Category: Arts & Entertainment

By Kalvin Valdillez, Tulalip News

 In traditional times, the ancestors of the Snohomish people would mark the time of the year by the moon. Tulalip culture bearer, Sarah Miller, held a lecture in 2024 that detailed the 13 moons which the people lived by pre-contact. And through this practice, they would know exactly what, when, where, and how to harvest various plants, medicines, and food throughout the course of the year. According to Sarah’s research, we are currently in the pədč̓aʔəb phase, or the time for digging up roots. At this time of year, Tulalip’s ancestors would harvest camas, cattail, nettles, and horsetail. In the summertime the moons cycles included pədstəgʷad , the time of the salmonberries, pədgʷədbixʷ, the time of the blackberries, and pədt̕aqa, the time of the salal berries.

 These practices are very much alive, and many Tulalip families still participate in these traditions. Though in modern times, we have the added benefit of keeping track of time by the Gregorian Calendar, Tulalip still plans outings and gatherings based on the season including the Salmon Ceremony and several harvesting ventures. If you live on the reservation, you might notice these events start to pick up during the moon cycle of pədč̓aʔəb. This time of year, the Tribe and families begin to immerse themselves in their ancestral way of life, celebrating their heritage, connecting to those teachings, and flexing their sovereignty through the harvest of salmon, berries, and cedar.

 Last fall, the Tribe dubbed the months of September through November as the Season of Healing with many community get togethers focused on the people’s mental health and well-being. Now, as we embark on a fun-filled spring/summer, Tulalip News would like to unofficially mark this time of year as the Season of Gatherings. So be sure to jot these events down on your calendar because you do not want to miss out!

War Canoe Races

Happening this weekend! (5/15-5/18) 

If you just received the See-Yaht-Sub in your mailbox and are reading this, head on down to the Bay for a fantastic and thrilling event! Every year, multiple Salish tribes take part in the War Canoe Races. The races are held all season long at different reservations throughout the region. The Tulalip stop on the circuit is a fan favorite and many racers love pulling through the local waters at fierce speeds for a chance at taking home the coveted first place trophy. Designed with swiftness in mind, the war canoes are sleek and narrower than the traditional cedar dugout canoes that most are accustomed to seeing on Canoe Journey. This year there will be single, double, six-man, and eleven-man competitions, as well as a number of races for the youth as well! The war canoe races will occur all day long throughout the entire weekend.

Culture Night

Every Tuesday at 5:00 p.m.

Get your craft on at Culture Night! This event will be held at the Gathering Hall over the next few months in anticipation for the 2025 Canoe Journey. The gatherings are focused on creating regalia, including shawls and vests, as well as putting together gifts that the canoe family will distribute to various tribes along the journey. There is also an education component for the little ones, as the Rediscovery Program partnered with the Tulalip Lushootseed department to teach kids words, stories, and songs at each Culture Night gathering.  

Canoe Practice 

Every Wednesday at 5:30 p.m.

If you are planning on attending this year’s Paddle to Elwha, the Rediscovery Program invites you to participate in their weekly Canoe Practice gatherings at the Tulalip Marina. Not only does the practice build up your strength and endurance on the canoe, it also provides a chance for you to reconnect with the waters, the three tribal canoes, and your traditional way of life. During each practice, participants practice pulling together as they venture out onto the bay and navigate the ancestral waters together to prepare for long distance travel this summer. 

Salmon Ceremony Practice

Every Thursday at 5:00 p.m.

Come on out to the Gathering Hall to learn more about the Salmon Ceremony and its revival that occurred in the seventies. During this time, Tribal leaders and elders pass down traditional knowledge that was nearly lost in the assimilation era. At each practice, attendees rehearse close to a dozen different songs and dances, with an emphasis on precision and execution, in order to welcome the first king salmon to the waters of Tulalip Bay in a proper manner, as well as bless the fisherman for a safe and plentiful harvest this year. 

Memorial Day

Monday, 5/26

Every Memorial Day, Tulalip honors their veterans and gold star mothers who have transitioned to the next life. The Tribe holds two services in observation of the national holiday, the first at 10:00 a.m. at the Priest Point Cemetery and the second at 11:00 a.m. at the Mission Beach Cemetery. Both of these gatherings are special to witness as the Tulalip Honor Guard leads the way and pays tribute to those fallen soldiers by performing both a 21-gun salute and a roll call at each cemetery. 

