Use fireworks in safe, legal manner

Source: Marysville Globe

MARYSVILLE — While the cities of Arlington and Marysville encourage their citizens to celebrate the upcoming Fourth of July holiday in a festive manner, the cities’ police officers and firefighters want  to make sure that those who choose to use fireworks do so in a safe and legal fashion.

The city of Arlington allows fireworks to be sold from 9 a.m. to 9 p.m. on Friday, June 28, through Thursday, July 4, whereas the city of Marysville allows fireworks to be sold from noon to 11 p.m. on June 28 and from 9 a.m. to 11 p.m. from Saturday, June 29, through July 4.

Marysville residents may discharge their fireworks between 9 a.m. and 11 p.m. on July 4, while Arlington residents may discharge their fireworks between 9 a.m. and midnight on July 4.

Neither city allows its residents to discharge their fireworks on any other day, outside of the New Year holiday, and both cities limit their legal fireworks to Class C, or “safe and sane” fireworks. Neighboring Native American reservations may sell fireworks that do not conform to these laws, but such fireworks must be detonated on reservation lands.

The retail fireworks stands of “Boom City” on the Tulalip Tribal Reservation also provide a lighting and detonation area on site for customers, since not all of the fireworks sold at Boom City are allowed to be detonated off the reservation. Security personnel will monitor the area to ensure that children aged 12 years and younger have adults aged 18 years or older present.

According to Marysville Fire District Division Chief and Fire Marshal Tom Maloney, fireworks that are illegal off tribal lands include bottle rockets, skyrockets, missiles and firecrackers. M-80s and larger, as well as dynamite and any improvised, homemade or altered explosive devices such as tennis balls, sparkler bombs or cherry bombs are likewise illegal explosive devices, and those who possess or use such illegal explosive devices can expect to be charged with a felony.

State Fire Marshal Charles Duffy is reminding Washingtonians that the purchase of fireworks over the Internet is illegal. In Washington state, fireworks must be purchased from a licensed retail fireworks stand during the legal sales period. Orders for fireworks cannot be placed over the Internet, or posted on websites such as Craigslist

In its online list of tips to the public, the Arlington Fire Department noted that illegal fireworks are often unpackaged and wrapped in plain brown paper, and warned against purchasing any fireworks that are not in their original packages, or are in opened or damaged packages.

Marysville police are taking enforcement of these laws seriously and will be citing those caught with illegal fireworks between now and the Fourth of July. Under state law, possession or discharge of illegal fireworks is a misdemeanor offense punishable by a fine of up to $1,000, up to a year in jail and a mandatory court appearance. City of Marysville Public Information Officer Doug Buell pointed out that Marysville police can issue criminal citations to violators or civil citations, the latter similar to a standard ticket.

Marysville police may issue a civil infraction, or fine, in an amount up to $500, instead of a criminal citation. The criminal misdemeanor fine is consistent with the standard state penalty of an amount not to exceed $1,000 and/or 90 days in jail. Gross misdemeanor offenses carry a fine of up to $5,000 and/or a year in jail, and a person with three or more civil infractions within a two-year time period will be cited for a misdemeanor.

Marysville Police Cmdr. Robb Lamoureux explained that such civil infractions enable officers to spend more time on the streets responding to fireworks complaints, and less time processing criminal citation paperwork. He added that the safety of individuals and property is the police department’s utmost concern.

“Use caution and follow safety rules for responsible use of fireworks,” Lamoureux said. “Illegal fireworks in particular pose a public safety and medical hazard, and they have the potential to cause property damage in the Marysville area.”

Although Arlington Assistant City Administrator Kristin Banfield believes that Arlington police are more likely to try and educate those using illegal fireworks, or those using fireworks illegally, she warned that, “If they have to make a repeat trip to your place for fireworks, it’ll probably result in a fine.”

Officials in both cities urge Fourth of July holiday revelers to clean up their fireworks after they’re finished.

“After you light it up, clean it up,” Buell said. “Discarded fireworks the days after the Fourth are a neighborhood eyesore, and smoldering, spent fireworks can still pose a fire hazard if not disposed of properly.”

To dispose of spent fireworks properly, the Arlington Fire Department advises that people let their used fireworks lay on the ground until they are cool and there is no chance that any residue will reignite, after which they should place all the expended firework cases in a bucket of water to soak them thoroughly. Those who use fireworks should keep a bucket of water or a running water hose close by in case of a firework malfunction or fire.

