Seminole Tribe’s Hard Rock Casting a Big Shadow in Wisconsin

Hard Rock, Wisconsin, a conceptual drawing
Hard Rock, Wisconsin, a conceptual drawing

By Nancy Smith, Sunshine State News

The Seminole Tribe of Florida has proposed a partnership between its Hard Rock International casinos and the Menominee Tribe of Wisconsin, a deal that could channel millions of dollars in profits from the Badger State back to Florida.

The proposal to open an $808 million casino complex at a now-shuttered, off-reservation dog track in Kenosha is in the hands of Gov. Scott Walker. The Menominee say they need a cash partner or they can’t get their casino off the ground.

Talks between the Seminoles and Menominee have been going on for more than a year. Frank Fantini, CEO of the Fantini Gaming Report, called Hard Rock “a very big brand, known internationally. The brand has a great reputation … it would give immediate visibility to the casino in Kenosha.”

Even though the Wisconsin Menominee are among the poorest Native American people in the country, winning approval from Gov. Walker is still viewed as dicey. The governor has said he would approve the Kenosha casino only if each of the state’s other 10 tribes blessed the proposition — effectively giving each tribe veto power over the proposal. He also has said a tribe must show that an off-reservation casino would result in “no new net gaming.”

Two of the 11 tribes, both with casinos — the Forest County Potawatomi and the Ho-Chunk — so far have refused to endorse the project, saying the Hard Rock will siphon off too large a share of their profits.

Wisconsin Indian gaming is a $1 billion industry, with $50 million going to the state.

Amy Marsh, an aide at the Wisconsin Capitol, told Sunshine State News, “Gov. Walker has until Feb. 19 to make a decision, but meanwhile the tribes have to work out their differences.”

The Seminoles-Menominee partnership would mark the first time for any out-of-state tribe to manage a casino in Wisconsin.

Hard Rock International CEO Jim Allen claims the site would be a regional draw.

“We believe there are a tremendous amount of people in the state of Wisconsin today who are going to casinos in Illinois,” Allen says. “We think a facility so close to the Illinois border will bring those people back to the state of Wisconsin and bring back those jobs and revenues to the state of Wisconsin.”

Allen says there have been talks with the dissenting tribes about revenue-sharing, the talks have gone well and he’s hopeful his team can get everybody on board.

The agreement between the Menominee and Hard Rock — including the percentage of profits the Florida Seminoles tribe would receive — has been kept under wraps.

“The question is, do we really want that revenue from the casino … being sent to Florida?” asked Richard Monette, a University of Wisconsin-Madison law professor. “That percentage becomes key, and those factors should be public.”

He predicts Hard Rock would expect to receive 30-to-35 percent of the Kenosha casino’s total revenue, and as much as 40 percent. Monette is also director of the Great Lakes Indian Law Center.

Not all stakeholders are impressed with the Seminoles or think they should be anywhere near the Wisconsin tribal gaming industry.

The Milwaukee media have given a lot of exposure to public filings from the National Indian Gaming Commission, showing the Seminole Tribe has paid more than $12 million in fines handed down by the federal government since 1997 — more than any other tribe in the nation.

It has, for example, left George Ermert, spokesman for the Potawatomi, expressing “serious concerns” about the Seminoles being involved in Wisconsin’s tribal gaming industry.

“There are some serious issues with leadership,” Ermert told Shereen Siewert of the Gannett Wisconsin Media Investigative Team. “We’re talking about FBI investigations, leaders who have been indicted on charges of conspiracy, embezzlement, money laundering. (Seminole Tribe Chairman) James Billie himself was tossed from office because of the things he did.”

The Seminole Tribe of Florida acquired the Hard Rock corporation for nearly $1 billion in 2007. Hard Rock has 174 venues in 54 countries, including 138 cafes, 17 hotels and seven casinos, according to the company.

The Seminoles operate six casinos in Florida, two of which use the Hard Rock name. Combined, the Florida casinos have about 12,500 slot machines and 340 table games.

