Please use the following link to download the December 23, 2017 issue of the syəcəb:
https://www.dropbox.com/s/6if9npd56bd8398/December%2023%2C%202017%20sy%C9%99c%C9%99b.pdf?dl=0
syəcəb
Please use the following link to download the December 23, 2017 issue of the syəcəb:
https://www.dropbox.com/s/6if9npd56bd8398/December%2023%2C%202017%20sy%C9%99c%C9%99b.pdf?dl=0
By Micheal Rios, Tulalip News
Seven games played, seven games won. The Tulalip Heritage Hawks basketball team (7-0) opened their season with three straight wins versus class 2B schools, then entered league play where they have been crushing it on both ends of the floor.
Their last four opponents have all been within the NW 1B league and the Hawks came away with convincing victories in each game. They defeated Providence Classical Christian 70-32, Orcas Christian 62-46, Lummi Nation 60-43, and Lopez 78-34. That’s a whopping margin of victory by 29 points per game during that span.
Coach Cyrus “Bubba” Fryberg points to two key factors for the Hawks success on the hardwood. First, is defensive hustle; with a team full of athletic wings who can switch at several positions, the Hawks are putting much more emphasis on man-to-man defense instead of zoning up. This defensive intensity makes it difficult for opponents to get into a groove. Secondly, the Hawks consistently play all-around team ball on the offensive end; the ball movement is solid with players routinely making the extra pass to an open teammate. This has led to several Hawks averaging double-digit points.
On the calendar for early next month is a home showdown with also unbeaten Cedar Park Christian (6-0) on Friday, January 5. The matchup will be a barometer for both teams to see who has the advantage for taking home the NW1B crown.
By Micheal Rios, Tulalip News
The Tulalip Heritage Lady Hawks started their season (0-3), with each loss coming to a class 2B school. However, since then they have played 1B schools within their league and have reeled off four consecutive victories.
Victories against Orcas Christian 56-23, Marysville-Getchell JV 52-17, Lummi Nation 64-35, and Lopez 56-42 have propelled the Lady Hawks to (4-3) and atop the NW1B standings. Now, they are playing with a renewed sense of purpose led behind the stellar post-play of Deandra Grant and all-around game of Keryn Parks.
Assistant Coach, Tempest Dawson attributes the team’s turnaround to “a lot of individual work that has helped our team’s growth because our girls needed to build on the fundamentals. We’ve also been doing a lot of work on our fast breaks, transitioning into our offense quickly.”
The uptick in offense has definitely been on display. The Lady Hawks only averaged 36 points over their first three contests, but have been averaging 57 points per game during their four-game winning streak. A large part of that increase in buckets has been senior center Deandra raising her level of play. She’s become a powerhouse in the paint scoring 20+ points over the last four games.
“I knew we had to step up our game and I’ve been focused on playing my best because we could take the number one spot in our league,” beamed Deandra following the team’s win over Lopez, in which she scored 29 points. “This [winning streak] lets the other teams in our league know that we’re going to be pretty hard to beat down the stretch.”
By Micheal Rios, Tulalip News
The art gallery located at South Seattle College is currently home to a one-of-a-kind art exhibit showcasing an opportunity for learning, sharing, and cultural teachings. Drawing the attention of both Native and non-Native art enthusiasts, the exhibit titled Revealing Today’s Northwest Coastal Peoples: Native Cultural Gatherings offers works representing traditional and modern design takes of over thirteen tribal styles and mediums.
Native art exhibits have become common place in the greater Seattle area in recent years thanks to a new level of appreciation and respect to the indigenous communities who have connections to the Coast Salish lands going back long before the terms ‘United States’ and ‘Washington’ ever existed.
When done the right way, art exhibits and galleries featuring Native culture help to celebrate indigenous resiliency. Such exhibits provide an experience that casts light on the often romanticized themes overshadowing a modern people. Revealing Today’s Northwest Coastal Peoples is such an exhibit.
