Edmonds School District seeks Tulalip input on new Native curriculum

Edmonds School District staff meets with Tulalip tribal leadership. Photo/Kalvin Valdillez
Edmonds School District staff meets with Tulalip tribal leadership.
Photo/Kalvin Valdillez

 

By Kalvin Valdillez, Tulalip News

“He took my sacred place and ripped it in half! I knew it was going to happen, but it still made me sad,” stated a third grade student from Edmonds School District (ESD). The student was referring to an assignment from her teacher where she had to create a ‘Sacred Place’ with all of her favorite things, and with all her favorite people. The student drew her sacred place, which included a rare one-of-a-kind tree that grew sideways at a secluded campsite with her family and friends. As she passionately explained her assignment, it was obvious to see she was extremely excited and attached to her sacred place.

Once the student was finished with her assignment her teacher looked at her drawing, admired it and then tore it in half. “It just made me really sad and a little mad because it was mine.” This emotional scene was a video clip from a presentation to the Tulalip Board of Directors (BOD) on May 18, 2016, one of many exercises that were shown in the presentation provided by the ESD. After the video clip finished, a look around the boardroom showed how emotional the video made everybody feel, the little girl was visibly distraught. Which is when the room was informed that the teacher taped up the drawing for the student.

“That is exactly like where we are now, as sovereign nations, we are trying to tape back together our sacred place,” stated board member Bonnie Juneau. The purpose of the assignment was to show young students how it felt to have their sacred place taken from them and destroyed. With Governor Jay Inslee recently signing Senate Bill 5433 into law, making it mandatory for Washington State Schools to teach the history and governance of the 29 federally recognized tribes of Washington State, ESD is taking a step forward by implementing a curriculum that covers elementary through high school students.

Other clips showed students talking about The Boldt Decision, colonization, and religion. “The book I read stated that the Natives were converted to Christianity,” said a Fifth Grade student, “but then I read that the Natives were forced into Christianity. The first one sounds like they had a choice, the second one sounds like they didn’t have a choice at all.”

Prior to Senate Bill 5433, House Bill 1495 only encouraged schools to teach of the indigenous nations in Washington. Tulalip’s John McCoy, who wrote both Bill 5433 and HB 1495, believes Senate Bill 5433 will be a relationship-builder between different cultures, and will provide a more engaging approach to students who will potentially become our future leaders.

Since Time Immemorial: Tribal Sovereignty in Washington State, or STI for short, is the curriculum created by The Office of Superintendent of Public Instruction (OSPI). STI was pilot tested for the past five years, in fourteen different Washington State schools. Now, it is being implemented by Edmonds Office of Native Education, headed by Program Supervisor Michael Vendiola. Michael explained that STI is a free online curriculum and available to all school districts.

“I think this is great. Growing up I remember checking all of my history text books for Tulalip Tribes, and I never once found anything about our people in those books,” said Chairman Mel Sheldon.  “All of it was Plains Indians, and even then, it wasn’t much. It’s heartbreaking that our youth can’t identify themselves in our schools.”

It is no secret that Indigenous Peoples are misrepresented in U.S. History and the media. On a national level, Coastal Native Americans specifically are nearly non-existent in the history courses being taught in schools. The Chairman continued, “I remember being asked, and I am sure everyone in this room at some point has been asked, if I lived in a Tee-Pee when I told somebody I was a Native American.”

Vendiola pointed out that change won’t happen overnight. “This is like our  ‘Zero Year’ where we are still seeing what works, what doesn’t, and how we can improve the curriculum.” One of the ways ESD looks to improve STI is to provide the history of the nearest federally recognized tribe. This is a huge change.

“Partnering with The Tulalip Tribes allows us to involve the community in [the] culture close to home. This is our opportunity to change the future.”

The presentation not only showed how concerned and shocked students were, but also showed that most students reacted positively to learning the history and culture of Native People. One mother was astounded by her son’s enthusiasm, stating that he has never talked about what was going on in school, but could not hold in his excitement when learning about the culture. The mother, who at the time was finishing law school at Gonzaga University, continued stating that she was able to have a full discussion with her fifth-gradestudent about fishing rights.

An ESD instructor gave a teacher’s perspective on STI. “I think at first teachers were hesitant to teach this subject because of how harsh the reality is, and also because we didn’t know where to begin. With STI, I believe teachers are discovering how fun and easy this can be.”

He then stated that his students were disappointed when the lesson was over and were not excited to move on to the usually popular Medieval Times lesson.

Although STI does mainly focus on the history of both local and national tribes, it also touches on where the tribes are today as far as culture and self-governance.Tulalip Board member Marie Zackuse spoke about changing the perception of tribes in today’s world, and why it is important to update what’s being taught about tribal communities in a contemporary point of view.

