James Czywczynski, the current owner of the Wounded Knee site has told the Oglala Sioux Tribe they have until September 2 to purchase the land. If no one steps forward to purchase the land for the tribe, Czywczynski says he will hold a public auction for the land.
“I feel that I have given the tribe every opportunity to buy the land or for someone associated with them to do it. They say they have multiple buyers ready to purchase it for them, but they have not taken the steps to get it done,” he told Brandon Ecoffey, managing editor of Native Sun News. “When I met with President [Bryan] Brewer and the descendants I thought it went well and something would have come from it… but I have heard nothing.”
That meeting took place at the newspaper’s offices July 14 between the Horn family, Brewer and Czywczynski. It was then that Brewer asked Czywczynski if he would consider selling the site with the tribe’s blessing and donating half the proceeds to the Survivors of Wounded Knee organization.
At the close of the meeting, Czywczynski said he would consider the offer.
Shortly after the meeting in Rapid City Czywczynski told ICTMN he sent an email and packet to the tribe and Brewer asking them to pay the entire $4.9 million asking price if they wanted to obtain the land and the deed.
Czywczynski has also been telling ICTMN that he has had offers from several interested parties that want to donate the land to the tribe, but as of yet, none of those parties have been able to raise all of the money or make good on their promises to buy.
“I have put other potential buyers off while I entertained the groups working on behalf of the tribe, but I can’t wait any longer,” he told Native Sun News.
Brewer doesn’t believe Czywczynski will have any buyers with the arrangement not to donate half of the proceeds to benefit the site. He also says a deadline is nothing new.
“This isn’t the first time he has said this, he set a deadline and we watched and waited and he had no buyers. No buyers are going to purchase this land because they will never be able to use it,” Brewer said.
Brewer also has not received an email or a package from Czywczynski about any counter offer.
“I have received nothing. I have not heard from him other than the letter I received from him that thanked us for having the meeting in Rapid City. I have not received anything else yet,” he said.
Johnny Depp Sighted?
For over a month since his interview in the UK’s DailyMail in which Johnny Depp announced an interest in purchasing the site of Wounded Knee, there is still no word from Depp or his publicists about his comments to buy the land.
There was however a recent rumor about a sighting of Depp on Pine Ridge. President Brewer said it was only a rumor though.
“That was a crazy rumor. There were rumors going all over. There was no Johnny Depp, at least not that I know of. There were rumors he was with me. He wasn’t with me. Every girl on the reservation was calling me to say ‘please give him my telephone number.’ I don’t know who started those rumors, but it spread like wildfire. I have a whole list of numbers I am supposed to give to him,” Brewer said. “It really would be great if he could come to our reservation.”
A national tribal group with roots in Washington has a new, high-profile leader to help with emergency preparedness.
The association works to help tribes to prepare for floods, fires and other disasters and to make sure other governments work with tribes.
More than 300 people are attending the Northwest Tribal Emergency Management Council annual conference this week at the Northern Quest Resort and Casino. And on Monday, council officials announced they had created a separate organization focused on the whole country that will be led by the recently retired tribal affairs director for the Department of Homeland Security.
“The benefit is a united voice more than anything else,” said Steve Golubic, the new executive director of the National Tribal Emergency Management Council. “If we don’t speak for ourselves, nobody’s going to do it for us.”
Golubic, 63, has agreed to take the position as a volunteer and will work from his home in Wisconsin. The Northwest council is based in Snohomish, Wash. Before working at Homeland Security, he was the national tribal liaison for the Federal Emergency Management Agency.
The Northwest council was formed shortly after 9/11 when the federal government began awarding grants to local and state governments to improve emergency response. But at the time, none of the nearly 30 federally recognized tribes in Washington had emergency management offices, said Lynda Zambrano, executive director of the Northwest council. Today, almost all of the state’s tribes do.
Golubic said tribes often have been neglected by federal, state and local government planning for disasters.
Claude Cox, chairman of the Northwest council, noted that as of this year tribes can go directly to FEMA to request a disaster declaration. Before, they had to work through state governments.
“We’re going to prepare our members to better govern themselves,” said Cox, a member of the Spokane Tribe and police chief for the Sauk-Suiattle Tribe in Darrington, Wash.
Members of the Northwest council include the Spokane, Colville, Kalispel, Coeur d’Alene and Nez Perce tribes.
