Tulalip, From My Heart: WWU reading group studies the life of Harriette Shelton-Dover

Ray Fryberg, Patti Gobin and Chelsea Craig perform of one of Harriette Sheldon-Dover’s songs.

By Kalvin Valdillez, Tulalip News

If you look up the word resiliency in the dictionary there will be a picture of the Tulalip leader, Harriette Shelton-Dover. Or at least there should be, because she is the very definition of the word. Harriette was a boarding school survivor, cultural preserver and language revivalist. She was a highly respected leader as well as a daughter, mother, cousin, auntie and grandmother of the Tulalip people. Harriette restored the practice of the Salmon Ceremony, testified during the Boldt decision and was the first chairwoman of the Tulalip Tribes – to name a few of her accomplishments. But perhaps one of Harriette’s biggest accomplishments was rebuilding pride in a tribal community during and after years of forced assimilation. She knew her language, rights and culture and stressed the importance of both practicing those traditions as well as passing them down to the next generation. Harriette passed on to the next life in 1991, yet her teachings continue to inspire generation after generation.

Despite her boarding school experience, Harriette knew the importance of an education and received her college degree from Everett Community College during the seventies, while in her seventies. While attending the college, Harriette met Darleen Fitzpatrick, a young Anthropology Professor who was teaching a course on Northwest Coast tribes.

“The beginning of one fall quarter, I was standing in front of the room getting ready to start class and I just happen to look over at the door and she just happened to walk in at that moment,” recalls Social Anthropologist Darleen Fitzpatrick. “With her cane thumping on the floor, she stopped halfway to me and said ‘I want to know what you’re saying about Indians’. Thumping with her cane, she thumped over to the front row and sat down exactly in front of me. Looking at her I thought well, if there’s anything wrong this is how I’m going to find out. I was twenty-eight years old and she was seventy. When she said, ‘I want to know what you’re saying about Indians’, that began a relationship that eventually became a friendship. As we were becoming acquainted, I finally said to her, ‘I can help you with the history you want to do about Tulalip. We have tape recorders; we can do it on Friday afternoons before I go home’. So that’s what we did for quite a while.”

Darleen spent every Friday, for two years, recording Harriette as she shared the history of Tulalip as well as some of her personal experiences. In total, there were nearly two hundred cassette tapes, filled with audio recordings on both sides. After years of transcribing, editing and placing Harriette’s accounts in chronological order, Harriette’s memoirs were published by the University of Washington Press in 2013, twenty-two years after her passing, in the book titled Tulalip, From My Heart: An Autobiographical Account of a Reservation Community.

Western Reads is a reading group designed for the new students of Western Washington University. The book club promotes intellectual engagement through a variety of events and activities. Every year, Western Reads collectively decides which book they will be reading; for this year’s selection, the group chose Harriette’s From My Heart.

“We feel that in the past Western has not done a good job of acknowledging the Indigenous culture. This is an opportunity for everyone to reflect on this history of this area and how this history is represented,” states Dawn Dietrich, Director of Western Reads.

Western Reads hosted a forum on October 4, at the Fairhaven Auditorium. During the forum, the reading group witnessed guest speakers Darleen Fitzpatrick, Ray Fryberg and Patti Gobin recount the life and times of Harriette Shelton-Dover. Ray spoke of the boarding school atrocities and shared a little bit of Harriette’s experience at the school.

“She talks about being raised by her grandmother,” says Ray. “The teachings that she got from her grandmother; being introduced out into the woods to the four directions, how to sit properly in the longhouse because people are going to look at you to see how you were taught, because your teachings reflect on your elders. Then she went to the boarding school. She said that during her experience at the boarding school, two boys from Lummi ran away and she knew that they went out and caught them so she and [the other students] had to go back to their dormitories. They all looked out the window, down at the school, to see what they were going to do to the two boys that ran away – they whipped them so hard that it took them forty-five minutes to crawl from the school to the dormitory which was only a quarter of a block.

“They said no speaking Indian – no Indian,” Ray continues “[Harriett] and two girls from Lummi were in the bathroom, they were talking Indian and the matron came in and said ‘didn’t I tell you no talking Indian?’ Harriette said they had a whip – she described it: two inches wide, an inch thick and it had brass tacks – outlawed in the prisons yet they were allowed to be used in the school. She said, ‘the matron whipped me all the way across the bathroom hitting me underneath my ear, across my neck. But there were two things I wouldn’t let that white lady do, I wouldn’t let her knock me down and I wouldn’t let her see me cry. I caught myself in the corner and I grabbed a hold of the sink and I would not let her knock me down.’”

Ray expressed that Harriette knew of the long-term damage Native America faced due to the boarding schools. “She also said, ‘everybody I went to the school with turned out to be alcoholics. I can’t blame them. Out here we don’t have no doctors, no psychologist, no psychiatrist like they do in town.’ We were talking about that back in the mid-eighties before boarding school experiences and generational trauma were even buzzwords. For me, when I read that about the boys, I cried. When I heard about her being whipped, I become really angry that anybody would ever treat a grandmother like that.”

Patti Gobin is Harriette Shelton-Dover’s grandniece. Patti explained that the boarding school experience left many Native Americans across the nation lost, including her grandmother, Celum Young.

