.

The second Starbucks to ever exist has received a couple of renovations throughout the years, in 1994 and once again in 2009. Most recently, the establishment decided to feature local artwork at the historic location, enlisting three Seattle artists to work on designs for the building’s exterior. And with a desire to incorporate traditional art from a local tribal artist, Starbucks also reached out to Tulalip’s own Walter Moses for a project inside the store. 

“I just finished up my project with the Starbucks in the U Village,” exclaimed Walter. “One day I was checking my e-mails, and I got a random e-mail from somebody at Starbucks. I’m not sure how, but they got my info and said we would like you to do some designs for us, are you interested? And I was like, ‘uh, yeah!’.”

There is a significant amount of foot traffic in this particular Starbucks by shoppers who need a little extra boost as they check out the dozens of retailers in the village. The lounge is often filled to capacity by local UW students who enjoy a grande or venti sized beverage while they actively work toward their degree. Which of course means that there are many eyes that are constantly drawn to Walter’s work each and every day. 

Said Walter, “It’s exciting because I get to leave something behind. They actually had a theme in mind, which was water. Being that it’s in the Pacific Northwest and next to the Puget Sound, they wanted to encompass some kind of water into the design. I told them, ‘Hey, good news because you know, we’re like thee water people. Because we eat salmon, we’re fishermen, and we live by the water. So, this is right up my alley,’.”

 Upon entry to the store, customers are welcome to hop in line to place an order or find a space to take a seat in their lounge. Splitting the floor into those two areas is a partition in which one side features booth-style seating for the lounge. On the other side there are a number of high-top tables. Sitting directly on top of this partition, that aesthetically curves throughout the store, is a wooden rail. And this is where Walter’s designs are showcased. 

“I did a salmon design, the salmon are spawning and going up a stream, and there are little salmon eggs around it. Another one I did were otters, because the otters are part of the water, and I think the design looks pretty cool. The otter is swimming on his back and holding a clam. The other one is two killer whales, and I did that because it’s a symbol of our Tribe. And I also did canoes with paddles in them, and there’s a salmon egg in the middle. It’s like the canoes are on the water and you can see the islands in the background.”

Last time Tulalip News caught up with Walter was during the pandemic as he was launching his business Salish Art Designs. This was highly anticipated at the time due to the rise in popularity of his cedar carved earrings. Since then, he has continued to expand that business and opened up an Etsy page to feature his items for sale and reach more potential buyers. 

Originally, all of Walter’s earrings were hand painted onto cedar scraps that he salvaged from his job at a lumber mill. However, once he was featured in the syəcəb he began to receive an overwhelming amount of orders, requests, and inquires for the earrings. This is when he started looking into laser engraving machines to help streamline the process and keep up with the demand of his clientele.  

Walter shared that he lives by a ‘keep your hands busy’ philosophy, so once he got the Etsy page up and running, he felt it was time to take his jewelry designs to the next level. By learning how to operate the Adobe Illustrator and Procreate software systems, Walter was able to elevate his art and utilize the latest technology and equipment, like laser engraving machines, to bring traditional artwork into modern day projects, such as the Starbucks railing. 

He stated, “To me, it’s important that I utilize any and all ways to create art. Whether it’s drawing on a notepad, watercolor, painting, carving. I use printers as well as a photo printer. And I essentially use it to forward the the cultural awareness of art. There’s some skepticism. There are people who are critical of how I do some type of art. Some people criticize using laser machines. I’ve always been called out by a lot of artists and people who say why don’t you do traditional – why don’t you use like rock and stones? And it’s like, no. We use chainsaws and if chainsaws were available at the time our ancestors were alive, they’d be using them too.

“I’ve always been a techie guy since I was a kid. I was there at the dawn of computers, word processing, and typewriters. I was there when all that started kicking off. I’ve always been into electronics and video games, taking apart like radios and stuff and putting them back together. Using software is something that’s like a natural thing to me.”

As a Tulalip artist, Walter is very proud of continuing his family’s legacy in traditional art. He shared that his father, Master Carver Kelly Moses Sr., taught, encouraged, and inspired him to be the best artist he could be from an early age. Walter expressed a tremendous amount of joy in the work he did in the Tribal Designs department, a position he held for 14 months, but ultimately had to give up due to the strenuous daily commute from Bellingham to Tulalip. He stated that one of the best parts of that position was visiting Heritage High to pass on his knowledge and work on projects with the students. 

“Our art is a visual way of telling stories,” he explained. “I don’t recollect us having a written language. The art was a way to tell a story and it’s an expression of self and family history. A lot of the stuff I do has some of the old traditional stories incorporated into them, but it also has modern stories, things that I’ve gone through, and my family has gone through. And also, just very important values.”

Next time you find yourself in the Seattle area, be sure take a trip to U Village to see his artwork in person. If you are interested in checking out some of Walter’s additional works, you can follow his Instagram page, @WalterMoses_Art. And to purchase his popular and beautiful jewelry, please visit his Etsy page, Salish Art Designs.  