Marie stated, “Racism is still very alive and well in communities that are nearby reservations. Most of the history taught about our people is in a pre-1900 context.” She believes that the racism stems from the misunderstanding of our treaty rights. For example, many non-native citizens believe Native Americans receive privileges not granted to others, rather than seeing Treaty Rights as the rights that a tribe negotiated to keep while giving up other rights.

 

“I thought Indians were just people who were discovered and who hunted a lot, but now I know that there are many different tribes and the tribes here fish, dance and carve beautiful masks!” 

– Fourth-grade student from Edmonds

 

The curriculum itself is extensive, incorporating information of the history, governance and culture of federally recognized tribes in elementary, middle, and high school lesson plans. What an elementary school student can expect to take away from STI is a basic understanding of tribal sovereignty, the history of tribal sovereignty, as well as the ability to identify the names and locations of the tribes in their area. A middle school student will comprehend that tribal sovereignty has cultural, political, and economic basis. And a high school student will be able to explain the governmental structure of at least one tribe in their community.

The Tulalip Board briefly explained to ESD that Tulalip is proactive about teaching Tulalip’s culture, history and language in The Betty J. Taylor Early Learning Academy, and Heritage High School. However, the Board also expressed that high school students who choose to go to different high schools in the Tulalip/Marysville area are not exposed to the culture, history and language. This is why both Senate Bill 5433 and STI are vital in today’s society, so both tribal and non-tribal students have a better understanding of Native America.

ESD is looking to Tulalip for consultation to ensure that Tulalip’s perspective is represented appropriately. “Every tribe is different. Look at how different we are compared to tribes on the other side of the mountains,” stated Bonnie Juneau.  “We have so much history and we want to share our story.”

The tribe and ESD are looking to meet once a month to continue to build upon the STI model. Chairman Sheldon closed by stating, “We raise our hands to you. This is something we feel is needed, and it’s great to see your school district implementing this curriculum. It’s a long awaited step in the right direction and it’s very healing to see.”

The impact of just the pilot curriculum is beautiful and promising, as evidenced by the reaction of one fourth-grade student from Edmonds, “I thought Indians were just people who were discovered and who hunted a lot, but now I know that there are many different tribes and the tribes here fish, dance and carve beautiful masks!” she exclaimed.

 

Contact Kalvin Valdillen, kvaldillen@tulaliptribes-nsn.gov

Training for a better tomorrow

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Commander Johnson of Tulalip Police Department recognized Michael Pablo with a Good Samaritan Award for his aiding of an elder. Photo/Micheal Rios

 

By Micheal Rios, Tulalip News

On Monday, May 16, twenty-one Native students were honored with a graduation banquet at the Hibulb Cultural Center for their commitment to training for a better tomorrow. The 21 students, 10 of whom are Tulalip, were the latest cohort to complete an intensive three-month pre-apprenticeship construction trades program offered by our TERO Vocational Training Center (TVTC).

As far we know, the program, which is managed by the Tulalip TERO department, is the first and only state and nationally recognized Native American pre-apprenticeship program in the country. The program is accredited through South Seattle Community College and Renton Technical College, while all the in-class, hands-on curriculum has been formally approved by the Washington State Apprentice and Training Council.

The three-month program provides curriculum that teaches a variety of construction trades and skills that can last a life time. Upon completion, the graduate’s dedication to a better future is rewarded with a wide-range of new employment opportunities now available to each graduate as they navigate the construction trades career path. In addition, students are trained and awarded certifications in flagging, first aid/CPR, and OSHA 10-hour safety training. Upon completion of the program students are ready to safely enter the construction work environment and demonstrate everything they’ve learned.

During the Hibulb graduation ceremony, Tulalip tribal member and TVTC graduate Michael Pablo received a TERO Good Samaritan Award for making a difference in our community by going above and beyond for his courageous efforts in running to the aid of an elder. At the last General Council there was an elder choking on her food. Pablo recognized the emergency situation and used the Heimlich maneuver he learned in class to successfully remove the food. After the incident Pablo stated he was able to take action only because of the first aid skills he learned as a part of the TVTC program.

Under the supervision of instructors Mark Newland and Billy Burchett, the students constructed four tiny houses for their final class project. These houses, which are approximately 120-square-feet, are being donated to residents of Nickelsville, a system of homeless encampments located throughout Seattle. The insulated houses will be a major upgrade for their soon-to-be residents as they offer electricity, heat, a much safer environment and, most importantly, a measure of stability for their new residents.

 

TERO-grads-2

 

Native design doors by Tulalip tribal member Ty Juvinel. Photos/Micheal Rios
Native design doors by Tulalip artist Ty Juvinel.
Photos/Micheal Rios

 

The tiny houses also feature a very Native American touch, as Tulalip artist Ty Juvinel added a tribal design to the doors of each tiny house.

