Developing A Taste For Geoduck In The Northwest

Michael Gifford, chef at Seattle's How To Cook A Wolf, shows off a geoduck he's preparing. | credit: Ashley Ahearn
Michael Gifford, chef at Seattle’s How To Cook A Wolf, shows off a geoduck he’s preparing. | credit: Ashley Ahearn

By Ashley Ahearn, OPB

The Locavore movement is thriving in the Northwest — with one big exception. When it comes to Puget Sound geoduck clams, the shellfish industry and local chefs are still trying to create a demand for them at home.

Geoduck clams from Washington state are prized in Asia, creating a lucrative market for the Puget Sound region’s tribal and commercial shellfish harvesters. But two months ago, China banned all shellfish imports from most of the West Coast after finding high levels of arsenic in a sample from Washington. The move has hit Washington hard, particularly the geoduck industry.

And that has the industry turning to local chefs to help boost demand close to home.

Local chef Michael Gifford remembers his first experience with geoduck clams. He got his first taste at a sushi restaurant soon after he moved to Seattle from New Jersey.

“I was like, wow, I’ve never seen this before. It’s really unique. We’re very fortunate here to have this product,” Gifford says.

These days Gifford is the chef at the Seattle restaurant How To Cook A Wolf, where geoduck clams make regular appearances on the menu. He extolled the virtues of the region’s largest clam recently while preparing geoduck crudo, or in the raw.

“This is going to get a little raunchy. As you can see the geoduck is a very phallic looking animal,” he said, standing in the stainless steel kitchen as two large clams sat on a shelf nearby, their foot-long siphons draping down.

“So what we do is we bring them in, let them relax a little bit, let them go down and get out to its natural length,” Gifford quips. These necks can stretch to a meter in length.

siphon
Gifford is ready to remove the skin from a geoduck’s neck. Credit: Ashley Ahearn.

 

Gifford places the clams into boiling water, then into ice water to “shock them.” This process makes it easy to remove the outer skin of the geoduck.

When these filter-feeders are burrowed in the sand and mud of Puget Sound, their outer skin gathers more arsenic and other trace metals than does the rest of their body. The Washington Department of Health confirmed this in December, when it went back and tested more than 50 geoduck clams after China instituted its ban. The skin of every single clam had amounts of arsenic that exceed levels that China has deemed safe for human consumption.

The clams’ other body tissue types — those found in the neck, the mantle and the gut ball — were OK in all but one sample tested by the Washington state agency.

Bill Dewey is with Shelton, Wash.-based Taylor Shellfish Farms, which bills itself as the largest producer of geoducks in the United States. He says the company has had more testing done on several different kinds of shellfish it sells, including geoduck. The levels of metals are all very low, but they’re there.

“You will see arsenic, cadmium, selenium, all sorts of different metals some good for you some not good for you in all your shellfish,” Dewey says.

The Washington Department of Health rigorously tests shellfish for biotoxins and bacteria that can make people sick immediately. But it doesn’t regularly test for metals. Past tests from the DOH have shown metals in shellfish at levels below public health concerns. As with all seafood, it’s a question of how much shellfish you eat.

As Michael Gifford slices pearly strips of flesh off of the neck of a geoduck clam, it’s hard to think of anything other than the next step in his recipe.

 

 

He’s finely mincing Fresno chili peppers and celery. Then he smears a green stripe of avocado puree onto the plate. Finally, Gifford arranges the silken white, paper-thin strips of geoduck in ruffles.

“So then, the real fun. We’ll dress it with some nice olive oil. Little bit of lemon. We use fleur de sel, a very nice sea salt,“ Gifford says. “It’s not full of brine, but you’re getting that hint of the ocean.”

For centuries native Americans harvested geoducks from the tideflats of Puget Sound. (The word “geoduck” comes from the Nisqually word “gweduc,” meaning “dig deep.”) These were the biggest clams to be found — weighing as much as 16 pounds or more. Northwest Indians ate them fresh or smoked. By the late 1800s the region’s white settlers came to consider them a delicacy. But by the mid-20th century geoducks had all but disappeared from area beaches. To prevent the clams from becoming extinct, the government made it illegal to sell geoduck clams in restaurants and markets.