State 1st Round: Hawks vs. Vikings goes down to the wire

By Micheal Rios, Tulalip News

After their 3rd place finish in the Tri-District Tournament, the (19-3) Tulalip Heritage boys basketball team ventured 2 ½ hours south for a much anticipated 1st round matchup in the WIAA 1B State Tournament. Their opponent? The (21-2) Willapa Valley Vikings out of Menlo, Washington.

The day’s finale after a full slate of 1st round games played on February 28 at W.F. High School in Chehalis, the Hawks and Vikings tipped-off at 8:05pm.

Junior shooting guard Davien Parks was sizzling early. He put his Hawks on the board with a strong drive to the bucket and score, followed by a transition layup, and then made a 15-foot jumper. His six early points notched the game at 6-6 nearly halfway through the opening quarter. Moments later, sophomore Ziggy Myles-Gilford entered the game. Ziggy missed the previous two Heritage games with a sprained ankle. He wasted no time shooting and knocking down his first jump shot of the game, resulting in an applause from the Tulalip fans in attendance, that put his Hawks up 8-7.

Heritage’s offense remained most effective in transition. Whether it was pushing the ball ahead after securing a defensive rebound or after turning the Vikings over, the boys were intent on pushing the pace and instituting their preferred high-octane style of play. Transition bucket after transition bucket, and one layup after another, Heritage was rolling early. Up 20-17 with seconds left in the 1st quarter, the Vikings missed a shot, corralled an offensive rebound, and scored on a put back as the quarter-ending buzzer sounded. 20-19 Hawks after one.

In the 2nd quarter, the offensive efficiency took a hit as the Hawks continued to push the pace. Sophomore guard J.J. Gray had himself a crowd pleasing stretch when he splashed a 3-pointer, came up with a couple steals, and outjumped multiple Vikings players for a rebound. The 5’5 J.J. even managed to climb the proverbial ladder and block the 6’2 Vikings center’s point-blank shot attempt. All that action came during a near 5-minute dry spell when both teams were struggling to score. 

Up 25-21, with two minutes until halftime, the Hawks again found success from their transition game when first Davis and then J.J. broke free for layups. Looking to take a 31-26 lead into halftime, the Hawks watched as the Vikings hit another quarter-ending buzzer beater. This time, it was a prayer heaved from out near half court that went in. 31-29 Hawks at the half.

Notably, the Hawks went 1-5 from 3-point in the 1st half. The lack of 3-point shots were indicative of an effective attack mindset by the boys. They were getting to the bucket and feasting in transition over the game’s first two quarters. This was also observed by the Vikings coaching staff who made a halftime adjustment to play less press coverage, opting to give the Hawks more space on the perimeter.

Over the course of the 2nd half, the Vikings defensive decision to load up the paint and close off driving lanes, while giving more space to Heritage perimeter players resulted in way more 3-point attempts for the Hawks. Unfortunately, they weren’t able capitalize on their 3-point barrage, like they were able to do so often during the regular season. At one point, the Hawks missed eight straight attempts from long distance and finished the 2nd half just 2-13 from downtown. 

Even with the ineffective 3-point shooting, the Hawks managed to keep the score close midway through the 4th quarter, 47-51, after junior forward Tokala Black Tomahawk found nothing but nylon on a jump shot. 

Ultimately, the lack of accustomed firepower that was missing from the Hawks on this night would prove to be too big of an obstacle to overcome. They ended up on the wrong side of a 51-59 loss.

The 51 total points is the second lowest scoring output by the Hawks all season.

After the game, J.J., who led Heritage in scoring with 19 points, shared, “Regardless of who are opponent is or what the defense is doing, it’s still just basketball. For me, it’s simple. It’s about playing team ball, getting the best looks possible, and scoring more points [than the other team]. We got a lot of good looks tonight, but didn’t make enough of them. There’s going to be games like that. We really wanted to win this game, but now we have to stay humble and keep our focus on playing as a team and getting the next win.”

Despite the disappointing loss to Willapa Valley, the now (19-4) Hawks will continue on their State Tournament journey. Next up, they travel to eastern Washington for a March 5 matchup with Summit Classical Christian in a loser-out game to be played inside Spokane Arena. Heritage previously defeated Summit, 66-53, two weeks ago in the Tri-District 3rd place game.

Strengthening safety through partnership

By Wade Sheldon, Tulalip News

On Wednesday, February 12, the Tulalip Tribes Board of Directors met with Snohomish County Sheriff Susanna Johnson to strengthen community safety efforts and enhance interagency collaboration. During the meeting, tribal leaders, including Board members Misty Napeahi and Debra Posey, presented the sheriff with a check for $225,000 to upgrade the department’s crime analysis capabilities, a critical tool in modern law enforcement.

“The money we receive from the Tulalip Tribes supports our crime analyst and enhances our information systems,” said Sheriff Johnson.  “It helps us track crime trends to deploy resources better, apprehend suspects, and address public health challenges. By monitoring arrests, substance use, and behavioral health data, we can focus resources more effectively and improve public safety.”


