Step into a world of sun-kissed sophistication as you enter the doors to Tropical Flutter. The Tulalip tribal owned business, which opened in June of this year, offers tanning, lashes and more.
Owner Deanna Muir, alongside her son and daughter, brought in several high-tech tanning stations that offer a few different options. Each tanning bed is different, and you can lay down or stand up, the choice is yours. Some features the tanning beds offer are air-conditioning, red-light therapy, UVA and UVB bulbs, extra sun, and aroma therapy.
Tulalip News recently sat down with Deanna Muir to discuss what it’s like to be in the tanning business.
Tulalip News: What led to opening your shop?
My kids and I wanted to open something that would sustain us into the future. I’m looking at retirement in 3-5 years and I wanted someplace to go after I retire.
Desribe some of biggest obstacles when opening your own business.
Financing was the biggest obstacle. But we were able to get a small business loan which is a feat in and of itself. Then we had supply chain issues due to covid. Our equipment was supposed to be here in March but didn’t come until May, and we weren’t able to open until June.
What are some benefits of using tanning beds?
We have UV tanning beds. They have UVA and UVB bulbs and they help give you vitamin-d and give you bronze skin. We have red light therapy that helps with fine lines and wrinkles.
What are some of the amenities offered?
We also have spray tanning, lash extensions, lash extension fills, and acrylic nail and nail art.
What else do you want readers to know about when it comes to Tropical Flutter?
We want them to come in and feel like family because that’s how we feel they are.
If you would like to know more about Tropical Flutter, they are open Monday through Friday 10:00am to 8:30pm Saturdays 8:30am to 6:30pm and closed on Sundays. Located 8825 34th Ave NE Suite K, Marysville, WA 98271. Or call 360-716-2979
The Seattle Seahawks logo is that rarest of birds: a culturally accurate sports icon directly inspired by a Coast Salish masterpiece — and one seemingly universally embraced by the Coast Salish people who inspired the original formline design.
A design that is making a long overdue and welcomed return during the 2023 NFL season after the Seahawks announced details of the team’s official throwback uniform set to debut this fall. Over the summer, the Seahawks released photos of the Kingdome-era threads on all their social media pages and official team website to much excitement amid the fanbase.
“I’ve always been a big fan of these jerseys just seeing pictures around the building, so to put this on is pretty cool,” quarterback Geno Smith said via the team’s website. “I think fans are going to love it. It’s cool that they’re bringing it back, and it’s cool that we get to be the team that brings them back. Hopefully, the fans will love it, and we’ll go out there and kick a lot of butt in these things.”
For some fans, this was a reintroduction to the team’s traditional uniforms worn from 1976-2001 that Hall of Famers Steve Largent, Cortez Kennedy, and Walter Jones wore on game days. For other fans, it was a history lesson as they viewed the royal blue, Northwest green, and metallic silver color combo for the very first time.
But beyond the traditional colors of the ‘70s is the return of the original Seahawks logo, which is generally considered a highly stylized spin on classic, Pacific Northwest formline.
Origin story unmasked
Not so breaking news! There is no such thing as an actual Seahawk. Ornithology experts theorize the term Seahawk refers to a combination of an osprey, which is a bird of prey native to coastal North America, and a skua, which, in the Pacific Northwest, we usually call a seagull. If there isn’t an actual “Seahawk” found in nature, then what inspired the professional football team’s original logo?
The consensus is that in 1976, the NFL commissioned a logo for the newly formed Seattle football team. Then-General Manager Ted Thompson wanted the Seahawks’ logo to reflect “Northwest Indian culture.” He and his team of concept designers must have been Native culture enthusiasts who stumbled across a truly remarkable piece of Indigenous Northwest Coastal art. That artwork in question was a Kwakwaka’wakw (pronounced: KWA-kwuh-kyuh-wakw), a transformation mask from northeastern Vancouver Island.
In September 2014, the Burke Museum on the University of Washington campus learned of the mask’s whereabouts and launched an online fundraising campaign to bring it back to Coast Salish territory. Raising the money needed to conserve, insure, and ship the mask across the country didn’t take long. Within weeks of arrival, the hidden history of the mask was unveiled, and the origin story of the Seahawks logo went public.