Tulalip’s Annual Stick Games Tournament  

All Day 5/30 – 6/1

The Tulalip Amphitheater is sure to be hopping during this event! Every year, hundreds of Natives travel to sduhubš territory to take part in a traditional game that has been passed down for generations. The weekend long tourney will feature a grand prize of $25,000 for the first-place team in the main bracket on Saturday, as well as numerous other cash prizes for second, third, and fourth place. There will also be a single elimination three-man tournament on Sunday. Another major highlight of the Stick Games Tournament is the vendors who will be selling the likes of Indian tacos, snow cones, smoked salmon, kettle corn, and Native-designed clothing, blankets, and jewelry. 

Salmon Ceremony

Saturday, 6/21

Beginning at 10:00 a.m. at the Tulalip Longhouse, the Salmon Ceremony is an important event for Tulalip as its membership gathers to honor big chief yubəč, the king salmon. Since time immemorial, the salmon has provided nourishment for the people of Tulalip and their ancestors. As a sign of respect, the Tribe welcomes the first salmon scout to their shores and offers a number of songs and dances before the people collectively enjoy a salmon meal together. The scout’s remains are sent back to the Salish Sea, so that yubəč can return to its village and tell the salmon people how well he was treated by the community. And in turn, the salmon will continue to run through the local waterways and serve as sustenance for the Tribe throughout the summer. 

Boom City 

Mid-June

Bing-bap-boom-boom-boom-bop-bam, these type of fireworks will be sold at all the stands! The season of firecrackers, bottle rockets, and roman candles is right around the corner and the Northwest pyrotechnic mecca will officially be open for a two-week period leading up to the Fourth of July. Tulalip entrepreneurs will set up their creative and vibrant stands at the gravel lot located behind the Tulalip Resort Casino. Several food vendors are sure to be stationed at Boom City as well, serving up treats such as Hawaiian shaved ice, frybread, and tacos. 

Lushootseed Language Camp 

Early/Mid July

Typically occurring during the second and third week of July, the Lushootseed Language Camp helps bring traditional knowledge to the youngins of the Tribe. The camp tends to fill up quick, and is limited to 50 kids per week, so be sure to keep an eye out for the registration announcement. The five-day camp is open to Tribal youth between the ages of five through twelve, and is aimed at teaching the attendees several aspects of the culture including weaving, smudging, beading necklaces, and harvesting local native plants like devil’s club for medicine and ceremonial art. Throughout the entire camp, the new crop of language warriors will be fully immersed in their ancestral language, as well as the Tribe’s traditional stories and songs, through a combination of interactive lessons.

Leah’s Dream Foundation 11^th Annual Golf Tournament 

Saturday,  7/12

Over the years, this annual golf tournament has grown significantly, helping raise funds for the local special needs community. Leah’s Dream Foundation is a non-profit that was established in 2015 by Tribal member Deanna Sheldon, whose daughter, Leah Stacy, is diagnosed with apraxia. Throughout each year, the non-profit organizes a number of get-togethers for kids and young adults living with autism and disabilities, providing them a safe space to simply be themselves and build friendships through fun activities. The golf tournament, held at the Battle Creek course, is their sole fundraising event and every dollar collected goes towards their events and projects such as karaoke nights, holiday gatherings, and school supplies. Leah looks forward to the annual tournament and is always quick to lend a hand by posting sponsor signs all throughout the 18-hole golf course. To sign up for this year’s tournament, please visit, www.LeahsDream.org for more details.

Spee-Bi-Dah 

Saturday, 7/19

Connecting multiple generations, this summertime potlatch celebrates the lifeways of the Tulalip people with a cookout on the beach. Held on a yearly basis, on the water, sands, and pebbles of the spee-bi-dah beach, the gathering provides Tribal members a chance to socialize with friends and family while also harvesting and grubbing on the foods of their ancestral diet, including salmon, clams, and crab. A main attraction of the day is when the community ‘pulls together’ by using the traditional method of seining to capture fresh shellfish for the traditional clambake. 

Canoe Journey Landing at Tulalip 

Late July, official date TBD

A beloved summertime event, the Canoe Journey is a great way to not only engage in the traditions of our people, but it also serves as a means to pass on those ancestral teachings to the next generation. While en route to this year’s final destination at Lower Elwha, dozens of tribal canoe families will make a pit stop for a night at Tulalip to rest, refuel with traditional foods, and offer a number of their tribe’s songs and dances before returning to the Salish Sea and proceeding on the journey. As mentioned earlier, Tulalip is currently making preparations for this year’s paddle with their weekly Culture Night and Canoe Practice gatherings, so if you’re interested in participating, be sure to check out those events! 

Tulalip Health Clinic Annual Health Fair 

Friday, 8/15

Promoting overall health and wellness, the Karen I. Fryberg Health Clinic is once again hosting their annual Health Fair gathering in August. During this event, community members can visit a number of informational booths and learn about the importance of prioritizing one’s health while also picking up new tips on how to manage their medical diagnoses and concerns. In addition to helpful resources, the community can also receive free screenings and donate blood. This year’s event will take place at the Tulalip Gathering Hall from 9:00 a.m. to 3:00 p.m.