Crime analysis involves systematically collecting and reviewing data to identify trends, patterns, and hotspots that inform proactive policing strategies. Sheriff Johnson explained that access to accurate and timely crime data enables her team to allocate resources efficiently and respond more effectively. “Our crime analyst’s work is invaluable,” she noted. “It’s not just about reacting to events—it’s about understanding the full picture. With improved systems we can share data across jurisdictions and ensure that every call, from domestic disturbances to public health emergencies, is accurately coded and addressed.”


Sheriff Johnson emphasized the importance of strong partnerships with Tulalip and other tribes in Washington. “To serve all communities effectively, we must have these collaborations. We learn not only from tribal leaders but also by understanding cultural nuances that might otherwise be overlooked. Whether working with community members, crime victims, or suspects, this partnership strengthens our ability to serve fairly and effectively.”


Misty Napeahi and Debra Posey emphasized that this initiative involves more than just technology—it focuses on building trust and cultural competency. They pointed out that collaborations with tribal communities ensure law enforcement strategies are shaped by cultural insights, which is crucial for fairly serving crime victims and those accused of crimes.


Tulalip Police Department Chief Shawn Ledford expressed optimism about the collaboration, stating that it sets a precedent for how tribal and county agencies can collaborate to address modern challenges. “This partnership is a step toward safer communities for everyone,” Ledford said.


This collaborative effort highlights the power of data-driven decision-making and the shared responsibility of protecting communities. By analyzing data and fostering meaningful partnerships, Snohomish County and the Tulalip Tribes are creating a model for effective, community-focused law enforcement that can inspire similar initiatives across the region.

Sustainable skincare meets tradition in Amoreena Anderson’s Coast Salish Soaps

By Wade Sheldon; photos courtesy of Amoreena Anderson

The following small business owner is highlighted in our six-part series on handmade crafts and art for the April 12 General Council meeting: Tulalip tribal member Amoreena Anderson, owner of Coast Salish Soaps.  Her sugar scrubs were selected as part of the gifts the Board of Directors chose for tribal members who attend the meeting. This initiative encourages participation in the vote and provides a platform for small businesses to showcase their products and artwork to the community.

For Anderson, running her own business is about more than selling products—it’s a deeply personal and fulfilling experience.

“It’s incredibly gratifying. Being my own boss allows me to control my work environment and choose what I create,” she shares. But beyond the freedom of entrepreneurship, her work has strengthened her family bonds. “It has also brought my children and me closer together. I make special soaps for my daughter and grandkids based on their needs, and that inspires me to develop products for the community as well.”

Her journey into soap-making began in 2011, but it wasn’t until around 2014 that she started making and selling soaps, including shampoo and conditioner bars. She obtained her official tribal business license between 2017 and 2018, allowing her to sell on the reservation legally.

As much as she loves creating, Anderson admits that marketing has been challenging, especially given her commitment to sustainability. “At the end of the day, owning my business is empowering. However, I’ll admit I struggle with marketing. I prefer a ‘naked’ product—no label or packaging—because I want to leave a minimal carbon footprint. Some people complain about it, but I want them to enjoy a great product.”

Despite this, her business has flourished. The order of sugar scrubs for the General Council meeting is her most significant yet, though her experience proves she’s more than ready for the challenge. “This is the largest order of sugar scrubs I’ve ever had. However, I’ve made nearly 10,000 bars of soap over the years,” she says. Her daughter, Maya, loves collecting her soaps, which Anderson appreciates as a tangible reminder of her growth. “I love it because it allows me to see my progress and how much I’ve grown in this business.”

Anderson’s dedication to high-quality ingredients and ethical sourcing truly sets Coast Salish Soaps apart. “I love knowing the ingredients that go into my products. I am very selective about where I source them,” she explains. She prioritizes supporting Black, Indigenous, and People of Color (BIPOC) owned businesses across the U.S. “For example, I source my butter from a business called 3CayG, which is based in Florida. The owner has a shea butter and tree nut butter farm where she teaches and supports women. I also source oils and other materials from local cosmetic suppliers.”

While the fragrances for the General Council gifts remain a surprise, Anderson is excited for attendees to experience her sugar scrubs. “I’m incredibly grateful for this opportunity to share my products with the community. My sugar scrubs have received amazing reviews, and I’ve impressed a lot of people—including myself.”

For Anderson, self-care is at the heart of everything she does. “If I could say anything to others, it would be this: self-care is important. Your skin is the largest living organ on your body—take good care of it. And if you’re thinking about self-care, please think of me!”

Coast Salish Soaps is more than just a business—it reflects Anderson’s passion, dedication, and commitment to her family and community. As she continues to grow, her products nourish the skin and carry a story of resilience, creativity, and care.

As part of Tulalip News’ six-part series on artists and crafts for the upcoming General Council meeting, four more talented innovators will be featured: Elishia Stewart with her delicious jams, Jen Tracy showcasing her stunning orca paintings, Bibianna Ancheta with her revitalizing chapstick, and Walter Moses presenting his elegant cedar clappers. These artists, like Anderson, are using their talents to create meaningful and high-quality products for the community.