The Moko Returns: More Than A Tattoo

 

 

Nadine Martin was among the first of her contemporaries to adopt the tribal moko.<br /><br />Pat Kruis / OPB<br /><br />
Nadine Martin was among the first of her contemporaries to adopt the tribal moko.
Pat Kruis / OPB

OPB | July 24, 2013

Contributed by Pat Kruis

Before Nadine Martin utters a single word, her face tells a story shaped over centuries. Three simple lines extend from her lips to the bottom of her chin, one at each corner of her mouth, the third at the center.

“Some people call it the one hundred eleven,” says Martin. “When the white people started coming into the valley it looked to them like the number 111.”

Martin is a descendant of the Takelma tribe, now one of the Confederated Tribes of the Siletz. And the markings on her face have a long history in Takelma culture.

“It’s not a tattoo,” Martin quickly explains. “It’s a moko.” Members of the Māori tribe call it tā moko (rhymes with “cocoa”). The cultural markings were common among the Pacific Rim tribes until the late 1800s when treaties forced the tribes out of their homelands.

Martin says she’s part of a resurgence of the moko. In her tribe as many as 25 to 30 women have had their faces marked. If you visit the Klamath tribes, the Yurok and the Karok, you may see several women with the lines on their chin.

Martin’s mother, Agnes Pilgrim, was the first in her tribe to renew the moko tradition.

Martin's mother, Agnes Pilgrim, was the first in her tribe to renew the moko tradition.
Martin’s mother, Agnes Pilgrim, was the first in her tribe to renew the moko tradition.

After Martin’s mother and tribal elder Agnes Pilgrim chose to revive the moko markings, Martin soon followed suit.

Martin waited until a Māori shaman was able to perform the ceremony. The process is much like tattooing, but instead of ink the artist uses charcoal, the charred end of a sharp stick. Then the artist abrades the lines with a sharp object, possibly an arrowhead, obsidian or flint.

“I have always wanted to honor my ancestors,” says Martin. “I have medicine women and shaman in my heritage on both sides. I’ve always wanted to honor that. But I wanted to do it the old-fashioned way. That’s why I’m grateful that the Māoris came.” Martin says you don’t pay the shaman with money, but instead with fish or something ceremonial.

Historically and from tribe to tribe the markings meant different things. The chin markings were only for girls or women and often accompanied a milestone in life, like entering womanhood. Some accounts say girls received their first marks at age 5, then added a line each year to indicate age. Others consider the lines a mark of beauty or a sign of status.

Despite what the markings meant in the past, the resurgence of the moko today likely means something far different, and may vary from person to person.

“Different marks mean different things,” says Martin. Her lines are thin and simple, while her mother’s lines are thicker and more intricate. Martin says her role in the tribe is to pray, but she has already decided to broaden the lines on her chin as she takes a more prominent role in the tribe.

“Once you’ve taken the mark, you need to walk your talk.”

People who meet Martin often do not understand what they’re seeing.

“In India,” says Martin, laughing, “they thought it was a beard.” She laughs even more deeply. “In Australia they handed me a handkerchief to wipe it off.”

How do they respond in the United States?

“People stare. And I like that, because it reminds me of my ancestors and I feel connected to my ancestors.”

 

Nadine Martin was among the first of her contemporaries to adopt the tribal moko.

Pat Kruis / OPB

Tulalip Resort Casino “Sports” New Dining Venue

The Draft Sports Bar & Grill Kicks Off in Late Summer 2013

Tulalip, Washington—Coming late summer 2013:  Tulalip Resort Casino’s The Draft Sports Bar & Grill, a premiere sports bar destination to grab a drink, great American food and watch major sporting events from all over the world on large screen HDTVs.  Located adjacent to the hotel lobby, this comfortable and modern sports getaway will feature a selection of craft beers, wines by the glass and signature cocktails along with hearty, flavorful food to pair with it.

The Draft will “sport” stepped natural woods accented with electric blue, gold and black, creating a dramatic backdrop for the 161” x 91” wall matrix of video screens. Other smaller video arrays will also surround the bar, and audio will be multi-zoned, providing a live action experience that places the viewer in the middle of every huddle, scrum, face off, and jump ball.