“Some homeless people have nothing, really nothing at all, not even self-worth and if I can make some art or donate some items to help build another person’s self-worth then of course I will,” says Juvinel of his decision to contribute to the tiny houses. “The homeless are at our mercy and we have been neglectful towards their needs. I hope the people who inhabit these tiny homes can find themselves all over again. I hope the work the TERO students have sweat and bled over will be appreciated and help the homeless as they get back on their feet.”

The TVTC construction trades pre-apprenticeship program is a unique, nationally known model that supports tribal members from sovereign nations across the United States. The program is not dependent on tribal hard dollars. In fact, zero hard dollars are used to fund it. Instead, due the dedication and commitment of so many individuals the TVTC program continues to grow and gain more recognition while being funded by the graciousness of the W.K. Kellogg Foundation, Ladder of Opportunity, Tulalip Charitable Fund, and the Washington State Department of Transportation (WDOT).

Since the Fall of 2013, when TERO took over the program, 94 students have graduated the pre-apprenticeship program. Of those 94 graduates, 38 have been Tulalip Tribal members, and 10 have either been Tulalip spouses or parents. That’s 48 graduates from Tulalip and 46 fellow Native Americans from all over the region who have opted to train for a better tomorrow and complete the construction training program.

Among this graduating class is Gabriel Demarrias (Fort Peck Sioux) from northeastern Montana. Gabriel shared his story about how he was attending a Pow Wow close to his home in Montana when he came across a previous graduate of the TVTC program. Gabriel was amazed to learn of a pre-apprenticeship program for Natives, by Natives. He packed up what he could and moved in with family in Federal Way just so he could participate in the program. Every day for three-months he woke up at 4:00 a.m. in order to catch five buses to Tulalip and attend class. Following class he’d catch another five buses back to Federal Way and usually get home at 7:30 p.m. That’s a 13.5-hour day, $19.75 worth of bus fare per day, and one monster commute in order to attend the one of a kind class offered by Tulalip TERO.

“The time and commitment I made was definitely worth it. I’ve graduated the class, learned so much, and made some really cool friends. Packing up and leaving home was a challenge, but well worth it,” says Gabriel with a huge grin on his face. “My immediate plans are to start a career in construction, get into the Union, and not look back. It’s time to get paid!”

 

Photo/Micheal Rios
Photo/Micheal Rios

 

Contact Micheal Rios, mrios@tulaliptribes-nsn.gov

Father’s Day Brunch at the Orca Ballroom, June 19

Treat Dad like a King this June … serve him breakfast in bed or set up a lawn chair in a shady spot in the backyard where he can enjoy his favorite steak on the grill.

Or better yet, let us do the work for you! Take Dad to the Tulalip Resort Casino’s Orca Ballroom for the best Father’s Day Brunch in town!

Our chefs have put together all of Dad’s favorites like Prime Rib, Barbequed Chicken, Pork Ribs, Spud Bar, desserts and much more…
We’re showing Dad’s favorite sports on our large screens and added fun things to do with Dad like a 9-hole mini golf course, QB Blitz, Skee Ball, Shooting Stars and a coloring wall and the always enjoyable Face Painters!

 

Fathers Day Brunch

Hibulb United Schools Spring Pow Wow brings community together

HibulbPowWow-12

 

by Kalvin Valdillez, Tulalip News

The Hibulb United Schools Spring Pow Wow was held at Totem Middle School on Saturday May 14, 2016. The venue was small, however, it was a more intimate setting, which allowed everybody to take part in the festivities. There were five drum circles, and several vendors selling clothing, beadwork, art prints, sage, and sweet grass.

A dinner, featuring hamburger stew, dinner rolls, and fresh fruit, took place before the grand entry. Once everybody made their way to the gym, Totem Middle School Principal, Tarra Patrick, briefly spoke of the importance culture, and keeping traditions alive. MC, Arlie Neskahi, then welcomed everybody and a culture filled night with drums, singing, dancing, competition and laughter followed.

In the middle of the ceremony, all dancers stopped on a whistle, elder Charlie Pierce, signaled for everybody to stop momentarily. “Thank you all for stopping immediately, there is a pressing issue that I must acknowledge right now,” said Pierce, “Three times I was stopped in my tracks, there is somebody here who is hurting, three separate occasions something came to me and told me I have to address this situation.” He then called for complete silence while he prayed for the gym. Pierce continued, “Whoever you are, if you are going through a tough time, then get yourself out here, there is medicine on this dancefloor come and receive your healing.”

 

 

The evening really began after that moment; dozens of on-lookers came out and danced, seeking healing, A father, who brought his new born out to dance said “That was amazing, I am not sure if there was a particular person that was addressed to, but there were many people who needed this, and his words gave them the courage to get up, share memories and have some fun.”