The 11 Wisconsin tribes share a percentage of their casino profits. These per capita payments — dispensed evenly to enrolled tribal members — are among the perks of successful Indian gaming ventures.

But of all 11 tribes, the Menominee give the least to individuals — about $75 a year in 2012, for example. The Potawatomi, by comparison, paid each tribal member $80,000 in 2012.

Gannett reports that the Menominee have pledged to spend gaming revenue on human and social services — including college scholarships — if their Kenosha proposal is approved.

Canadian Museum for Human Rights opening marked by music, speeches and protests

Demonstrators call for attention to First Nations issues and the Palestinian struggle

 

Canadian Museum for Human Rights officially opens amid protests
Canadian Museum for Human Rights officially opens amid protests

 

CBC News

 

 

It was a morning of music, dance, speeches, a little rain and a lot of protest as the Canadian Museum for Human Rights officially opened in Winnipeg.

“With the placement of this final stone, at the heart of our circle, it is with great pleasure that we now declare open the Canadian Museum for Human Rights,” Gov. Gen. David Johnston stated as the centre stone — part of a circle of hand-gathered stones from national parks and national historic sites — was set in place during the opening ceremony Friday.

Inside the event, hundreds of dignitaries gathered and heard speeches about the genesis and purpose of the $351-million museum.

Meanwhile outside, dozens of protesters used the media spotlight to bring attention to issues of murdered and missing women, First Nations water rights, the disappearing traditional lifestyle of First Nations and the Palestinian conflict.

“What happens when these guys over here, with their suits and ties and their outfits, destroy everything?” one First Nations protester yelled.

‘You have to shine a light in some dark corners in Canada’s history because we have to know, I think, where we came from to know where we’re going.’— Stuart Murray, museum president and CEO

As strains of O Canada rang out, it mixed with songs of First Nations women protesting and was punctuated by a woman yelling, “Your museum is a lie.”

One of the first groups to arrive brought their message of the struggle of Palestinian people in Gaza.

They said they feel overlooked and will continue to push in the hopes that eventually they will be featured in the museum.

The protesters said they were upset the issue is not being recognized at the museum, even though they have met with museum representatives over the past couple of years to have it featured in one of the galleries.

Other protesters called on the museum to recognize what they said was the historical “genocide” committed against First Nations by the Canadian government. They drummed, performed ceremonial smudges, chanted and carried placards.

 

Buffy Sainte-Marie
Buffy Sainte-Marie told reporters on Friday afternoon that Canada and the Canadian Museum for Human Rights should be using the term ‘genocide’ to describe the residential school experience. (Jillian Taylor/CBC) 

Their sentiments were echoed by legendary Canadian musician Buffy Sainte-Marie, who is performing at the museum’s opening concert Saturday night.

Sainte-Marie told reporters that Canada and the human rights museum should use the term “genocide” to describe the residential school experience.

“I think the museum needs to be much more honest, much more bold and much better informed,” she told reporters Friday afternoon.

“I don’t really think that some of the museum people are truly aware of what our history has been.”

Sainte-Marie admitted that she hadn’t seen all the galleries in the museum yet, but added that her expectations were not high.

Group cancels performance

Saturday’s concert was supposed to feature First Nations DJ group A Tribe Called Red, but the group pulled out on Thursday, citing concerns about how the museum portrays aboriginal issues.

“We feel it was necessary to cancel our performance because of the museum’s misrepresentation and downplay of the genocide that was experienced by indigenous people in Canada by refusing to name it genocide,” the group said in a statement Friday.

“Until this is rectified, we’ll support the museum from a distance.”

Museum president and CEO Stuart Murray said the museum will and should spark protest and debate. The vision for the museum has always been to allow people to voice their opinions, he said.

“The Canadian Museum for Human Rights will open doors for conversations we haven’t had before. Not all of these conversations will be easy. We accept that but we will not shy away,” he said.

Officials said they are open to talking to different groups and will update the museum’s content as human rights issues unfold around the world.