Source: Indian Country Today Media Network, August 16, 2013
The Quinault Indian Business Committee has passed a resolution opposing proposals to export coal from the Pacific Northwest. The resolution, passed Monday, specifically addresses a proposal to transport coal by rail from the Powder River Basin in Wyoming through Washington State for export from Cherry Point in Anacortes. There are other locations in Washington and British Columbia under consideration, including Longview, said Fawn Sharp, President of the Quinault Indian Nation.
“This resolution is a strong statement by the Quinault Nation and demonstrates its commitment to protect and promote the health, safety and general welfare of our people,” said Sharp, who is also President of the Affiliated Tribes of Northwest Indians. “We have determined that the coal trains are detrimental to the health of our people and to the natural resources of our region, and thus in violation of our treaty-protected rights,” she said.
“We have serious concerns about the long-term effects of pollution caused by burning coal from Asian countries, many of which lack the pollution standards we are used to within the United States. Emissions from coal-fired plants have the potential to further threaten our oceans and fisheries, already severely impacted by the acidification of the water, added Sharp.
The Quinault Indian Nation is signatory to the Treaty with the Quinault of 1855. It, along with other Northwest treaties, has been repeatedly reaffirmed by the federal government, including the U.S. Supreme Court, and is thus legally classified as the “supreme law of the land” under Article VI of the U.S. Constitution.
“Coal dust and diesel particulates will find their way into our air and waterways as these trains pass along and over our rivers, doing damage to natural resources upon which the Nation depends,” said Sharp. “The United States Environmental Protection Agency, Tribal governments, and environmental organizations have voiced concerns over the threat to human health these proposals bring because of the adverse health effects of coal dust and diesel pollution, including bronchitis, emphysema, lung damage, asthma, and cancer. Our elders and our children are particularly vulnerable because of sensitivity to the health effects of fine particles,” she said.
“The Quinault Nation’s treaty fishing right includes a right of access to its traditional fishing, hunting, and gathering sites that will be impacted by increased vessel and rail traffic.
In the Resolution, the Quinault Business Committee expresses its solidarity and support for the “no” position regarding the Gateway Pacific Terminal proposal adopted by the Lummi Indian Business Council, based on documented disturbance of sacred burial grounds and proposed fill of that area for the purpose of containing over a hundred acres of coal piles.
The Resolution also endorses the words of Billy Frank, Jr., Nisqually tribal elder and longtime chairman of the Northwest Indian Fisheries Commission that, “We are at a legal and biological crossroads in our efforts to recover the salmon and preserve our tribal cultures, subsistence, spirituality, and economies. Not since the darkest days of the fishing rights struggle have we feared so deeply for the future of our treaty rights.” Quinault Nation, one of 20 member tribes of the Northwest Indian Fisheries Commission, is signatory to “Treaty Rights at Risk” submitted to the federal government by that Commission. Among other things, that report states that coal export proposals will, in fact, further endanger Treaty Rights.
The Quinault Resolution will be submitted to President Obama, key members of the federal Administration, key members of Congress and to Governor Inslee.
Tulalip Hibulb Cultural Center is celebrating two years of sharing Coast Salish culture and highlighting the stories, people, art and history of Tulalip.
Saturday, August 17, 10 am to 5pm. Included in the activities are carving, beading and flute music demonstrations, storytelling, craft activities, a salmon lunch and a special performance by the Tulalip Lushootseed Language Camp students.
Tulalip artist James Madison is known for putting contemporary twists on traditional Salish and Tlingit Northwest Native Art.
For instance, Madison will create an aluminum sculpture depicting salmon in a fish ladder that represents the life of the Snohomish people, one of the Tulalip tribes.
Madison puts that modern twist on tradition in his upcoming exhibit, “Generations,” at the Schack.
That exhibit will show Madison’s commitment to sharing traditional native art using a contemporary approach and it also honors Madison as the Schack’s pick for 2013 Artist of the Year.
In a prepared statement, Madison said that he strives to “create art with an open mind in the sense that I am always thinking of new ways to add a modern twist to a traditional piece. This allows for me to help keep my culture alive. As we move into the future, so does the teachings of my ancestors.”
Madison was surrounded by art and the culture of the Tulalip Tribes as a child. At the age of 8, Madison learned how to carve at his grandfather’s kitchen table. Madison’s father, an abstract painter, encouraged Madison to try sculpting. And his uncle, a teacher, shared stories of American Indian culture.