Even though the exact inspiration behind the Seahawks’ logo remained a mystery for decades, what has always been certain is its positive celebration by Coast Salish tribes. All along the Salish Sea, citizens of sovereign Native nations have used the logo to empower contemporary artists who have re-appropriated the Seahawk’s iconic imagery into our culture.
“Great things inspire imitations. In the same way that so many Native people and white people and Asians are inspired by hip-hop, an art form created by Black people, many people are inspired by our beautiful art,” said Native advocate, criminal defense lawyer, and Seattle resident Gyasi Ross. “Native people have some beautiful artwork; of course, it inspires people to want a piece of it. The Seahawks logo is a perfect example of that. And we love it.
“But also, the Seahawks are actually active and respectful of the huge Native community here in the Pacific Northwest,” he added. “From speaking at graduations to speaking out against the [old Washington] Redskins mascot, the Seahawks have a great relationship with the Native community here, both urban and reservation-based.”
The Tulalip-Seahawk connection
Their commitment to Native communities distinguishes the Seahawks from so many other organizations that claim to honor Native culture with their logos and mascots, yet contribute little or nothing to their local tribes. In fact, the Seahawks have a history of significantly impacting the Tulalip Tribes.
Back in 2008, Seahawk Bobby Engram collaborated with Home Depot, the Kaboom! Program, and Boys & Girls Clubs of Snohomish County to build a 50-by-50-foot playground at the reservation’s ‘Club.’ In 2014, following the tragic Marysville-Pilchuck High School shooting, the Seahawks hosted tribal member Nate Hatch and his family at CenturyLink Field (now Lumen Field), where they received VIP treatment from both players and coaching staff.
Additionally, Seattle Seahawks legend Michael Bennett hosted a once-in-a-lifetime football camp for Tulalip community youth in June 2019. Nearly 250 participants, ages 7 to 18, had an opportunity to catch a pass from and do drills with the Super Bowl champion. Afterward, Bennett stuck around to sign autographs and take photos with every single one of his adoring fans.
Most recently, former Seahawk players Cooper Helfet and Jermaine Kearse landed a seaplane in Tulalip Bay in exciting fashion before spending an afternoon with 30 Tulalip youth at the local youth complex.
Empowerment through representation
A history of positive impact. Countless moments to uplift Tulalip youth and inspire them to always dream big. Promoting healthy lifestyle choices and physical fitness as a means of self-discipline to achieve long-term goals. The reciprocal nature of the Seattle Seahawks organizational respect for local tribes and the empowering, prideful Native fandom they’ve garnered in return continues to manifest itself in truly imaginative ways.
For starters, it’s common to see the Seahawks logo reimagined via eye-catching Coast Salish craftsmanship via all possible mediums. Native American artisans have reimagined the formline-based Seahawk as blankets, clothing, beaded earrings, attention-grabbing medallions, wooden panels, furniture, flags, face masks, and even six-foot chainsaw carvings that come together to celebrate the evolution of art, ingenuity, and true fandom.
“The Seahawks have given back to our community in so many ways and really made a difference in the lives of our youth,” shared Youth Services manager and lifelong fan Josh Fryberg, whose large family buys new Seahawks jerseys representing their favorite players every year. “As for the connection between the Seahawks and Coast Salish art, the roots definitely run deep. For my family, we have a lot of Seahawks-themed artwork created by very talented Native artists, both from Tulalip and other tribes. More than the art, though, the Seahawks mean family togetherness. Every Blue Friday, we rock our jerseys, and every game day we gather as a family to cheer on our Seahawks.”
The unique partnership between the Seahawks organization and Coast Salish tribes, who comprise part of the devout 12th Man fan base, took on a whole new meaning after the surprise announcement of a 10-year partnership deal with the Muckleshoot Tribe. This partnership is embodied by a Muckleshoot-created installation at Lumen Field’s north entrances. Dubbed “Muckleshoot Plaza,” this Indigenous space features a massive, reimagined Seahawk, two salmon, a canoe, and even Lushootseed text. The impossible-to-miss architecture designed by Muckleshoot artists reminds all who pass by that they are guests on Coast Salish land.