‘The journey is finally beginning’

In addition to the opposition from protesters, the museum has faced construction delays leading up to Friday morning’s grand opening ceremony, which began with an indigenous blessing led by elders, including a First Nations prayer, a Métis prayer and the lighting of an Inuit qulliq, or oil lamp.

 

  •  A peak inside the Canadian Museum for Human Rights on opening day.

​The ceremony was attended by numerous dignitaries including the Governor General and former Manitoba premier Gary Doer, who is now Canada’s ambassador to the United States.

Current Manitoba Premier Greg Selinger, Winnipeg Mayor Sam Katz and the museum’s national campaign chair, Gail Asper, spoke at the event, while the program also featured special performances from Canadian vocal quartet the Tenors, YouTube singing star Maria Aragon and Winnipeg singer-songwriter and fiddle player Sierra Noble.

Asper paid tribute to her late parents, Babs and Israel Asper, who were the driving forces behind the museum.

“Neither my father Israel nor my mother Babs [is] here alive to celebrate with us, but I know they would be filled with gratitude and joy that the journey is finally beginning, this beautiful journey of education and, most importantly, action,” Asper said during the ceremony.

A children’s dance finale, representing Canada’s next generation of human rights leaders, concluded the opening ceremonies program.

Prime Minister Stephen Harper wasn’t in attendance. A spokesperson said his schedule did not permit him to be there.

Heritage Minister Shelly Glover, who attended the opening ceremony, said the museum is an important space.

“This is a museum that will provide information and an educational opportunity to so many Canadians, and it’ll make you proud to be a Canadian,” she said.

When asked about the protesters outside, Glover said she would like people to take a look at the museum before judging what’s inside.

Lightning rod for protests, questions

The country’s new national museum is located next to the Forks National Historic Site, where the Red and the Assiniboine rivers meet in downtown Winnipeg.

Designed by world-renowned architect Antoine Predock, the museum with its Tower of Hope and sweeping windows forms a new silhouette on the city’s skyline.

The museum has been a lightning rod for protests, and some academics say they’re concerned the content may be susceptible to interference by governments, donors and special interest groups.

“The most important concern is not the concern of individual communities who are disputing the exact manner in which their wrongs have been depicted, but rather the overall issue of independence,” said Michael Marrus, an expert on international human rights at the University of Toronto.

Glover said at the opening ceremony that the museum “must present a balanced and factually accurate account of both the good as well as the bad.”

Murray said the museum has not been subject to any interference, and the content does expose Canada’s human rights failures.

“You have to shine a light in some dark corners in Canada’s history because we have to know, I think, where we came from to know where we’re going,” he said.

Ancient canoes exhibit to launch Saturday at CCC

Press release, Chickasaw Nation

 

This 400-year-old pine dugout canoe will be on display Sept. 27, 2014, through May 2015 at the Chickasaw Cultural Center as part of “Dugout Canoes: Padding through the Americas.”
This 400-year-old pine dugout canoe will be on display Sept. 27, 2014, through May 2015 at the Chickasaw Cultural Center as part of “Dugout Canoes: Padding through the Americas.”

 