Madison said these influences led to his intense interest in art and his native heritage.
Madison’s work can be seen beyond the Schack.
He is best known for large-scale pieces, including a 24-foot story pole, at the Tulalip Resort and Casino. He has pieces displayed at many of Washington’s state parks, as well as museums and galleries in New York, Alaska and Canada.
“Generations” opens with a catered reception from 5 to 8 p.m. Aug. 15 and is on view through Sept. 21 at Schack Art Center Main Gallery, 2921 Hoyt Ave., Everett. For more information, go to schack.org or call 425-259-5050.
By Alex Jacobs, Indian Country Today Media Network
What’s cool this year at Santa Fe’s 92nd Indian Market? Everything! Most of what’s cool is under the hot tents of over 1000 Native Artists who Occupy The Plaza for this weekend’s festivities. But you can cruise, walk, bike, skate, run, take a bus and drive to other events around Santa Fe.
Over the last few years, now that the Institute of American Indian Arts and its downtown MoCNA is partnering with SWAIA, this area one block east of the main Market on the Plaza, between the Museum and Cathedral Park, has seen some very cool events occur. Live hawks and raptors, poets, films, fashion displays, skateboarders, hip hop DJs and graffiti artists, live paintings. Last year it was all the young dudes and their skateboards. This year the old dogs howl at the moon as a 10×20 tent inside Cathedral Park will house a guerilla installation by two known art perpetrators who collaborate as “Joe-Bob”.
Over the last few years due to very tight space (and a tight economy), which creates politics between SWAIA and the City, it seems to me that a back-and-forth has occurred between Old Generation and New Generation artists, with one side winning a concession only to be balanced by the other side the next year. I am happy to say that the new SWAIA crew has inherited a calm structure, mostly happy artists, a city that has learned how to deal with most issues, and an economy that is slowly turning around one year after an election.
POEH Cultural Center & Museum at Pojoaque Pueblo has a Patricia Michaels opening, a Live Draw Session by Rose B. Simpson, The Continuous Path exhibit at Poeh by clay artist Roxanne Swentzell and murals by Marcellus Medina, plus weekly art & craft sales and classes.
From Monday through Wednesday, Metis Artist Dylan Miner, well known for his custom Native-themed bicycles, held a three-day workshop for kids aged 13-17 at POEH titled “Native Kids Ride Bikes – Anishnaabensag Biimskowebshigewag,” and produced hand-made/assembled bicycles by and for Native kids that will be seen at SFAI and at select museums and galleries around town.
Museum of Contemporary Native Art features several exhibits: STEREOTYPE – Misconceptions of the Native American: works by Cannupa Hanska Luger, a performance artist of mixed Mandan, Hidatsa, Arikara, Lakota heritage, this consists of actual “stereo” ceramic beat-boxes adorned with the usual mis-appropriated, re-appropriated, misused, overused, mis-labelled Indian symbols, icons, cliches and absurdities. CHANGING HANDS 3: Art Without Reservations – Art from Northeast and Southeast Native Artists touring in an exhibit from the Museum of Art & Design NYC; and the new Paul Frank Native Designs.
IAIA Student Art Work at Warehouse 21, Fri. Aug 16. Patricia Michaels in Studio at Legends Santa Fe, Aug 14 & 16, with opening reception Sat. Aug 17. During the week at MIAC on Museum Hill, Walter Echo Hawk, Suzan Shown Harjo, Native Women Ledger Artists, Native Cinema, and all weekend the Southern Red Drum Group.
Free music on the Plaza Bandstand Wed. Aug 14 with Indigie Femme and Robert Mirabal. Native Bands play around town all week, but typical Santa Fe — we’ve lost a few clubs and gained none, so it’ll probably the usual suspects at Evangelo’s, El Farol, El Paseo, for sure Gary Farmer & The Troublemakers and The Mud Ponies will play at THE COWGIRL during Market. Native Peoples Magazine & Indian Market Launch Party at the Hilton Hotel downtown, with DJs, music, dancing, friends, food and drinks, Thursday.
Will Wilson, Dine photographer will again set up his portrait studio and CPIX project in the East Sculpture Garden of NM Museum of Art on Palace Ave, Aug 17-18. SWAIA will have their photo booth Sunday in Cathedral Park.