“This exhibit came together with intentional inclusiveness, inter-generational representation, and a balance of men and women to offer a sharing opportunity for many Coast Salish and Coastal tribal artists in one exhibition space,” reflected exhibit curator and Indigenouz PlaceMakerz Director, Kim Camara. “This process contributed to an interweaving of similarities and differences to create something new. With a tie-in of today’s cultural practices and artistic expression, the blending of age, style, and mediums came together in a circle of beautifully empowered pieces!”
As invitations were extended to established Native artists, like Al Charles and Micah McCarty, feedback was given and recommendations made about inclusion of younger artists they work with and mentor. This led to three up and coming artists being included, one of which was Tulalip tribal member Ty Juvinel.
“It’s great to have my work represented in this exhibit,” expressed Ty. “As a native artist, I use a lot of cultural and ancestral inspiration, but to say I did it all on my own would be misleading. I am here because of my mentors like Joe Gobin, James Madison, Al Charles, Frank Madison Jr, Steven Madison, Mike Gobin, and many more. I listen to them; they guided me, and showed me how to get where I want to be.
“Anyone can achieve their goals if people would surround themselves with mentors. Mentors know the ins and outs, they know the short cuts. So when I’m asked how it feels to have my art represented anywhere, I have to be humble because I’m representing Tulalip, my mentors, and my family everywhere I go.”
On Thursday, November 30, an artist recognition event took place at South Seattle College for all the tribal artists to gather and celebrate the exhibit’s offering. A group of college students were in attendance to learn and ask questions during an artist panel presentation. Following the panel, there was dedicated time for artist demonstrations before an honoring ceremony brought the event to a close.
Some of the artists roamed the exhibit offering responses to any questions visitors or students may have had about their showcased art.
“Coast Salish art and many other forms of tribal art is passed down through our blood. Our art represents nature, and as tribal members we have a deep rooted connection to nature,” responded Ty when asked about his art form being passed down for generations. “Like my mentor Joe Gobin, he can read the water when he’s fishing. I’ve heard stories where he can just look out over the water and see where the schools of salmon are. For me, a lot of my designs I find them in the wood, so really I just find the design and borrow them from nature.”
From carvings, paintings, and regalia making, to print work and contemporary pieces inspired by poetry, Revealing Today’s Northwest Coastal Peoples shows how Native artists combine the traditional with the modern across a spectrum of mediums. The exhibit is open to public audience Monday-Thursday from 9:00a.m. to 3:00p.m. and will be on display until January 26, 2018.
“With college campuses like South Seattle College being places of learning and education, it is vital to outreach to younger people about our Native cultures, ways of life, languages, and expressions,” stated curator Kim Camara about the exhibit’s impact for creating change. “Without the opportunity to experience Native ways of life and elements representing these ways, understanding and relationships to build collaborations and our future will remain as is – under-represented and under-served. We will remain invisible. An exhibit as this one ebbs away, in stunningly powerful ways, the invisibility of our Northwest Coastal peoples!”
By Kalvin Valdillez
The future leaders of Tulalip sang their little hearts out at the Betty J. Taylor Early Learning Academy Silent Auction and Preschool Concert on the evening of December 7.
During the event, the preschoolers helped spread Christmas joy by performing a few classic holiday hits such as Frosty the Snowman, Feliz Navidad and Jingle Bells. The students even switched up some of the lyrics and incorporated the traditional Lushootseed language into the songs.
“Montessori had been doing the Christmas program for twenty-three years,” explains Montessori Manager, Tami Burdett. “When we moved into the Academy, we stopped offering the program. But last year, the parent committee wanted to have an auction and said they really missed the Christmas program, so they asked if we could coordinate both of them because everybody loves watching their children sing. The kids get to practice singing the songs at school and they love it.”
The silent auction was planned by the Early Learning parent committee and was a huge success. Community members bid on a variety of items including holiday gift baskets, an original James Madison painting as well as Seahawks memorabilia and tickets. All funds raised during the event will be used for the upcoming annual preschool spring dance.