“My grandma, she was so broken, split between two worlds: being ‘civilized’ and uncivilized,” explains Patti. “I say that in a good way because that describes my grandma. Uncivilized being something very bad and civilized meaning something you needed to attain. My grandma was first generation in the boarding school, her first language was Lushootseed, her first culture was Coast Salish; and in the blink of an eye she was no longer Coast Salish, she was no longer Indian. She was going to be Catholic, her name was now Cecilia and she was going to speak the English language.

“But this isn’t about my grandma,” she continues. “It’s leading up to how Harriette Shelton-Dover came into my life. She came and knocked on my mom and dad’s door when I was ten years old – that was fifty-four years ago. My dad answered the door and asked ‘what do you want Harriette?’ and she responded, ‘I would like to speak with Celum’ – she never called her Cecilia, it was always Celum. She stepped into the house and my grandma was very quiet, very shy. [Harriett] said ‘I want to ask if I can take your granddaughter, because she has ears to hear and I see something in her.’

“My grandma wasn’t happy because culturally you don’t take someone’s granddaughter out of the house physically and have her stay at your house,” says Patti. “My grandma finally asked ‘why do you want my granddaughter?’ and Harriette said, “because she has something and I think I can share our culture, our history as Tulalip people, as Snohomish people with her.’ My grandma said ‘you can have her, but only on the weekends.’ So, I lived with Harriette Shelton-Dover Friday through Sunday from the time I was ten until I was eighteen. I didn’t think I was learning anything. You may not think you’re absorbing your family’s qualities, traits, their values but you are. Even when you’re fighting, even at a young age when you may not want to be like your mom and dad or your grandma and grandpa – but you end up there. I’m sixty-four and I’m there. I am Harriette, I am Celum, I am many of those elders who took their time and invested in me.”

Patti explained the many lessons she learned from Harriette, or as she called her granny, “the first thing she did was try to teach me how to act Si’ab, high class, how to conduct myself in public. I was shy like my grandma and granny would say ‘look at me, look me in the eye. I want you to tell me who you are and where you come from.’

Patti explained the importance of introductions within the tribal community. She demonstrated how she first introduced herself to Harriette, looking down at the ground in a soft-spoken voice.

“She said ‘lift your head up. Look at me and let’s try this again.’ I looked at her and she said ‘never be ashamed of who you are and where you come from. You are an Indian girl and you must be proud of that. When you walk into a room, you hold your head up high, even though you’re shaking and quaking on the inside. You look people right in the face and say I’m Patti Gobin. My mother is Dolores Gobin and my father is Bernie Gobin. My grandmother is Celum Young, her mother was Lucy McClean-Young, her father was George Young.’”

The entire crowd was moved by Patti’s story, many book club members were in tears while listening to Ray and Patti reflect on the impact Harriette left for the future generations of Tulalip.

“What granny taught me was the beginning of a lifelong lesson – that I am Coast Salish,” states Patti. “I have thirteen grandchildren who are Coast Salish and they know that. As soon they came into this world they knew that they’re Coast Salish. They sing our songs and know that they’re members of the Tulalip Tribes and they’re not ashamed. I don’t speak my language, but my grandkids speak the language. My granny preserved our language and our songs in order to pass them on. I went to the University of Washington and ordered From My Heart before it even came out; I don’t even know how I heard about it but I paid full price for the book. It took me a long time, I read two pages at time and cried the whole time because it’s everything she’s ever said to me. I read everything in her voice – she’s always with me. I want to thank Darleen for this marvelous documentation because this will help each generation heal more and more over time.”

The forum ended with a performance of one of Harriette’s songs by Ray and Patti accompanied by Patti’s daughter, Chelsea Craig.

“I think the event was amazing,” says Dawn. “It was so moving not only to read Harriette Shelton-Dover’s account of the Tulalip culture and the region that we all share here, but then to actually hear members of the Tulalip tribe come with very personal connections to Harriette; who knew her, who knew her voice, who knew her songs; and to share that intergenerational wound that people have from everything that happened 150 years ago. There weren’t a lot of dry eyes in the room, particularly when Patti and Ray were speaking and when they were performing the song.

“I feel that people can have misunderstandings of other groups of people when they don’t share a culture,” she continues. “But when you’re face to face and someone has the courage to speak so directly to an audience and to share things so close to their hearts – it moves people. Not intellectually necessarily, but it moves their hearts and that is really the source of education. I felt it was very powerful and I couldn’t have asked for more. I think for students to have the ability to hear this culture and history first hand and hear about how the people today are living with that is invaluable. If it can open hearts and minds and open peoples understanding to an accurate historical account of what actually happened, then the program this year will have been completely worth everything we’ve done to organize it.”

 

TULALIP VIES TO BE HOME TO AMAZON’S “HQ2”

Tulalip offers Amazon sites in the first tribally chartered city in the United States
Tulalip is participating in this regional proposal with Snohomish and King County

 

TULALIP, WASHINGTON – Tulalip Tribes have partnered with regional leaders to persuade Amazon to build “HQ2” in Washington State. The Tulalip Tribes are offering large sites in Quil Ceda Village, the first tribally chartered city in the United States, as part of the joint bid announced on Thursday.

Tulalip Tribes leadership is confident Quil Ceda Village is a prime location for Amazon. It boasts buildable and appropriately zoned land, with a full suite of utilities and a location easily accessible to I-5. The Tulalip Tribe has also worked extensively with County and State officials to increase transportation capacity in the region.