“First and foremost, our fire and police chiefs strongly encourage our residents to stay safe by attending the local public displays, such as the one at the Arlington Boys & Girls Club sponsored by the Arlington-Smokey Point Chamber of Commerce,” Banfield said. “If you do use fireworks, however, only use them as intended, and use common sense. Don’t try to alter them or combine them, and never relight a ‘dud’ firework. Spectators should keep a safe distance from the shooter, and alcohol and fireworks do not mix, so have a ‘designated shooter.’ Only those older than 12 years old should be allowed to handle fireworks, especially sparklers of any type.”

For more information, visit the city of Marysville’s fireworks website at http://marysvillewa.gov/index.aspx?nid=362 and the city of Arlington’s fireworks website at http://arlingtonwa.gov/index.aspx?page=419.

For more information about fireworks safety, public fireworks displays and the fireworks laws for your area, check the Celebrate Safely website at www.wsp.wa.gov/fire/fireworks.htm.

Petting zoo, zombies, planes, more weekend fun

Mark Mulligan / The HeraldQuaid Jones of Lake Stevens can't believe the herd of goats surrounding him and his sister, Tessa, at the Forest Park petting zoo in 2012.
Mark Mulligan / The Herald
Quaid Jones of Lake Stevens can’t believe the herd of goats surrounding him and his sister, Tessa, at the Forest Park petting zoo in 2012.

Source: The Herald

Meet the animals: The Animal Farm at Forest Park in Everett opens on Saturday. It will be open from 10 a.m. to 4 p.m. through Aug. 25. Kids (and their adults) can meet sheep, ducks, hens, rabbits and pigs. It’s free, but donations are appreciated. More information is here.

Garden tour: See how homeowners on Camano Island have turned their yards into habitat for wildlife at a free tour on Saturday. Get details in our story here.

Free fly day: The Flying Heritage Collection will show off some of its planes at a free demonstration from noon to 1 p.m. on Saturday. Get the details here.

Carnival: The Smokey Point Carnival is Friday to Sunday at Smokey Point on the Airport, 172nd St. NE and 51st Ave. NE. Tickets are $19.

Zombies: A release party is Friday for book 3 in the Grace Series, a series about zombies written by Snohomish author M. Lauryl Lewis. The books are set locally, too. The party will have beer, wine and zombie cupcakes. Doors open at 6 p.m. and a reading starts at 7 p.m. at Historic Everett Theatre. Get details here.

Roller derby: Tilted Thunder, banked-track roller derby, has a bout on Saturday at Comcast Arena. Doors open at 4 p.m. and the bout starts at 5 p.m. Get the details here.

Laugh: Three comedians will headline a show at One Eyed Jacks in Lynnwood on Saturday. The show with John Keister, Brooks McBeth and Duane Goad starts at 8 p.m. Tickets are $12. Get them here.

Dig Deep: Learn about earthquakes, volcanoes and fossils with the Pacific Science Center at 1 p.m. Saturday at the Mountlake Terrace Library. The event is free and meant for kids 5 and older. Get more details here.

Splash: Wakeboard riders will show their stuff on Friday and Saturday at Lake Tye in Monroe. There is also a learn-to-wakeboard clinic on Sunday — make reservations at 206-295-6845. Get more information here.

Salute to Summer: The Hometown Hootenanny will perform songs with a summer feel at a show on Saturday in Everett. Get the details in our story here.

Art and music: Art at the Barn is Saturday and Sunday in Oso. The show includes photography, paintings, pottery, glass work, jewelry, basket weaving and woodwork. There will also be plenty of live music. Details are in our story here.

Plan ahead: See more of what’s coming in Splash, our annual guide to summer events.

More things to do: Check out our new, improved calendar for more upcoming events in and around Snohomish County.

Point Lips, Not Fingers: Paul Frank Native Designer Dustin Martin

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By Lee Allen, Indian Country Today Media Network

On June 18, Paul Frank Industries announced that four Native designers had been selected to collaborate with the company on a line of products. Called “Paul Frank Presents,” the collection will debut on August 16 at the Santa Fe Indian Market. Dustin Quinn Martin, who designs T-shirts for his company S.O.L.O. (Sovereign Original Land Owners), was one of the young fashion talents who got the nod.