NATIVE VANGUARD – Contemporary Masters, George Morrison, Bunky Echo Hawk, Edgar Heap of Birds, M. Scott Momaday, opening reception at Zane Bennett Gallery in the Railyard District, Thursday 15 from 5-7pm and before on Wednesday 14 at Zane Bennett there will be panel discussions with MoCNA director Patsy Phillips leading talks on “Breaking Thru The Buckskin Curtain” with Anita Fields and Roxanne Swentzell from 1-3pm, then “Master of Contemporary Film” with Frank Buffalo Hyde, Jill Momaday and Norman Patrick Brown 3-5pm.
MY LAND! at Winterowd Fine Art Gallery on Canyon Rd, a dozen heavy Native artists have an intimate meet & greet, poetry & talks on Thursday 1-3, then party at the reception on Friday 6-8; also a reception for the San Felipe Seven potters Thursday 5pm at LaFonda; other openings at Blue Rain, Chiaroscuro, Steve Elmore Indian Art, Shiprock Gallery and so many more.
Saturday of Market will be happening with a new SWAIA Hip Hop Fashion Show; support the Patricia Michaels in New York Fund Raising event at The Palace Restaurant from 6-10pm; ZOMBIE NIGHT in the Railyard, Saturday night, The Dead Can’t Dance, as part of NATIVE CINEMA SHOWCASE.
Too much party? Get healthy with the Wings of America 5K fun run/walk at Santa Fe Indian School, Sun Aug 18, 8/9am starts. Or relax inside where’s its cool and dark, Santa Fe resident George RR Martin bought the old Jean Cocteau Theatre in the Railyard, it’s all made new and ready to watch classic movies. Finally, stop by my booth as everyone passes by here on the corner of San Francisco St (#321 FR-S) and Old Santa Fe Trail right in front of the LaFonda Hotel.
Alex Jacobs, Mohawk, is a visual artist and poet living in Santa Fe.
TULALIP – Think of the Puget Sound as one massive estuary, fresh water from the creeks, streams and rivers of the uplands flow into the sound and mix during every tide with seawater from the Pacific Ocean. It’s the perfect recipe for salmon rearing habitat. Then add industry, boat traffic, shoreline development, acid rain and a cocktail of other chemicals. Suddenly, the perfect salmon nursery has become a precarious, dangerous and sometimes deadly environment.
Today, in the Puget Sound, about half of historic estuary land remains. Urban areas such as Seattle and Tacoma have lost nearly all of their estuaries, but cities are not the only places losing this vital habitat; according to the Washington Department of Fish and Wildlife, only about a quarter of the Skagit Bay Estuary remains. Our own home, the Snohomish River watershed, which produces between 25-50% of the Coho salmon in Puget Sound, retains only 17% of its historical estuarial land. With the loss of estuaries and pollution on the rise it’s not a mystery why salmon runs and coastal wildlife are diminishing with every passing year.
An estuary is a partially enclosed coastal body of brackish water, (a mix of seawater and fresh water), with one or more rivers or streams flowing into it that also has a connection to the open sea. The Puget Sound is essentially a huge estuary. It’s the second largest in the U.S., Chesapeake Bay, located on the east coast, is the largest. Brackish waters are where young salmon go to feed, grow and make the transition to the salt water; they’re also an ideal place to hide from both freshwater and saltwater predators. Without suitable estuaries, many young salmon don’t survive long enough to make the journey to the ocean.
Enter Qwuloolt, an estuary located within the Snohomish watershed just south of Marysville. The name, Qwuloolt, is a Lushootseed word meaning “salt marsh.” Because of its rich delta soil, early settlers diked, drained and began using the land for cattle and farming. The levees they established along Ebey Slough, as well as the drainage channels and tide gates, significantly degraded the estuary by preventing the salt water from Puget Sound from mixing with the fresh water from Jones and Allen Creeks.
Luckily, levees can be breached and streams rechanneled. In 1994 Tulalip and a number of national and local partners teamed up to begin the second largest estuary restoration in the Puget Sound. In 2000, Tulalip, along with a group of trustees (NOAA, USFW, NRCS and the Washington State Department of Ecology) began purchasing 400 acres of historic estuary between Ebey Slough and Sunnyside Blvd.