“Amazon has proven themselves as forward thinking and the areas where they do business flourish,” said Marie Zackuse, Tribal Chairwoman. “We feel strongly that Amazon’s commitment to job growth, talent retention and their generous philanthropic culture aligns with Tulalip’s philosophy of looking forward, not only for our success, but for the success of our neighboring communities. “Amazon has been touted as ‘the world’s most customer centric company,’ and that generous focus on the long-term relationship with people, rather than short term profits, fits right in with our style of business, Zackuse continued.

“The Tulalip Tribes believe we all benefit when innovative companies make their home in our communities, Zackuse said. There are a wealth of positives for everyone involved that will occur from Amazon locating their second headquarters in our region, and this is why Tulalip is participating in this regional proposal with Snohomish and King County.

“Our teams are ready, the real estate is ready, and all that is left is a business that would best complement our ideals and our economy. We strongly believe, with Amazon, we’ve found that.”

For more information, visit www.tulaliptribes-nsn.gov.

Screenagers sheds light on the impact of youth’s increased screen time

By Micheal Rios, Tulalip News 

Raising youth in our technologically advanced society is a challenge for most caregivers technologywho struggle to understand the effects and how to set limits on their children’s screen time. Today’s youth are the first to be raised in the age of the smartphone, and its influence can be felt everywhere.

Smartphones, video games, and digital media have created new headaches for many families. Concepts like sexting, online bullying, video game addiction, and obsessive social media attachment have become common practice among today’s youth. Behaviors as these can often lead to disruptions in school and sleep, anti-social behavior, and depression. For parents and caregivers, the question of how to even begin addressing these concepts with their children seems like a daunting task.

In this context, Tulalip Youth Services invited youth and their parents to participate in a discussion of the topic and view the award-winning film, Screenagers: Growing Up in The Digital Age, on the evening of September 19. Screenagers is the first feature documentary to explore the impact of screen technology on kids and to offer parents proven solutions that work.

“Parents should always take the time to talk to their kids about the risks of technology, especially social media and using technology appropriately,” stated Teri Nelson, Youth Services Executive Director. “There are some great uses in the digital age that provide opportunities to learn and be creative, but with everything there needs to be moderation. I feel big concerns for our youth are online safety, privacy and reputation management with social media. One bad decision to post something inappropriate can have long-lasting, damaging effects.”

During the film’s screening there were 32 youth in attendance, plus several caregivers and Youth Services staff members.

Screenagers provided an in-depth, personal look at how families are coping with kids and screen time, the plot explored how being connected to devices is affecting relationships and even child development. Directed by Dalaney Ruston, a Seattle filmmaker and physician, the movie profiles her own family’s struggles with smart phones, social media, and video games. The film includes interviews with parents, teenagers, authors, psychologists and neuroscientists providing ideas on how we can empower ourselves to best navigate this digital world we live in.

Throughout the film, children and their parents are shown dealing with often serious consequences related to excessive screen time, or screen time without boundaries. Revealing stories that depict messy struggles over social media, video games, academics and internet addiction are shared.

A boy who lives with his grandmother becomes a “different child” when told he has to get off his video games. The grandmother seeks help for dealing with the confrontations.

Another boy, Andrew, is so consumed with playing video games into the wee hours during his freshman year of college that he stops going to classes and leaves school. He enters a rehabilitation facility to treat his addiction.

A girl with a love of photography spends most of her time in her room posing and taking pictures of herself to nurture a social identity aimed at getting “likes.”

Another girl, Hannah, shares a picture of herself in her bra with a boy she likes. When he shares the picture, the girl deals with the fallout at school and being bullied.

It’s not just the kids scrolling Facebook or Instagram or blasting away on the PlayStation that demand the attention of the filmmakers. Adults connected to work and their own social outlets through devices are called out by the very kids who they are attempting to digitally police.

“Can we really tell our kids, ‘Do as we say and not as we do’?” the film asks.

Interwoven into these stories, are cutting edge science and insights from thought leaders who present evidence on the real changes happening in the brain. For example, we are led to believe that through technology we can multitask. However, the truth is our brains aren’t built to multitask. We’re meant to focus on one thing at a time. Switching what’s on our screen from Facebook to Instagram to Twitter and inevitably back to Facebook , that back-and-forth raises levels of the hormone cortisol in our brains. Cortisol is the hormone produced when we are stressed. On top of that, every time you refresh any of your social media feeds, the brief burst of news or images gives you a quick dopamine hit, which activates the brain’s pleasure centers and leaves you wanting more. It’s a destructive cycle that can lead to addiction and an inability to stay unplugged and offline.

While our digital lifestyle is certainly not going anywhere, it’s critical to find a healthy balance between screen time and real-world interactions. In most cases, this means putting realistic restrictions on screen time for children and their parents.

Among community viewers at the film screening was tribal member Nickie Richwine and her three daughters. Following the movie, Nickie shared she already places restrictions on when and how her daughters can use their devices, but has learned additional methods of staying offline from the film.

“My girls are 15, 11 and 8-years-old. I took them all to see Screenagers because as a parent I believe that technology and electronic overuse prevents them from developing social skills that they’ll need as they become young adults,” says Nickie. “Face-to-face interaction is necessary to build healthy relationships with their peers. Texting and IM’ing is no substitute. My kids struggle to understand why I limit their screen time, but one of the main reasons I do is to protect them. Kids don’t understand the internet has a lot of dangers and potentially harmful exposures. I was hopeful that this film would help them understand that.”