By Kalvin Valdillez, Tulalip News
Tulalip community members who pass by the Karen I. Health Clinic on their daily commute may have noticed recent construction occurring at the front of the building. Over the past few months, many people have seen a small, new addition being built at the clinic that will serve as a conference room to its faculty. What many may not know, however, is the entire clinic also received renovations. Unless you have recently received care at the health center, you are in for a big surprise upon stepping into the clinic.
One of the first things you may notice is how clutter-free the lobby is. Where once stood a totem pole is now a spacious open area where patients can register at one of the five new check-in stations.
“It has that beautiful longhouse look with high ceilings, made of cedar, which helps with the acoustics,” explains Tulalip Health System Administrator, Jim Steinrick. “Our focus with the lobby was to make it welcoming, warm and cleaned up. There are four new check-in areas with lighted panels that go off and on. There will be a sign that says ‘if you see a blue light come on up and we’ll take care of you’. Around the corner we also have our ADA compliant, lower counter check-in area for people with wheelchairs.”
The idea of the check-in stations came about upon a visit to the Monroe Providence Clinic. According to Tulalip Health Information Manager, Jennie Fryberg, the entire remodel initially began with a need to centralize check-ins. Prior to the renovations, patients would often become frustrated after waiting in line at the wrong check-in stations. Now patients can check-in at any of the new stations for any services at the clinic.
A few short months ago, once you were finally checked-in at the clinic, the waiting game began. The Health Clinic made changes within the facility that are sure to cut that wait time significantly, beginning with four new healing rooms for acute care.
“We separated the acute walk-in care from scheduled patients,” says Jim. “So, if someone comes in and needs to be triaged, the nurse will bring them into one of the four new healing rooms.”
“Before we were tight on rooms because the scheduled appointments took all the healing rooms,” added Jennie. “We have two new acute care doctors so we can get patients in, out and through faster so they aren’t having to wait as long.”
The new healing rooms feature state-of-the-art equipment as well as hands-free lighting and water faucets. The previous healing rooms also received a make-over with fresh paint and hardwood floors, as did the hallways. The clinic placed a referral station near the healing rooms, by the entryway to the lobby, so referral specialists can assist patients on their way out.
The health clinic has also gone paperless, converting all of their patient’s health records to electronic format in a system that is able to communicate with both the Everett Clinic and Providence. The decision helped create a lot more space during reconstruction resulting in the expansion of the clinic’s lab and dental areas. The lab received new equipment and dental received three new chairs, which will be used to prep patients before seeing the dentist.
Another space enhancer is the consolidation of the doctors and nurses workspace from individual offices to an open work area known as the hub.
“The hub will have doctors and nurses all together, so everyone’s on the same page” Jennie explains. “We did away with all the doctor’s offices. We wanted to open it up so the whole team can be together and communicate more efficiently.”
Inside the hub is a large flat screen TV that displays the clinic’s new Versus Tracking System.
“When our patients check in at the desk, they’ll receive a sensor to carry with them,” says Jim. “We’ll have a big screen where we’ll be able to tell where they are. So if they’re waiting in one place too long, we can check on them and let them know we’ll be right with them, instead of letting someone sit and wait for twenty minutes.”
During the brief wait after checking in or after receiving care, the patient can visit any of the services that are conveniently located in the lobby including Alternate Resources for Elders, Everett Optometry and two additional referral desks.
In an effort to treat the whole patient and provide wrap around care, the Health Clinic is welcoming eight new behavioral health specialists to the team. The specialist will be readily available to meet with individuals seeking mental health care.
“When we work as a team on a patient we focus on the whole body, so teeth, eyes, mind, body and spirit,” Jim explains. “We can have the specialist meet with the patients while they’re here and take care of the whole person. We’re working on destigmatizing mental health. Some people say it’s too personal, but it’s like dental. The old adage is the mouth is part of the body, well so is the mind.”