Also, be sure to keep an eye out for the announcements of the dates, times, and locations for the following events:

• Tulalip Recovery Camp Out at Lopez Island
• Tulalip Police Department’s National Night Out
• Tulalip Elders Luncheon
• Annual Pride Everyday Gathering
• Tulalip Foundation’s Annual Salmon Bake Fundraiser
• Tulalip Education Division summer activities
• Tulalip Boys and Girls Club summer activities
• Cedar harvest outings
• Mountain huckleberry harvest outings

By Micheal Rios, Tulalip News

Last issue, we detailed in great length how Gathering of Nations, the largest powwow in North America, is a cultural celebration of shared indigenous identity. A thriving hub of triumph showcasing tradition, Gathering calls to thousands of proud culture bearers every year. 

Of course, there is a constant emission of celebration vibes as so many journey from across Turtle Island to gather in New Mexico. Together they witness the highest echelon of powwow performances. There are thunderous drum circles that fill the air with song while dancers captivate the imagination with their powerful and elegant motion. From tiny tot to golden age, representatives from across the four directions descend upon Tingley Coliseum to share teachings via song and dance like their forebearers. 

From fancy shawl and jingle dress to northern and southern traditional, from grass and Kiowa gourd to the always captivating fancy feather, 2,000+ dancers radiated generations’ worth of resistance to colonial assimilation over the three-day Gathering of Nations held in April.

Beyond center stage and the competitive dancing, Gathering has become a rite of passage for some. A rite that demonstrates commitment to carrying on family tradition and ensuring legacy lives on. Such is the case with Makli BrownEagle (Spokane) who, while representing her fourth powwow crown, was invited to participate in the horse parade. As if that wasn’t cool enough, she was also celebrating her 17^th birthday.

“I turned 17 yesterday. There’s no place I’d rather be celebrating than here at Gathering of Nations,” said Makli aka Miss Spokane. “Being here to represent the Spokane crown means so much. I was specifically invited because it’s the first time the Northwest is coordinating the horse parade. All the horses are from the Northwest and all their riders are Northwest powwow royalty. We brought down my great-great-grandpa’s horse regalia, which is well over 100 years old, for the horse I’ll be riding.

“My powwow style is Northern Traditional. It was my mom’s style and her mom’s mom style,” she added. “This is the only life I’ve known. I attended my first powwow four days after being born. I’ve been in powwow outfits and regalia since before I could walk, and I’ve been dancing for as long as I can remember.”

Makli’s mom beamed with pride as her daughter shared her story. “We’re so proud of her and how much she has accomplished on the powwow trail. Anywhere she goes, she proudly represents her family and her tribe.”

The rite of passage could even extend to those a long way away from their traditional homelands, but after hearing the call, found themselves forged by powwow purpose. Enter one 66-year-old Percy Warcloud Edwards (Colville). In 1985, he left Colville for California in pursuit of a better life and more opportunities. He recalls dancing as a small child, but never pursued it until 40 years later.

“I was the CEO of a couple companies. I did pretty good for myself and was able to take care of my parents when they were old and needed care,” reflected Percy. “Everything changed when my older brother had me work with eagle feathers for his regalia. That night I began to dream of dancing with the Old Ones. Something about the eagle and the feathers unlocked something inside of me. Since then, I’ve pursued a passion for dancing and attending as many powwows as I can.”

Percy’s passion led him to making one powwow outfit, then another, then another. He does his own sewing and his own beadwork, which allows him to not just craft his vision for extravagant powwow fits but craft a unique connection with those he dreams of. One such dream was of participating in a buffalo hunt wherein a legendary white buffalo appeared. What does real word Percy do? Craft white buffalo regalia of course.

“I believe in their power and their spirit,” said Percy. “Buffalo were nearly wiped to extinction, like our people during colonization, but they and we persisted. Today, I love visiting with and meeting new people, hearing stories from other reservations and territories. The best part of this whole experience has to be inspiring others that its never too late to learn and embrace the culture.”

Stories like Percy’s may resonate with many who either live far away from their tribe’s traditional homelands or grew up without elders and cultural teachers. The feelings from loss of connection can deter one from seeking out cultural celebrations or attending annual gatherings for fear of being othered. But as Percy eloquently explained, its never too late to learn and embrace culture. Gathering of Nations is a revered space because individuals are free to express their culture however they wish, while being embraced by the collective notion of indigeneity.