In the 1970s scuba divers discovered that geoduck clams hadn’t actually been harvested to extinction. They were bountiful in the deeper waters of Puget Sound. But by then, few Northwesterners had an interest in dinning on them in area restaurants.   But the story took a different turn in Asia. An intense marketing campaign popularized them in Asia — especially among the newly rich Chinese — causing the price to soar. They’re an especially popular delicacy around the lunar New Year (aka Chinese New Year), which takes place this year on Jan. 31.

crudo
A geoduck crudo prepared by chef Michael Gifford. Credit: Ashley Ahearn

 

Though the clams are popular abroad, local markets are still growing. Bill Dewey says for the past decade or so, Taylor Shellfish has been actively promoting geoduck to restaurants around the Northwest. There are now close to 20 restaurants in Seattle with geoduck on the menu.

Geoduck can sell for close to $100 per pound in China, while Seattle restaurants pay around $20 per pound. The domestic market isn’t making up for the industry’s losses abroad.

Dewey says his company has had to cut back. “We did our best through the holidays to keep people employed, but ultimately it’s gone on long enough that we’ve had to lay some people off,” Dewey says. Taylor has laid off 14 people and estimates its losses at upwards of $1 million.

The Chinese ban is affecting others, too. Divers with the Suquamish and other tribes have been out of work for weeks, losing thousands of dollars every day. The Department of Natural Resources is out close to $1 million in revenue from geoduck harvested on state lands.

Dewey says he’s optimistic that China might lift the ban soon.

For now, geoduck may be a tough sell for most Northwest diners. But if more chefs like Michael Gifford have their way with this quirky clam, the future might look a little more delicious.

Katie Campbell contributed to this report. Toni Tabora-Roberts produced this story for the web.

 

Suquamish Delegates and Burke Museum Depart for the Philippines

Cultural Exchange between the Suquamish Tribe and El Nido, Palawan, Philippines focuses on cultural heritage, and sustainable fishing and archaeology

 

 "Ancient Shores, Changing Tides" participants in the Suquamish Museum. L to R: Janet Everts Smoak, Barbara Lawrence-Piecuch, Arvin Acosta, Carmelita Acosta, Robert Arevalo, Mariel Francisco, Enrico Cabiguen (2nd row), Mimi Cabral, Jun Cayron (1st row), Mary Barnes, Lace Thornberg.Photo by Wade Trenbeath.
“Ancient Shores, Changing Tides” participants in the Suquamish Museum. L to R: Janet Everts Smoak, Barbara Lawrence-Piecuch, Arvin Acosta, Carmelita Acosta, Robert Arevalo, Mariel Francisco, Enrico Cabiguen (2nd row), Mimi Cabral, Jun Cayron (1st row), Mary Barnes, Lace Thornberg.
Photo by Wade Trenbeath.

Burke Museum of Natural History and Culture

Seattle – This week, seven representatives of the Suquamish Tribe are in the Philippines. Over the course of eight days, they will visit communities on Palawan Island and learn about the archaeological history of the island, as well as its modern day challenges to preserve natural resources in the face of tremendous growth in both tourism and development. The visit is part of “Ancient Shores, Changing Tides,” a project that is part of the Museums Connectsm program, an initiative of the U.S. Department of State’s Bureau of Educational and Cultural Affairs that is administered by the American Alliance of Museums.

The Suquamish delegation’s trip to the Philippines follows on the heels of a visit seven heritage enthusiasts from the Philippines made to Seattle and Suquamish this past October. During their eight-day stay in Washington, the Filipino delegates learned about museum curation and collection practices through guided tours of several museums in the region: the Burke Museum, Wing Luke Museum, Suquamish Museum, and the Makah Museum and Cultural Resource Center.

In addition to comparing their community museums, the ways in which their heritage is preserved, and local efforts to attract tourism, the Filipino and Suquamish groups are also comparing their fisheries management practices. The Filipino delegates were able to go out with Suquamish Seafoods divers to see geoducks being harvested. When they visit El Nido, the Suquamish delegates will travel through a community-managed marine protected area to see how those practices are helping fish stocks to recover in an area threatened by dynamite fishing, overfishing, and climate change.