In between dances there were raffles, donations, and birthday wishes. Gifts were also handed out. One of the gifts were coloring books for every kid that danced. “I think the books were a great gift, we worked with Everett Community College, and we just wanted to encourage kids to stay in school.” stated committee member Terrance Sabbas,“I am very happy with the turn out, especially because our community had so many events going on in the same night.”

 

HibulbPowWow-1

 

Terrance expressed that the vision of the Hibulb Pow Wow was to create a more traditional experience. “It’s officially Pow Wow season! We just wanted to have a more traditional vibe, we paid drums equally, we had competitions, but we didn’t want it to be about the prizes. We wanted to bring it back to the days where the community got together and enjoyed good song and dance.”

 

 

SEATTLE PREMIUM OUTLETS WELCOMES A VARIETY OF NEW STORES, EXCLUSIVE LINES

Hugo Boss Outlet offers shoppers exclusive clothing lines and three new retailers open

 
TULALIP, Wash. (May 16, 2016) — Seattle Premium Outlets continues to welcome trendy and exciting new brands to the center. Most recently, Citizen Watch, The Limited Outlet and Anime World opened and, additionally, Hugo Boss launched two exclusive new lines. Seattle Premium Outlets are also thrilled to welcome Hanna Andersson, a celebrated children’s clothing line, this summer.
 
“We are happy to welcome such diverse brands to Seattle Premium Outlets,” said Michele Osgood, director of marketing and business development for Seattle Premium Outlets. “These new stores speak to the likes of our shoppers: fashionistas who are hunting for great deals, and families. Each of these additions complement the current retailer roster and fit the wants and needs of our shoppers.”
 
A popular store at the center since opening in 2008, Hugo Boss is surging as a destination with new, exclusive lines not available elsewhere in the state. Recently, Hugo Boss launched two new lines: Boss Women’s and the high end Jason Wu Collection. There are only two Hugo Boss Outlet stores in the United States that carries Boss Women’s– and Seattle Premium Outlets is one of them. Along with the rare addition of a women’s line, Hugo Boss’ new Jason Wu Collection is exclusive to this center.
 
Citizen Watch, known for an artisan’s approach to watch making, joined Seattle Premium Outlets retail roster this spring. Citizen is at the forefront of modern watch making, and with a wide variety of styles and functions, Citizen has watches to meet every consumer’s need.
 
The Limited Outlet offers vibrant, feminine and sophisticated style for the modern fashion-forward woman. Inspired by the latest runway looks, The Limited Outlet’s ready-to-wear collections are timeless and suitable for any occasion, season after season. Seattle Premium Outlets welcomed The Limited Outlet in April. 
 
Anime World, a locally owned specialty gift store, also joined the center last month. Anime World sells anime and game related products including t-shirts, wall scrolls, posters, swords, pillows, bags, wallets, hats, jewelry, accessories and Japanese treats. 
 
Hanna Andersson, a Pacific Northwest company specializing in comfortable, durable, and fashionable children’s clothing, is coming to Seattle Premium Outlets this June. In this fast-paced world, Hanna Andersson prides itself for making clothes that let kids be little, with freedom to explore, play and get dirty.
 
For ongoing updates and to learn more about the outlet stores, follow Seattle Premium Outlets on FacebookTwitter and Instagram or visit the website here
 
 

Celebrating culture at Totem Middle School

 The ladies of Herencias Mexicanas perform traditional dances. Photo/Kalvin Valdillez
The ladies of Herencias Mexicanas perform traditional dances.
Photo/Kalvin Valdillez

 

by Kalvin Valdillez, Tulalip News 

On Friday May 6, 2016 the City of Marysville and the Marysville School District (MSD) held it’s annual Cinco de Mayo celebration honoring the culture of Marysville’s Latino community. Many Marysville and Tulalip families arrived early and patiently waited for the doors of Totem Middle School to open.

“This is  our tenth year doing this event,” said Susan Stachowiak, volunteer and Tulalip resident, “And because this is our tenth year, we’ve had a lot of support from the community, a lot of donations and volunteers. It’s great seeing everyone come together for an event like this.”

The evening began with a welcome statement from MSD Superintendent, Dr. Becky Berg and the Director of the Marysville YMCA, JJ Frank. Families then lined up for delicious authentic Mexican cuisine prepared by The School House Café students from the MSD Food Service program, which included chicken or beef enchiladas, rice, beans, and tortilla chips.

The ladies of Herencias Mexicanas, wearing beautiful traditional dresses, performed traditional dances. After families finished enjoying their meals, there were many activities to take part in, including soccer, piñatas, dancing, and of course a performance by Jose Iniguez.

 

Opera performer Jose Iniguez (third from the left).
Opera performer Jose Iniguez (third from the left).

 

“We are very lucky to have Jose Iniguez perform tonight. As you may know, [Jose Iniguez] is a huge name in the Latino Community. Iniguez is an Opera & Bolero Tenor who is most recognizable for his Opera performances around the greater Seattle area,” explained Stachowiak.  “He plays sold out shows in Seattle and is paid well for his talent, and he is doing our event free of charge for the community.”