For indigenous youth, Gathering also serves as a teaching space. From interacting with other children from across Turtle Island to witnessing and absorbing the full spectrum of powwow performances at the highest level, there is endless opportunity to learn. As they learn, the youth can also teach. In fact, they may be the greatest teacher when it comes to inspiring and motivating others to embrace their traditional roots. 

Three-year-old powwow dancer Okhis Homma Begay (Navajo/Choctaw) is proof of concept as he offers a reminder to parents and guardians of young Native children that there is no such thing as too young to participate. Tiny in stature but immense in power, young Okhis carries on the culture and traditions passed down by his father Angelo. 

“He’s been dancing long before he could walk,” beamed proud papa Angelo as he watched his son take to the arena floor. “He was around 10 months old when he first started butt scooting and moving his arms around while watching me dance. He’s been to a powwow maybe every weekend since he was born. All that time he was watching and learning and now he dances to a beat all his own.”

It’s often said that the youth are our future, but they are the present, too. The youngest generation is full of leaders who lead in unique ways. Often it may be so unique and so subtle that their offerings may be overlooked and underheard by those not paying special attention. Such is the case with remarkable 11-year-old Tristan Brown (Northern Arapaho). 

Tristan was born 24 weeks premature and lives with severe speaking and hearing impairment. However, his disabilities have not prevented him from being immersed in the powwow circuit since the womb. Both his parents are acclaimed dancers and singers who viewed their lifeway as medicine for their son. 

Now, Tristan is proving just how able he is on the arena’s dance floor and, most incredibly, within a drum circle. Lack of speech hasn’t stopped Tristan from learning to make a high-pitched audible sound, similar to an eagle’s scream, that comes in handy when he’s performing with his father’s drum circle, The Horses.

“He’s able to hit the highs on our songs. Proving he can sing within a powwow circle like everyone else,” said Tristan’s father, Kenny Brown Sr. “Being born so premature the doctor said he wouldn’t make it past 2 years. He’s 11 now.

“It’s time to bring awareness to kids living with disabilities throughout the world, the United States and all the tribes,” he continued. “Far too many times he’s been mistreated because of his disability because people don’t understand him. We have to be their voice. I have to be my son’s voice. But, you know, sometimes in our life we go through a big struggle. Our son goes through them every day. He teaches us how to be strong and what true strength really is.”

The sentiments expressed above by Kenny, Angelo, Percy and Makli offer just a glimpse into the crucial role Gathering of Nations plays in the lives of so many. From unity and community that transcends tribes and borders to the open sharing of the many nuances of Native American culture, there is an endless supply of inspiration created. That’s not even mentioning the elite level of powwow dance, music, and regalia on constant display to be oohed and awed over.

Gathering of Nations. A hub of triumph. An intersection where the traditional meets the contemporary and showcases that our culture isn’t just alive, it’s evolving, it’s thriving, and it remains as vibrant as the photographs accompanying this article.

By Micheal Rios, Tulalip News

From the north’s frozen tundra and south’s dessert pueblos, to the west’s coastal villages and east’s endless plains, thousands of Turtle Island representatives journeyed to New Mexico during April’s final weekend. There the diverse and ever so vibrant representation of indigenous culture formed an unforgettable gathering – the legendary Gathering of Nations.

“We are so excited to welcome you to the 42^nd Annual Gathering of Nations Powwow. As the drum beats began and the sound of bells and jingles from the dancers fill the air, allow this space in time to escape the drudgery and uncertainty of the real world for the next few days,” stated Derek Mathews, Gathering founder. “With nearly 3,000 singers and dancers returning to participate, the competition will assuredly be the best in the world.

  “Considered the most prominent and popular Native American event in North America, Gathering will once again host thousands of people and hundreds of tribes from throughout the United States, Canada, and around the world. As we come together as one tribe, we will continue to focus our work on producing the greatest event possible. Our continued goal is to present Native culture and pride at the highest, most visible level possible.”

In its 42^nd rendition, New Mexico’s Tingley Coliseum was home to the three-day Gathering of Nations that took place from April 24-26. Widely regarded as ‘North America’s largest powwow’, the 12,000-seat Coliseum reached near maximum capacity during both Friday’s and Saturday’s awe-inspiring, evening Grand Entry.

It’s no exaggeration to say that Native culture bearers of all ages journeyed from across the four directions to attend Gathering. From newborn babies to Golden Age competitors who give an entirely new meaning to elder status. Like the inspirational Choctaw husband and wife duo, Wilson (85) and Sharon Roberts (79), from Oklahoma. 

“This is coming home for us,” said Sharon. “We’ve been on the powwow trail for so long we’ve made family everywhere. We just ran into a little girl we met years ago and now she’s all grown up and is a beautiful dancer. We are always just so excited to see the young ones who embrace their culture and grow up to express themselves in the most beautiful of ways, whether it’s through their regalia or dance. No matter which tribe you are from or what state you live in, when we are here, together, we all dance to the same drum.”