The sustainable fishing component has led to some rather delicious opportunities. At a traditional foods feast held at the House of Awakened Culture in Suquamish, more than 200 people gathered to enjoy a feast featuring locally-harvested geoducks, salmon and Manila clams. On Palawan, the delegates will be able to taste grouper, dolphinfish, anchovy, squid, crabs and more. There, locally harvested fish, seafoods, shellfish, and seaweeds will all be prepared according to traditional Cuyonon techniques.

The travelers representing Suquamish are tribal chair Leonard Forsman and his wife Jana Rice; tribal elder Jay Mills; Suquamish Museum director Janet Smoak; the Suquamish Tribe’s youth programs director Kate Ahvakana; the Tribe’s grants coordinator Angela Flemming; and Tribal member Kah-ty-ah Lawrence. Travelers representing the Burke Museum are project manager Lace Thornberg, associate director Peter Lape and community relations director Ellen Ferguson.

With this trip coming in the wake of super typhoon Haiyan, there is certain to be a lot of discussion between the groups about recovery efforts—and how to build communities that are more resilient to the effects of climate change.

When the Filipino delegates rode the Bainbridge Island ferry back to Seattle from Suquamish, they witnessed something few Seattleites have been lucky enough to see: orcas in south Puget Sound. These majestic animals had also accompanied the ferry that was carrying Suquamish artifacts from the Burke Museum to the new Suquamish Museum the day before. Perhaps the delegates from Suquamish will be lucky enough to see a manatee – known locally as a dugong – make a rare appearance while they travel El Nido’s waters.

“Ancient Shores, Changing Tides” is one of ten Museums Connectsm programs taking place throughout the country this year. The mission of the Museums Connect program is to strengthen connections and understanding between people in the United States and abroad through innovative, museum-based exchanges that address critical needs or timely issues in museums’ local communities and help museums better serve the public.

In Your Teepee will bring tribal culture and activism to the everyman

InTeepee_04

By Niki Cleary, Tulalip News

At 32, Deshawn Joseph has already lived the life of an addict, cleaned up and is currently father to three children and founder of In Your TeePee, a small art and apparel business dedicated to giving back.

“In your TeePee is a reflection of what’s in your closet, but not just your closet, your home, your people, where you live and what you represent. I want to follow my culture and bring back pride in the Indian Community through exposure of art, political awareness and philanthropy. I want to give these teachings to the youth, show them that there are bigger and brighter things than just this reservation and your own family. I want to show that our people are resilient, we’re strong, creative and we have passion.

“In Your TeePee isn’t just about pride,” Joseph continued. “It’s about being humble, in a conducive manner for our youth. It’s a group of people working together, all native based and working for a brighter future. I started this with the free promotion of art. I’m not wealthy, I’m a full-time deckhand just trying to make it work, but I want to give back.”

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Although Joseph is the founder and provides the vision behind In Your TeePee, the company is run more like a co-operative for artists.

“I know artists out there who are very talented, but may not have the time, money or ability to promote themselves. I’m currently working with five artists at this time, all Native American. I don’t necessarily want to be the front line person. Multiple people have stepped forward to say, ‘I like what you’re doing.’ It’s so exciting. Chad Charlie, a comedian with Rez2Rez, wants to be the face of In Your TeePee. I have four categories: Apparel, Art, Music and Community. We also want to give back to the community through public speaking. We’re against drugs, gangs and want to prevent suicide. This isn’t just for me, this is for our people.”

In Your TeePee has featured artwork by Toni Jo Gobin (Tulalip), Clint Cambell (Ojibwe), Daniel Mayotte (Red Lake Band of Chippewa), and Aaron Hamilton (Yakama).

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“I’m not an artist,” Joseph confessed. “I want to say I’m the creative mind behind the art. The people who do my art, I give them an idea and let them do the art their way. I never did art, I’ve tried, but I just don’t have that touch with my hands, but I can image it in my mind.”

Although his only storefronts are Facebook and a booth at tribal gatherings, Joseph has big dreams for expanding the brand.