In the years that followed, fish and wetlands biologists, hydrologists and experts in salmon recovery have helped reshape the once vibrant estuary turned farmland. Using historic information about the area, they’ve re-contoured the land to create more natural stream flows and removed invasive species. The final step in rehabilitating the habitat is to break through the earthen dikes and levees and allow the tides to once again mix fresh and salt water, to resurrect an estuary that provides shelter and sustenance for fish, wildlife and people.
Qwuloolt will not only help salmon and wildlife habitat, the restoration protects every resident of the Puget Sound. Estuaries store flood waters and protect inland areas. The plants, microorganisms and soils of the estuary filter water and remove pollutants as well as capture and store carbons for long periods of time.
Qwuloolt is:
Physical stream restoration is a complex part of the project, which actually reroutes 1.5 miles of Jones and Allen creek channels. Scientists used historical and field analyses and aerial photographs to move the creek beds near their historic locations.
Native plants and vegetation that once inhabited the area such as; various grasses, sedges, bulrush, cattails, willow, rose, Sitka spruce, pine, fir, crab apple and alder are replacing non-native invasive species.
Building in stormwater protection consists of creating a 6 ½ acre water runoff storage basin that will be used to manage stormwater runoff from the nearby suburban developments to prevent erosion and filter out pollutants so they don’t flow out of the estuary.
Construction of a setback levee has nearly finished and spans 4,000 feet on the western edge on Qwuloolt. The levee was constructed to protect the adjacent private and commercial property from water overflow once the levee is breached.
Breaching of the existing levee that is located in the south edge of the estuary will begin after the setback reaches construction. The breaching of the levee will allow the saline and fresh water to mix within the 400-acre marsh.
Other estuary restoration projects within the Snohomish River Watershed include; Ebey Slough at 14 acres, 400 acres of Union Slough/Smith Island and 60 acres of Spencer Island. The Qwuloolt Estuary Restoration Project has been a large collaboration between The Tulalip Tribes, local, county, state and federal agencies, private individuals and organizations.
It’s been 68 years since the Navajo Code Talkers landed on the beach of Iwo Jima, Japan, and successfully delivered more than 800 encrypted messages without error.
In 1982, 40 years after that famed campaign, in honor of their bravery, skill and service, then-President Ronald Reagan declared August 14 as National Navajo Code Talkers Day.
The Navajo Code Talkers are lauded for hastening a swift end to World War II by providing the U.S. with a dictionary of Navajo words that were transmitted by radio and telephones. The code carried sensitive information about troop movements and other imperative field operations.
Following Iwo Jima, Howard Connor, 5th Marine Division signal officer, stated “were it not for the Navajos, the Marines would never have taken Iwo Jima.”
A monument to the Navajo Code Talkers in Ocala, Florida Memorial Park. (Photo courtesy Wikipedia.org.)
On Sept. 17, 1992, 35 Navajo Code Talker U.S. Marine Corps veterans were honored at the Pentagon in Washington D.C. for their service to their country. That same day an exhibit was dedicated to their prowess.
The exhibit includes radios, photographs and an explanation of how the code worked.
In 2000, then-President Bill Clinton awarded the original 29 World War II code talkers with the Congressional Gold Medal. Five were still alive at the time, but only four could make it to Washington in 2001 where then-President George W. Bush personally presented them with their medals.
The Navajo Code Talkers’ operation was finally declassified by the U.S. in 1968, opening up the opportunity to honor the Marines who drew up and employed the uncrackable code.
From July 10th to 14th, roughly 200 Indigenous and non-Indigenous people gathered in unceded Wet’suwet’en territory in central British Columbia for the 4th Annual Unis’tot’en Action Camp. The Unis’tot’en clan of the Wet’suwet’en First Nation have maintained a blockade on the only bridge leading into their territory since July 2010 in an attempt to keep seven proposed oil and gas pipelines off their traditional lands. The pipelines would carry shale gas obtained through fracking, or bitumen oil from the Alberta tar sands, to the Pacific coast, where it would be exported on mega-tankers towards Asian markets
The action camp brings supporters of the Unis’tot’en to the blockade site in order to learn about the struggle, to network, and to bring action ideas back to their own communities.
Toghestiy, Hereditary Chief of the Likhts’amisyu Clan of the Wet’suwet’en nation, said he was very happy with the high proportion of Indigenous participants at this year’s camp compared to previous years.