“This artwork will not only inspire our communities but also educate them on the important history of the Native Americans in this region,” said Chuck Arnold, President of the Seattle Seahawks. “We look forward to a long and meaningful partnership for many years to come.”
2023 throwback and beyond
Whether the Seattle Seahawks contend for this year’s Super Bowl or not, in the hearts and minds of tens of thousands of Coast Salish tribal members, they will always be champions. Not because they’ve hoisted a Vince Lombardi Trophy, but because our professional football team respects their local Native American communities off the field – where it matters most.
Merging the past with the present while paying tribute to tradition is embodied by those who dawn the Seahawks throwback jersey. This is why the iconic logo can be seen so vividly on Blue Fridays, worn by casino patrons as they wager on the home team, and throughout Coast Salish territory by proud members of the 12th Man Army.
Stepping into the new 2.9 million-square-foot Amazon PAE2 distribution center in Arlington, what first captures your attention are the extensive networks of conveyor belts that seem to extend for miles in every direction. These high-tech belts are just a small piece of the enormous operation that create a smooth flow of items throughout the facility. But what truly gives a glimpse into the future are the thousands of driverless robots moving seamlessly throughout their designated areas.
Equally fascinating is the collaboration between Amazon’s dedicated human workforce and the robots. People work in harmony with the machines, unloading to loading the 6-foot high shelves with various types of merchandise that the robots transport in and out of each workstation.
Thursday, September 14, Amazon PAE2, named after the Paine Field airport in Everett, PAE1, held a ribbon cutting unveiling the colossal structure that will offer over 1,000 jobs.
Tulalip board member Mel Sheldon and Chairwoman Teri Gobin were thanked for attending. Alongside of Snohomish County Executive Dave Somers, Arlington Mayor Barbara Tolbert, and Bruno Arnal, PAE2 General Manager, they participated in the cutting of the ribbon and celebrated the grand opening with a tour of the facilities. First of all, we are safety always,” Bruno Arnal, Amazon General Manager said. “We have the latest technology in the Amazon fulfilment center. Amazon this year alone invested over 550 million dollars in safety related project across the network. And this site, when you tour it, you will see all the latest research and development that lead to a safer workplace.
Bruno continued “Once full, this building will hold the largest number of items in the northwest. It’s a 5-story building and can house up to 40 million units of inventory. And because this building is located so close the Seattle metropolitan area, it’s going to help deliver selection at the right speed with safety, because we have the technology.”
Mayor Tolbert had the privilege of packing the first order in of the facility, saying, “This is a modern facility is built not only to serve the customer, but the employee. With the safety standards that are put in place, someone like me could step in and be trained and do the first shift effectively and safely with all the right equipment without getting hurt.
“We at the county are very much aware that the jobs of today are very different from the jobs of yesterday,” Executive Somers said. “We structured our workforce development process and have a future workforce alliance which is looking out to the future. Because we want to understand what the requirements are so we can provide the training necessary to make this facility successful.”
An inspiring cultural reclamation is happening throughout Native America as tribes are actively working to restore their traditional languages. Once outlawed and considered a punishable offense during the years of assimilation, many Native languages were all but lost. But thanks to each respective tribe’s knowledge keepers and traditional linguists, there has been a resurgence of the dialect of our ancestors over the years.
Within the sduhubš nation, the revitalization of the Lushootseed language seems to grow stronger with each decade that passes. Ever since Hank Gobin and Toby Langen set the foundation in the early 90’s, when the Lushootseed department was established, the language has spread amongst tribal families and is now often used conversationally.
Many of today’s traditional speakers were introduced to the language by the Lushootseed department along their educational journey or through a course offered to the community. Today, the department has grown considerably in size as a number of tribal members fell in love with the language and developed a passion for sharing that knowledge with the next generation.
Known as the Language Warriors, the team of culture bearers teach Lushootseed to tribal members as young as newborn babies, infants, and toddlers at the Betty J. Taylor Early Learning Academy, as well as to students at every grade level within the Marysville School District. The department also teaches college courses and frequently holds community classes and events to ensure the language is accessible to Tulalip’s members and its community.