While guests relax and unwind with friends, they can enjoy The Draft Jumbo Wing Board (select from among six dipping sauces)  or one of four “Torpedo” sandwiches like the Uli’s Jagerwurst Sausage. Signature The Draft dishes will include the Grand Slam Chili; hand-filled, bacon wrapped, jalapeno “Poppers”;  Mahi Mahi Fish and Chips;  TKO Mac and Cheese Skillets (offering 3 cheesy options); and a juicy BBQ Hog “Handwich”.  Of course, no sports bar would be complete without a juicy half-pound chuck burger and Executive Chef Perry Mascitti will offer the “Construction Site”, where guests design their own. When both the finish line and the finish of the meal are in sight, fans can cruise the “Sweet Victory” dessert menu of bold, sassy confections, sure to make everyone feel like a winner.

“Consider yourself drafted!” says Director of Food & Beverage, Lisa Severn.  “That’s how you will feel when you experience Tulalip Resort Casino’s newest venue with its large custom collage paintings, celebrating our Northwest teams and legends. The Draft feels like an urban pub, infused with new technology that reaches beyond the expectations of a common sports bar.  We can’t wait to welcome guests in, so they can bask in the complete experience.”

The Draft Sports Bar & Grill will be open seven days a week from 11 am to 2 am.  Guests will be able to order from the late night menu after 10 pm, until closing.  For those needing to dine on the go, The Draft will also offer the “Quick Picks” option.

Additionally on the Resort’s culinary horizon is the Lobby Bar; Journeys East restaurant featuring time honored traditional Asian recipes; and a new steakhouse menu at Tulalip Bay.

Caffeine High: Navajo Zoo Partners To Sell Gourmet Coffee Blends

Source: Indian Country Today Media Network

Over the past year, a joint venture has been brewing between the Navajo Nation Zoo and Kachina Tea & Coffee Company. On July 9, the parties unveiled four unique coffee blends they will sell, each hand-packaged in seven-ounce bags featuring one of four Navajo Zoo animals selected to represent the character of the coffee.

The companies signed a Memorandum of Agreement, billed in a press release as a “culturally lateral collaboration,” which was approved February 23 by the Navajo Nation Council and the Tribal offices of the president and vice-president.

Keith Duquitto, owner of Kachina Tea &amp; Coffee, shares his passion for helping the Navajo Nation Zoo and using the best ingredients at his store. (Geri Hongeva, Division of Natural Resources)
Keith Duquitto, owner of Kachina Tea & Coffee, shares his passion for helping the Navajo Nation Zoo and using the best ingredients at his store. (Geri Hongeva, Division of Natural Resources)

 

Under the terms, net proceeds will be divided equally between the Navajo Nation Zoo and Kachina Tea & Coffee Company. The Navajo Zoo will invest the money in caring for the animals and the future development of the Zoo. Kachina Tea & Coffee Company will direct its profits toward a proposed facility for the roasting and production of the coffee in or near Window Rock—along with a number of complimentary, healthy culinary items. Details of the planned headquarters are included in the Memorandum, which identifies the project as not only “community supportive” but as “community inclusive.”

The Navajo Nation Zoo—home to injured and orphaned animals—is the only Native-owned and -operated zoo in the country. Formed in July 4, 1977, in Window Rock, Arizona, the Zoo cares for animals unable to live in the wild, describing itself as “A Sanctuary for Nature and the Spirit.” Most of the creatures housed at the Navajo Nation Zoo are native to the Four Corners region and significant to the traditions, legends and stories of the Dine People.

Kachina Tea & Coffee Company was conceived in Malibu Canyon, California in the early 2000s. The company’s original concept was to create a line of natural botanical tea blends in an effort to lend nutritional and psychosocial support to friends and family experiencing certain types of functional inconveniences or those simply pursuing a healthy lifestyle from the inside out. Founder Keith Duquitto has garnered more than 25 years of clinical practice as a respiratory therapist and has cultivated a diverse collection of healthcare professionals as colleagues.

David Mikesic, zoologist at the Navajo Zoo, introduces each coffee blend as he describes the character of each animal at the tribally sanctioned zoo. (Geri Hongeva, Division of Natural Resources)
David Mikesic, zoologist at the Navajo Zoo, introduces each coffee blend as he describes the character of each animal at the tribally sanctioned zoo. (Geri Hongeva, Division of Natural Resources)

For the Navajo Zoo and Kachina Tea & Coffee Company, choosing the coffee blends was a meticulous and creative process, and they then astutely matched each blend with a package design featuring one of four representative animals from the Navajo Zoo.