“I have ideas for Zumies and Pac Sun. These stores aren’t necessarily Native, but they do carry political t-shirts. If I could get a shirt into Zumies, that could really solidify us. For now I’m strictly on-line and doing Native American gatherings.”

Joseph’s dream for In Your TeePee started years ago; he credits his family, especially his children Jaylen (13), Caleb (11) and Tamiah (9), with motivating him to launch.

“Native American’s are just like a star quilt. Each generation is stitched to the next. My grandmother is Loretta James. My mom’s father is Douglas Jefferson from Lummi. My mom is Carmen Burke, she’s always interested me in my art, dancing and fashion. That’s where I started this love of fashion. And just me being a father, I want my children in the best position to succeed. I’ve turned my life around and hopefully my children can see that their father is leading by example.”

For more information about In Your TeePee find it on Facebook or email inyourteepee@gmail.com. If you’d like to share your business with the community, please contact the See-Yaht-Sub at editor@tulaliptribes-nsn.gov.

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Comic Book Heroes Get A Gorgeous Native American Makeover

Batman, Superman, and Spider-Man look truly stunning following a traditional, Pacific Northwest makeover.

By Mark Wilson

Jan 22, 2014 fastcodesign.com

3025250-slide-thebatWe all know Batman when we see him, but he always looks a little different, depending on the artist. Whereas in the hands of Dick Sprang, Batman is a barrel-chested 1920s strong man, in the hands of Frank Miller, Batman is an ever-evolving shadow of sinew–a monster darker than the night itself.

Even still, we’d never seen Batman imagined as a Native American warrior before Jeffrey Veregge, an artist and member of the Port Gamble S’Klallam Tribe (located just outside of Seattle), depicted him alongside Superman, Iron Man, Spider-Man, and Flash through traditional Coast Salish design. Coast Salish is an art form unique to the Pacific Northwest, known for depicting the earth, sky, and its animals in distinctive, swooshing silhouettes.

“I want people get a chance to relate to an art form that has been used primarily to tell the tales of my people and heritage,” Veregge tells Co.Design. “I want to give other people an opportunity to see Native art tell the stories that many of us have grown up with, stories that transcend any single culture and can be embraced by all as their own.”

3025250-slide-starkNow most of you will recognize Veregge’s superheroes, but what of their intricate lines? To understand the shapes behind Coast Salish, know that its best, grounding metaphor is that of dropping a pebble in calm water. With that framework in mind, you can recognize the prominent circles in the work, rippling out in half-moon crescents and trigons (shark-tooth-like abstract spears with three tips).

It just so happens that the Coast Salish visual framework works superbly for superheroes, as the trigons fire your eyes across the forms like arrows midflight. So Batman’s cape seems to swoop him downward to an unsuspecting victim, while Flash appears to explode forth from his hips and shoulders.

The effect is dynamic enough to make you crave a whole comic drawn in Coastal Salish, but you’ll have to settle for Veregge’s prints, which are available from time to time, in limited edition, 50-print runs. He’ll also be making new works for EMP Museum in Seattle.

Super Bowl Shuffle in Seattle: Fans Embrace Carver’s Dancing Seahawk

Source: Indian Country Today Media Network

They call themselves the 12th Man — the rabid fans of the Seattle Seahawks who’ve made CenturyLink Field one of the NFL’s toughest arenas to play in. That was certainly the case when, on Sunday, the Seahawks defeated the San Francisco 49ers and in so doing punched a ticket to the Super Bowl.

In addition to “12” jerseys and t-shirts, the concept of the 12th Man now has an in-the-flesh personification with Native flair. Or an in-the-wood one, anyway: Chainsaw carver Jake Lucas of Bonney Lake, Washington, has created a six-foot-tall sculpture of a man-bird, wings outstretched, that has proven an instant fan favorite.

The carver with Spirit Warrior in the back of his pickup truck. Photos courtesy Jake Lucas.
The carver with Spirit Warrior in the back of his pickup truck. Photos courtesy Jake Lucas.

Lucas has some Quinault and Chinook heritage — no more than one-eighth, by his reckoning — and recalls with fondness attending ceremonies and witnessing dances with his half-Native grandmother when he was younger. “I’ve always wanted to carve a Native American dancer,” he says, adding “I also wanted to do something unique to show my love for the team.” The two desires — to borrow a term from woodworking and ornithology — just dovetailed. It took Lucas about three weeks of 12-hour days to make the piece, which he calls Spirit Warrior.