Keeping with the times, the Lushootseed department offered online lessons and storytelling videos through the stay-at-home ordinance during the pandemic. They also developed an educational app geared towards kids that is based around foods. And we’d be remiss to mention their website, an online Lushootseed database that provides the spelling of a variety of words and phrases in the Lushootseed alphabet as well as an audio clip of the pronunciation of each word. The website also includes several video lessons and as well as traditional stories. Their homepage is updated regularly and shares the department’s upcoming events and activities.
If you were to visit www.tulaliplushootseed.com this very moment, you would find three phases listed at the top – ʔi čəxʷ, huyʔ, and t’igʷicid which translates to hello, goodbye, and thank you in English. The Lushootseed department chose these three phrases to kick-off a new initiative aimed at getting the entire community speaking the language on an everyday basis.
It’s been only a few weeks since the department announced the initiative via a cute video titled ‘Are You Smarter Than a 5-year-old?’, in which a tribal youth effortlessly spoke the three phrases and gave the definition of each word. The video ends with the tagline ‘get your Lushootseed on’, and challenges all of Tulalip to implement these words into their daily interactions and eradicate the English counterparts from their vocabulary completely.
“ʔi čəxʷ, t’igʷicid, and huyʔ are the three phrases we are starting off with – just trying to eliminate those three words in English, that is our goal for the rest of the year,” explained Interim Lushootseed Manager, Michelle Myles. “This was something fresh we could work on to get the community speaking the language. We were looking for ways to get the language out there to share it, where it’s not in the classroom, not with a teacher, and it’s something you could use with family members and share it in that way.”
With fall knocking on the door, the Lushootseed department recently provided a treat for the community in the form of eye-catching yard signs. Posted in highly visible areas, all throughout the 22,000-acre reservation, each sign displays one of the three phrases that local commuters can view and then in-turn practice while enroute to wherever their destination may be. For foot traffic, those active runners and walkers journeying across the rez, there is a QR code at the bottom of every sign. When scanned with a smartphone, the code will bring you to the Lushootseed department’s website where people can learn more about the challenge and hear the pronunciation of each phrase.
“These are three things that everyone can say,” exclaimed the Lushootseed department’s Video Producer/Director, Brian Berry, who has been instrumental in getting the initiative off and running. “It actually started here at the Lushootseed department. There are some signs here in the building that say, ‘English words we’re not going to use anymore’. That kind of got my brain spinning that we as employees and tribal members should replace these three phrases, using the Lushootseed ones instead of the English ones. The QR code will take you to our website. We got a little slot on there – three commercials that I put together, thirty second spots that we’re pushing out on Facebook, trying to get everyone to speak the language.”
The signs can be spotted all along Marine Drive, as well as in front of various department buildings and public spaces such as the Administration building, the Gathering Hall, the teen center campus, and the Tulalip Bay Marina. The signs are also located at the Betty J. Taylor Early Learning Academy, the 27th Ave. school campus which includes Heritage High and Quil Ceda Tulalip Elementary, as well as at the Marysville Getchell campus and the Marysville Pilchuck campus.
The effects of the initiative are already taking place as numerous governmental employees are utilizing the three phrases in their e-mails and in-person interactions. It’s amazing to see how the Tulalip people are reclaiming their language and are making strong efforts in preserving Lushootseed by passing down the teachings to current day citizens and the future leaders of Tulalip.
“This is who we are and where we come from,” expressed Michelle. “Lushootseed is part of our culture, and we should be able to embrace it and share it with everyone. It’s beautiful. I’ve been working at the department for over 20-some years now and it’s nice to see this freshness and all the new innovations we can use to inspire people to speak the language. It feels good. It’s awakening the language. And this initiative is keeping it awake, spreading it and sharing it with everyone.”
For more information about the initiative, the three phrases and how you can help spread the ancestral word, please visit the Tulalip Lushootseed website.
Slightly less than an hour’s drive from the Tulalip Reservation, going southbound on I-5, one can find the City of Kenmore. A relatively small city with an estimated 24,000 residents, it’s a suburban town that occupies the land where the Sammamish River joins Lake Washington.