SULPHUR, Okla. – In spring 2000, a group of Florida high school students stumbled on the largest treasure trove of ancient dugout canoes ever discovered.
It is believed the Eastside High School students discovered 101 canoes. Some of the vessels are fully intact. Many are mere remnants. When radiocarbon dating was completed, scientists estimated the age of the vessels varied between 500 and 5,000 years old.
What emerged from the discovery is “Dugout Canoes: Paddling through the Americas,” a landmark exhibition to be hosted by the Chickasaw Nation at its expansive Cultural Center in Sulphur from Saturday, Sept. 27, 2014, through May 6, 2015.
The world-class exhibit will open on the same day as the 54th Annual Chickasaw Meeting and 26th Annual Chickasaw Festival gets underway throughout several sites in the 13-country tribal territory.
Dugout canoes were metaphorical pickup trucks for Native Americans. They transported food, family, tribal members, warriors and trade goods. The vessels made travel of great distances possible for Native people.
While none of the 101 dugout canoes discovered by the Gainesville, Florida, students in drought-stricken Newnans Lake 14 years ago will be displayed, ancient vessels recovered from other sites in America may be viewed, studied and researched.
The exhibition tells how infinitely important canoes were to Native Americans; how they were crafted sans modern tools and the exhaustive effort it required to build one seaworthy and with stability.
A 2011 article in The Wall Street Journal makes it clear unearthing the 101 dugout canoes from Newnans Lake would have destroyed the precious crafts. For hundreds of years, the site was covered with ample amounts of water and then exposed to the elements during periods of drought. This see-saw effect degraded the Southern hard pine canoes. In order to fully save them, an inordinately expensive process must be undertaken.
Today, according to the Journal, the dugout canoes are submerged in about 5 feet of water, encased in a protective layer of mud.
A magnificent dugout, almost 19 feet long, will be on display. It was discovered near Gainesville and is the show’s centerpiece that dates to approximately 400 years ago. It is made of pine and has a slightly raised bow and stern. A paddle was discovered with it. Other ancient examples of dugout canoes will be available for viewing.
The exhibit, with various artifacts, shows how Native Americans hunted and fished from the vessels and how they used them for other purposes.
Photos and short videos will also show the high school students’ Newnans Lake excavation and research, how vessels contained in the exhibit were preserved so they could be presented to the public and methods used to construct them by ancient people.
“Dugout Canoes: Paddling through the Americas” will be open to Chickasaw Cultural Center patrons during normal business hours.
The Cultural Center opens at 10 a.m. Monday through Saturday and at noon on Sundays. It closes daily at 5 p.m. The center is closed on all federally-recognized holidays.

150 Native American Artists Converge on Tulsa for Cherokee Art Market

By: Cherokee Nation

TULSA, Okla. – The ninth annual Cherokee Art Market will feature 150 inspirational and elite Native American artists from across the nation Oct. 11-12 from 10 a.m. to 5 p.m. in the Sequoyah Convention Center at Hard Rock Hotel & Casino Tulsa.

Admission is $5 per person.

The finest Native American artwork, representing more than 45 different tribes, will be displayed and sold at the Cherokee Art Market. Pieces include beadwork, pottery, painting, basketry, sculptures and textiles. Guests can also enjoy a variety of cultural and art demonstrations.

“Year in and year out, the Cherokee Art Market has proven to be one of the most prestigious Indian art shows in the country,” said Cherokee Nation Principal Chief Bill John Baker. “Every year our market continues to grow bigger and better. The Cherokee Art Market is a second-to-none showcase featuring world-class artisans in a variety of mediums.”

RELATED: Sculpture “Halfbreed” Wins Grand Prize at Cherokee Homecoming Art Show

As part of the two-day event, there will be public demonstrations from 11 a.m. to 4 p.m. each day. Demonstrations include jewelry stamp work technique, katsina doll making, pottery, painting and basket weaving.

 

Alvin Marshall’s sculpture, 'A Little Girl’s Dream,' was named Best of Show at the eighth annual Cherokee Art Market.
Alvin Marshall’s sculpture, ‘A Little Girl’s Dream,’ was named Best of Show at the eighth annual Cherokee Art Market.

 

An awards reception will be held in The Sky Room on Friday, Oct. 10, at 7 p.m. in honor of the Cherokee Art Market prizewinners, with $75,000 in overall prize money awarded across 22 categories. The public is welcome to attend the awards reception for $25 per person. Tickets will be available for purchase at the door.

The Cherokee Nation Foundation will also host its live art auction at the reception to raise funds for scholarships for Cherokee youth. Artists interested in donating should call the foundation at 918-207-0950.

“Best of Show” for the eighth annual Cherokee Art Market went to Alvin Marshall for his sculpture “A Little Girl’s Dream.”

For more information about the Cherokee Art Market, visit www.cherokeeartmarket.com.

Hard Rock Hotel & Casino Tulsa is located off Interstate 44 at exit 240. For more information, visit www.hardrockcasinotulsa.com or call (800) 760-6700.