When asked about the event, community leader, Wendy Messarina Volosin stated, “Overall, I think this years turnout was remarkable, and we are happy to have Jose and the band perform, but I think the best part was seeing the kids having so much fun!”

The Marysville Police and Fire Department are in attendance every year and were interacting with the youth and giving tours of their police cars and fire trucks. “It’s important for the families to socialize with the police and fire departments in a relaxed environment, because most people are used to seeing them exclusively in emergency situations,” Wendy stated.

 

Kids tour a Marysville Fire Department truck.
Kids tour a Marysville Fire Department truck.

 

Marjorie Serge, of the Marysville School District, headed the event. Wendy believes the evening was such a huge success because of Marjorie’s research, “Marjorie has a good vibe and a great heart, and when she is looking for volunteers everybody jumps at the opportunity.”

Wendy, who is in charge of the entertainment, encourages all cultures to take a part in next year’s festivities, and if you are interested in performing please contact her a few months in advance.

Tester Takes Another Step to Revitalize and Expand Native American Languages

 
(U.S. Senate)—Senator Jon Tester today took another step forward to revitalize and expand Native American languages after his Esther Martinez Native American Languages Preservation Act was unanimously passed by the Senate Indian Affairs Committee.
 
Tester’s bill reauthorizes the Native American Language Program through 2020.  The initiative funds Native language classes and restoration initiatives throughout Indian Country.
 
“Promoting Native languages strengthens students’ cultural identity and ensures the preservation of rich historical languages,”said Tester, Vice Chairman of the Senate Indian Affairs Committee.  “Students who take Native language courses do better in school and are more connected to their community.  It is critical to Indian Country that this legislation and other Native language bills move forward on the Senate floor.”  
 
The Esther Martinez Native American Languages Preservation Act will also expand the Native American Language Program’s eligibility to include smaller class sizes, and lengthens the time before an organization has to reapply for the grant.
 
According to the Department of Health and Human Services, applications for grants through the program almost doubled from 2013 to 2014, highlighting the urgent need and demand to revitalize Native American languages.
 
In October, Tester’s Native Language Immersion Student Achievement Act passed the Senate Indian Affairs Committee.  This bill, which creates a new grant opportunity for tribes to establish or expand Native language immersion programs across Indian Country, was incorporated into and enacted as part of the Every Student Succeeds Act.  Schools serving Native students will be able to apply for the first round of grants under this program starting in 2017.  
 
All of the approximately 148 Native languages that are still spoken in the United States are at risk of extinction within the next 50 to 100 years, unless drastic measures are taken. Eighty-three percent of these languages have fewer than 1,000 speakers each. 
 
The Esther Martinez Native American Language Preservation Act is named for the Ohkay Owingeh Pueblo linguist and storyteller Esther Martinez and is cosponsored by Senators Tom Udall (D-N.M.), Lisa Murkowski (R-Alaska), Martin Heinrich (D-N.M.), Heidi Heitkamp (D-N.D.), Al Franken (D-Minn.), and Brian Schatz (D-Hawaii.).

Tulalip Lions ‘Take Action’ for the Community

BGC donation

 

by Niki Cleary, Tulalip News 

Any given afternoon you can find the Tulalip Boys and Girls Club teeming with kids. Some are there to play games or shoot hoops. Those who need it, can get help with school work or catch up on their reading skills. Others show up to hang out with friends or simply enjoy the safety and camaraderie of the Club while their parents are still at work. Membership to this amazing place is free of charge to Tulalip youth.

The Tulalip Club, built in 1997, is operated with funding from the Tulalip Tribes. While operations are covered, each year, the Tulalip Boys and Girls Club hosts an auction to raise funds for building improvements and expansions. In 2012 a 1,700 square foot enclosure was added to the front entry to create an Undersea Exploration Center, music studio and meeting space.

The theme for this year’s Auction is, ‘Taking Action for the Community.’ Slated for June 11, the fundraising effort is already garnering support. The Tulalip Lions Club recently donated $1,000.

“The Boys and Girls Club is a safe haven for children,” said Linda Tolbert, Tulalip Lions Club member.. “It’s a place where they can get a warm meal, associate with other children and interact with adults in a safe atmosphere. One of our first projects was the Club playground. Each year we have a Peace Poster contest at the Club and we donate items year round to both the craft areas and to their library.

“One of the main things we do as Tulalip Lions that is different than other Lion’s clubs is we really try to get books into the hands of kiddos of all ages. Whenever we hear they’re running low on books, we take out a new supply. We feel that if you own a book, you will read and find a love to read.”

Every year the Tulalip Lions Club earmarks $1,000 donation for the Tulalip Boys and Girls Club and $1,000 donation for the Tulalip Great Strides Cystic Fibrosis Foundation annual walk (scheduled for July 16, 2016, at the Tulalip Amphitheatre).