Native Americans were the only people living in what is now the Kenmore area as recently as two hundred years ago. They lived on the waterway that later became known as the Sammamish Slough. It’s not difficult to imagine these Coast Salish ancestors establishing multiple villages in such a pristine fishing and hunting area, with each village having one or more cedar-plank longhouses to hold village families.
According to the Kenmore Historical Society, it was a great place to live, to fish, and to hunt. Migrating salmon entered the lake from the sea and swam to the mouth of the Sammamish Slough. Ducks and geese were abundant, landing in nearby marshes and the estuary on their annual migrations. Game was plentiful, and the area supported large populations of otters, beavers, muskrats, and other animals.
Flash forward to 2023, and that stunning Coast Salish identity that once thrived on those pre-colonized Kenmore lands is actively being curated once again by modern-day culture-bearers. The latest example of this reclamation process occurred just this summer as a special story pole awakening ceremony kicked off the city’s 25th anniversary celebration.
Installed in the heart of the town square and unveiled during a city-wide celebration is a towering 12-foot story pole created by Tulalip artist Ty Juvinel.
“I get asked the question often, “What is a story pole?” because people think we only made totem poles. When, in fact, our Coast Salish ancestors of this region made story poles and house poles,” shared Ty. “The difference was that a house pole was kept inside, while story poles were placed outside and were of utmost importance in acknowledging a nearby longhouse.
“I’ve been told there used to be a longhouse where the town hall used to be,” added the 36-year-old culture bearer. “The meaning behind this story pole actually explains the meaning of why Tulalip’s logo is the killer whale. The inspiration comes from the traditional story Seal Hunter Brothers as told by Lushootseed legend Martha Lamont. Further inspiration for this pole’s design and carving style was to intentionally reflect the style of [last hereditary chief of the Snohomish Tribe] William Shelton and the story poles he created.”
Ty spent hundreds of hours over the course of months to create this awe-inspiring story pole that started as a 12-foot tall by 30-inch wide single Cedar beam procured along the peninsula.
At their core, story poles are cultural storytellers. They are meticulously carved from large, straight cedar logs – chosen for their durability and resistance to decay – using various handheld tools. The intricate designs and figures adorning the poles are then carefully painted with earth tone or Medicine Wheel pigments.
Each story pole narrates a unique story, most often detailing a tribal village’s history or an iconic narrative that’s been told for millennia. They are central to preserving and spreading traditional teachings passed on via the oral tradition, a key aspect of Coast Salish culture.
In that vein, it’s become an artist’s signature for Ty to welcome members of the local community to leave a lasting mark on his story poles to both solidify allyship and serve as a reminder that they heard the pole’s story and can be held accountable to pass on the teaching. He achieves this by inviting all those in attendance at the story pole’s awakening to leave their painted thumbprint on a dedicated panel at the pole’s base.
“It solidifies the story pole being welcomed into the community. There isn’t a lot of opportunity for people to engage with art or our culture, making it much more memorable for those who leave their fingerprint,” said Ty. “Twenty years from now or even longer, those who were here might return, and when they do, they’ll be able to spot their print and, hopefully, remember what they witnessed and tell others about it.”
Coast Salish story poles are so much more than wooden sculptures, they are living embodiments of Indigenous history, culture, and spirituality. With their roots stretching back millennia, they stand as a testament to the resilience and enduring traditions of the region’s first peoples. As they continue to be celebrated and respected, their stories, like Martha Lamont’s Seal Hunter Brothers, will echo through the ages, ensuring that this tradition remains alive for generations to come.
By Wade Sheldon, Tulalip News; photos courtesy of Moiya Leger Rossnagle
When many kids are focused on friends and the latest trends on TikTok, a unique program offers the youth of today a chance to learn what it takes to become a police officer. The Snohomish County Sheriff’s Explorer Program provides a real-life look at what it’s like to pursue a career in law enforcement. Early in March 2023, 16-year-old Dylan Jones-Moses, a Tulalip tribal member, decided to enter the program.
