Gathering The Stories Of Northwest People ‘Left Out’ Of History

By Tom Banse, NW News Network

It started with the discovery of long-forgotten gravestones in a thicket of bramble and alder. That set one author on the faint trail of a feisty Native American woman and oyster farmer who lived in 19th century western Washington.

Author LLyn De Danaan at home in Mason County, Washington.
Credit Mary Randlett

 

The biographer is using the resulting book to inspire other Northwesterners — particularly tribal members. She wants to bring out the stories of people who, in her words, have been “left out of our histories.”

The waterfront cottage that LLyn De Danaan calls home on Oyster Bay in Mason County, Washington, overlooks a cultural crossroads rich in history. So it is fortunate she is a cultural anthropologist by profession. Her eyes and ears are tuned to signs and stories of place. And at this place, waves of settlers came from the earliest times to reap shellfish.

De Danaan moved here in the early 1970s. In recent decades, she heard enough tales about one pioneer to start a file. The name was Katie Gale. This independent businesswoman owned property and tidelands in her own name in the late 1800s.

“That was all a little bit unusual from conventional wisdom and things I had heard about both people in the oyster business and Native American women,” says De Danaan.

Finding Katie Gale

The biographer was fascinated by how Gale straddled different worlds and stood up for herself and her mixed race children.

“Katie Gale: A Coast Salish Woman’s Life on Oyster Bay” was published last fall.
Credit University of Nebraska Press

 

“I suppose there just were too many things about that that intrigued me that I couldn’t let go of it,” she says. “I literally couldn’t let go of it for years!”

A turning point came when De Danaan and several friends from the historical society discovered an overgrown little homestead graveyard a mile from her house. One of the headstones belonged to Katie Gale.

“I was so amazed, excited, enthralled that I began beating on Stan’s shoulders as he was kneeling in front of me holding this stone.”

Her friend had to plead with her to contain her excitement and stop it.

“I literally said, ‘I know who this is,’ as if she were an acquaintance of mine. But it almost felt that way,” recalls De Danaan. “I would say that was a moment of calling. I have to tell this woman’s story. I have to know her.”

But here’s the problem: the long-dead Katie Gale left no letters, no journals. De Danaan could find no photographs of her, no living descendants. The best source material was a divorce case file. It took almost a decade to accumulate corroborating details, context and enough educated guesses to write a biography. “Katie Gale: A Coast Salish Woman’s Life on Oyster Bay” was published last fall.

“So many stories not told”

But the tale doesn’t stop there.

“There are so many stories not told,” says De Danaan. “There are so many histories and people left out of our histories. That is what my work has to be now. I feel that it is my obligation to do that.”

At a writing class at the Evergreen State College Longhouse in Olympia, De Danaan is a guest speaker.

De Danaan exhorts the seminar to bring forth stories before they’re lost, perhaps starting with family history. This is a message De Danaan returns to again and again in regular public talks and one-on-one mentoring.

“You’re able to find out a lot more than you think,” she says.

All of the students in the circle facing the author this day are Native American. It takes awhile, but eventually sensitivities come out.

Keeping tradition and culture alive

Author LLyn De Danaan (right) discussed her biography of Katie Gale with students at The Evergreen State College.
Credit Tom Banse / Northwest News Network

 

One student says she was hesitant about taking the class. Her grandmothers warned against exposing too much of their Spokane tribal heritage to outsiders who might twist it or exploit it.

Makah tribal member Vince Cook heard that from his elders too.

“That’s a tough one,” he says. “Because when I was younger we were told not to record, not to videotape.”

Cook says attitudes are changing now as people see tradition and culture slipping away. He feels spurred to write about his great grandmother and all the things she taught him.

“I think it is important to continue on not only for myself, but for my family and for others to know about the Makah culture and to keep it alive,” says Cook.

Another person who says author De Danaan encouraged him is amateur folklorist Si Matta of rural Pe Ell, Washington. Matta’s focus is on gathering the stories of his ancestors from the Cascade (Watala) Indian tribe who once lived and fished in the Columbia River Gorge.

He’s approaching the task in a thoroughly modern way by soliciting and sharing material and old photographs via a website and Facebook page.

‘It becomes new’: Port Gamble S’Klallam skatepark is a work of art

The skatepark may help bolster relationships with people from outside the reservation.
The skatepark may help bolster relationships with people from outside the reservation.

 

By Kipp Roberston, North Kitsap Herald

Editor’s note: This version expands a comment in the 20th paragraph to clarify how the skatepark and the art will be a mechanism for sharing S’Klallam culture.

LITTLE BOSTON — It was almost midday at the Port Gamble S’Klallam skatepark, and Louie Gong and Josh Wisniewski were preparing to put some final touches on the art sprayed onto the cement.

The two were discussing the collaboration that resulted in a skatepark that was more than a place for people to skateboard. Then, the sound of wings overhead as an eagle flew above, almost directly over a Coast Salish painting of an eagle.

Maybe the eagle was a sign. “Or not, maybe. Maybe [it] just is,” said Wisniewski, the Tribe’s archeologist and cultural anthropologist.

The Tribe will celebrate the official opening of the skatepark in April. It’s a project that started in 2012, after the project was chosen as the best skatepark project — from hundreds of submissions — via social media through the Sheckler Foundation.

