By Micheal Rios, Tulalip News

Over the past decade, there’s been a shimmering surge in the popularity of Native American ribbon skirt making. These skirts, which are decorated with vibrantly colored ribbons and patterns that hold spiritual and cultural significance, have become an important symbol of Native identity and resilience. For Native American women, ribbon skirts are not only a bold fashion statement but also a powerful tool for cultural reawakening, community building, political activism, and economic empowerment.

At the heart of the ribbon skirt movement is a deep connection to tradition and culture. Ribbon skirts have been worn by Native women for generations and hold deep spiritual significance for many tribal communities across Turtle Island. They were often worn for important occasions such as powwows, weddings, potlatches, and other ceremonies.

Today, a new generation of modern matriarchs are literally sewing together past teachings with a shared identity of culture that isn’t afraid to create new traditions. Such is the case with owner and operator of Morning Star Creations, Nina Gobin. 

“There’s a lot of Natives reconnecting to the culture nowadays because being an Indigenous person in 2023 is much more welcoming than it was for past generations,” said Nina. “Many of our ancestors feared the consequences if they didn’t hide their culture, but now we’re in an era of empowering diversity. Native people can wear something like a ribbon skirt or ribbon shirt and be told, “Oh wow. That’s badass!” just by being proud enough to represent who they are and where they come from.”

The inspiring 23-year-old Tulalip tribal member learned the fundamentals of ribbon skirt making from her regalia making teacher Lisa Powers while attending Northwest Indian College five years ago. Afterwards, she received additional guidance from locally renowned ribbon skirt maker Winona Shopbell. Nina used the teachings of Lisa, Winona, and countless YouTube sewing tutorials to create a ribbon skirt style all her own. 

With each hand-made skirt she made and sold came a boost to her confidence and belief in ability to create something that was equal parts culture, fashion, and art. 

The rise of ribbon skirt making has led to economic empowerment for Native women, such is the case with Nina, who can circumvent typical manufacturing methods by creating these ribbon wonders in the comfortable environment of home. By creating and selling their skirts online or at local vendor markets, they are able to support themselves and their families while sharing their culture with others.

Sharing the gift of her skillset she developed from making and selling 200+ skirts over the last few years is a traditional teaching Nina takes seriously. Which is why she committed a weekend in February to welcome Native women willing to learn the basics of ribbon skirt making into her home and primary manufacturing space. 

Surrounded by fabric galore, ribbon that spanned the color spectrum, and all the sewing essentials they needed, a group of local women received a crash course in ribbon skirt 101. Their instructor, Nina Gobin.

“Honestly, this is the first time I’ve ever sewn anything in my life,” shared 31-year-old Britney Craig as she intently sewed metallic pink ribbon onto her floral-patterned skirt. “Learning to make ribbon skirts is something I’ve wanted to do for a long time. I actually bought a sewing machine five years ago and was intent on learning then, but life happened and I wasn’t able to. When I heard Nina was offering this class, I was so thrilled and jumped at the opportunity.”

Throughout their day together spent sewing machine troubleshooting, learning how to undo simple mistakes and creating vibrantly colored youth skirts, the ladies discussed the significance of ribbon skirts to the greater culture at large. Like how the use of ribbons in the skirts reflects the importance of color and design in the variety of Native culture, from coastal and woodland to pueblo and plains, with each ribbon symbolizing a specific meaning or purpose.

The group also discussed how cool it is to see high profiled Native women like Secretary of the Interior Deb Haaland and Lieutenant Governor of Minnesota Peggy Flanagan wear ribbon skirts on the national stage. Showcasing the strength of the ribbon is also something Tulalip’s own Deb Parker and Theresa Sheldon have routinely been intentional about when they are visiting various state and tribal delegations seeking support for their boarding school healing coalition. 

“I like how it’s becoming mainstream for all the gals to wear ribbon skirts,” said Teresa Jira while cutting her assortment of ribbon to the desired length. “These skirts are basically a representation of our shared culture and are no longer designated for ceremony only, but instead is like an everyday norm to empower girls and women all across the country. And that’s the point because when the general public sees our culture in the mainstream, whether its expressed through cedar or wool or ribbon, it’s powerful representation that we’re still here, adapting and thriving.”

The rise of ribbon skirts has also become a symbol of political activism for Native women. They have been worn at protests and rallies, representing the strength and resilience of Native women in the face of ongoing struggles for social and environmental justice. By wearing ribbon skirts, they are asserting their presence and voice in the world, while fiercely standing up for the rights of their communities.