Her husband, Wilson, provided the official Gathering invocation prior to Friday afternoon’s Grand Entry. After saying a few remarks to energize the crowd, the remarkable eighty-five year shared he is often asked what fuels him to continue on the powwow trail at his advanced age. “But you know what? It feels like I’ve been dancing all my life, and I have no plans of stopping any time soon. 

“It’s important to participate in these celebrations,” continued the Choctaw elder. “At my age, it takes a lot to get up and do this, but I know that exercise and powwow dancing is important to keep my body healthy. More than that, it keeps my spirit healthy. It’s my medicine.”

Wilson and Sharon have attended so many Gathering of Nations that they couldn’t put forth an exact number. When asked how many, Sharon simply said, “Oh, I don’t know. A lot.” The elder has spoken.

On the other end of the Gathering experience spectrum were first-timers filled with optimism and overcome with joy at being immersed in such a large-scale cultural celebration. Such was the case with father Keith Metoxen (63) and his daughter Savanah (26). They boldly drove 22-hours from their traditional Oneida Nation homelands in Wisconsin to Albuquerque, New Mexico to attend their first Gathering.

“I’m so excited to be here!” exclaimed Savanah. “We made our own traditional regalia for the occasion. Honestly, I don’t know what to expect, but I’m happy to be here, experiencing it all with my dad, and I’m really hoping there’s an inter-tribal dance so I can get on the floor and share my Oneida moves.”

From an even higher latitude on Turtle Island journeyed a group of Mohawks from north of the Canadian border. Hailing all the way from Kahnawake Territory, located in Quebec, was jingle dress dancer Amanda James. Accompanying her on the journey were two fellow jingle dress dancers and two fancy shawl dancers. The group of five Mohawk women glimmered spectacularly under the Coliseum’s stage lighting.

“This is a dream for us to attend Gathering of Nations together,” explained Mohawk jingle dress dancer Amanda. “Regardless of people’s opinions about this powwow or its organizers, its such a great experience. We met so many wonderful people from all over Turtle Island that share a love for dancing, crafting, and keeping our culture alive, just as we do.”

“We’re a long way from home, but it’s been so nice,” added 14-year-old Mohawk fancy shawl dancer, Laila McComber. “While this is our first time here at Gathering, we know it’s a nice opportunity to share our Kahnawake culture. For me, I just started dancing. When I dance I feel connected to those who danced before me. And for those who couldn’t dance, I dance for them.”

The Tingley Coliseum dance floor was constantly abuzz with culture bearers radiating strength and resiliency while competing in a variety of dance styles. From men’s grass, fancy feather and southern straight to women’s jingle, fancy shawl and northern traditional, each style’s dancers captivated countless pairs of eyes while energizing the shared space in a most remarkable way.

Outside the drum- and dance-filled Coliseum, the atmosphere seemed just as lively as inside. There were thousands of Native and non-Native perusing a gigantic Trader’s Market. The market showcased hundreds of vendors who specialize in a wide range of authentic, Native-made jewelry, art, and clothing. Also outside, occurring under the 86° heat, were several dance group performances. These cultural exchanges would stop individuals, couples, and entire families in their tracks. Leaving spectators awestruck by the sights and sounds emitting from indigeneity at its finest.

Yes, Gathering of Nations is built around a competitive powwow where the best of the best vies for titles and prize money. But it’s become so much more than that. It’s a pivotal gathering point. It’s a revered space to share stories, share tradition, and, best of all, share a solidarity that transcends boundaries and borders. In essence, Gathering is a celebration of a shared cultural identity. Powerful stuff.

By Kalvin Valdillez, Tulalip News

The final landing for the 2025 Canoe Journey is set for July 31, with the weeklong protocol taking place at Elwha during the first week of August. The Tulalip Canoe family will join the journey mid-July and are determined to be ready for weeks of pulling, dancing, singing and fully immersing in the traditions of the Coast Salish tribes.  The culture-sharing event has been going strong since its revival in 1989 and is popular amongst the youth of multiple tribes, helping them find a solid sense of identity by exposing them to their ancestral teachings. 

Participation for the first week of Canoe Journey preparation was at an all-time high with upwards of 80 people showing up for Culture Night and Canoe Practice. Led by the Tulalip Rediscovery program, these two weekly events will be held throughout the next few months to ensure that this year’s Canoe Journey participants are well equipped to not only hit the water, but can also offer songs, dances, and gifts to the numerous tribes they will be visiting en route to Lower Elwha this summer and represent Tulalip in a good way.

