Hibulb Cultural Center opens new wool weaving exhibit

By Kalvin Valdillez, Tulalip News 

Generation after generation, the Coast Salish tradition of wool weaving was historically passed down from mother to daughter, since the beginning of time all the way until the years of assimilation. The art of creating clothing, regalia and blankets from wool was nearly lost until it saw a sudden resurgence in the early 2000’s. Of course, the tradition wasn’t completely lost, after the boarding school years a number of families continued to practice weaving. Both oral history as well as several artifacts served as reference points when bringing back traditional wool weaving. 

Master Weavers Betty Pasco (Suquamish), Danielle Morsette (Suquamish), Dr. Susan Pavel and Frieda George (Sto:lo Nation) are among the few names who deserve the most credit for the revival. These ladies took it upon themselves to host a number of classes on local reservations to teach tribal members the tradition that seemed to be fading from existence due to the advancement of technology.  

The revitalization allowed Coast Salish people to reconnect with the tools and textiles our ancestors created, as well as reflect on the significance certain woven items possess within tribal communities. Now all of the students from the wool weaving resurgence are passing their knowledge down to the next generation as more and more tribal members want to learn how to traditionally weave blankets and regalia, as well as the history of wool weaving.

On the night of November 2, Tulalip and surrounding communities gathered at the Hibulb Cultural Center (HCC) for an exclusive first look at the museum’s new exhibit, Interwoven History: Coast Salish Wool. As the guests entered the museum’s longhouse they were welcomed by HCC Senior Curator, Tessa Campbell. 

“This exhibit demonstrates the resilience of our people, our culture and how the teachings have been passed down,” explained Tessa. “Coast Salish wool weaving started to disappear around the early 1900’s with the introduction of the boarding schools. Around 1905 you started seeing the sale of goods by tribal members such as vegetables because they were learning how to grow crops. But basketry and woven blankets were being sold around this time also. Around 1920, tons of socks were being knitted, which seemed to replace wool weaving. And in the 30’s, the Tulalip Home Improvement Club was started by a group of Tulalip women and this one woman started teaching Coast Salish wool weaving. It seemed to disappear up until around 2000-2005 when Tulalip people start weaving again and it seems they learned from Susan Pavel and Danielle Morrissett. Those two weavers were the forces that brought back Coast Salish weaving in Tulalip.”

Woven tapestry by Frieda George.

Master Weaver Frieda George traveled all the way from Chilliwack B.C. with her family and was honored as the evening’s guest speaker. Frieda recalled first learning how to weave as a child, when she would visit with her grandmother. She also stated that she is a fourth generation weaver and has carried the tradition for her entire life, sharing her techniques with Coast Salish people for decades. Frieda’s daughter, Roxanne, then took the floor to share a story about how her great-great-grandmother used to cleverly place branches along pathways in the Canadian mountains where mountain goats were known to pass through. After a few days, she would return to the mountains and collect all of the fur from the branches to use for weaving traditional blankets. 

Museum attendees were free to explore the new exhibit in an open-house style setting. Upon entering the exhibit, your eyes immediately meet a beautiful wool woven shawl that was gifted to Tulalip Board of Director Mel Sheldon. You’re then taken on an interactive adventure that is fun for the entire family. The exhibit features a number of hands-on activities for the youth including a puppet show, a touch-screen weaving game as well as a sensory station. On display were a number of pieces created by Tulalip tribal members including a spindle whorl by Tulalip carver Mike Gobin and several regalia pieces woven by a number of Tulalip artists. 

Spindle whorl
by Mike Gobin.

“We reached out to the community to see who was an active weaver and if they wanted to loan any pieces,” says Tessa. “We had twelve pieces donated by weavers Virginia Jones, Carolyn Moses, Sarah Andres, Joy Lacy, Tessa Campbell, Andrew Gobin and Taylor Henry.”