The Explorer program, open to students aged 14 to 20, teaches about the laws and procedures for being a police officer. Explorers participate in real-life law enforcement scenarios, learn how major investigations are conducted and visit dispatch centers and county courthouses. They can even volunteer their experience at community events, conducting traffic control, providing security, and working with crime prevention programs. There are also opportunities to attend law enforcement competitions and conferences. Explorers spend a minimum of 10 hours each month in the program, and can continue until high school graduation and beyond.
“I went to the primary academy, which was challenging but a great experience,” said Dylan. “Going through the Explorer program has taught me a lot. It’s taught me to stay orderly, be disciplined, and not give up.
When asked what he thinks is the best part of the Explorer program, Dylan replied, “I would say seeing each other work as a team or a platoon. Coming together to overcome certain obstacles or reach specific goals was fun. It’s also a great experience to see what boot camp feels like. They teach a lot of good stuff, and it’s positive for people my age. After graduating, I want to go into the Army or stay in the Explorer program and become a police officer.
Moiya Leger Rossnagle, Dylan’s adopted mother, explained, “His dad, Shane Moses, and his family are very proud of his accomplishments. This has been a tremendous opportunity for him to have some training. All the Sheriffs at the academy have been friendly while building encouragement and hard work into the kids. This program has been very motivating for Dylan; with this course, he can utilize his discipline.
If you want to know more about the Snohomish County Sheriff’s Explorers, visit Snohomish County Washington at https://snohomishcountywa.gov/3534/Sheriffs-Explorers.
Long strands of intricately woven wool sway vertically at the bottom of a traditional Coast Salish skirt. Across the top is a horizontal pattern that creates the skirt’s waistband, which often features Salish designs or accessories such as shells and buttons.
The skirts were a necessity pre-colonization and are now often overlooked by the general public, thanks to some of our other masterful creations such as blankets, shawls and cedar weavings. However, the Coast Salish skirt played an intricate role in the lifeways of our women ancestors. For the skirts provided warmth throughout the cold fall and winter months, and also served as ceremonial attire during traditional gatherings.
Native America is currently experiencing a powerful and important ribbon skirt resurgence. Locally, more and more women from coastal tribes are contributing to what could be the start of a new revitalization movement by wearing wool skirts to ceremonies and as a part of their OOTDs (outfit of the day). These ladies also often alternate between ribbon and wool skirts, to show their continued support of the ribbon skirt initiative.
Although new to the game, Tulalip tribal member Krislyn Parks has found a passion in creating traditional Coast Salish skirts. Her handmade textiles with exquisite color schemes are bringing more attention to a practice that was nearly lost during the assimilation era, while also putting a her own spin on it.
After coming across her beautiful work, on her Instagram business account, Tulalip News reached out to Krislyn to chat about her newfound passion, it’s history, and what she hopes to accomplish through her handwoven skirts.
Tulalip News: Why don’t we start by learning a little bit about you?
My name is Krislyn Parks. I am 20 years old. I’m Kristie Fryberg and Jared Parks’ kid. My grandparents are Karen Fryberg and Cyrus Fryberg Sr., and Beatrice Forman and Leslie Parks. I’m proud to be Tulalip because it roots me down here from generation to generation. I have family ties here and I think it’s important to learn about my people and who I am. And be proud of who I am – express my culture and show everybody what it means to be Tulalip and who we are today.
What are some of the cultural practices that you take part in?
As a kid, I always took part in canoe journeys and sweat lodge, my dad’s side of the family always participated in that. And as I’ve gotten older, I was taught how to bead by my auntie Winona Shopbell and uncle Bubba Fryberg. My grandma Karen taught me how to sew at a young age so I could make my regalia. And I picked up weaving when I joined the Lushootseed department. Michelle Myles sat down with me a couple of days and just weaved with me, showed me how to do it and got me interested in it.
That’s awesome! Can you talk to us about the wool skirt and it’s history?
The wool skirts were something that we would wear during the cold time. Just to keep us warm, our women would be weaving all the time, that was one of our jobs. I’ve weaved cedar before, but weaving with fabric was new and really interesting. And so was learning about the woolly dog.
The story about woolly dogs is fascinating. Can you tell our readers more about the woolly dogs?