Dexter Smith, 8th grader and junior rep for Tulalip Youth Council, was also present for the film and recognized some of his own behavior when it comes to video games. Dexter said he can get too caught up in video games and become angry, especially when he loses. He says he is going to work on that and adds, “I think people my age are on their phones too much when they could be enjoying the outdoors. My advice to youth out here is to stay off of inappropriate sites and not make posts hurtful to others.”

Two young ladies, who wished to remain anonymous, shared, “It’s become way easier to text someone than it is to have a conversation in person. We’re so attached to our phones that we don’t even realize we’re addicted to them. People are controlled by their phones and social media accounts, kids and adults. Even in school kids are constantly posting and updating through their phones during class. It’s a distraction from their education.”

Screenagers: Growing Up in the Digital Age probes into the vulnerable corners of family life, and delves into the messy family conflicts over social media, video games, academics and internet addiction. Only through self-reflection and an open dialogue do solutions emerge on how we can best empower young people to navigate the digital world. More information can be found at screenagersmovie.com.

 

The doctor’s prescription for limiting screen time

  • Dr. Ruston suggests putting phones and other devices away at meal times, in the car and during family outings.
  • While studying, teenagers should put their phones in another room but can take “tech breaks”.
  • No phones, tablets or other devices in the bedroom when it’s time to sleep.
  • Rather than relying on your phone, buy an alarm clock and a calculator.
  • Limit interactive video games to certain times – the weekend, for example – especially for younger children.
  • Try what a group of teenagers do in the film: when they eat out, they put their phones in the middle of the table. First to check their phone pays for dinner.
  • Set aside regular time to calmly discuss any issues about mobile phones and other devices rather than letting them spark arguments.
  • Parents worried about their children’s screen usage should think about what they are doing themselves.

Salish Modern: Innovative Art with Ancient Roots

Museum Director Patricia Cosgrove sits with “Super Ken” mannequin by Bill Holm.

By Micheal Rios, Tulalip News 

Thirty years ago, you couldn’t find a map using the term “Salish Sea” for the Puget Sound region. There were Seattle galleries and t-shirt shops aplenty selling Northwest Coast Native art, but the masks, totem poles and sinuous formline animal prints were designs from hundreds of miles away, not from here.

Thirty years ago, no major art museum in Washington had mounted an exhibit highlighting Native created works of our own lands and waters. Artists were indeed working – Musqueam visual pioneer Susan Point was making innovative prints based on ancient carved designs. Ron Hilbert was painting bold scenes of spiritual practices and Lummi weavers Bill and Fran James were making sumptuous blankets and intricate baskets. But the critical interest and most gallery attention was focused on art from the Canadian coast.

Painting of a ceremonial smokehouse dance from 1989 by Ron “Chadusqidub” Hilbert (Tulalip and Upper Skagit).

In 1989, the balance started to tip. Washington State’s Centennial exhibit of Native arts opened, managed by Patricia Cosgrove (now Director of the White River Valley Museum) with Kenneth Watson as part of the exhibit staff. Both art historians were on a mission to convince Seattleites that totem poles are not indigenous and that Salish art in all its creative branches is. The exhibit was incredibly successful, and soon many influences aligned to literally change the landscape of the Native art market.

Ever since, both Cosgrove and Watson have worked hard to see the word ‘Salish’ enter the mainstream vocabulary, and to insure that the characteristic sweeping lines and subtle patterns of Salish arts become recognizable and emblematic of the Seattle area.

Through the effort of many, this vision has come true. High quality galleries like Seattle’s Stonington Gallery and Steinbrueck Native Gallery feature experienced and rising artists from across the Salish Sea region. Generations of new artists have risen in skill and popularity. Today, Salish art is an explosion of innovation and creativity that still has a firm foundation in our region’s earliest Salish generations.*

That innovation and creativity of Coast Salish artistry is currently on full display at the White River Valley Museum, located in Auburn only blocks away from the Muckleshoot Reservation. Inside the museum mounts an unprecedented six-month-long exhibition titled Salish Modern: Innovation Art with Ancient Roots.

“I’m really thrilled that we have works from artists who are rock stars in the Native art world, such as Louie Gong (Nooksack), Susan Point (Musqueam), and Shaun Peterson (Puyallup),” states Patricia Cosgrove, Museum Director and Salish culture enthusiast. “People are surprised when they see the ancientness of the tradition and then recognize the elements of it all around them in these very modern pieces. This is a perfect exhibit to celebrate this vital, fabulous modern art world.

“For museum visitors and people who see the exhibit, I’d like them to know that Salish cultures are alive and can be very modern. In my opinion, modern Salish art is some of the most elegant, divine visuals that you can find,” continues Patricia. “I’d love to see Salish art take the place of totem poles and form line design in Seattle as its visual identity.”

Salish Modern: Innovation Art with Ancient Roots will be on display through December, 17. The exhibit is supported in part by the Tulalip Tribes Charity Fund. Included among the many elegant Salish artworks is a rare painting by Ron “Chadusqidub” Hilbert (Tulalip and Upper Skagit) depicting a ceremonial smokehouse dance from 1989.

*source: Salish Modern exhibit material

Chairwoman Marie Zackuse to Freeman High School

Freeman High School, now and in the difficult days and nights ahead, the hearts of Tulalip are with you. We are grieving with you. We are praying with you. Words can’t describe the pain that the students, the families and the community are experiencing right now. We know that nothing we can say can bring back the life or the innocence that was lost, we can only offer our love and support during this dark day.