The conference room that many saw constructed over the Fall was a much needed addition. In previous years, large meetings would often take place in the employee break room, which received a makeover as well.
“We’ve integrated to a health system now,” states Jim. “We used to be the clinic, behavioral health and recovery, and chemical dependency. Now we’re one health system and part of the same health team. I want to make sure that our Tulalip tribal members know that we’re doing this so we can provide better continuity of care, so we’re more seamless. And also that this is a good place to come and when they come here, they will get good customer service and good quality clinical care. I think there are some misconceptions out there about the care that’s given here, once people are in here, they will really see the changes we made.”
Jennie adds, “As a Tulalip health system, our whole purpose is to take care of the patient as a whole and to smoothly get people in and out easier. Its good changes that were doing and it’s to better our services. So we’re hoping to get some of our Tulalip tribal members back here to see the changes that we are making for the betterment of our community.”
Be sure to visit the newly remodeled Health Clinic and for more information please contact (360) 716-4511.
By Micheal Rios, Tulalip News
Members of the Tulalip Tribes, various officials, and employees were in attendance at a groundbreaking ceremony held at the future site of the new Quil Ceda Creek Casino (QCC) on Tuesday, December 12.
“I raise my hands to everyone who came here to celebrate with us,” greeted vice-Chairwoman, Teri Gobin. “What an honor it is to take part in this journey for the Tribe. It’s so exciting we’re finally doing this groundbreaking, and to think what it means for the Tribe and our community, creating new jobs and helping with economic development. This will be a good project for our whole community and the surrounding communities that benefit from our type of development.”
The multi-million dollar project to relocate the QCC facility from its current location to a sixteen-acre property across the street is based on a number of factors, the most prominent being a stagnant revenue stream that is unable to grow due to logistical and structural challenges posed by the current facility.
“We’re replacing [the existing QCC] because it is bursting at the seams,” explained Les Parks, Board of Director and Treasurer. “The revenue cannot grow anymore, they are using every square foot they can, and our customers are screaming for more machines and a hotel to stay at. This new journey is going to get us there.”
The project cost is “rolled into the $155 million syndicated loan that includes the new Quil Ceda Creek Casino and hotel, its parking structure, and the future Gathering Hall,” continued Les. “This is the same amount that was approved by General Council two years ago. Without increasing the loan amount, we were able to add in the hotel by extending the deferred payment process, which is typical of loans we do, to put more money towards actual construction.”
The new casino will span across 110,000 square feet that will allow for 1,500 gaming machines, a lofty increase from the current 1,000 operating at the existing QCC. Besides the additional 500 machines, there will be additional table games, an innovative dining hall experience, an upgraded entertainment venue, and a state of the art smoke elimination system included in the new QCC.
In recent weeks, the Tribe announced the new QCC with also feature a 150-room hotel and 1,200-stall parking garage. The property will be called Quil Ceda Creek Casino Hotel and is expected to open in spring 2019.
“We have a tag phrase: ‘It’s not just bigger and better, there’s more to love’,” stated Ken Kettler, President of Tulalip Gaming Operations. “When you think about it, we’re just expanding on the experience we have today and we’re going to give you more of it. It keeps us competitive and protects the current revenue stream. The competition is pretty tough out there, so we, as a leader, have to step up and set the example of what can happen at a local’s casino.”
Please use the following link to download the December 16, 2017 issue of the syəcəb:
https://www.dropbox.com/s/7ibjt5gry3e4npx/December%2016%2C%202017%20sy%C9%99c%C9%99b.pdf?dl=0
By Kalvin Valdillez, Tulalip News
According to the traditional Ojibwe legend, dreamcatchers first originated when members of their nation began to disperse throughout North America. The Ojibwe believed in a spiritual protector named Asibikaashi, or Spider Woman, who took care of the younger generations. As her people left the land, she had a difficult time reaching all of the children of the Ojibwe Nation and keeping watch over them. For this reason, she taught the mothers, sisters, aunties and grandmothers how to make sacred hoops, with webbing similar to hers, to protect the children while sleeping. When placed near the child’s bedside, the hoops catch all of the dreams, good and bad, passing through the night air and allow the good dreams to enter the child’s thoughts, while trapping the bad dreams in the webs. The bad dreams are burned away once daylight reaches the webbing. Since then, dreamcatchers have become popular keepsakes and many people, including non-natives, still believe the sacred hoop’s power of filtering dreams and nightmares.