“I would say about 40% of the population of the action camp was Indigenous, and they were Indigenous from different parts of Turtle Island,” Toghestiy told the Vancouver Media Co-op (VMC). “So it was amazing to have all these grassroots Indigenous people come together in solidarity with one another. We created an alliance, and it was a pretty beautiful experience. It will help us fulfill our responsibility [to the land] into the future.”
While most participants at the camp hailed from Vancouver and Victoria, people also travelled from as far away as California, New Mexico, and Toronto to lend their support. Amber Nitchman travelled up to the Unis’tot’en Action Camp from Lancaster, Pennsylvania.
“I want to support Indigenous rights and sovereignty everywhere, especially those who are opposing extractive industries,” Nitchman told the VMC while on a night-time security shift at the blockade site. At home, she is involved with anti-coal mining campaigns. “Some of the pipelines [here] are for the same industry, and it’s the land and water being destroyed in both places for profit, and destroying what little is left that people are able to live on in a sustainable way.”
Wet’suwet’en territory is located about 1000 km north of Vancouver. It lies on what has been described as Canada’s “carbon corridor,” a geographically strategic region where major oil companies such as Chevron and Exxon are seeking to connect the Alberta tar sands to the Pacific coast for export. The Unis’tot’en claim that these pipelines, requiring clear cutting and prone to leaks and spills, would threaten watersheds, forests, rivers, and salmon spawning channels—source of their primary staple food.
Some of proposed pipelines on Wet’suwet’en territory are intended to carry natural gas from hydraulic fracturing (or “fracking”) sites near Fort Nelson, BC, close to the border of the Northwest Territories. Wet’suwet’en activists are concerned not only for their own community, but also for communities at tar sands and fracking extraction sites.
“In those territories, those people are suffering from decimated water,” said Mel Bazil, a Wet’suwet’en and Gitxsan activist who has been helping out with the Unis’tot’en blockade. “They have no clean drinking water left in their territories. All of their right to clean drinking water is delivered to them by truck. They allowed their responsibility to clean drinking water that already exists in their territories to be diminished, and in place of that, now they have the right of clean water being delivered to them.”
Water is central to this struggle. The pristine Morice River flows through Wet’suwet’en territory, and is still clean enough to drink and fish from. For contrast, local people often reference Michigan’s Kalamazoo River, devastated by the largest inland oil spill in U.S. history when an Enbridge tar sands pipeline burst in 2010.
At the action camp, Unis’tot’en clan members declared Wet’suwet’en territory to be the epicentre for struggles against the tar sands. The Alberta tar sands are the largest industrial project on Earth and the tar sands mining procedure is hugely energy-intensive. Extraction at the tar sands releases at least three times the amount of carbon dioxide as regular crude oil extraction, and uses five barrels of fresh water to produce a single barrel of oil, according to the activist research group Oil Sands Truth.
“My people have been on these territories for thousands of years, until about 100 years ago when the government forced our people off these lands and put them in reservations,” said Freda Huson, the spokesperson for the Unis’tot’en camp, in an interview under the food supplies tent. “And probably just about four years ago, my generation has stood up and said, ‘No more.’
“There’s too much destruction happening out here, because we grew up on these lands, coming out here all the time. And every time we came out here we saw more and more destruction. So we sat down with our chiefs and said, ‘We can’t just sit by any more and let them keep destroying the lands.’ There will be nothing left for our children and grandchildren and great-grandchildren. We found out about the pipelines and which route they were planning to go.”
In May, the BC provincial government officially opposed one of the proposed pipeline projects on Wet’suwet’en territory, the Enbridge Northern Gateway. Premier Christy Clark cited environmental safety concerns. But Huson was skeptical.
“To me they’re just all talk. I don’t believe anything the government says,” retorted Huson. “They make all these empty promises, and they do exactly the opposite of what they say. Based on how Christy Clark has been talking pro-pipelines, that this is going to get them out of deficit, because we know for a fact that the BC government is in a huge deficit.”
Indigenous people from different nations across ‘Canada’ came to the Unis’tot’en camp to make links between struggles against oil and gas pipelines. One of them was Vanessa Grey, a 21-year old activist from the Aamjiwnaang First Nation reserve in southern Ontario.
Aamjiwnaang sits on the pathway of Enbridge’s Line 9 project, which will carry tar sands bitumen eastward towards Maine. Demonstrators have attempted to stop the project through a variety of direct actions, including a five-day occupation of an Enbridge pumping station near Hamilton, Ontario, this past June.