NAME: Dustin Quinn Martin

AGE: 23

TRIBAL HERITAGE: Navajo

SPECIALTY: T-shirt designer since college days

INFLUENCES AS A DESIGNER: “My contribution to the line was built on the concept ‘Point Lips, Not Fingers.’  When I was growing up, my grandfather taught me it was rude to point fingers (literally and figuratively).  So, like many Navajos who grow up on the rez, I learned that pointing my lips was a polite alternative to conventional hand gestures.  Anyone who’s spent time in Navajo land will know what I’m talking about…

“The design I cooked up uses a cultural quirk (lip-pointing) to embed meaning and humor into the image and remind viewers of what sparked the collaboration. Graphic silhouettes (think Kara Walker) of a Dine man and woman are featured in most of the products.  These figures are met by Julius (Paul Frank’s signature brand character) lost on a hike through Native America.  Their pointed lips show that the monkey’s childish curiosity has been met with patience and respect rather than gesticulating rudeness.  Elsewhere in the design you’ll see the Paul Frank brand surrounded by (and integrated into) familiar ‘Native’ geometry.  But these perfectly symmetrical shapes evolve into abstract fields of modern-looking angles.  These jarring shapes imply new directions — for thoughts, for friendships, for artistic traditions, for brands.  Fresh trails can only be blazed with the help of patient and forward-thinking guides.  These guides point lips, not fingers.”

THOUGHTS ON WORKING WITH PAUL FRANK INDUSTRIES: “Without a doubt I’m very thankful for the opportunity.  Negotiating terms with a multinational brand licensing corporation was an eye-opening experience and a huge confidence booster.   Though I now have an even better idea of how much there is for me to learn, I also know that a fashion collaboration — no matter how ‘big league’ it may appear at first — isn’t rocket science.  When I was able to look past ‘Paul Frank’ and [Paul Frank Industries’ parent company] ‘Saban Brands’ to see the people behind the curtain, it became a lot like working with friends.

“Above all, I went into this experience with this mindset: ‘This is the type of recognition and respect Native artists and designers have been praying for.  DON’T DROP THE BALL.’  I hope all four of us chosen designers make Native America proud.”

Learn more about Dustin Martin at the official S.O.L.O. site, solo505.com. Photos of and information about products featured here were provided by Beyond Buckskin Boutique.

 

Read more at https://indiancountrytodaymedianetwork.com/gallery/photo/point-lips-not-fingers-paul-frank-native-designer-dustin-martin-150170
 

Forecast calls for 80s, 90s in Western Washington

The five-day forecast for Everett.
The five-day forecast for Everett.

Doug Esser, Associated Press

SEATTLE — The weather that Western Washington residents dream about through the damp gray days of winter is finally here.

The forecast promises a dry, sunny weekend with high temperatures in the 70s and 80s. Then, Northwesterners could have a couple of days where they can join the rest of the West in complaining about the heat.

Record temperatures in the 90s are possible in places Monday and Tuesday, the National Weather Service office in Seattle said.

The record for July 1 at Sea-Tac Airport is 87 degrees, set most recently in 1995. And the record for July 2 is 92, set in 1968. The temperatures for both days “have a shot” of setting new records, said meteorologist Chris Burke.

A 90-degree day in Seattle is rare, but not unheard of.

“We don’t get to 90 degrees every year, but most years we do,” he said Friday.

Temperatures east of the Cascades will be even hotter, as they usually are, with weekend highs in the 80s and 90s, possibly breaking 100 on Monday and Tuesday.

In Spokane, temperatures in the 90s are expected Saturday and Sunday during the Hoopfest 3-on-3 basketball tournament. The event is expected to draw 28,000 players and up to 200,000 people downtown. They are being warned to drink plenty of fluids to avoid heat-related problems.

The cause of the heat wave is a “very impressive big giant high” pressure system, Burke said.

“It’s pretty normal for the rest of the West. Only once or twice a year does it reach Western Washington,” he said.

Marine air is expected to push into Washington again on Wednesday, dropping temperatures to the 80s and 70s by the Fourth of July.

The downside of great weather is the risks some people take to enjoy it at rivers, lakes and beaches in Washington. Cold water is a shock.

“Most hot weather deaths are from drowning because rivers are fed by melting snow,” Burke said. “You go in and get into trouble right away.”