Overall, the ribbon skirt movement is a powerful expression of culture and identity. For Tulalip women specifically, the act of making and wearing ribbon skirts is a way to honor their traditions, connect with their community, and assert their presence in the world. As this movement continues to grow and gain momentum, the ribbon skirt will continue to serve as an important symbol of Native identity. 

“Ribbon skirts represent a good balance of traditional practices and the ability to adapt and evolve with changing times,” explained Nina. “A good way to view them is through the same culturally artistic lens we use to view painters, beaders, weavers, and carvers. Our Native artists all have their own unique style that continues to adapt to new technologies and changing buyer markets. The styles and colors and textures may vary, but at the end of the day we all are trying to represent our people and culture in a good way.”

By Kalvin Valdillez, Tulalip News,; photos courtesy of Marysa Sylvester

Approximately twenty young adults prepared for a 1.7 mile run, beginning at the Mission Beach approach and ending at the Tulalip Dining Hall on the afternoon of September 30, 2021. Although nearly a year-and-a-half ago, this day was significant for the people of Tulalip as they took time to honor and remember their ancestors who endured the atrocities committed during the boarding school era.

The group of young women and men served as the torch bearers to officially kick-off the first annual Residential Boarding School Awareness Day gathering. Collectively, they resembled a flame as they blazed along the trail known as Totem Beach Road, in orange t-shirts, an intertribal symbol that helps raise awareness to the National Day for Truth and Reconciliation. And everybody who attended the event received their very own orange t-shirt to commemorate the emotional and historic day. 

With hundreds in attendance, there were orange shirts as far as the eye could see, and they all bore a design of a hummingbird and a flower in traditional form line. Many began their healing process that day, from the trauma that has trickled down the generations since the time of boarding schools and forced assimilation. Each person would walk away from that event with something tangible that they can look back on whenever they incorporate that t-shirt into their daily ensemble – a Marysa Joy Sylvester exclusive. 

“I actually started drawing in 2020, right when COVID hit,” said Marysa. “That’s when I got my first iPad and Apple pencil. I was pregnant then and I was just drawing all the time. I was really nervous to share any of my pieces with anyone. Orange Shirt Day was one of my first designs that I really shared with the community. I was honored to be able to share that work, and to see everyone wearing it was unreal for me. It was humbling and exciting, and honestly just a really good moment, because I knew that was the first big event for Orange Shirt Day.” 

Ever since her artwork was introduced to the public, people have been eager to get their hands on the designs created by the Tulalip and Quileute artist. In a year’s time, Marysa went from being hesitant to share her work to becoming a well-known and highly in-demand artist whose digital art has inspired other tribal members to break out their tablets and create designs of their own. If you are able to take a moment to scroll through her Instagram profile, @MarysaJoysCreations, you will be impressed at her ability to incorporate traditional art with modern technology. 

She shared, “When I used to draw, I felt it was not that good. I would start a project with pencil and paper, touch on it and move on. But when I picked up my iPad, it gave me more freedom and flexibility. The app I use is Procreate and it’s pretty similar to actually drawing on pen and paper, but it’s a little bit easier for you to undo any mistake you make. I think that really helped me start again. It was different, it felt good, and I was more inspired to express from my heart, rather than just trying to be good at drawing.” 

Working with the youth for nearly her entire adult life, previously at the Marysville School District and currently with the Betty J. Taylor Early Learning Academy, a major driving force behind her art is ensuring that Native kids are able to see themselves in her designs. Furthermore, she takes time to translate words into Lushootseed and incorporates the Tribe’s traditional language into her work to help children identify things like animals, fruit, body parts, weather, and a handful of phrases, all in the dialect of their ancestors. Marysa also utilizes her drawings to bring attention to issues and causes happening across Native America such as Orange Shirt Day and the MMIW/P epidemic.

“When I’m making those MMIW and Every Child Matters designs, I usually start off with a feeling. I’m conveying the feeling that I want other people to experience when they look at it. When I made the Orange Shirt Day design, I remember thinking of the kids, and how important our kids are, and how bright they are in our community. That was something I set out to convey in those pieces – how much they mean to us.” 

She continued, “I did a collection of posters with animals, sea animals, and body parts and had a ton of people reach out to me to ask if they could put them up at their schools or the centers they work at. That was amazing. The first one, the Safe Space poster, was distributed to the whole Tribe and I was really proud of that. I end up creating a bunch of free resources for teachers, because it’s so hard to find those [culture-based] resources as an educator. I remember as a student, when I would see those types of things in my classroom or at my school, I would get so excited. Being able to provide that is really important to me. And personally, I am a visual learner, so I think that will help students – pairing the Lushootseed with the art.”