“I did two pieces for this exhibit, a speaker sash with a matching headband,” explains Taylor Henry. “I’ve been weaving since 2014 and have been beading since 2004. Once I mastered beading, I wanted to expand my knowledge and put my hands in other textiles. I did these pieces on my own, it was my second project that I made on the loom my auntie Marci gave me. I wanted to stick with traditional colors, I did the natural white and brown, I didn’t want to go too contemporary. 

“It’s an honor to be asked to have something displayed in the museum,” he continues. “It’s important because it teaches us our identity and where we come from, who we are. We may work with commercial wool now, but we still use that traditional technique and style of weaving and that’s something that connects us to our ancestors.”

Traditionally, the Coast Salish people utilized fur from mountain goats as well as from wooly dogs when weaving. Wooly dogs were a breed that the Northwest tribes held in high regard because of their fur, so much so that tribes kept the dogs on nearby islands away from village dogs to prevent crossbreeding. In his expedition log, Captain George Vancouver stated that the wooly dogs resembled pomeranians but larger. The dogs were sheared every summer and their wool was used to prepare for the upcoming cold seasons. After the arrival of blanket manufacturers like the Hudson Bay Company and the importation of sheep, tribes no longer had to use wooly dog fur as sheep fur was more water resistant and blankets became easily accessible. Tribes eventually brought the wooly dogs back to their villages and because of crossbreeding, the breed went extinct in the early 1900’s. 

Shortly after the opening of the museum, HCC sent a traditional blanket to the University of Victoria so they could determine what type of fabric was used to create the blanket. The university recently contacted the cultural center with the results and to great surprise, the blanket was comprised of both mountain goat and wooly dog fur.

“I think the focal point of the exhibit is the fact that we have a wooly dog blanket which is very rare and very few museums throughout the whole world have them,” Tessa exclaims. “We’re so fortunate to have something from the 1820’s that helps preserve our culture and helps us tell the history of this important part of Coast Salish weaving.” 

Master Weaver Tillie Jones held a live demonstration during the exhibit’s first night. On large looms, she displayed two of the projects that she’s currently working on and explained the many intricacies and the importance of weaving. 

“We have a twill pattern, twine pattern and tabby pattern,” she says. “I really like to mix them, it reminds me of the blankets I grew up seeing, the significant ones the chiefs would wear and the status that comes with those different pieces. We also have different dyes. We use huckleberries and different natural materials whether it’s nettles, walnuts, madrona bark, you can use commercial dyes as well. Twining really teaches patience. You have to be present when your weaving, if you let your mind wander, you can make a mistake. It’s important because you’re putting yourself into your work, whether you’re a carver or a weaver, you’re bringing that work to life, you’re breathing life into your piece.”

Tillie is currently hosting a six-week course at the museum, teaching the community the art of wool weaving. The class immediately filled up upon its announcement but she encourages you to call HCC and request to be put on a waitlist for the next course and to visit the Interwoven History exhibit in the meantime.

“Whether we’re teaching or creating our weavings, we’re keeping it alive for the generations to come,” says Tillie. “We’re showing that this is the regalia that we used to wear, that we still wear and that this is who we are as Coast Salish people. That’s how we’re recognized, by our regalia. When we travel people recognize where we come from, who we are and what our roles are in life.”

Interwoven History: Coast Salish Wool is on display until the end of 2019, be sure to visit soon. And for more information, please visit www.HibulbCulturalCenter.org

Music yoU ROCK

By Kalvin Valdillez, Tulalip News 

For one hour, every Monday evening, the Tulalip Youth Council board room is turned into a music studio where a live rock band rehearsal takes place. As you approach the building, you hear the sound of drum patterns increasing and decreasing in pace and volume, accompanied by small fits of laughter. In the middle of the youth council chambers was a small circle of young musicians banging out beats on large paint buckets. The band is so caught up in the moment and exuding so much joy that their smiles become extremely contagious and every four measures somebody ends up making the entire group crack up with just a grin. 