Authorities also are advising people to protect themselves from heat-related illnesses and not to leave children or pets in cars.

Be careful and enjoy the summer weather.

“It’s going to be pretty nice, basically,” Burke said.

Carnival comes to Smokey Point

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The carnival is coming to town!

Jun 25, 2013

by Beckye Randall in North County Outlook
The Arlington-Smokey Point Chamber of Commerce has contracted with Butler Amusements, the folks behind the carnival at the Evergreen State Fair, to bring their rides and games to Smokey Point for a four-day event. The carnival will be set up at the corner of 172nd St. NE and 51st Avenue NE, near the Arlington Airport, June 27 through 30.

There’s no admission charge, and a $20 wristband is good for rides all day long. Individual ride tickets will also be available.

The wristbands are available in advance at the Smokey Point Walmart, and at Coastal Community Bank at 16419 Smokey Point Blvd.

“There will be a midway with games and some concessions,” said chamber manager Mary Jane Harmon, “and we’ll have some food vendors as well.”

And the rides? Butler is bringing some of the most popular carnival rides, including the Zipper, the Scrambler, the Cyclone and the Tilt-a-Whirl. Kids’ rides include Goofyville, a crawl-through maze, the Galaxy Swing and, of course, a giant slide.

“Butler Amusements has an excellent safety record,” said Harmon. “They have rides for all ages.”

For more information, visit www.arlington-smokeypointchamber.com

Paul Frank Native American-designed collection an apology for powwow party?

Paul Frank parent company Saban Brands President Elie Dekel surrounded by products featuring Paul Frank icon Julius the Monkey. (Genaro Molina / Los Angeles Times / June 19, 2013)
Paul Frank parent company Saban Brands President Elie Dekel surrounded by products featuring Paul Frank icon Julius the Monkey. (Genaro Molina / Los Angeles Times / June 19, 2013)

By Booth Moore, Los Angeles Times, June 19, 2003

On Tuesday, I wrote a post about the new “Paul Frank Presents” collection of accessories designed in collaboration with Native American artists.

After so many egregious misappropriations of Native American culture by fashion brands (“Navajo” T-shirts at Urban Outfitters and feather headdresses on the runway at Victoria’s Secret), I wrote that it was heartening to learn that Los Angeles-based Paul Frank, the brand that turned a sock monkey into a fashion statement, announced it is collaborating with four tribes in regions across the country in what seemed to be an authentic way, giving artists the opportunity to design accessories for a special collection launching in August on PaulFrank.com.

(The artists include Louie Gong from the Nooksack tribeCandace Halcro from the Cree/Metis tribe; Dustin Martin from the Navajo tribe; and Autumn Dawn Gomez from the Comanche/Taos tribe.)

But I failed to include the backstory. Dr. Jessica R. Metcalfe, a Turtle Mountain Chippewa from North Dakota, who writes about Native American art, fashion and design, as well as owning and operating the site BeyondBuckskin.com, where many of the artists tapped by Paul Frank sell their designs, elaborates on the collaboration in an illuminating post here.

“While I am undeniably thrilled about the announcement and all that it represents, the press release failed to mention the various factors that led to this collaboration,” Metcalfe writes. “Last September, the lifestyle brand Paul Frank hosted a “powwow”-inspired fashion event that featured some questionable party favors and activities.”

“After a sizable backlash from people from Native American communities and our allies, the brand removed over a thousand images of the event from their Facebook page, and the president of the company, Elie Dekel, reached out to myself and Adrienne Keene of Native Appropriations. He reached out to the two of us, I think, because we had been the loudest in pointing out the obvious racism behind this event … and so it began — the gesturing to apologize for this major slip-up,” Metcalfe writes.

Although Paul Frank’s collaboration with Native American artists will undoubtedly help bring the work of these talented young people to a wider audience, the company should have been forthcoming in press materials about the journey it took to get here. Because what is corporate responsibility without full disclosure?

Documentary Explores Tensions Between Indigenous Cultures and Renewable Energy Development

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By Aji, June 24, 2013, for New Day

Who Are My People?, documentary by Robert Lundahl, premiered on Saturday in San Diego, California. The film explores the disconnect that occurs when non-Indians assume that using sacred ground for renewable energy is an automatic benefit that must outweigh the rights of the land’s indigenous peoples to their ancestors’ history and ongoing traditional practices.