Although Marysa’s journey with digital art is a fairly new endeavor, she is no stranger to creating Indigenous art pieces. In fact, she grew up learning the art of weaving, a skill passed down from her grandmothers on both sides of her family. And even with her newfound love of drawing, Marysa is still passionate about weaving and enjoys taking on projects such as cedar hats and graduation caps. 

  She explained, “I was always told to put your heart into your work and your good intentions. That is something that I do with my cedar weavings and in my digital art too. I got serious about weaving in 2015. Before that I had done a couple of projects with my grandma, but I really started weaving at the Senior Center. They have a basket weaving group of about six or seven elders, my grandma, her sister, and few other people. I started one of my baskets there, and after that I really got into it. I was making cedar medallions, cedar earrings, cedar caps. But when I got pregnant, I needed to take a break from it. 

“I was weaving a lot up until 2020, and I recently started it up again. I learned a lot about weaving from my grandma Joy and my grandma Mary. It’s been so cool to learn from both sides of my family, and they shared a connection as well and would go to weaving conferences together. And my dad (Harvey Eastman) also weaves. He’s an artist too.”

When picking up that Apple pencil, little did Marysa know that she would turn a COVID lockdown hobby into a full-blown business. Harnessing her genuine love for the work she does, matched with a personable and outgoing  personality, Marysa Joy’s Creations has come a long way from eye-catching Facebook and Instagram posts. Her designs can be seen all throughout the reservation, on water tumblers, sweatshirts, stickers, posters, phone cases, or iron-on patches. 

This past month, she officially launched her very own website, www.MarysaJoysCreations.com, where all her products are available for purchase. On the website you can find free digital Lushootseed posters, and you also have the option to place custom request orders. 

Said Marysa, “Someone actually just reached out to me for a tattoo design, which I was really amazed by. People have reached out about the Senior Luncheon design and the Orange Shirt Day design. So, if anyone stumbles upon me, they can reach out to me on the website if they want anything that is customized or specific to them. I’ve also done a couple logos for small businesses as well.”

You may recognize Marysa’s signature designs on the logos for other tribal member-owned businesses, including Shaylene Henry’s Coastal Sweets and Treats, Kwani Sanchey’s Sacred Skincare, and Nina Gobin’s Morning Star Creations. 

Marysa has a number of projects on the horizon that are sure to showcase her work with the Coast Salish art staples: trigons, ovoids, and crescents. Most recently, she received a shipment of seven colorful bolts of fabric, all of which feature her designs and can be used to create items such as regalia and ribbon skirts. The fabric that is currently available for sale includes dinosaurs, strawberries, moons, bear tracks accompanied with the slogan ‘Land Back’, flowers, and hummingbirds, with the promise of many more designs to come. 

She stated, “I’ve been really working on my repeating patterns, because those can go on anything. They can go on blankets, they can go on fabric, they can go on backpacks. When I make those designs, I try to make them really bright and happy. I try to express my heart through whatever I’m drawing in the moment, and I like things that make you feel happy when you look at them.” 

When asked what her top three favorite designs are so far, she mentioned one of her recent works, a cedar basket-themed piece that includes the message ‘Respect Our Ancestors’ in both English and Lushootseed, as well as the floral tattoo-esque design that reads ‘Honor Your Ancestors.’ And the Senior Luncheon commission that is a re-creation of a photograph of a young Marysa and her grandma offering prayers to the spirit of a cedar tree.  

It is clear to see that Marysa Joy’s Creations is resonating with tribal members throughout the Northwest region. And locally, the people of Tulalip are proud to say that Marysa’s art is a strong representation of the Tribe’s cultural lifeways, which is depicted in every single design that she creates. 

“I honestly draw all the time,” Marysa said. “Any free time I get, I draw. Digital art is now a big part of my life, I find it really soothing, calming, peaceful, and it’s a really good way to express yourself. You’ve got to be in a good place when you’re doing it. Sometimes if I need a break, I’ll step away and recharge myself and wait a bit before I pick it back up. I feel so good about the work that I put out and what it conveys, I am extremely grateful.”

Be sure to follow Marysa on all of your social media accounts to stay updated on her latest art pieces. She can be found on Facebook under the page titled Marysa Joy’s Weaving, and also on Instagram, @MarysaJoysCreations, as well as on TikTok as her Indian name, @Salsalitsa. And of course, her products for sale are available on her website. And as a reminder, that URL is www.MarysaJoysCreations.com.  

She expressed. “Overall, I think the vibe is to create and share resources that we can all use in our community. And I think it’s important to convey all those emotions and feelings with a good mind and a good heart.”