Our people used to have our own island that we used to take care of. Our ancestors, the women of the families, would go out onto the islands and take care of our woolly dogs. They would process their wool into the yarn used for skirts.
That shows how strong our ancestors were. To me, it’s always about recognizing how much they put into their work and how much love they put into it. They didn’t get to go to the store and buy yarn. They had to breed that type of dog, take care of them, and then they would shave the wool off the dogs every season. They would then pull it, spindle it in a whorl, and turn it into its own yarn.
Now that woolly dogs are extinct, what type of wool do you use in your work?
I use alpaca wool instead of woolly dog because – well, because we can’t get any of that anymore. We can never get that type of wool back, but we can keep preserving the tradition in different ways by showing and telling people about that kind of wool compared to the kind of wool we are using today.
You mentioned that you picked up the practice from Michelle Myles, can you expound on the beginning of your weaving journey?
When I started, I learned everything at the Lushootseed department. We had looms that were donated to us that were kind of old and broken down. But, we decided to work with them. And really, we just picked it up while preparing for language camp, to teach the kids about weaving and how to do it.
In our department we always say that we can’t just teach the kids and not practice the work ourselves. I teach weaving in the winter because that’s when our ancestors would weave at Tulalip. And my first time teaching that weaving unit, it was hard to connect with the kids. Learning how to weave this summer will make that weaving unit a lot easier. Now I’ll be able to bring in the loom and show the kids how to warp up their own weavings and make skirts for the classes, which I’m really excited to show the kids this year.
Now that you’ve learned how to weave wool, can you explain your process of creating a skirt?
Weaving wool skirts is really calming for me. I typically do it at home now, I have my own little weaving station setup in my room. Once you have your wool, you’re going to setup your loom and it’s going to need to have two bars on it. And then you’re just going to start warping the wool, just wrapping it around the loom. For an adult sized skirt, I would wrap it around 200 times, warping it up on the loom so it looks like a flat map. And then, I would take individual sections by two and just weave. Then I’ll twist through every two pieces and that’ll will be like me creating the design. It’s definitely all about the twining.
We heard that you paid homage to Barbie through your skirt designs. Let’s hear the deets!
We did! During the Barbie movie release, Marysa Sylvester did an Indigenous Barbie shirt and I bought it. So, I was like I need to make a skirt! Me and my coworker both made Barbie-themed pink and purple skirts and we raffled them off as a part of a Barbie raffle. It was so much fun.
When I was growing up, there were Indigenous Barbies that Mattel put out and they were in powwow regalia. So, we were talking about making dolls with some wool skirts for our classes because it would be nice to show the kids our representation. To show not only what a Native American Barbie looks like, but what a sduhubš, Snohomish Tulalip, Barbie would look like.
Since you started this new endeavor and you now have skirts available for purchase, have you seen any of your skirts in the wild or during a ceremony?
I’ve had a few so far. I made a skirt for myself and I ended up letting a friend have it, and she wore it to a jam that was happening that night. It was also really awesome to see a couple little girls and my old coworker walking around in my skirts and dancing in my skirts, when I know that they would’ve otherwise worn ribbon skirts. I’m glad that they’re culturally getting down, and are enjoying it and representing it with pride. I think that’s such a beautiful thing.
You are not only learning about wool weaving and how to do it, but you’re also passing down that knowledge to the next generation. What does it mean to you to carry on this tradition?
For me that means being open to share with anybody who is wanting to learn. Since I’ve learned and picked this up, I’ve had many of my own family members asking me to to host a class and teach them how to do this. I think that really shows how open our tribe is to learning things, we just don’t always have access to it. I think by me doing this, it’s granting more opportunities for other people to feel comfortable expressing their culture.
As you continue to practice this tradition, what do you hope to see in the future for your skirts?
I hope to see other kids find this way of life and that they show me how they practice it. This is something that our people dedicated their lives to, and there’s reason for that. It’s always going to be my main goal to see somebody I taught speaking the language and practicing all the arts our people did.
Where can people find your work and purchase your weavings?
On my Instagram account, @krislyns.kreations, or on Facebook under Krislyn Jo. Those would be the best ways to reach me. I know that every Native got some type of social media, so that’s the way for right now.