The coffee blends and animal pairings include:

1) Espresso Italiano—a medium-strong espresso roast featuring the orphaned Kay-bah, the Navajo Zoo’s rugged lioness (cougar);

2) An Elegant Kona Blend—a simple and elegant roast blended with Hawaiian Kona beans with notes of tropical flowers and ripe persimmon featuring the orphaned Naabahi—one of the Navajo Zoo’s endearing male bobcats;

3) Chuska Chai’s Hazelnut—a fruity, smooth coffee with a hint of natural flavoring from Oregon-grown hazelnuts featuring the Navajo Zoo’s native tassel-eared squirrel; and

4) A Regal Decaf—a rich, deeply dimensioned and sweet decaffeinated blend aptly represented by the Navajo Zoo’s male Ringtail.

Presently, a Northern California-based seasoned coffee importer and roaster packages the beans, which are then shipped to a Las Vegas-based young master coffee roaster and good friend of the Navajo Zoo, who is artfully blending the coffees.

Each coffee blend will be offered in seven-ounce quantities—intended as an ideal sample size for discovering one’s favorite coffee, or as a Zoo supportive gift for family and friends.

Coffees will be available for sale at the Kachina Tea Company store in Las Vegas, and on the company’s website in the near future. In Window Rock, the coffee will be sold at the Navajo Nation Zoo, The Navajo Nation Museum, and other locations in the near future.

 

Read more at https://indiancountrytodaymedianetwork.com/2013/07/10/caffeine-high-navajo-zoo-partners-sell-gourmet-coffee-blends-150357

Skagit Artists Together’s 10th Annual Studio Tour

When Saturday, July 20, 2013, 10am – 6pm
Where throughout Skagit County
Category Arts & Entertainment
Audience Kids, Teens, Singles, College Students, Dads, Moms, Seniors, Families
Cost free
Description Join Skagit Artists Together as we celebrate our 10th Annual Studio Tour. 29 artists are participating throughout Skagit County in several mediums. Download the brochure at www.skagitart.com and head out for a day or weekend in beautiful Skagit Valley.
Link www.skagitart.com

Two American Indian Art Organizations Partner to Benefit Native Artists

Source: Native News Network

SANTA FE – The Southwestern Association for Indian Arts and the Institute of American Indian Arts have signed a Memorandum of Understanding to continue to improve and increase educational and professional opportunities available to American Indian artists at the Santa Fe Indian Market and IAIA. The partnership provides a formal framework for program collaboration and mutual services.

SWAIA COO Dr. John Nez and IAIA President Dr. Robert Martin

SWAIA COO Dr. John Nez and IAIA President Dr. Robert Martin

 

“It’s a no brainer. SWAIA and IAIA have long had aligned interests, and together, we will produce a positive environment for all Native artists,”

says Dr. John Torres Nez, Chief Operating Officer of SWAIA.

“It’s a way of highlighting the positive impact that IAIA has had on SWAIA in terms of the number of alumni participating in Indian Market,”

IAIA President Dr. Robert Martin says.

“It also highlights the importance of SWAIA in terms of providing a venue for our alums, faculty and staff to showcase and market their talents.”

Although IAIA focuses on contemporary art and media, while SWAIA promotes both traditional and novel art forms, both organizations seek to preserve Native American arts and culture and provide a supportive platform to their respective artists.

These changes will happen in the coming months: SWAIA and IAIA will co-host the State of Native Arts Symposium on Friday, August 16, and the Membership Breakfast in the Park on Saturday, August 17. Both events are part of Indian Market Week. SWAIA and IAIA are excited to present these programs, and eager to strengthen and increase collaboration in the future.

SWAIA is an advocate for Native American arts and cultures and creates economic and cultural opportunities for Native American artists by producing and promoting Santa Fe Indian Market Week, the finest American Indian art and cultural event in the world; cultivating excellence and innovation across traditional and non-traditional art forms; and developing programs and events that support, promote, and honor Native artists year round.

SWAIA is a non-profit organization, and keeps no portion of the sales made by artists during Santa Fe Indian Market Week.