Tulalip Heritage High School Receives Accreditation

By Kalvin Valdillez, Tulalip News 

Tulalip Heritage High School recently received accreditation through AdvancED, an accrediting agency comprised of educators who conduct on-site external reviews of Pre K-12 schools. The education accreditation procedure is a yearlong voluntary process in which a school becomes a certified institution by meeting a set of external standards of quality. Due to successfully completing the process, Tulalip Heritage has been granted accreditation for the next five years.

Tulalip Heritage was previously accredited under Marysville-Pilchuck, the recent accreditation now recognizes Heritage as its own school and by doing so, the high school has the opportunity to thrive on its own, as well as provide a fresh outlook for potential students and their families. On the evening of Wednesday August 30, Tulalip Heritage celebrated their accreditation with the Tulalip community at the Francis J. Sheldon Gym.

“It’s really a huge accomplishment for us, as a school, to receive this accreditation,” states Tulalip Heritage High School Principal, Shelly Lacy. “We’re accredited through AdvancED, they have accredited over 34,000 schools nationally and we actually scored ten points higher than their average. A lot of times we hear in the community that Tulalip Heritage is an alternative school, that we’re less than. This accreditation tells them no, we meet the same standards; as a matter of fact, we exceed those standards.

Tulalip Heritage High School Principal, Shelly Lacy.

“It took us a year to get ready,” she continues. “[AdvancED] were at our school for three days and spent over a week looking at all of our data. They came in and did interviews with the students, parents and staff; and also observed the classrooms. We learned a lot through the process, [the accreditation] is good for five years and is an ongoing process where we continue to work with them to improve our instruction so that we make sure that our students receive the best education that they can receive.”

The accreditation celebration allowed parents and students a chance to fill out paperwork for the upcoming school year. Heritage also provided dinner, a spaghetti-bar buffet by Olive Garden, as well as entertainment as many Tulalip Heritage Alumni took to the basketball court to compete in a full four-quarter game against the current Heritage High School student-athletes.

“When we thought about celebrating the accreditation, we wanted to include all of our alumni because they are who made our school important. They came and did their best work here and then they continue to come back. They come back to support the athletes, they come back to volunteer at our school. So, we wanted to make sure we included them and the best way is through their love to play sports.

“The one thing we’re most excited about is this year’s graduating class will receive the first-ever Tulalip Heritage High School diploma, we’re really excited about that,” Shelly expresses. “We’re in the process of designing the new diplomas. They will say Tulalip Heritage High School and will include our logo and probably a picture of our school. We thank the Tribe for their support because we couldn’t offer our students what we offer without the Tribe’s support. We can offer P.E., have a full-time counselor and a full-time principal because the Tribe supports us, so that we can make sure our kids have everything they need to graduate and be successful in college and their future careers.”

A Step in the Right Direction

Tulalip community participates in International Overdose Awareness Day

By Kalvin Valdillez, Tulalip News 

The opioid and heroin crisis has continued to escalate over recent years in America. The state of Washington sees approximately three-thousand deaths annually due to drug abuse, according to the Washington State Department of Health. In Snohomish County there are nearly seven-hundred drug-related causalities per year, with the largest amount of overdoses occurring in the Everett-Marysville-Tulalip area. A recent study conducted by the University of Washington Alcohol and Drug Abuse Institute shows that thirty-one percent of deaths statewide can be credited to drug overdose.

International Overdose Awareness Day is held each year on August 31 to bring attention to the drug epidemic, educate community members and remember the loved ones who have fallen to their addiction. This year the Tulalip community participated in International Overdose Awareness Day with the Fed Up? Wake Up! Overdose Awareness event hosted by the Tulalip Community Health Department.

“One of the important things that Community Health believes in and wants to bring to the community is meeting the people right where they are,” explains Tulalip Community Health Nurse, Suzanne Carson. “This event is to share with community members what they can do to educate themselves about the overdose problem; what overdoses look like, what withdrawal looks like, what the risk factors are – that kind of education, so they know what they’re looking at when they see someone who is struggling.

“We also want to acknowledge those loved ones who we have lost to an overdose and the lives that have been affected by an overdose,” she continues.  “An overdose not only affects the person who took the drugs, but everybody in the community. The hearts are impacted every time the community loses or almost loses somebody and our goal is to give the community a chance to reflect on the lives that have been affected.”

Internationally, people are encouraged to show support by wearing purple and silver on Overdose Awareness Day. A trail of shoes, spray-painted purple and silver, were lined from Marine Drive, alongside Totem Beach Road, leading to the new Tulalip Community Health Department.  According to Suzanne, each shoe on the ‘trail of empty shoes’ symbolizes a life lost or a life affected by an overdose.

In 2014, the Tulalip Tribes adopted a Good Samaritan aw, the Lois Luella Jones law, which shields addicts from arrest and prosecution when reporting an overdose. Sergeant William Santos of the Tulalip Police Department and Tulalip tribal member Rico Jones-Fernandez were in attendance to speak to the community about the law. In 2011, Lois Luella Jones lost her life to an overdose. Authorities believe she could’ve been revived, however her peers did not call for medical assistance, fearing they would be arrested. Her son Rico created the Good Samaritan law and has since dedicated his life to raising overdose awareness in the community by running the Tulalip Clean Needle Exchange Program.

During the event, community members painted rocks, in dedication to those who lost their life to an overdose, and placed them in the Remembrance Rock Garden, located in front of the Community Health Department. Many of the rocks in the Remembrance Garden display the names of overdose victims as well as personal messages from the community members. Tulalip community member and Yakima tribal member, Scott Rehume, explained the story behind the rock he designed for his brother, Kevin.