The piece was created on Lucas’s own initiative, and hasn’t been endorsed by the Seahawks. But Lucas has been taking it to rallies in the back of his pickup truck, and says the fan response has been overwhelmingly positive. Additionally, he says that the Native American community has also expressed a great appreciation for the carving. Lucas says he doesn’t know where the piece will end up, but he hopes that the Seahawks or perhaps a local Tribal organization would be interested in acquiring it. He can be contacted through his website, chainsawart.org, where you can also see more exampes of the award-winning work he’s been creating since 2004.

Photos courtesy Jake Lucas
Photos courtesy Jake Lucas
Photos courtesy Jake Lucas
Photos courtesy Jake Lucas
Photos courtesy Jake Lucas
Photos courtesy Jake Lucas
Photos courtesy Jake Lucas
Photos courtesy Jake Lucas
Photos courtesy Jake Lucas
Photos courtesy Jake Lucas

 

Read more at http://indiancountrytodaymedianetwork.com/2014/01/22/super-bowl-shuffle-seattle-fans-embrace-carvers-dancing-seahawk-153186

See Native American Artwork by James Madison and Family Feb. 10-March 14 at EvCC

James Madison stands next to his “Transformation of the Seawolf” sculpture in downtown Everett.
James Madison stands next to his “Transformation of the Seawolf” sculpture in downtown Everett.

EvCC press release

EVERETT, Wash. – See traditional and contemporary Native American artwork by renowned Tulalip Tribes artist James Madison and family members at Everett Community College Feb. 10-March 14.

The “Generations 2” exhibit at EvCC’s Russell Day Gallery will feature traditional Salish and Tlingit artwork in contemporary mediums such as glass, bronze and stainless steel. See the artwork and watch a performance by Native American dance troop Northern Star Dancers at a reception at 6 p.m. Feb. 13 in the gallery.

This is the second family exhibit that Madison, a Tulalip Tribes member, master wood carver and art consultant, has created. It represents the work of Madison, who attended EvCC, his sons Jayden and Jevin Madison, father Richard Madison, grandfather Frank Madison, Sr., uncle Steve Madison and cousin Steven Madison.

The Madison cousins grew up immersed in their culture and learned to carve at their grandfather’s table. Richard Madison, an abstract painter, taught James contemporary art mediums and how to understand European artwork when he was a child.

Many of James Madison’s large-scale pieces can be seen at the Tulalip Resort and Casino, including a 24-foot story pole. His work has been displayed in Washington, New York, New Mexico and Canada, including in downtown Everett and at Everett Community College, and on the TV show “Grey’s Anatomy.” He was named Snohomish County Artist of the Year in 2013. He earned his bachelor’s degree in fine arts at the University of Washington and created a bronze sculpture for Husky Stadium.

The Russell Day Gallery is open 10 a.m. to 5:30 p.m. Mondays and Wednesdays, noon to 4 p.m. Tuesdays and Thursdays and 10 a.m. to 2 p.m. Fridays and is closed Saturdays and Sundays.

For more information, visit www.everettcc.edu/gallery or contact Kammer at gkammer@everettcc.edu.

Martin Luther King jr. Day – Recreation fees waived on Mt. Baker-Snoqualmie National Forest

Everett, Wash. Jan. 13, 2014—The U.S. Forest Service is giving visitors to the Mt. Baker-Snoqualmie National Forest a free pass for Martin Luther King Day. Fees will be waived at more than 74 day-use sites on the forest Jan. 20.
 
Fee-free days the Forest Service will participate in this year are:
• Feb. 15-17, Presidents Day Weekend
• June 7, National Trails Day
• June 14, National Get Outdoors Day
• Sept. 27, National Public Lands Day
• Nov. 8-11, Veterans Day Weekend
 
The fee waivers are offered in cooperation with other federal agencies under the Federal Lands Recreation Enhancement Act. Check trail and road conditions or call the Forest Service office you plan to visit for more information. 
 