For 50 years, the Institute of American Indian Arts has played a leading role in the direction and shape of Native expression. As it has grown and evolved into an internationally acclaimed college, museum and community and tribal support resource through the Center for Lifelong Education, IAIA’s dedication to the study and advancement of Native arts and cultures is matched only by its commitment to student achievement and the preservation and progress of the communities they represent.

Engineering student turns fashion designer with statement Ts

(Courtesy photo)Jared Yazzie hand paints a T-shirt in his studio as he prepares for a fashion show.
(Courtesy photo)
Jared Yazzie hand paints a T-shirt in his studio as he prepares for a fashion show.

By Shondiin Silversmith, Navajo Times

Jared Yazzie started out his college career with the intent of becoming an engineer. In fact, he received several scholarships to help him along the way at the University of Arizona. After two-and-a-half years of working toward his degree, Yazzie, 24, made a drastic change: he switched his major to graphic design.

In the fall of 2009 Yazzie started designing his own T-shirts.

062013tsh1“I was just doing my own design work,” Yazzie said.

That is when he developed the brand OxDx for his designs. It stands for “Overdose.” He said the name came from how he sees the world because everyone is overdosing themselves with unnecessary things.

“I always thought of a T-shirt as billboarding,” Yazzie said. “I just want a way to interact with people, and I think T-shirts are the most interactive tool. I call it a walking billboard.”

Yazzie was doing a lot of design work but he didn’t get the idea of selling his T-shirts until his friends started offering him money for them.

“They paid me 25 bucks,” he said, “and I designed a shirt.”

He sold his first shirt design to 25 people, whom he calls his “dream team.” The design on his first shirt was of a Navajo child’s head with a distorted dream bubble floating above him and a bandana that says “dreamer.”

“After that I had enough money to come up with my next design,” Yazzie said.

He left UA and moved to Phoenix in 2010 where he continued to design his shirts.

“Everything is either hand-drawn by me or graphically altered by me. I do all the graphics for my stuff,” Yazzie said. Each of his T-shirts is either screen-printed or hand-painted.

Yazzie learned the screen-printing process in his brother’s garage from a friend in 2011. When he first started, his designs would be sent out to screen shops and professionally printed, but does the printing himself today.

He would sell his shirts at flea markets, youth conferences, art shows and fairs. He continued marketing his product in this manner until he turned OxDx into a real business in 2012 and developed his OxDx online clothing line.

“Everything before that I was just selling on the rez,” he said. “It’s something I care about and it was just growing.”

Yazzie said he has over 20 T-shirt designs “out there that are just floating around.” Each of his shirts is a limited edition.

“Everything I do has a message and I want people to think. I have some pretty strong messages,” Yazzie said, noting his shirts have been known to start conversations. “It’s a way for Natives to be fashionable and make a statement while doing it.”

Yazzie said the designs he produces are some really fun stuff, but he also likes to touch on Native American issues.

“It’s nice to have a design that meshes well with what everyone is wearing, but it’s a Navajo design,” Yazzie said as he described one of his shirts called the “Music Tee.”

This design depicts a traditional Navajo woman in full attire with a pair of headphones on. Within the headphones is the Navajo wedding basket design.

“I try to do my best to get everything accurate,” he said, “which is really hard.”

Another design by Yazzie is called “Not A Trend.” He said he produced this design in reaction to media representations of Native Americans.

He said it seems that it’s becoming more and more common for people to dress up like Indians for fun, using as an example the headdress-wearing model from a recent Victoria’s Secret fashion show.

“It’s just kind of crazy,” Yazzie said. “It’s like racism that’s going on today and it shouldn’t be. Nobody understands it from a Native perspective and I was trying to bring that to light.”

As a way to do that he developed the hashtag “Not A Trend” so people can use it on Twitter and Instagram when they want to make a statement.

Yazzie said now that his clothing line is developed and his designs are becoming more popular his shirts have taken on fashion appeal.

“I’ve never seen a T-shirt brand do that. I love that I’m getting respect on a fashion level,” Yazzie said.

He’s even being invited to fashion shows – most recently at Arizona State University, and next in South Dakota at the end of the month.

Yazzie said his shirt “Native Americans Discovered Columbus” has shown up on the CNN and Rolling Stone magazine Web sites. On CNN his shirt was worn by a model for a story about the “Beyond Buckskin” fashion blog, and Rolling Stone showed his shirt on artist Nahko from Medicine for the People during a performance in Seattle, Wash.