Tulalip tribal member Dinesha Kane’s journey to creating dreamcatchers began when she lost her mother to an overdose. After enduring months of heartache, Dinesha gathered the will to attend a beading class taught by Winona Shopbell-Fryberg and Cyrus ‘Bubba’ Fryberg which ultimately led to the start of her new company, Coast Salish Concepts.
“I actually find art very therapeutic; I’ve liked art my whole life. After I lost my mom, it was really difficult, so I turned to art,” Dinesha expresses. “I started beading with Winona and Bubba, I went to their class and fell in love with it. From there I wanted to learn more. I wanted to learn weaving so I took a class. I couldn’t find any dreamcatcher classes, so I figured out how to do it on my own. I looked at enough dreamcatchers and figured how to deconstruct a couple, and from there I just went nuts.”
The majority of today’s dreamcatchers are manufactured by non-Indigenous companies, while all of Dinesha’s products are authentic Native American dreamcatchers that are often customized to the client’s wants, needs and aura. Dinesha’s unique creations also promote healing, as each dreamcatcher contains raw crystals. During her first year as a business, she has made numerous dreamcatchers of various sizes, colors and designs, including chakra sets.
“The chakra, we all have it within us. All our colors represent different parts of body from head to the ground,” she explains. “I got into healing and chakra through reiki, the crystals came with yoga. Because of my diagnosis, fibromyalgia, the medicine wasn’t working so I went the holistic route. From there, with my teas and my new home garden, came the crystals and chakras. I’m able to hold the crystals over whatever plexus I’m hurting or feeling on. I think it ties into our culture because we are a natural people. We eat off our land, only take what we need, we give back, we share and we heal through nature. I think that’s how I found my roots and my healing. I give you my food that will help you heal, my tea that I dried out myself, or my dreamcatchers with the crystals”
While working on a dreamcatcher for her sister, Dinesha stumbled across an idea that may very well make Coast Salish Concepts a household name in the near future.
“I was working on my sister’s dreamcatcher and happened to be sitting with it [horizontally] and something dropped. That’s when I thought that it would be kind of cool and unique to make the dreamcatcher horizontally instead of vertically. From there I started stringing it down, piece by piece and low and behold here comes this wonderfully made baby mobile and everybody loved it.”
Dinesha has already made a few customized dream-catching baby mobiles, including Harry Potter and mermaid themes. And although she is sure to see success with her dreamcatchers, Dinesha maintains that her sole focus is assisting the people of her community.
“I’m not in this to make a million dollars or to be the next great artist,” she states. “I just want to help people. Most of us come from very troubled backgrounds and a lot of us make it through, some of us don’t. I’d like to be able to help kids heal their own pain through learning how to make art. Winona really did that for me, sitting and talking in that circle, learning how to bead and learning our own tradition. That feeling, how well I felt after the classes, I want to be able to do that for others because I know people hurt like I do. Whether it’s past trauma, or the loss of a mom or a grandma from cancer, I’ve seen death from all different ways. I’ve never found better strength than going back to my own roots.”
Dinesha’s future plans for Coast Salish Concepts include a storefront where she can sell her dreamcatchers, tea and artwork, which also doubles as yoga studio to promote all around healing. For more information about the dreamcatchers and Coast Salish Concepts please contact Dinesha and JT Kane at (425) 876-8788. And to view more designs, please be sure to visit the Coast Salish Concepts Facebook and Instagram pages.