“I feel that there’s a lot here that someone like myself or the youth who have come here can really learn from,” said Grey, sitting in a forest clearing near the Morice River. “Where we come from, the land has already been destroyed and we already see the effects. Here, they are trying to save what’s left of it, and we’re able to see what could have been without the industry.”
During the five days of the camp, participants attended action planning sessions and workshops on a variety of subjects, including decolonization, movement building, and the Quebec student strike. Participants also had the chance to help construct a permaculture garden and pit-house directly on the route of the Enbridge Northern Gateway pipeline.
On July 20, just days after the action camp had ended and all of the participants had returned home, a helicopter carrying pipeline surveyors was discovered on Unis’tot’en territory, behind the blockade. The workers were quickly confronted by Chief Toghestiy and were forced to leave.
“We were busy that day working on salmon that day, and locating berry patches to start harvesting for winter. Then all of the sudden we heard a helicopter fly over,” Toghestiy told the VMC over the phone.
Helicopters flying overhead is a common occurrence around the Unis’tot’en territory, but something seemed wrong about this one to Toghestiy. “This one sounded like it was slowing down, and you could hear the rotors ‘whoop-whooping’ really loud. I thought to myself, ‘This helicopter might be landing.’” Toghestiy and a supporter of the camp who was on the scene immediately drove down the road in the direction of the helicopter, and discovered it had landed not far away.
According to Toghestiy, the workers were wearing hard-hats, reflector vests, and had clipboards with them. When confronted, they confirmed that they were pipeline workers, but didn’t know that they had infringed on an Indigenous blockade site. “I told them ‘bullshit! Your company knows [about the blockade]!” said Toghestiy as he recounted the situation.
After he yelled at them to leave, they quickly got back in the helicopter and the pilot restarted the motor and took off. “As they were flying away, the helicopter pilot assured me that they wouldn’t come back, and so did the workers.”
Toghestiy said the workers did not reveal which company they were with, but he observed that “they were standing in the … proposed new alternative route of the Pacific Trails pipeline project.”
The helicopter visit was not the first infringement by pipeline companies onto sovereign Wet’suwet’en territory. In November 2012, surveyors were also found behind the blockade lines, and were issued an eagle feather, which is a Wet’suwet’en symbol for trespassing.
Toghestiy said that expelling these unwelcome workers from unceded Indigenous lands also has a deeper meaning. “We’re stopping the continued delusion that the government is putting out there that they still have right to give out licenses or permits on lands that were never ceded by the Indigenous people. There is no bill of sale that has ever been produced that says they have the right to do that,” he said.
Huson added that if a helicopter is discovered again on her territory, the company’s actions will have more severe consequences. “I’m planning to draft a letter to the helicopter company and other companies working for Apache right now, saying, ‘You’ve received your final warning, and if any more choppers or equipment comes across the blockade again, we’ll confiscate whatever comes in, and workers will be walking out,’” she said in a stern but calm voice.
Indigenous delegates at the camp decided to hold a Day of Action against extractive industries on August 14, 2013, and fundraising is already underway to support the blockade throughout the winter. Meanwhile, Toghestiy and Huson expect even more people to come up for the action camp in the summer of 2014.
For more information about the August 14th Day of Action and next year’s action camp, visit: www.unistotencamp.com or their Facebook page.
Click here for full audio interviews and a photo essay from the camp.
Aaron Lakoff is a radio journalist, DJ, and community organizer living in Montreal, trying to map the constellations between reggae, soul, and a liberated world. This article was made possible with support from the Vancouver Media Co-op.
The highly anticipated “Paul Frank Presents” Limited Edition collection will be revealed this week during a special event at the IAIA Museum of Contemporary Native Arts
Source: Paul Frank
LOS ANGELES, Aug. 12, 2013 /PRNewswire/ — Paul Frank, in partnership with the Institute of American Indian Arts (IAIA) Museum of Contemporary Native Arts (MoCNA), is pleased to announce the debut of its first ever collaboration with four Native American designers during Santa Fe Indian Market this week. The fashion collection will be showcased during a panel and event held at the Museum of Contemporary Native Arts in Santa Fe, New Mexico, on Friday, August 16 from 5:00 p.m. to 7:30 p.m. The “Paul Frank Presents” collection will also be available for purchase at the IAIA MoCNA store.