Culture Night

There was a buzz in the air at the Tulalip Gathering Hall on the evening of April 15, as the people caught up with their friends and family over dinner before the night’s festivities began. After 30 minutes of laughter, conversation, and the little ones chasing each other about the hall, Natsha Fryberg and Taylor Henry of the Rediscovery Program opened the event with a few words and instruction for the first Culture Night gathering of the year. 

The people were excited to get their craft on and start creating their regalia for this year’s Canoe Journey. Participants perused a number of tribal designs that included salmon, canoes, killer whales, and thunderbirds in traditional formline. With their design of choice in hand, each person received a pencil and tracing paper and began outlining their design onto the paper. 

Once that task was complete, they picked out what color they wanted their design to be, between red, black, white, and gray and were handed fabric to iron their design on to. And finally, they were given X-ACTO knives and scissors to cut out their design, which will eventually be transferred on to either a shawl or vest. 

While the adults and teens worked on their regalia, the kiddos joined Lushootseed instructor, Natosha Gobin for a language lesson. Keeping true to the Canoe Journey theme, Natosha taught the young ones the words for each section of the canoe. After practicing the words together, colored pencil sets were placed on the table and the kids got to design their very own canoes. While some chose their favorite vibrant and bright colors to spruce up their cedar canoes, many children chose to go with the classic black and red colors that adorn the Tulalip Family canoes, Little Sister, Big Sister, and Big Brother. 

“We have a lot of different things planned for Culture Night,” shared Natasha Fryberg. “We will be sending out a schedule as to what we’re going to be doing. Each week we will be working with language and we will alternate between regalia making and then giveaway items for our journey to Elwha. I think that during those weeks we will sing and dance as well. I want to welcome everybody here. I hope even more of our community turns out and participates. This year, I really want it to be a thing where they are involved from the very beginning, and we continue on with a large canoe family.”

The Rediscovery Program will continue with Culture Nights on Tuesdays at 5:00 p.m. as the Paddle to Elwha approaches, so be sure to drop by if you are planning on joining the Paddle to Elwha.

Canoe Practice

After a long winter, the people of Tulalip were eager to get back on the canoe and reconnect to the Salish Sea. It was the perfect weather for the first Canoe Practice of the season on the afternoon of April 16. With clear skies, bright sunshine, and minimal wind, the participants were all smiles as they ran a few laps around the marina prior to breaking out their paddles. 

The excitement grew as everyone jumped into the water to help unload Big Brother, the Canoe Family’s large cedar strip, from a trailer and welcome its spirit back to Tulalip Bay. Once Big Brother was on the water, the first crew boarded the canoe one by one, and put on lifejackets before striking the water in unison with their paddles and launching out into the Bay. 

The course was set for Hermosa and back. While the pullers made their way through the local waters, they were met with a pleasant surprise. The mist spouting from two gray whales in the vicinity could be seen from the docks of the marina, but Canoe Practice participants got an up close and personal look at the large mammals, enhancing the cultural experience and connection for everyone on the canoe. 

As the first crew arrived back at the marina, they couldn’t wait to share the tale of the two whales with the other participants. Luckily, the whales decided to hang out in the bay a little while longer, and the second crew also got to witness the whales along their excursion as well. 

“This is my third year pulling, so going back out on the water was pretty nice, got to feel the sacred connection again,” expressed Tribal youth, Maleia Kickingwoman. “The water was a little rough at the beginning but once we got towards Hermosa it got more calmer, and we got to cruise a bit. We saw two whales. It was pretty fun. We had some laughs and funny jokes out on the water.”

When asked if she would be attending this year’s Canoe Journey, Maleia enthusiastically replied, “Yes, I am! And I am excited about meeting new friends at Canoe Journey this year.”

To help build endurance for Canoe Journey, Canoe Practice is set for every Wednesday at 5:30 p.m., beginning with a run/walk before heading out on the water.

Said Tulalip Skipper, Natasha Fryberg, “Today was exciting. I think that the first practice can be nerve-wracking for people and many feel uneasy. We had some new participants, and they enjoyed being out there. And today was really just about talking to them and teaching them through the expectations and how to properly do things, so it’s all just a good teaching experience. Not only does it teach our community how to properly pull, but we always think about safety first and building the strength and endurance to go on these journeys, from one destination to the other. I’m excited for this year, it’s a blessing. There were whales out there and it was a beautiful day, and we had a great turnout.”

By Micheal Rios, Tulalip News

Run amuck. An idiom meaning to behave in an unrestrained manner. Perhaps, there’s no more heartwarming goal than that of a youth’s desire to run amuck. To be free from restraints and restrictions, free from limits and boundaries. Alas, that may not be the best route for success in the real world. But, and it’s a big BUT, a youth’s inner artist running amuck may be the best route for success at the Tulalip Tribes annual Art Festival. 