As the drums started to decrescendo, a voice that many local youth would instantly recognize, began to sing the hello song, welcoming everybody to the rehearsal. Victoria Fansler, of the Snohomish County Music Project (SCMP), led the band with the first song of the day. Victoria often works with the Tulalip youth at the Betty J. Taylor Early Learning Academy, Quil Ceda Tulalip Elementary and many other schools and tribal programs, helping the kids overcome traumatic experiences through music therapy. Over a year ago, representatives of SCMP attended a meeting held by the Tulalip Youth Services Inclusive Advocacy Committee,  and from the meeting, Music yoU ROCK was created – an interactive, inclusive rock band instructed by SCMP Music Therapist, Colby Cumine. 

“We started about a year ago,” says Colby. “We attended a few parent committee meetings for tribal youth with special needs and there was talk about a lack of opportunities for kids with special needs, especially those who are aging out of services. After high school, there are no federal requirements to continue providing services for individuals with disabilities who graduate from high school. We started the program a year ago and we had three or four people sign up each quarter. And we’ve had three other successful quarters since then.”

After Victoria welcomes everybody to the class, the band practices a few more rhythmic exercises before Colby calls upon someone to pick a song the class can get down to. Colorful scarves are passed out as Colby queues up the jams on his phone. Once the beat drops, everybody is out of their seats, dancing and waving their scarves. Following the dance party, the group picks the instrument and partner of their choice and begin practicing a song. This particular day, the band worked on the Michael Jackson classic, Billy Jean. After practicing with their partners, the band reforms their circle in the middle of the room to perform the song altogether. 

“We are using music for goals that aren’t necessarily musical,” says Victoria. “In Music-Ed or a typical rock band experience, the focus would be on the final product, the performance and quality of the music. Here we’re focusing on that ensemble connection, noticing how each other plays and communicating together.”

“Music is a level playing field, everyone enjoys music in some form or another,” adds Colby. “In the music therapy setting, we don’t emphasize how well you can play the instrument but how much fun you’re having while playing the instrument. So if you’re a super talented guitar player who can play all the chords, licks and chops, or if you’re just strumming along having fun, both of those are equally as successful in this program. 

“It’s a really good way to bring people together,” he continues. “People are sharing songs here; every week we drum along to a song chosen by someone attending the group. Even today one of the guys was singing along to a song he doesn’t listen to outside of this group but he’s picking those lyrics up and connecting with other people through that song and that makes my day. It’s always cool to see their growth, it’s always such a rewarding reminder of why we started this program and why we want to continue it.”

Before the class ends, Victoria sings farewell to her bandmates. Many of the musicians meet up briefly after the class to discuss their day and speculate on how much fun next week’s class will be. 

“I come in every Monday,” says young rocker Ernie Mapanoo. “I like to play the guitars and learn to play the piano. Today I was working on a Michael Jackson song, I like that song a lot too, it was fun. I work on all kinds of songs though because I love music. I play the drums and guitar, that’s why I come out all the time to this rock band. [Colby and Victoria] are pretty cool too; I like them a lot.” 

This quarter, the band was joined by future music therapists Lindsey and Kesha, Seattle Pacific University music therapy practicum students. Throughout the entire session, the young ladies assisted the musicians with chords and tempo and shared laughs during both of the dance and drumming sessions. 

The musicians will continue vibing out the Youth Council board room every Monday from 4:30-5:30 p.m. until December 17. Towards the end of Music yoU ROCK, the band will record a few of their hits and have a listening party on the last day of the program.

Music yoU ROCK is funded through the Developmental Disabilities Administration (DDA). The program is open to the entire community. Those who are DDA participants can attend the program with no charge. For non-DDA particpants, the cost of the progam is $220.

For more information, please contact Tulalip Youth Services at (360) 716-4909 or the Snohomish County Music Project at (425) 258-1605.