To kick off the event, MoCNA Director Patsy Phillips will introduce a panel entitled, Beyond the “Tribal Trend”: Developing Proactive Native American Collaboration in Fashion. The panel will feature Jessica Metcalfe of the Beyond Buckskin blog and Beyond Buckskin Boutique, Adrienne Keene of Native Appropriations and Tracy Bunkoczy, Paul Frank’s VP of Design as they discuss the brand collaboration, the background story and creation of the collection and the development of proactive Native partnerships in the fashion world.
After the panel, each of the designers will present their products and talk about their personal inspiration for the collaboration. These Native American designers include Louie Gong of Eighth Generation, Autumn Dawn Gomez of The Soft Museum, Candace Halcro of Brownbeaded, and Dustin Martin of S.O.L.O. The “Paul Frank Presents” fashion collection includes a printed tote, pillow and throw blanket by Louie Gong, five collections of Hama bead jewelry by Autumn Dawn Gomez, authentic Paul Frank hand-beaded sunglasses by Candace Halcro and a variety of tees, tanks and bandanas by Dustin Martin.
“This collaboration has been an opportunity for us to help raise awareness about cultural misappropriations, which unfortunately happen too often in product, promotion and fashion,” said Elie Dekel, President of Saban Brands. “Our partnership with these four talented Native American designers was the direct result of our own awakening to this issue from our Paul Frank Fashion’s Night Out event back in September of 2012. We hope this ‘Paul Frank Presents’ collaboration will demonstrate more appropriate ways to engage and celebrate the Native American communities.”
These products are now available for purchase at the IAIA MoCNA store, the websites of the contributing designers and also on shop.beyondbuckskin.com. For additional information about this collection, please visit www.paulfrank.com.
About Paul Frank
Acquired in 2010 by Saban Brands, Paul Frank began in 1997 as an independent accessories company in a Southern California beach town. The brand has steadily grown to become a globally recognized, iconic brand that features artistic and entertaining designs inspired by a love of avant-garde, modern influences and everyday objects. By creating relationships through exciting collaborations and strategic licensing partnerships, Paul Frank merchandise includes apparel and accessories for all ages, books, stationery, eyewear, home decor, bicycles and more. To see what’s new and exciting at Paul Frank, visit www.paulfrank.com.
About Saban Brands
Formed in 2010 as an affiliate of Saban Capital Group, Saban Brands (SB) was established to acquire and develop a world-class portfolio of properties and capitalize on the company’s experience, track record and capabilities in growing and monetizing consumer brands through content, media and marketing. SB applies a global omni-channel management approach to enhancing and extending its brands in markets worldwide and to consumers of all ages. The company provides full-service management, marketing, promotion and strategic business development for its intellectual properties including comprehensive strategies unique to each brand, trademark and copyright management and enforcement, creative design, retail development, direct-to-consumer initiatives and specialized property extensions. SB is led by a superior management team with decades of experience in media, content creation, branding, licensing, marketing and finance. SB’s portfolio of properties currently includes Power Rangers, Paul Frank, Vortexx, Zui.com, The Playforge, Julius Jr., Digimon Fusion and Popples. For more information, visit www.sabanbrands.com.
About the Museum of Contemporary Native Arts
The mission of the Museum of Contemporary Native Arts (MoCNA), a center of the Institute of American Indian Arts (IAIA), is to advance contemporary native art through exhibitions, collections, public programs and scholarship. MoCNA’s outreach through local and national collaborations allows us to continue to present the most progressive Native art and public programming. MoCNA’s exhibitions and programs continue the narrative of contemporary Native arts and cultures. MoCNA is located at 108 Cathedral Place, Santa Fe, NM 87501. For more information please contact: (505) 983-1666 or visit www.iaia.edu/museum. For the MoCNA store, please call (888) 922-4242 or email shop@iaia.edu.
About IAIA
For 50 years, the Institute of American Indian Arts has played a leading role in the direction and shape of Native expression. As it has grown and evolved into an internationally acclaimed college, museum and community and tribal support resource through the Center for Lifelong Education, IAIA’s dedication to the study and advancement of Native arts and cultures is matched only by its commitment to student achievement and the preservation and progress of the communities they represent. Learn more about our achievements and mission at www.iaia.edu.