“I just went to his funeral the other day,” he emotionally states. “When they said he passed away, I asked how – they said he OD’ed on heroin. He never even messed with it before, at the beginning of his usage he ends up doing too much and dying. When I came back to Tulalip from the funeral, I saw they had this overdose awareness event, so I decided to show up and make him a rock.”

The event concluded with a Naloxone training to better equip community members with the knowledge of how to revive someone who has overdosed.

“Naloxone is the opioid antagonist,” says Suzanne. “The receptors in the brain that opioids and heroin bind to, Naloxone goes in there and kicks them of those receptors so that the opioid is out of their system immediately. It’s what can save a life when somebody is overdosing. By taking the training, Tulalip tribal members are sent home with a free Naloxone kit that they can use to save a life.”

The Fed Up? Wake Up! event brought valuable information to the Tulalip community. Tulalip Tribes Chairwoman, Marie Zackuse, believes that events like the Overdose Awareness are a step in the right direction during these trying times of the opioid and heroin epidemic.

“When this affects your family member, you become helpless,” Marie expresses. “You don’t know what to do because you love them and you want to be able to help them, but you lose the ability to figure out what you can do to help – these types of get-togethers can help us. Seeing the flyer brought me to bring my daughter and we’re hoping to bring more family members together to just talk about it, because it is hard to talk about and we need to be able to support one another.

“I’m so thankful for the staff that brought this all together because it shows that we do care for our members,” continued Marie. “Each and every one of our families in this community are affected and we don’t want to lose one more person, because that person is our child, our grandchild. If we can all come together and take back our community, we can save some lives.”

Huckleberry Harvesters

By Micheal Rios, Tulalip News 

The gate to swədaʔx̌ali huckleberry fields was opened from August 25 to September 10, allowing tribal members a two-week window to walk in the shadows of their ancestors and harvest the elusive mountain huckleberry. Traditionally, the end of summer meant an annual trek of berry picking parties into the high regions of the Cascade Mountains to harvest the rare and sought after dark maroon huckleberries.

Mountain huckleberries are larger than the lowland evergreen variety and are more delicately flavored. They are found on high sunny slopes at about 5,000 feet elevation, and ripen towered the latter part of August and into early September. Fortunately, the Tulalip Tribes and its Natural Resources team has invested countless man hours and resources into a co-stewardship area located within the Skykomish Watershed, a place where our ancestors once resided. This pristine co-stewardship area allows tribal members to learn and practice traditional teachings in an ancestral space called swədaʔx̌ali (Lushootseed for “place of mountain huckleberries”).

Over Labor Day weekend, a number of Tulalips used the holiday to undertake the 2-hour journey to swədaʔx̌ali and spend a day breathing the fresh mountainous air while berry picking under the summer sun. Among the harvesters was first-time berry picker and Lushootseed language teacher Maria Martin.

“It was a beautiful, uplifting experience. Once we hit the forest, where there were no buildings, no cars, no people, just trees…my soul soared. I couldn’t not smile,” reflects Maria on her time at swədaʔx̌ali. “I’ve read and heard stories of people out picking berries and I always wondered how that felt. I didn’t grow up doing traditional things. I’m lucky enough to have the opportunity to speak my language, but that is only a piece of my culture.

“Berry picking felt natural, like I’ve always done it. The smells were intoxicating. The sounds beautiful, from the buzzing bugs and chirping birds to the families sharing laughs and love. These are the meaningful experiences that we all need to share in. While I was picking I told myself the story of “Owl lady and Chipmunk”, and sang Martha Lamont’s berry picking song; connecting the pieces of my culture, my words with my actions I felt whole. When I returned home I gave away a batch of my berries to an elder, which was very meaningful to me. Those that can hunt and gather are responsible for gathering enough for those that cannot. We are all family and we all are responsible for taking care of one another.”

Several tribal members who recently returned from Canoe Journey also used Labor Day to pick mountain huckleberries, including George Lancaster, Shane McLean and Dean Pablo. George brought up his nephew Brutal and his aunt Lynette Jimicum so they could soak up the experience as well.

“It’s awesome having the opportunity to be up here,” says George. “Being up here, I remembered blackberry picking with my grandma as a kid and that made me happy. I look forward to using my harvested berries to make pie. I love pie!”

“I absolutely love being here,” adds Lynette. “Having my grandson Brutal here and being able to teach him that there’s more activities than just playing video games. It means a lot to me to show him the value of outdoor activities, like berry picking and hiking in the woods.”

For tribal member Shane McLean, his thoughts have been impacted by the ongoing natural disasters like the droughts plaguing the Pacific Northwest and raging forest fires throughout the region causing smoke and ash to cloud the skies.

“My short-term goal is to give some berries away, my long-term goal is to get a four year supply. Lately, I’ve been thinking a lot about the prophecy telling us to be prepared for the future,” states Shane. “It’s said you should have four years of your traditional food stored away, just in case there’s something that might happen. We can see there’s natural disasters happening all over. I’m thankful the berries are even here to be harvested.”

Eighth Generation Celebrates One Year Anniversary

Louie Gong with hummingbird print.