Road Closure and Construction Notice

Q-Roadway Improvements and Infrastructure Project

Beginning the middle of November 2018, the intersection of 62nd Place NE and 31st Avenue NE will be closed due to construction of a new compact roundabout at the intersection. It is anticipated that the intersection will be closed for approximately 3 months.
During this closure, access to businesses along 62nd Place NE will be routed through the Tribal Justice Center parking lot as shown in the diagram below. Access to 31st Ave NE south of the closure area will be made via 33rd Ave NE and 60th Place NE.

N8tive Vote 2018 Rez-to-Rez tour visits Tulalip

By Micheal Rios, Tulalip News

On October 27, tribal leaders embarked on a momentous 10-day tour to visit all 29 of Washington State’s tribal nations in a first-of-its-kind effort to encourage Native citizens to have their voice heard by voting in the November 6 midterm election. 

According to the National Congress of American Indians (NCAI), nationwide 34% of eligible Native voters are not registered to vote. The turnout rate of American Indian and Alaska Native registered voters is also very low, being historically 5 to 14 percentage points lower than the rate of many other racial and ethnic groups. The Rez-to-Rez tour aimed to change that by going directly to Native voters and encouraging them to vote.

“The Puyallup Tribe is proud to sponsor the N8tive Vote 2018 Rez-to-Rez tour,” said Puyallup Tribe Chairman Bill Sterud. “This is the very first time we’ve had an intertribal tour like this. Now is the time to stand up and use your voice so get out and vote!”

While encouraging Native voter turnout, N8tive Vote 2018 also shared information about initiatives 1631 (Carbon Emissions Fee Measure) and 940 (De-Escalate Washington).

“This is a historical election year for Washington natives with both I-1631 and I-940 involving Native peoples and communities at their core,” said Quinault President Fawn Sharp. “As Natives, we have power… the power of our voice, the power of our unity and strength, and the power of our vote. We encourage all Natives to exercise that power by voting in this year’s election.”

The N8tive Vote 2018 movement came about thanks to a political coalition, called the First American Project, founded by an all-star collective of Native American leaders from within the state and their allies from fellow communities of color. With a mission to advocate for righteous environmental and civil rights policies, the First American Project’s first priority was to pass I-1631, the comprehensive climate change policy that was co-authored by tribal leadership. 

After visiting 21 tribes in seven days, N8tive Vote’s Rez-to-Rez tour made their 22nd stop at Tulalip on Friday, November 2. An engaged gathering of 40+ individuals from youth to elders convened at the Tulalip Youth Center for an evening dedicated to empowering each and every Native citizen to cast their votes and mail in their ballots. 

“My hands go up to all of you who are committed to spreading awareness and encouraging participation in this most important midterm election,” expressed Tulalip Chairwoman Marie Zackuse during the voting rally. “We must work hard to protect our people and our sovereignty that is being attacked every single day. We must never forget our ancestors who stood up strong and fought for us as a people to have the right to vote, to have our voices count.”

Tulalip tribal member Ryan Miller was recognized for his steadfast commitment to advocating and creating policies that protect the environmentand our treaty rights.

During the evening’s event, Tulalip tribal members Terry Williams and Ryan Miller were both recognized for their steadfast commitment to strengthening our community by advocating and creating policies that protect the environment and our treaty rights. For their years of service and dedication they both were wrapped in blankets and gifted cedar woven headbands. 

Tulalip tribal members Theresa Sheldon and Terry Williams with
Tim Reynon, Puyallip tribal council member. Terry was recognized by N8tive Vote Washington for his work in fighting climate change and protecting our treaty rights.

“It has been a very good day. A day where we came together as different tribes to speak the same language and see the same vision of what’s in front of us,” reflected Terry, who made his career as a treaty rights commissioner working for Natural Resources. “The togetherness allows us to walk in unison with good hearts and good minds as we look to protect our Mother Earth.” 