The 18th Annual Tulalip Boys and Girls Club Auction will be held on June 11 at the Tulalip Resort Casino. The Club will continue collecting donations for silent auction items through May 31. If you’d like to donate an item for the Auction, contact Diane Prouty at diane.prouty@tulaliptribes-nsn.gov.

One-on-One with Idle No More co-founder Sylvia McAdam

Syliva McAdam (Saysewahum), a cofounder of the international movement Idle No More,
Syliva McAdam (Saysewahum), a cofounder of the international movement Idle No More.

 

By Micheal Rios, Tulalip News 

Sylvia McAdam (Saysewahum), a cofounder of the international movement Idle No More, recently spoke at the Spring World Issues Forum held at Western Washington University. Prior to her lecture, Sylvia held a special presentation at Northwest Indian College (NWIC) in Lummi to discuss her work to date and to share her mission of promoting Indigenous self-determination and knowledge.

Sylvia is a citizen of the Cree Nation who holds a Juris Doctorate (LL.B) from the University of Saskatchewan and a Bachelor’s of Human Justice (B.H.J) from the University of Regina. She is a recipient of the Carol Geller Human Rights Award, Foreign Policy’s Top 100 Global Thinkers Award, Social Justice Award, 2014 Global Citizen Award, and has received several eagle feathers from Indigenous communities. She remains active in the global grassroots Indigenous led resistance called “Idle No More”.*

Because colonization has dramatically caused the heartbreaking loss of Indigenous languages, customs, and inherent systems, Sylvia uses the oral tradition of her people to share with her fellow Indigenous peoples her dream to revitalize Indigenous nationhood. It is Sylvia’s dream, shared by many, that freedom, liberation, and self-determination will lead Indigenous peoples away from the pain of genocide and colonialism.

Following her truly riveting presentation, she sat down with Tulalip News staff to discuss several issues that are of importance to not just citizens of Tulalip, but all Native peoples.

During your presentation you mentioned as Indigenous peoples we shouldn’t identify as ‘environmentalist’ or ‘activist’, but instead view ourselves as defenders of our homeland. Why is that?

“When you begin to identify as an environmentalist or activist there’s a fear that arises because those terms can be associated with economic terrorists. The fear is rooted in the belief that environmentalism and activism affect the economy. That’s part of it, the other part is activism and environmentalism infers that there is no inherent connection to the land; you just show up and protest. However, when it comes to Indigenous people doing this kind of work, their connection, attention, and investment to the land is much different. Our history is written on the land, our ancestors are buried here, that land is our home. So we are defending and protecting our home. Being defenders of our homeland shifts the thinking, as it should, because our connection with the land is unique.”

Viewing ourselves as defenders of our homeland should also unite us as Native and Indigenous people with a set of common goals, right?

“Absolutely. When you are born you are born not only as a human being, you are born into lands. When we go home we have a very clear set of lands that we are born into and we have a responsibility and obligation to protect those lands. That’s what I continue to do every day and that’s why I tell people, ‘when you know your lands you will know your relatives.’ I’m not just talking about the human relatives, I’m talking about the land, the plants, and all the animals, the flyers, the crawlers and the swimmers. Those are all our relatives and right now they have no agency to defend and protect themselves. That’s where we need to step up because the forces that threaten our land and humanity are very identifiable right now. Those forces are the extractive corporations that are going into our lands, almost in a frenzy, to take the very things we need to sustain us.”

Some of the forces that continue to threaten Native culture and Indigenous identity are more covert than others. You mentioned the term ‘ethnocide’ earlier. Can you explain that?

“We speak about genocide, but people forget about ethnocide. Ethnocide is the death of the way of being of people; the things that we need to carry us on as a people. Ethnocide is the taking of our trees, the taking of our water, and the taking of our plants. What then do we have to carry our ceremonies on? The ceremonies are pivotal and integral in who we are as a people. If you could not have trees to make your canoes, what then? If there are no trees then there are no forests to harvest from. If the waters and oceans are poisoned and you can no longer perform your ceremonies, then what happens to your songs and the language? How does your culture live on? You lose who you are as a people. That’s ethnocide.”

The idea of disenrollment based upon blood quantum is gaining traction amongst many tribes. It’s based on a system of thought not of our own, but passed down from colonization. What are your thoughts on disenrollment?

“It’s so unfortunate because it seems we’re always in the realm of inadequacy. We’re always inadequate; its either we have too much culture or not enough culture. We’re always in that measure of inadequacy. Ultimately, we can turn to our ancestors to see we never throw away our relatives. We never throw them away, even the ones we have come to adopt. It’s against our culture and against our natural laws as Indigenous peoples. At the end of the day, if you can demonstrate and show to me where your lands and your relatives are, then doesn’t that speak for itself? Every child, every original peoples’ child is born into lands. They have an inherent right to protect and defend those lands. No human can take that away from them.