The foundation, founded by professional skateboarder Ryan Sheckler, assists projects that benefit and enrich the lives of children and injured athletes. It was the foundation’s first project.

The Tribe provided the site for the project, near the Teekalet neighborhood. The site was selected by the S’Klallams Working and Giving (SWAG) youth group.

After the site was selected, Angelique Zaki of the foundation visited Little Boston to help plan the skatepark’s development. She connected the Tribe’s planning department with Grindline Skateparks, a skatepark developer in Seattle which has built more than 120 parks — from Okinawa, Japan, to Orcas Island to Oxford, Miss. Grindline donated its design services, Zaki said.

Other project partners: Map Ltd., construction and civil engineers of Silverdale, surveying services; Krazan & Associates of Poulsbo, soils testing; and Coho Concrete of Kingston, concrete laying.

Gong said he received a grant through the Evergreen Longhouse to help with costs, mainly travel between his home and the Port Gamble S’Klallam reservation.

The skatepark has become more than just another place to skate. It reflects the Tribe’s youth and culture.

“The artwork here in the park is really meant to reflect the people and interest of who the park belongs to,” Gong said.

Gong, an artist of Nooksack and Chinese ancestry, was one of the driving forces behind the skatepark art. Gong produces Coast Salish art in various forms — among them shoes, skateboard decks and home decor — for his company, Eighth Generation. He was contacted by Wisniewski and invited to participate.

Gong worked with SWAG on what art they would like to see at the park. He took that info back to his office in Seattle and made mockups of the designs and potential color templates on his computer.

Gong and S’Klallam youth then used high-end spray paint, with stencils and masking tape at times, to piece together the art.

The art project was mostly completed within March. The result is a colorful and cultural skating experience.

Breaking barriers

When a non-tribal member steps onto the skatepark they will see an eagle, orca, canoe, and two phrases written in S’Klallam: “It becomes new,” and “We are Noo-Kayet S’Klallam.” “It becomes new” is the closest language equivalent to “Be the Change,” the Sheckler Foundation’s campaign.

It’s almost like a stamp. “You walk into that park, and the first thing you see is ‘Port Gamble S’Klallam,’ ”  Wisniewski said.

The artwork was a way to reflect the youth — not only as S’Klallam, but as the people who brought the skatepark into the community, he said. And that’s not being done in an exclusionary way, but as a way to show respect for the youths’ hard work.

“People have perceptions of Native people and communities,” Wisniewski said. “This park is something that kids who are Tribal members can invite their off-reservation friends to come visit. In doing so and sharing the park and the art, they will be able to share their community, culture and language. That is how the park and skateboarding will break down barriers.”

Already a lot of interest in park

The skatepark is technically open to the S’Klallam community and guests. But that doesn’t mean there isn’t growing interest in the park from outside of the community.

As boxes of spray paint cans and stencils were being pulled out of a supply shed so a few more artistic features could be added to the park, two men pulled into the adjacent parking lot. They wanted to know when the park would be open. Because painting was going on, they were turned away.

Apparently, interested skaters have become common at the park, which hasn’t officially opened.

Wisniewski said skateboarding is growing in popularity within Native American communities. A “cultural event,” he called it.

The skatepark will also give S’Klallam youth another recreational opportunity. Other than the skatepark, there is a playground, gym and basketball court. There is not a lot of recreation for older kids in Little Boston, Wisniewski said.

“If you don’t have a place for kids to do stuff, they won’t do it,” he said.

When finished, the S’Klallam skatepark will be one of four skateparks in the area. Other skateparks are located in Kingston, at Raab Park in Poulsbo, and at Clear Creek Park in Silverdale.

Schack honors Tulalip artist

James MadisonSource: The Herald

Tulalip artist James Madison is known for putting contemporary twists on traditional Salish and Tlingit Northwest Native Art.

For instance, Madison will create an aluminum sculpture depicting salmon in a fish ladder that represents the life of the Snohomish people, one of the Tulalip tribes.

Madison puts that modern twist on tradition in his upcoming exhibit, “Generations,” at the Schack.

That exhibit will show Madison’s commitment to sharing traditional native art using a contemporary approach and it also honors Madison as the Schack’s pick for 2013 Artist of the Year.

In a prepared statement, Madison said that he strives to “create art with an open mind in the sense that I am always thinking of new ways to add a modern twist to a traditional piece. This allows for me to help keep my culture alive. As we move into the future, so does the teachings of my ancestors.”

Madison was surrounded by art and the culture of the Tulalip Tribes as a child. At the age of 8, Madison learned how to carve at his grandfather’s kitchen table. Madison’s father, an abstract painter, encouraged Madison to try sculpting. And his uncle, a teacher, shared stories of American Indian culture.

Madison said these influences led to his intense interest in art and his native heritage.

Madison’s work can be seen beyond the Schack.

He is best known for large-scale pieces, including a 24-foot story pole, at the Tulalip Resort and Casino. He has pieces displayed at many of Washington’s state parks, as well as museums and galleries in New York, Alaska and Canada.

“Generations” opens with a catered reception from 5 to 8 p.m. Aug. 15 and is on view through Sept. 21 at Schack Art Center Main Gallery, 2921 Hoyt Ave., Everett. For more information, go to schack.org or call 425-259-5050.