Celebrating midterm election results

Progress, justice, and history is being celebrated around Indian Country as Election Day results showed Democrats regaining control of the House of Representatives, Sharice Davids (Ho-Chunk) and Deb Haaland (Laguna Pueblo) becoming the first-ever Native women elected to Congress, and the tribal-sponsored Initiative 940 (De-Escalate Washington) passed with strong support.

“Washington becomes the first state in the nation to respond to the national conversation about use of force by passing a ballot measure by a direct vote of the people,” stated De-Escalate Washington’s official campaign page following the victory. “Yes on 940 will improve training, save lives, and help build better relationships between law enforcement and the communities they serve.”

A large contingent of 250+ Native citizens gathered at the Puyallup Tribe’s stylish showroom for an election night viewing party. The occasion also marked the final destination of N8tive Vote 2018’s Rez-to-Rez tour. 

“We are so grateful for Theresa Sheldon’s (center) leadership during our Rez-to-Rez tour. I call her the cheerleader because at every tribe we visited she would always lead us with her enthusiasm.”  – Puyallup Tribe councilman Tim Reynon.

“Today, we finished our 29th tribe on our amazing Rez-to-Rez tour,” reflected Tulalip tribal member Theresa Sheldon while addressing the crowd of supporters. “We have driven across the state from plateaus to the ocean, up and down the Salish Sea to encourage our people to vote! It’s been a fast and furious trip and I’m so thankful for this time.

“It’s been an absolute honor and privilege to have served on this journey to empowering our Indigenous communities,” she continued. “That fact that Initiative 940 passed is amazing; that is victory, that is justice, and that is speaking to the power of what we can achieve when we stand united.”

Celebrations were also enjoyed more locally by the Tulalip Tribes and their allies thanks to tribal member Senator John McCoy retaining his position by defeating challenger Savio Pham, and the passing of Fire District 15 Proposition #1, which will provide the Tulalip Bay Fire Department with much needed funding to upgrade emergency medical services.

Raising Hands: Celebrating charities and community groups making a positive impact

“We have not forgotten what it’s like to be in need; as we succeed because of our community,
we have a responsibility to give back.” – Chairwoman Marie Zackuse (2nd from left)

By Micheal Rios, Tulalip News 

On the evening of October 27, the Tulalip Tribes recognized and gave thanks to the 488 Washington non-profits and community groups who made a significant difference over the past year at the 11th annual Raising Hands celebration event. Held in the Tulalip Resort Casino’s Orca Ballroom, the stylish space was filled to max capacity as representatives of these high-impacting organizations came together to create an atmosphere of gratitude and shared values for making our community better.

“In the Tulalip Tribes tradition, we raise our hands to show appreciation to the numerous organizations that work so hard to contribute services to our community,” stated Chairwoman Marie Zackuse. “It is truly remarkable how many of our citizens, non-profits, and community organizations are involved in efforts to improve health care, education, natural resources and the well-being of our communities. The Tulalip Tribes holds this event every year to let these individuals, organizations, and surrounding communities know that we value their good works.”

This year’s Raising Hands recognized the prior year in community achievement stimulated by a record $7.9 million in Tulalip support to more than 480 charitable organizations. Since 1992, the Tulalip Tribes charitable giving program has donated over $92.1 million in critical support to the community and, indirectly, to their own membership by supporting regional efforts to improve education, health and human services, cultural preservation, public services, the environment, and the economy.

But the Raising Hands event isn’t all about dollars and cents. At the annual celebration, our community’s change makers are given a chance to celebrate each other, to share their plans for the future, and to learn how others are striving to make a difference in our communities. This is an invaluable benefit for organizations who can sometimes struggle to get their message broadcast to the larger community. 

This year, six recipient non-profits received special recognition for all that they do. Habitat for Humanity of Snohomish County, Leah’s Dream Foundation, Long Live the Kings, NorthWest Therapeutic Riding Center, Progressive Animal Welfare Society (PAWS), and Seattle’s Youth Symphony Orchestra (Musical Pathways Project) were highlighted for their good work serving the community. 