If you are dis-enrolling children, then you are taking away their inherent obligation and jurisdiction into the lands they are born into. No human being has that right. It’s against our laws to do that. For every Indigenous child born it’s the duty of the parents to make sure that child is connected into the land, so that when they grow up they will defend and protect their relatives who don’t have agency to defend themselves.”

What astounds you most when you look back at all you’ve experienced and achieved over the past few years with Idle No More?

“The amazing courage of grass-roots people when they set their minds to things. That’s what blows me away. The courage and determination of so many individuals who unite and come together for a common goal is what drives Idle No More. On a global scale, we got a message from the Amazon, from the original peoples there, and they told us they were trying to stop the development of a dam. While defending their homeland they were opposed by paramilitary brought in to keep them away from the dam site. On one occasion they were standing there with their spears and bow and arrows chanting ‘Idle No More!’ while the paramilitary pointed their guns at them. They told us Idle No More was their battle cry.

So when I start to feel discouraged or overwhelmed I remind myself of these stories to remember I’m not alone. I have to be a voice for those who can’t speak for themselves and continue this work. If I don’t, then what am I going to tell my grandchildren when they ask me, ‘what did you do to protect and defend our culture and homeland?’ I want to be able to tell them I did everything that I could. That’s why I’m here.”

*source: http://www.idlenomore.ca

 

Contact Micheal Rios, mrios@tulaliptribes-nsn.gov

sgʷigʷialʔtxʷ at 20: Building upon the past, visioning into the future

Young Nation Ka’ila Farrell-Smith (Klamath/Modoc). 2015. Oil paint, spray paint, wax crayon on canvas. “Young Nation is a painting using direct visual symbolism to create dialogue about the attempted erasure of Indigenous cultures through forced assimilation by violent European colonization in the Americas (and abroad). American mythologies of ‘manifest destiny’, ‘frontier expansionism’ along with the use of Christianity’s land claims via papal bull’s like the Doctrine of Discovery were utilized to enact agendas such as: Indian Boarding Schools, Termination acts, Relocation acts, Reservations, land theft and biological warfare. This systemic and environmental racism is still happening across Indian Country today. Young Nation asks the questions: is forced colonization worth the attempted erasure and destruction of Indigenous culture, art & paradigm? There is sadness and pain in recognizing the losses, but there is also an empowerment in acknowledging the injustice. When the dominant culture is unaware of the ugly horrors in our shared histories, such as the Indian Boarding schools whose motto was “Kill the Indian, Save the Man,” then I feel creating paintings that bring light to these cultural secrets are of the imperative.”
Young Nation – Ka’ila Farrell-Smith (Klamath/Modoc). 2015. Oil paint, spray paint, wax crayon on canvas.
   “Young Nation is a painting using direct visual symbolism to create dialogue about the attempted erasure of Indigenous cultures through forced assimilation by violent European colonization in the Americas (and abroad). American mythologies of ‘manifest destiny’, ‘frontier expansionism’ along with the use of Christianity’s land claims via papal bull’s like the Doctrine of Discovery were utilized to enact agendas such as: Indian Boarding Schools, Termination acts, Relocation acts, Reservations, land theft and biological warfare. This systemic and environmental racism is still happening across Indian Country today. Young Nation asks the questions: is forced colonization worth the attempted erasure and destruction of Indigenous culture, art & paradigm?
   There is sadness and pain in recognizing the losses, but there is also an empowerment in acknowledging the injustice. When the dominant culture is unaware of the ugly horrors in our shared histories, such as the Indian Boarding schools whose motto was “Kill the Indian, Save the Man,” then I feel creating paintings that bring light to these cultural secrets are of the imperative.”

 

 by Micheal Rios, Tulalip News 

The House of Welcome Longhouse Education and Cultural Center located at Evergreen State College in Olympia is celebrating 20 years of groundbreaking work. Work that emphasizes promoting indigenous arts and cultures through education, cultural preservation, and creative expression. The House of Welcome celebrates the essence of that work with its latest exhibition, Building Upon the Past, Visioning Into the Future.

Curated by Longhouse staff members, Erin Genia (Sisseton-Wahpeton Oyate) and Linley Logan (Seneca), the exhibition features the works of artists from this land, local Squaxin Island, Skokomish, Puyallup and many other Salish tribes. Tribes from across the nation are also represented, from Alaska, the Plains, and across the Pacific Rim, including Kanaka Maoli artists from Hawaii and Maori artists from New Zealand.