 

Read more at http://indiancountrytodaymedianetwork.com/2014/09/17/150-native-american-artists-converge-tulsa-cherokee-art-market-156937

Snohomish Zombie Walk, Sept 20

snohomish_zombie_walk

 

Visit Snohomish Zombie Walk on Facebook

 

We’re inviting all Zombies and ghouls to Downtown Snohomish for a friendly (or not!) visit. In preparation for the impending Zombie-Apocalypse, we’re asking all participants and spectators to bring “rations for the survivors”. (to benefit the Snohomish Food Bank)

Snohomish Zombie Walk
Saturday, Sept 20 at 5:30 PM

Zombies gather at the Carnegie Parking Lot – 110 Cedar Avenue, Snohomish at 5:00 for instructions and guidelines. Please park on the street.

Walk begins at 5:30 PM Lurch west on 1st Street to Avenue D, then U-turn back toward the east on 1st Street. Sidewalk only.

Food and Drink Specials for Zombies in Downtown Snohomish. (Participating restaurants and taverns to be announced on Tuesday, Sept 16)

1st Annual Marysville Multicultural Fair – A celebration of diversity

marysville_diversity_fair

Source: City of Marysville

 

The City of Marysville, Mayor’s Diversity Advisory Committee and Marysville Arts Coalition invite you to the 1st Annual Marysville Multicultural Fair set for 10 a.m.-3 p.m. on Saturday, Sept. 20 in downtown Comeford Park, 514 Delta Ave.

Come celebrate diversity in the Marysville-Tulalip communities and the many cultures who call the area home.

The multicultural fair is a free event for the entire family. Enjoy music and dance from around the world on stage in the Rotary Pavilion in Comeford Park. Experience traditions from other lands through demonstrations and displays. Enjoy the food court where exotic ethnic foods will be available for purchase, and explore artwork on display from our diversity arts contest coordinated by the Marysville Arts Coalition. Plenty of cultural resource and craft vendors, and hands-on activities for children.

The Coalition will announce and display the winning entries from an all-ages diversity arts contest earlier this year. The multicultural fair is proudly sponsored by key sponsor Sea Mar Community Health Centers, HomeStreet Bank, Marysville/North County YMCA, Molina Healthcare and Marysville Free Methodist Church.

Come one, come all “We are excited to offer this new event to bring hundreds of people together in a celebration of the many diverse nations, languages and cultures of the world through food, art, music and dance,” says Mayor Jon Nehring. Nehring established the Diversity Advisory Committee in 2010 to advise him and city government leaders on issues of diversity and inclusion. The Committee also includes representation from advocates of individuals with a physical or mental disability.
Music and dance with Mi Pais mariachi band, Bollywood-style dance featuring Rhythms of India, The Tarantellas with songs of Italy, Voices of the Village, Native American flautist Peter Ali, Marysville Y Break-Dancers and Mexican youth dance in traditional wear. Native American storytellers, cultural resource vendors, food court with ethnic specialties for purchase, and diversity artwork on display.

See www.marysvillewa.gov/multiculturalfair for more details.

Burke Museum Hopes To Bring Original Kwakwaka’wakw Seahawks Mask to Seattle

seahawkslogo-original

 

By Kelton Sears, Seattle Weekly

 

During the apex of Seahawks fever earlier this year, U.W. art students began researching the origins of the team’s logo. When they asked Burke Museum curator Robin K. Wright, she remembered a conversation she had with a past curator who identified the source as a photo in a 1950’s book of Northwest coastal art.

After a bit more research, students found the inspiration was a photo of a transformation eagle mask from the Kwakwaka’wakw—an indigenous tribe from British Columbia. After poking around some more, the director of the Hudson museum at the University of Maine revealed that the original mask was in their collection, and are now willing to lend the mask to the Burke for display in November.

The Burke Museum has launched a Power2Give campaign to pay for the conservation, insurance, and shipping of the mask. Those who donate will get an early look at the mask during the exhibit’s opening.