At the heart of the dispute is a contest between Native American traditions and developers and government officials who contend benefits from the projects such as greenhouse gas reductions and renewable energy production outweigh their disturbance of cultural resources in the bleak desert terrain.Some of those resources, Lundahl said, seem “downright strange to Anglo-European eyes – like enormous geoglyphs, or earth drawings, visible from space, including giant human-like forms and complex geometries.”

“Stranger still,” he added, “international energy companies want to build their facilities right on top of these sacred communications from the distant past. In the process, they are tearing apart the social and cultural fabric of indigenous descendants.”

Mr. Lundahl is white. He has a history of making documentary films about Native subjects and issues, for which he has received a number of industry and academic awards. Those awards, however, are bestowed by the dominant culture, and are not themselves an indicator of whether he gets it right from an Indian perspective. That said, it appears that he makes an effort to showcase actual Native voices in his films, and this one appears to be no exception.

For those who wish to view the film, the release dates are listed on the film’s official Web site as “Coming Soon.” The site does, however, make it possible to view a trailer and read about Mr. Lundahl’s artistic vision and intent. Since the premiere occurred only two days ago, it’s worthwhile to keep tabs on future showings, particularly to see how it’s received in the portions of Indian Country that the film covers.

Indians 101: Tulalip Canoes (Photo Diary)

By Ojibwa for Native American Netroots

For the Salish-speaking tribes of the Washington coast, canoes were traditionally not only their most important form of transportation, they were also cultural icons. The Hibulb Cultural Center and Natural History Preserve honors the Tulalip (Snohomish, Snoqualmie, Skykomish, and others) cultures.

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The importance of canoes to the Tulalip peoples is evident in the Hibulb Culture Center. The canoe theme shown in the windows above is repeated throughout the Center.

Canoes were made by hollowing out a single log with fire and adzes. By filling the hollowed out log with hot water, the canoe makers could then widen the canoe by forcing stout cross-pieces between the gunwales.

Carving a canoe begins with spiritual preparation: the carvers must prepare themselves with fasting, prayers, and the sweatlodge. It is not uncommon for the task of carving a large canoe to take two years. Once the log is chosen, a prayer is said for the cedar and an offering is given to thank it for its sacrifice.

The final stage in carving the canoe involves the use of hot rocks and water to steam-bend the sides outwards. This steaming also draws the bow and stern upwards as well as adding strength to the vessel. For the large ocean-going canoes, the prow and stern pieces are added last, the thwarts and seats are installed, and the exterior is finished. Then the canoe is given a name and is ready to begin its life on the water.

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Three canoes are displayed in the Center.

River Canoe:

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The river canoe shown above was carved about 1880 by William Shelton. It was restored by the Tulalip Tribes Carving and Arts Department.

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The bow of the canoe is shown above.

Small Canoe:

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This small canoe was carved about 1930 from a single log by William Shelton.

Ocean-Going Canoe:

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This canoe was made about 1880 as part of a wedding dowry. The canoe was built by the bride’s family from the Quinault Nation and given to the Tulalip groom is a wedding present.

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Shown above is a detail of where the mast would have been placed. Sails, prior to the arrival of the Europeans, were made from woven mats.

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The canoe was made from hollowing out a single large cedar log. The sides were then spread apart and the bow and stern pieces were then added.

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The bow is shown above.

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The stern of the canoe is shown above. The stern piece was added to the dugout form.

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The photograph above shows the additional piece which was added to the gunnels.

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The photograph above shows how the thwarts (i.e. seats) were attached.

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New York City’s AICH Hosts Healing the City Pow Wow

New York City will again be alive with pow wow this weekend. Following the hugely successful Gateway to Nations Pow Wow in Brooklyn, the city’s American Indian Coummunity House presents the Health Awareness-Healing the City Pow Wow on Saturday, June 29. The American Indian Community House been serving NYC’s Native community since 1969.

The pow wow will emphasis Indian country health awareness issues, as well as feature dance contests. The host drums are SilverCloud Singers and Mystic River. The event will be held at the Art Directors Club in Manhattan.

For more information, visit Aich.org, the AICH’s Facebook page or see the flyer below.

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Read more at https://indiancountrytodaymedianetwork.com/2013/06/27/new-york-citys-aich-hosts-healing-city-pow-wow-150137