In communities nationwide, a remarkable shift is taking place to emphasize trust and understanding between urban youth and their local law enforcement agencies. The power of these positive interactions cannot be overstated, as they have far-reaching and, sometimes, even life-changing benefits for the community and the officers who serve it.
At the heart of this shift is an improvement of community relations. Building positive interactions between youth and law enforcement may seem like a daunting task, but it can be achieved with something as simple as a video game tournament. Such was the case in late August at the local Tulalip Boys & Girls Club, where the first of its kind ‘gaming with a cop’ tournament brought together youth from all around Snohomish County and their local police officers.
“This event was the culmination of weeks of planning and preparation by multiple Boys & Girls Clubs who wanted to ensure our kids ended their summer break with a fun, exciting, and truly memorable event,” explained Club Director Shawn Sanchey. “Each club had multiple practices, partnering up two club kids and a cop as a team to compete in a Rocket League tournament.
“This has most definitely reached the top tier level of just pure excitement in regards to the activities and events we’ve hosted. After seeing all the excitement and how much enthusiasm we got from both the kids and the cops, it’s obvious we need to continue to grow upon this success and keep the community engagement going,” he added.
Once the actual e-gaming tournament kicked off, law enforcement representatives from Arlington, Everett, Lake Stevens, Lynnwood, Mukilteo, and Tulalip were swept away by the youthful spirit that filled the B&GC Teen Center. The dedicated first responders found themselves swimming in a sea of contagious competition, where they weren’t alone. They had their teenage teammates as life preservers, carrying them to one score after another in an X-Box-based digital landscape.
For those unfamiliar with Rocket League, it’s a high-powered hybrid of arcade-style soccer and vehicular mayhem with easy-to-understand controls and fluid, physics-driven competition. Still not picturing it? Well, just imagine you and two friends are playing a soccer match against another team of three, except you’re all driving cars. Got it? Good.
Promoting positive interactions between youth and law enforcement goes a long way to building trust, respect, and an open line of communication within our 22,000-acre reservation. By doing so, it reduces the likelihood of misunderstandings, conflicts, and negative stereotypes, leading to a more harmonious relationship between Tulalip’s law enforcement and its growing residential population.
“Being a part of the community response team within the Tulalip Police Department, when I heard of this idea to join up with youth to compete against other cities, my initial reaction was what an amazing idea,” shared Officer Carrington. He’s served TPD for over three years now. “For me, being able to create positive interactions with kids and let them know that our priority is to protect them was why I wanted to become a cop in the first place. Being able to spend time with them in a fun setting, share stories, or even just hand out stickers can create moments that last a lifetime. I know I won’t ever forget this day.”
Positive interactions with law enforcement inspire young people to consider careers in law enforcement or related fields, which can help to diversify and strengthen the future of community policing locally. Experiences shared during the Rocket League tournament may have empowered a young individual or two to dream of becoming a cop one day, especially if it means leading an e-gaming team to victory one day.
Twelve-year-old Israel Ford was the living embodiment of this notion as he was routinely seen asking cops from each agency for those impossible-to-miss gold-colored, sticker badges. At one point, his white t-shirt was covered in them. “These are my badges of honor,” he declared to all those within earshot. His vibrant energy and collection of gold badges helped fuel his three-person team to the tournament title, and gold 1st place trophy.
“This was so much fun. Our cop carried us to the championship. He was really good and caught a lot of teams by surprise,” said 14-year-old Ashton Bullock of the tournament-winning Mukilteo team.
As it turned out, Adam Hodges, community resource officer for the Mukilteo Police Department, was a Rocket League sleeper. He admitted to having more than 2,000 hours played, which served him well in eliminating one team after another.
“These new age video games require so much brain power, hand-eye coordination, and team strategy in order to be successful,” said Officer Hodges. “Me, Ashton and Izzy played quite a bit in the weeks leading up to today so we could learn each other’s playing styles. This win comes with a lot of bragging rights, for sure, but more importantly, it comes with a bunch of shared memories filled with laughter and excitement. In a way, that makes everyone who participated in this tournament winners.”