The 2025 rendition of Tulalip’s art extravaganza marked 45 years of showcasing the free-flowing imaginations let loose via various mediums by tribal students of the Marysville School District. Held on the evening of April 17, hundreds of friends, families and community educators wandered through the makeshift gala that was the Don Hatch Youth Center.

“Our annual Art Festival is an opportunity for each Native student within the District to express themselves in a unique and creative way,” explained Deyamonta Diaz, positive youth development lead advocate. “All the work that goes on behind the scenes to make this event possible, it’s like an all-hands-on-deck effort, is so worth it for our community to witness the pride and joy every student puts into their art. 

“Each year our expectations are surpassed because we receive hundreds and hundreds of submissions. For me, I look forward to seeing what new ways our kids find to express their Native culture or even developing their own way to retell a traditional story. There’s always something new and eye-catching that they come up with.”

For more than four decades now, Tulalip has dedicated an evening to empowering emerging creatives to let their inner artist run amuck. They are rewarded not just by having their completed works displayed for all to see, but the most heartwarming and eye-catching efforts are awarded 1^st, 2^nd, and 3^rd place ribbons. Plus, all the bragging rights.

Such was the case with 1^st grader Penelope Joseph. She radiated pure joy while leading Festival attendees to her four ribbon winning submissions. Her favorite creation was her supersized rainbow that depicted the majesty of sunray reflections following rainfall. “I like rainbows because they are pretty, and all the colors!” declared young Penelope.  

Also, beaming with pride from his inner artist literally running amuck in custom made Prowler Version 42 sneakers was 7^th grader Mason Madwell. His parents scurried behind him as he couldn’t wait to see if his mixed media submission won a ribbon. Sure enough, on his purple, pink and black colorway was a shimmering blue 1^st place ribbon.

“My inspiration was Prowler Version 42 from the new Spider-Verse movie,” explained Mason. For the uninitiated, the next installment of the animated blockbuster Spider-Man will feature an alternate dimension Miles Morales from Earth-42, who will portray a villain known as Prowler. “Finding a pair of shoes similar to his, I hand-painted the Prowler’s colors onto them, got the same lace color that match his mask, and cut into the soles to install LED lights, just like what he’ll have in the movie.

“It’s really cool to get 1^st place in the category,” continued Mason. “I feel like I spent my time well and the judges really understood what my design was. I just feel proud and have to thank my mom for helping me.”

Penelope, Mason, and their fellow student culture bearers were able to win 1^st, 2^nd or 3^rd place, plus honorable mention, in a variety of artistic mediums. Categories included culture, drawing, painting, writing, mixed media, sculpture, digital art, and pure heart. The top four from each grade and category received a ceremonial ribbon recognizing their talents.

This year’s Festival received over 650 submissions, with the most popular category by far being painting. There were dozens of artists who showed off their diverse talents by submitting artwork in as many categories as they could. There are also artists who continue to evolve their artwork and challenge themselves each year to claim one of those coveted ribbons in different categories.

Twelfth grader Kaylikwa Fryberg had herself quite the championship run by wowing judges and Festival attendees with her wide-range of eye-popping creations. She wove a father and son matching wool tunic set for Culture, turned thought and emotion into ink on paper for Writing, used India ink to create depth of shade and shadows in recreating a memory from Ross Lake in Painting, and used her recently acquired skills from a Schack Art Center internship to make a wobbly bowl for Mixed Media.

“This bowl holds a special place for me because it was the first I’ve made,” shared Kaylikwa. “For the colors, I chose my sister’s favorite colors – purple and white. My favorite part about making it was being able to spin the heated-up glass really fast to get the floppy edges to take shape. That’s why it’s called a floppy bowl. I actually burned myself for the first time at the Schack Center while making it, but that only adds to the memories.” 

Interwoven through many of the thought-provoking youth creations were both subtle and not so subtle tie-ins to ongoing social awareness campaigns, human rights issues and demands for a sustainable future. From artistic renditions on the Missing and Murdered Indigenous Women’s crisis, to declarations of Native-inspired rally cries like ‘Water Is Life’ and ‘Protect the Salmon’, to even a rather imaginative way to represent Tulalip’s own professional basketball player RaeQuan Battle.

Lennox Luong, a 12^th grader at Heritage High School, used the Mixed Media category to submit a one-of-one ledger art drawing. Using what appears to be colored pencils, he drew RaeQuan midflight, enroute to a tomahawk dunk, while surrounded by Charlotte Hornets colors and imagery. It just so happened that RaeQuan was in town to play in the Rep Yo Roots tournament when he was notified of the drawing. He had to peep the drawing for himself and blown away by the tribute.