Additionally, there are traditional songs, speeches from tribal leaders, and videos that underscore the good work that is being done. Lushootseed language teacher, Maria Martin, opened the event with a compelling prayer. She was followed by the next generation of Tulalip culture bearers, 10-year-old KT Jean Hots and 8-year-old Allyea Lu Hernandez, performing Martha “səswix̌ab” LaMont’s Berry Picking Song. The exchange of cultural knowledge and understanding that took place at this year’s event was truly a sight to behold. 

“When you see people having these amazing, positive conversations that is when we see we are making a difference. Giving people the opportunity to work together is worth its weight in gold,” asserted Marilyn Sheldon, manager of Tulalip Tribes Charitable Fund. “We try to show respect and honor these charities that give so much of themselves for this community. We want them to feel like the red carpet got laid out, and that it’s just for them.

“Each year, as soon as the event is over, we ask ourselves how we can help make the next one better,” continued Marilyn. “Some days, I feel so blessed that this is my job. We are so fortunate to be able to work with these amazing organizations in Snohomish and King Counties, and throughout Washington State that do so much good in our communities.”

The Indian Gaming Regulatory Act (IGRA) of 1988 allows tribes to conduct certain types of gaming if they enter into a gaming compact with the state. Tulalip’s tribal-state gaming compact, like most, includes a provision to donate a percentage of gaming earnings to organizations impacted by gaming, as well as other charitable organizations. From this provision the Tulalip Tribes Charitable Fund was created.

Charitable Contributions Fund provides the opportunity for a sustainable and healthy community for all. The Tulalip Tribes strives to work together with the community to give benefits back to others to help build a stronger neighborhood. That’s why, in Tulalip, it is tradition to ‘raise our hands’ to applaud and give thanks to the numerous organization in our region that strive to create a better world through positive action. 

Non-profits and community groups may apply for quarterly awards through the Tulalip Cares program. For more information, visit the Tulalip Tribes Charitable Funds website at www.TulalipCares.org 

 

Tulalip Police Halloween Safety Tips

OFC Dyer,  Tulalip Police Department

Summer is over and Halloween is here! The Tulalip Police department wants everyone to enjoy this spooky holiday safely. Here are some tips for families to stay safe and enjoy a night out Trick-or-Treating.

Going door to door to stranger’s houses, crossing streets at night, and accepting food from people you don’t know are all things that parents generally hope their children avoid doing. The major exception to this is Trick-or-Treating.

Parents and Guardians can mitigate these risks by accompanying their children as they go door to door.

Limit what candy children eat as they Trick-or-Treat so that you can inspect it prior to it being eaten.

Avoid homemade treats unless you are comfortable with the source.

As children walk around at night they can increase their visibility with glow sticks, flashlights or reflective material. Be sure to follow all pedestrian signs.

Costumes that depict realistic weapons should be avoided in public as they can scare people and generate false police calls.

Encourage children to stay in groups and to have frequent contact with their Parent or Guardians.

If the house does not have decorations or at the very least porch lights it is likely that the residence is not participating in the festivities and should be avoided.

Jack-O-Lanterns may also present fire danger if they are left unsupervised. There are electronic illumination alternatives to keep your pumpkin shining bright.

Halloween Night is famous for mischief and pumpkin smashing. It may be necessary to take pumpkins or other decorations inside to avoid tempting vandals.

The Tulalip Police Department wishes you a fun and safe Halloween!

Fishing and Wildlife Commission Hunting Meeting

Hunting Meeting will be on November 14th, 2018 at 5:00pm and will be located at The Tulalip Administration Building in room 162; this will be an open meeting to discuss the upcoming hunting season. All Tulalip Tribal Hunters welcome!

 

The Tulalip Tribes Natural Recourse, 6406 Marine Drive, Tulalip, Wa 98271

Melody Hatch Office (360)-716-4565    melodyhatch@tulaliptribes-nsn.gov