By Kalvin Valdillez, Tulalip News

In the late summer of 2016, Nooksack artist Louie Gong opened the doors of his ‘Inspired Natives not Native Inspired’ brick and mortar shop in Seattle’s Pike Place Market, located directly above the tourist-favorite gum wall. After several years of independently grinding and selling his traditional yet contemporary artwork online, Louie decided to bring authentic Native American art to the masses by opening Eighth Generation and by doing so, he began to break stereotypes. In a world where big-name companies such as Forever 21, Urban Outfitters and Pendleton often appropriate Native designs, Louie took control by becoming one of the only Native-owned retailers selling authentically made Coast Salish art in the entire nation.

Louie has journeyed a long way since first making his mark in the fashion scene by taking a Sharpie to pair of Vans shoes and mixing traditional and urban art together. Since then, he has used his platform to empower and promote fellow Indigenous artists and has become one of the most prominent voices in the Native American community. Many tribal nations across the United States often gift   wool blankets to community members and leaders during traditional ceremonies. Blanketing honored guests is a tradition in Native America that has been practiced for centuries. These blankets were almost exclusively Pendleton but now tribes have the opportunity to support Louie’s movement during potlatches, powwows and many other tribal events.

On Saturday August 26, Eighth Generation celebrated their one-year anniversary by hosting an open house at their storefront. Tribal members from across the nation, including Ahousaht, Quinault and Lummi attended the event to show support for Louie and Eighth Generation.  The event featured a giveaway of several Eighth Generation products including blankets, soap, a limited number of signed Louie Gong Hummingbird prints as well as an original Louie Gong framed art piece valued at $1,200. During the event, Louie took a moment to reflect on the success of Eighth Generation throughout this past year.

“We’ve been open for a year and I feel like I’m at the end of a marathon,” he expresses. “When we launched it wasn’t time to rest, it was really time to put our nose to the grindstone and work even harder than the time leading up to the launch. Now that we’ve been open for a year and gone through all the different lessons that we had to learn, many of them the hard way, I feel like its finally time to take a deep breath, reflect on what we’ve learned over the last year and recalibrate to do even better next year. I feel like I’ve finally reached a time of reflection so I’m going to take some time away and think about how to move forward in a strategic way and how to continue scaling up Eighth Generation in a way that’s consistent with our values and our long-term vision. Not just creating opportunities for ourselves but also creating opportunities for other cultural artists and other community-based Native people.”

Central District Ice Cream Company  debuted eight new tasty ice cream treats at the celebration.

For the celebration, Eighth Generation collaborated with a local Native-owned business, the Central District Ice Cream Company, to debut eight new tasty ice cream treats: Hummingbird Huckleberry, Seattle Freeze (deep chocolate ice cream with Salish Sea salt and almond cookie crumble), Horchata De La Raza, COOL καψə? (nettle mint ice cream with chocolate chips), Genmaicha, Wunder Beer, Chica Fresca and Sleepy Dragon (lychee and lavender ice cream).  The Eighth Generation team also created artwork for each ice cream flavor.

“There’s no better way for us to celebrate the work that Eighth Generation does than by collaborating with another Native-owned company,” Louie states. “Over the course of last year, we were fortunate to become aware of Central District Ice Cream and the fact that they’re also Native-owned. We teamed up to create eight unique ice cream flavors that we launched today at our one-year celebration. It was the perfect way to act in a way consistent with Coast Salish and Northwest Coast teachings around how to conduct a celebration, but to also do it in a way that reflects the light-heartedness and contemporary nature of Eighth Generation. By incorporating traditional ingredients into the ice cream, including some medicines, it was a way for us to do what I try to do with my art, which is to make cultural teachings and ideas relevant to contemporary life.”

After a successful first year, Eighth Generation continues to inspire Native artists and break stereotypes. For further information and to view the Eighth Generation catalog, please visit www.EighthGeneration.com or visit the store in person at 93 Pike Street Seattle, WA 98101.

Frequent Vibrationz

By Micheal Rios, Tulalip News 

“What are you vibing on?” To 24-year-old tribal member Jack Peterson, this simple question has come to represent his aspirational journey from a wishful teenager growing up in one of Spokane’s poorest neighborhoods to an entrepreneurial twentysomething riding a wave of cannabis legalization.

Born on the Tulalip Reservation, Jack relocated to Spokane when he was only 2-years-old to live with a surrogate family because of his biological parents’ struggle with substance abuse. Considered home to the lower class of Spokane, the Hillyard neighborhood is where he spent most of his formative years being raised by a loving, stable family.

“I got separated from the Tulalip Reservation at such a young age, but I feel like the Tribe has always been there for me offering assistance and support with school and activity costs,” says Jack. “I grew up knowing I was Tulalip, but lacked the appropriate understanding of the culture. I’ve always felt this missed attachment to my homeland, especially with all these questions I had like what kind of people were my biological parents and who my family was on the reservation.”

As a teenager Jack went to Rogers High School where he consistently made honor roll and became an active participant in DECA (a high school student-based organization that prepares emerging leaders and entrepreneurs for careers in marketing, finance, and management). The business concepts and skills he learned in DECA would spark a burning passion to become a manager or owner of his own business one day.

In 2011, after graduating high school, he attended UW Seattle for a year to study pre-Medicine. Although the thought of aiding and possibly curing people’s pains medically meant a lot to him, the pull to the business world was just too strong. So Jack transferred to Eastern University after being accepted into the business program. While attending Eastern as a full-time student, he moonlighted as an assistant for friend’s cannabis grow operation. What started as a side job to make a little extra money for school and pay bills quickly got Jack’s entrepreneurial mind tinkering with all kinds of ideas.