 

We Are Their Only Voice Scraped Bucket, Salmon and Beaver. Dawn Walden (Mackinac Band of Chippewa and Ottawa). Birch bark, cedar bark, cedar roots, sweetgrass, bass wood corded handle. “Essense of Birch Tree. Though I consider myself a Contemporary Native Artist, I look for the sacred in form and traditional materials, blending contemporary with traditional weaving. For me it is about showing respect for the tradition and spirit of the materials, always seeking a balance between myself, the materials, and the form they are creating. There is a sense that I am imbuing admiration, respect and belonging to the solid form of the tree, plants and the artwork as well. I would like the viewer to be removed from current time and space, and drawn into the work so they might experience what I have translated. It is no longer a thing, but a trigger for the expression of feeling.”
We Are Their Only Voice Scraped Bucket, Salmon and Beaver.
Dawn Walden (Mackinac Band of Chippewa and Ottawa). Birch bark, cedar bark, cedar roots, sweetgrass, bass wood corded handle.
“Essense of Birch Tree. Though I consider myself a Contemporary Native Artist, I look for the sacred in form and traditional materials, blending contemporary with traditional weaving. For me it is about showing respect for the tradition and spirit of the materials, always seeking a balance between myself, the materials, and the form they are creating. There is a sense that I am imbuing admiration, respect and belonging to the solid form of the tree, plants and the artwork as well.
I would like the viewer to be removed from current time and space, and drawn into the work so they might experience what I have translated. It is no longer a thing, but a trigger for the expression of feeling.”

 

“This exhibition reflects the twenty years of building relationships with artists locally, regionally, nationally and internationally,” stated exhibition co-curator Erin Genia. “Native artists are using so many different methods for expressing themselves and we really wanted to display as many of those methods as possible. The result is we have close to ninety beautiful pieces of art, treasures really, that make up this exhibition.”

The subjects and techniques exhibited by the Longhouse artists draw from a diverse range of stylistic traditions, which arise from cultural teachings, ancestral lineages, and each artist’s unique experiences as indigenous peoples. Works on display include paintings, drums, carving, beadwork, photography, baskets, and jewelry.

“As a curator of this exhibition it’s such an awe-inspiring experience to hear from the artists themselves as to the perspective and inspiration behind their artwork,” added fellow co-curator Linley Logan. “We have artists who are very traditional and roots oriented; artists who use the natural resources around them to showcase their creativeness. In a contemporary lifestyle in nature, we’ve continued to use the resources around us which now include materials other than natural materials. We’ve come full circle in our intent to build upon the past and vision into the future creatively and intellectually as indigenous people.”

 

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Cedar Bark Fedora. Patti Puhn (Squaxin Island). 2016. Red and yellow cedar bard, sinew, pheasant feathers.

 

Sustaining Traditions for Future Generations. Kelly Church. Grand Traverse Bay of Ottawa and Chippewa. 2014. Black ash, sweetgrass, Rit dye, black ash bark, black ash splints.
Sustaining Traditions for Future Generations. Kelly Church. Grand Traverse Bay of Ottawa and Chippewa. 2014. Black ash, sweetgrass, Rit dye, black ash bark, black ash splints.

 

I Believe in Falcons Kayeri Akweks (Upper Mohawk, Six Nations Reserve). 2015. Watercolor, graphite, prisma, red iron oxide on 100% rag paper. 	“I recognize that there are two cores of identity within me and at their fundamental, both have direct internal attachment to and beliefs in the land as a constant spiritual force. Indigenous people know things - the land gives authentic direction about how to live. The land can and will offer instructions about healing.  	In my experience, I’ve consistently found that all of nature communicates concerning their healing properties, that lying directly next to the earth will comfort you and send love into your pain, that there is strengthening power in expressing gratitude, that self-forgiveness and forgiveness of others is about cleaning one’s own soul. Lately, I have added these: that love can and does heal anything and everything, that connecting to Creator/Source daily makes more love, clarity, and cleans the earth - and somehow helps ancestors who in turn are more available to assist.”
I Believe in Falcons. Kayeri Akweks (Upper Mohawk, Six Nations Reserve). 2015. Watercolor, graphite, prisma, red iron oxide on 100% rag paper.
    “I recognize that there are two cores of identity within me and at their fundamental, both have direct internal attachment to and beliefs in the land as a constant spiritual force. Indigenous people know things – the land gives authentic direction about how to live. The land can and will offer instructions about healing.
    In my experience, I’ve consistently found that all of nature communicates concerning their healing properties, that lying directly next to the earth will comfort you and send love into your pain, that there is strengthening power in expressing gratitude, that self-forgiveness and forgiveness of others is about cleaning one’s own soul. Lately, I have added these: that love can and does heal anything and everything, that connecting to Creator/Source daily makes more love, clarity, and cleans the earth – and somehow helps ancestors who in turn are more available to assist.”

 

The exhibition was on display from March 31 – May 11. The House of Welcome was gracious to allow syəcəb staff a private tour of the exhibition so that we could share amazingly creative and exceptional Native art with our readers over the next couple issues.