Alongside his online clothing line Yazzie works for Express Screen Printing in Phoenix. He is also a student at Mesa Community College where he hopes to complete his degree in graphic design. He is originally from Holbrook, Ariz. and his parents are Kee and Shirley Yazzie. He is Ashiihi born for Todich’ii’nii.

For more information visit: www.oxdx.storenvy.com.

Rock Out Under The Stars At Tulalip Amphitheatre

A Pacific Northwest summer tradition – Rock Out Under the Stars at Tulalip Amphitheatre

Tulalip, Washington — Tulalip Resort Casino is known for celebrating tradition, and one of the Pacific Northwest’s warm weather rituals is enjoying entertainment under the stars at the Four-Diamond resort’s outdoor Amphitheatre.  Featuring 7 summer concerts at the intimate 3,000 seat venue with an incredible sightline, the concert stage is set for a variety of arts and entertainment options to intrigue every kind of musical enthusiast.  The summer of 2013’s line-up is a memorable one – it includes Grammy and Academy Award winners, artists and music icons who have continually topped the charts.Sunday, July 21: Gretchen Wilson & Clay Walker
Gretchen Wilson has had 13 hit singles on the Billboard country charts, 5 reaching the Top 10.
With 31 titles on Billboard, Clay Walker boasts 4 platinum and 2 gold albums.

Sunday, July 28: Peter Frampton & Kenny Wayne Shepherd
Frampton is one of the most celebrated guitarists in rock history; Shepherd is a young blues guitarist who has sold millions of albums.

Thursday, August 15:  Sammy Hagar
The “Red Rocker”, an American music icon, has been inducted into the Rock and Roll Hall of Fame as a member of Van Halen.

Sunday, August 18:  Melissa Etheridge
Rock singer, songwriter, guitarist, winner of an Academy Award for Best Original Song, and Double Grammy Winner.

Sunday, August 25:  Foreigner
This British-American band is one of the world’s best-selling bands of all time.  Mick Jones and Lou Gramm were just inducted into the Songwriters Hall of Fame.

Saturday, September 7:  Doobie Brothers & America
The Doobie Brothers have been inducted into the Vocal Hall of Fame with hits like “Listen to the Music”; Grammy winners America has charted No. 1 hits like “A Horse with No Name” and “Sister Golden Hair”.


Tulalip Resort Casino also offers guest room/up close ticket packages.  Both reserved seating and general admission concert tickets are available and can be purchased in person at the Tulalip Resort Casino Rewards Club box office located on the casino floor, or online at www.ticketmaster.com. Unless otherwise noted, the doors open at 5pm and concerts start at 7pm for all shows. All concert dates and times are subject to change. Guests must be 21 and over to attend.

NYT: Photos of Tlingit country in Alaska at turn of the century

Three young Tlingit children. Photo from Vincent Soboleff Photograph Collection, ca. 1896-1920. Alaska State Library - Historical Collections.
Three young Tlingit children. Photo from Vincent Soboleff Photograph Collection, ca. 1896-1920. Alaska State Library – Historical Collections.

Source: Indianz.com

The Lens blog of The New York Times explores a new book, A Russian American Photographer in Tlingit Country:

The black-and-white photograph taken in Killisnoo, Alaska, at the turn of the 20th century depicts a group of fishermen reeling in a gigantic halibut. The image is lighthearted and almost comical: workers smile as the imposing creature writhes perilously close to them. What makes the photograph (Slide 5) unusual is not its subject matter but its subjects. The fishermen, working in apparent harmony, represent a cross section of the population of Killisnoo, an island off southeastern Alaska that was an important outpost for American businesses and tourism. Several of the men are white; at least two are Native American, members of the Tlingit community; and one is Asian. Taken at a time when racial integration was the exception and not the rule in the United States, the image by Vincent Soboleff, a Russian-American amateur photographer, is noteworthy. As the Dartmouth anthropologist Sergei A. Kan argues in his new book, “A Russian American Photographer in Tlingit Country: Vincent Soboleff in Alaska” (University of Oklahoma Press), Mr. Soboleff’s images of the United States territory, especially its Native population, are also significantly different from others of the period.

Get the Story:
Lens: A Russian-American Photographing Native Alaska (The New York Times 7/17)