“Coming back and finding out the Art Festival was going on, I had to stop by. I loved art as a kid and always looked forward to creating a few things for the Festival when I was a student,” reflected the hoops icon. “Seeing my influence represented in the artwork of our youth is amazing. I’m blown away, really.”

From awe-inspiring carved, painted and woven cultural items to interpreting the depths of color and vivid images on display, a message being conveyed loud and clear by the inner artists running amuck is that yes, in fact, the youngest among us are paying attention to the current social climate and tribal developments of home. They have a firm grasp on how their culture is viewed, both historically and contemporary. More importantly, their artist endeavors demonstrate our youth are capable of channeling their traditional teachings and spiritual strength into pure artistry.

Maybe the best illustration of the strength of cultural power from our emerging artists was 4^th grader Priscilla Valencia who wrote truth to power.

I am proud to be me, 9-year-old girl who is Tulalip and Cree.

I am trying to learn my culture, Everything that I can.

I love being Native and I hope you understand.

They wanted to kill the Native way.

We are still keeping it alive, Every time we speak, dance, and pray.

My hair is long and I love a braid or two.

To all my ancestors whose long hair was cut,

I proudly wear it long for you.

I am young, I am little,

But my voice is loud.

Native pride always,

Forever making my ancestors proud.

-Priscilla

Positive Youth Development manager Courtney Jefferson reveled in the artistry conveyed and memories made at another successful Art Festival. “When our kids create artwork for this event they are able to mix in elements of their personality, culture, family values, and what matters to them as individuals. It’s really incredible to see how even when there are twenty entries of the same type, each is different and unique in its own way because they reflect the artist who created it.

“Witnessing our kids get inspired from cultural pillars and advocacy movements is nice to see because that means they are learning about these foundational teachings while in school and retaining the information,” she added. “This proves how powerful it is to educate our people about our shared culture. Especially for the elementary-aged children. It’s so important they learn about the legacy of those who came before us and made it possible for us to thrive today.”

The 45^th annual Art Festival showcased a wide-range of artistic skills among our Tulalip youth. Confirming, yet again, what inspiring imaginations these artists are capable of creating when empowered to express themselves wholeheartedly and authentically. To be given a platform where their inner artist can run amuck without judgement. Well, unless that judging comes with a shiny ribbon. Then it’s cool.

By Wade Sheldon; photos courtesy of Walter Moses 

As the 2025 Annual General Counsel Meeting countdown intensifies, a pivotal moment is on the horizon. There is an opportunity to elect two vital members for the Board of Directors (BOD). This meeting and election present a crucial chance for the tribal community to unite and express their views, ensuring that every voice counts, navigating challenges ahead, and selecting visionary leaders to uplift and inspire the community.

On April 12 at the Tulalip Resort Casino, the Tulalip Tribes will gather to determine who will join the leaders on the BOD. To enhance the experience, early arrivals who cast their votes will receive a gift box containing six unique items, carefully curated by the BOD and provided by tribal businesses. 

We are excited to introduce culture bearer, Walter Moses in this segment of our six-part series. Walter has prepared unique gifts for this event—yellow cedar clappers that he has intricately carved and embellished with his art. These clappers symbolize sovereignty and the ability of Tulalip and other tribes to create and provide from the land. 

Crafting 1,200 cedar clappers for the gift boxes, Walter utilized skills he developed from a young age. He learned to carve at age 11, studying under his father, the renowned Culture Bearer Kelly Moses. Walter states, “What I like most about creating is that it keeps me busy. I was taught as an artist that if you are good with your hands, you must always keep them busy. It makes me feel good, and knowing I can preserve the culture also makes me happy. It also relieves stress and is beneficial for creativity.”

He offers a wide range of artwork, from jewelry like earrings and bracelets to carved paddles and masks, as well as t-shirts, hats, sweatshirts, and sublimation prints. His designs have been featured in events such as Tulalip Youth Services Orange Shirt Day. He also has art installations at Starbucks in Seattle’s U-Village. In response to whether he has ever received an order this large, Walter remarked, “I’d say this is the largest order I have ever had. I didn’t think it would be this much, but I am always up for the challenge. I am using a killer whale and salmon design on yellow cedar.”

For those interested in purchasing his art, Walter said, “I usually vend during the holidays, and that is mainly how you can find me. I will also be at the Hibulb vending on March 29.” Walter said, “I’m thankful that the tribe has taken an interest in local artists, and for orders this large, it’s awesome. I like how they are reaching out and supporting us.”

The BOD selected six Tulalip artists and entrepreneurs to create handcrafted items for the gift boxes, highlighting their talent and cultural heritage. This initiative honors tradition and encourages future generations to preserve and share their artistry.