The grow operation was small-scale, only growing about 10 plants or so, but they started growing concentrates and selling them to local medical shops. In the summer of 2015, Washington State legalized cannabis for recreational use and Jack jumped on the opportunity to become a budtender, a person who serves customers at cannabis shops, at a recreational shop called Greenlight.

The knowledge gained from not only growing and selling cannabis, but from interacting with shop owners and large-scale growers became instrumental. With the level of experience he now had and witnessing what was happening in the cannabis industry first-hand, young Jack’s mind turned to grand plans. The experience fueled a now burning passion to open a business of his own, as he foreshadowed a potential boom in the Oregon recreational market.

“Working at the Greenlight shop provided me with so much invaluable experience into the cannabis industry. When news broke that Oregon was getting ready to legalize recreational cannabis I knew that was my best opportunity to open a business of my own while being able to capitalize on a new, growing market,” reflects Jack on a time when Washington State was seeing a lot of competition with so many recreational shops opening their doors.

So in July 2016, Jack and his wife, Courtney Peterson, packed up everything they owned and moved to Eugene, Oregon hoping to pioneer a new market. Riding the cannabis legalization wave meant leaving everything he knew behind, but also meant Jack would have the best opportunity to achieve his long held belief he’d run a business of his own someday.

After months of sheer determination and grinding to find the perfect location to open his business and to raise enough funds to cover start-up operating expenses, Jack and co-owner Brandon opened the doors to Eugene’s first 100% recreational cannabis retail shop on November 11, 2016. Its name: Frequent Vibrationz.

“The meaning of the shop’s name comes from our desire to help you the customer find your good vibe as frequently as possible. Whether your vibe is something more relaxing to help with pain or an illness, or your vibe is something to get you happy and help socialize with friends, we can help you to reach where you want to be,” explains Jack. “Right now our slogan is #VibeOn. It’s something people can wear or say in public that doesn’t scream pot or marijuana, but still connects our customers to us. It’s developed from us saying every time a customer leaves “vibe on!” to customers saying “Hey, vibe on!” when they enter the store.

“It’s something that’s taken on a life of its own now, it describes a lifestyle. #VibeOn is much more than being about just a cannabis product, it’s being active, being a professional, or being a business person and still using cannabis on a daily basis to reach your optimal vibe.”

Over the nine months since it first opened, Frequent Vibrationz has earned a committed and loyal following because of the focus on quality and customer service. With repeat business as a key component to a recreational shop’s long-term success, the “Vibe Guides” at Frequent Vibrationz provide an experience and lifestyle over just selling product.

Amy Lee of stonermag.com states, “Co-owners Jack and Brandon have opened a dispensary that on all level succeeds in bringing their personalized and relationship-driven vision to [the customer]. It’s the knowledge of the staff that really brings people back again and again. The layout of the place is very welcoming. Frequent Vibrationz is a dispensary with no lobby, there’s no waiting and no entering your ID into a database. We loved the convenience of that. Making this a stop in your journey to finding the right Vibez is highly recommended.”

Jack has made it a point to give back to the Eugene community since its home to his dream come true. The staff of Frequent Vibrationz have performed a number of community outreach efforts, including trash clean-up days, holding several charity drives for the local humane society and raising funds for the birds of prey foundation.

The competition continues to grow as more and more recreational shops open in Oregon, but Jack Peterson, the newly minted business owner, has little doubts he has found a winning strategy.

“We are seeing continued growth through the increased competition, and we remain the highest rated dispensary in Eugene based on our Google, Facebook, Weedmaps, and Leafly reviews,” beams Jack at the success he has found and hopes to continue. “We push forward every day with a goal to ensure our return customers are happy and continue to be treated as family. While our new customers are given the whole Frequent Vibrationz experience and welcomed to join the family. I think this unique customer experience is what has separated us from the rest, as well as our philosophy for having the highest quality products at the best prices in town.”

Frequent Vibrationz has not only allowed Jack to fulfill his lifelong ambition of running his own business, but also connects him back to his Freshman year at UW when he was focused on medicine. The list of medical uses for cannabis grows larger every day, as the medical and science community publish more and more articles on the subject. Jack shared that a large portion of his customer base are individuals who use cannabis for a variety of medicinal purposes to increase their quality of life.

“Kind of funny to think that at one time I was attending UW hoping to become a doctor so I could help people medically and now, like a doctor, I’m helping people with the healing power of cannabis,” marvels Jack. “The best example of this is a customer I’ve come to know quite well. She came in one day really interested in CBD tinctures. We sold her one and a couple weeks later she comes back and tells us her story about how she suffers from seizers, up to 6-8 per day. Treating herself with the CBD tincture she went two weeks seizure free. At twenty-eight years-old she has found a much higher quality of life, nearly seizure free with regular use of CBD tinctures. Cannabis has changed her life and it’s amazing to think I played a role in that with my business. Helping individuals manage or treat their medical issues by finding their vibe is a game changer.”

The court of public opinion on cannabis has shifted greatly in just the last couple years alone, with several States in the nation legalizing it recreationally. Referring to cannabis as medicine or a healing flower that is a much safer and natural alternative to pharmaceuticals, such as addictive pain killers, is now common place in many social circles. It’s part of the process to deconstruct the often negative and stereotypical views of cannabis, while empowering those who seek to find their optimal vibe.

To find more information on Jack and his highest rated cannabis store in Eugene, Oregon please visit https://www.frequentvibrationz.com/