Until then, check out some amazing Kwakwaka’wakw dance:

Annenberg Foundation purchases, then donates Alaska Native art to institute

By Associated Press

Michael Penn | Juneau EmpireChuck Smythe, director of the History and Culture Department for the Sealaska Heritage Institute, holds a recently acquired wooden panel that appears to be part of an Tlingit bentwood box with a painted Chilkat design. The panel was bought at a contested auction in Paris by the Annenberg Foundation and donated to SHI.
Michael Penn | Juneau Empire
Chuck Smythe, director of the History and Culture Department for the Sealaska Heritage Institute, holds a recently acquired wooden panel that appears to be part of an Tlingit bentwood box with a painted Chilkat design. The panel was bought at a contested auction in Paris by the Annenberg Foundation and donated to SHI.

JUNEAU, Alaska (AP) _ The Annenberg Foundation has donated Alaska Native artwork to the Sealaska Heritage Institute, which hopes to pinpoint the artifact’s originating clan.

The foundation bought the carved and painted wood panel at a Paris auction house last December when efforts failed to stop the piece and other tribal works from being sold, the Juneau Empire reported Thursday (SHI gets surprise donation).

There have been numerous attempts to circumvent the auction process, including sending U.S. Embassy letters, institute president Rosita Worl said.

The U.S. Embassy in Paris contacted one of the foundation’s trustees last December about participating in a French auction to repatriate artifacts to tribal leaders, Annenberg Ventures manager Carol Laumen said.

The trustee, Gregory Annenberg Weingarten, agreed, and foundation representatives successfully bid on 25 Hopi and Apache items and later on the wood panel.

A week later, the foundation notified the heritage institute about the purchase and intention to repatriate the panel.

The institute plans to reach out to southeast Alaska clans to try to determine the rightful home of the work, which may have been part of a bentwood box. The origin of the object is unknown, although it can be traced to southeast Alaska or British Columbia.

“It’s possible that somebody has that kind of detailed knowledge in a clan or a community,” said Chuck Smythe, the institute’s history and culture director.

The panel could be identified by comparing it with similar designs, historic photographs or matching the design with clan stories. Meanwhile, the Juneau institute is treating the object as a regional repository.

The panel will be displayed from time to time at the Walter Soboleff Center, which is being constructed. When not on display, it is being preserved as part of the institute’s collection.

“It will be available for our people to look at,” Worl said.

___

Information from: Juneau (Alaska) Empire, http://www.juneauempire.com

Native Nations treaty exhibit opens Sept. 21 at NMAI

treaties-exhibit

Source: Native Times

 

WASHINGTON – The Smithsonian’s National Museum of the American Indian will open the “Nation to Nation: Treaties Between the United States and American Indian Nations” exhibit Sept. 21 during the museum’s 10th anniversary on the National Mall.

The exhibit is the museum’s most ambitious effort yet, presenting the Native nations’ individual treaties side-by-side in their largest historical collection ever presented to an audience. The exhibition focuses on eight treaties representing the approximately 374 ratified between the United States and the Native nations, on loan from the National Archives. Each document details and solidifies the diplomatic agreements between the United States and the neighboring Native nations.

More than 125 objects, including art and artifacts, from the museum’s collection and private lenders will be featured, including the Navajo blanket owned by Gen. William Sherman, a collection of Plains nations pipes and beaded pipe bags, peace medals given to Thomas Jefferson and George Washington and the sword and scabbard of Andrew Jackson.

Video installations, archival photographs, wampum belts, textiles, baskets and peace medals highlight each historical moment and help tell the story of the early ancestors of the Native nations and their efforts to live side-by-side at the birth of the United States.

The exhibit will be on display through Sept. 1, 2018. The NMAI’s hours are 10 a.m. to 5:30 p.m. daily. It is closed on Dec. 25. Admission is free. The museum is located at 4th St. and Independence Ave. SW.

To learn more about the exhibit, email asia.romero@edelman.com, or call 202-772-4294.