Peter Yarrow Concert to Benefit Native American Nonprofit

 

Peter Yarrow’s “An Evening of Love and Laughter,” a concert benefiting Portland-based Wisdom of the Elders

Salem-News.com Jan-13-2014

(PORTLAND, OR) – Peter Yarrow, of Peter, Paul & Mary fame, will perform a concert for Wisdom of the Elders, a Native American nonprofit in Portland, at 7:30 p.m., Feb. 14, at Augustana Lutheran Church, 2710 NE 14th Ave., Portland. For tickets, visit www.wisdomoftheelders.org/wisdombenefit.

Peter Yarrow, of the famed 1960s folk group Peter, Paul & Mary, will perform “An Evening of Love and Laughter” to benefit Portland-based Wisdom of the Elders, a Native American nonprofit, 7:30 p.m. Friday, Feb. 14, at Augustana Lutheran Church, which donated use of its facility at 2710 NE 14th Ave.

Peter Yarrow, of the famed 1960s folk group Peter, Paul & Mary
Peter Yarrow, of the famed 1960s folk group Peter, Paul & Mary

Yarrow, who wrote some of the trio’s hits, including “Puff, the Magic Dragon” and “Day is Done,” has merged music and social activism in recent decades.

Since 1993, Wisdom has served the Native American Community through cultural programs, including a Northwest Indian Storytelling Festival and a collection of video oral histories of Native elders.

Recently, the organization has begun to focus on the effects of climate change on Native communities; its Wisdom Radio for this season focuses on the issue. Joining Yarrow will be his son Christopher, who will sing and play the washtub base. The younger Yarrow, a Portland resident, plays with local bands Baby Gramps, KingniK and Tevis Hodge Jr.

Tickets, which range from $5 to $60, can be purchased through www.wisdomoftheelders/wisdombenefit. The $60 sponsor ticket includes a meet-and-greet with Yarrow and book signing.

What: Peter Yarrow ‘s “An Evening of Love and Laughter,” a concert benefiting Portland-based Wisdom of the Elders

When: 7:30 p.m. Friday, Feb. 14

Where: Augustana Lutheran Church, 2710 NE 14th Ave., Portland

Tickets: $20 general admission; $15 seniors and students, $60 sponsor tickets, $5 children 14 and

Younger

Contact: Daniel Dixon, Daniel@wisdomoftheelders.org, 503-775-4014

ASUW AISC Winter Powwow

The ASUW American Indian Student Commission is hosting the annual Winter Powwow! The Winter Powwow venue will be on the University of Washington Campus in the newly renovated Husky Union Building (HUB) Ballroom. This year’s AISC Winter Powwow will be on Saturday, January 26, 2013!

AISC-Winter-Powwow-Poster-20132-662x1024

 

Head Staff:
Host Drum- Young Society
MC- Carlos Calica
Arena Director- Jason Stacona
Head Man- Dan Nanamkin
Head Woman- Elese Washines

Northern Cloth Traditional Special (All Ages) Sponsored by Elese Washines & family

This is a zero tolerance event. No drugs, no alcohol, no fighting.

UW Students, Faculty, Staff and the Seattle Community is welcome!

Grand Entry is at 1pm!

If you are interested in being a vendor at the Winter Powoww, you  can find a Vendor Contract here: 2013 ASUW Powwow Sales Agreement. Vending spaces are on a first come, first serve basis. Please fill out the agreement and mail to:

ATTN: Winter PowWow, Student Activities Office, HUB, Box 352238 Seattle, WA 98195 with payment by Cashiers Check or Money Order. Please make your cashier’s check or money order payable to the ”University of Washington”.

Payment along with the sales agreement must be received by Friday, January 18, 2013, as space is limited and will be allocated as we receive payment. We have limited 10 ftx10 ft spaces available so a prompt response will help ensure your presence. Your load-in and load-out times will be included in a confirmation packet sent to you once we receive the sales agreement and payment. Publicity for the Powwow will be included with your confirmation packet.

Vendor Contracts must be received by January 18, 2013 by 5:00pm.

Interested in volunteering? Sign up at: https://catalyst.uw.edu/webq/survey/raniw/187513